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![Herbert Gustav Schmalz (Carmichael) (b.1856, fl.1879-1918) "Jairus's Daughter"] Signed, also extensively inscribed with the](http://lot-images.atgmedia.com/SR/10041/2669547/1035-63-10041_468x382.jpg)
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Herbert Gustav Schmalz (Carmichael) (b.1856, fl.1879-1918) "Jairus's Daughter"] Signed, also extensively inscribed with the artist's name and the title of the work together with a further inscription "And Jesus said- maiden arise and her spirit returned and she rose up immediately", also inscribed with the artist's address, oil on canvas, 92cm by 72cm (36 1/4in by 28 1/4in) *Exhibited at the New Gallery Summer Exhibition 1907. *The picture is contained within its original Victorian frame, elaborately decorated with foliage and other symbols. *The picture is sold together with a signed artist’s proof of the picture, inscribed “New Gallery” and dated ”1907”, also inscribed with the title of the work and the same inscription, contained within its original late Victorian or early 20th century black and gilt frame.
![A Mahogany Wheel Barometer, signed Francis Faverio & Co, Lincoln, circa 1820], the case with broken arched pediment and boxw](http://lot-images.atgmedia.com/SR/10041/2669547/1301-63-10041_468x382.jpg)
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A Mahogany Wheel Barometer, signed Francis Faverio & Co, Lincoln, circa 1820], the case with broken arched pediment and boxwood inlaid borders, hygrometer, inset thermometer box, 8-inch silvered dial, spirit level silvered dial signed "Francis Faverio & Co, Lincoln", 98cm high **This maker is recorded as working in Lincoln between 1810-30.
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A mid-late 19th century canvas sampler by Elizabeth Thomas born November 26th 1840 worked in crosstitch in coloured threads with alphabets and numbers above a verse To God the Father God the Son and God the Spirit three in one.. 41.5cm x 44.5cm in a rosewood veneered frame and a late 19th century canvas sampler by Mary Anne Mason aged 13 years worked in crosstitch in coloured silks with alphabets and a line of verse Go to thee an thou sluggard consider her ways.. 39cm x 40.5cm
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A late Victorian silver mounted glass and leather spirit flask, Sampson Mordan & Co, London 1891. of cylindrical form with detachable beaker, 15 cm long (small chip to glass) and a late 19th century American silver dish, of square shape on scroll feet decorated with a profusion of flowers, 16.5 cm square (3)
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Pamphlets.- Quakers.- Lawson (Thomas) The Lip of Truth opened against a dawber with untempered morter, for Giles Calvert, 1656; Rigge (Ambrose) The Banner of Gods Love and Ensign of Righteousness spread over His people in these later dayes..., for Giles Calvert, 1657; Fuce (Joseph) The Fall of a Great Visable Idol, by the coming of the invisible Power and substance..., for Thomas Simmons, 1650 for 1659; n.a..- A True Relation of the Persecution of the People of God Called Quakers in the town of Aroundel in the County of Sussex, and concerning the breaking up of their meeting and committing them to prison..., for Thomas Simmons, 1659; Tomlinson William A Word of Information to them that needs it; briefly opening some most weighty passages of Gods dispensations among the sons of men..., for Robert Wilson, 1660; Woolrich (Humphrey) A Declaration of the Tender Mercies of the Living Lord, in causing His holy day to spring from on high in this our age and generation..., ?1660; Fox (George) A General Epistle to be read in all the Christian Meetings in the World... sent to them by G. F., 1662; Fuce (Joseph) A Special Warrant given forth from the spirit of God...against the Spirit of Envy and Persecution..., 1663; Howgill (Francis) Truth lifting up its head above Slander; in an answer to Thomas Jackson...his lying paper which he left in the North of England...,1663; Rigge (Ambrose) A Standard of Righteousness lifted up unto the Nations..., and an Ensigne of Grace unto the People...with 34 Quaeries for L. Letchford..., 1963; Fox (George) To the Ministers, Teachers, and Priests (so called and stileing your Selves) in Barbados, 1672; Lawson (Thomas) An untaught toungless Teacher laid open. The unsound Doctrines of M. C. B. T. witnessed against, n.d., each preserved in an individual packet, 4to (12).
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A silver capstan inkwell with ogee moulded borders and a clear glass well, Birmingham 1920, 9.5cm diameter (3.75in), a small curved spirit flask, 1900. by A & J Zimmerman Ltd, 12cm long (4.75in), 96g (3. oz), and a pair of half-round clear glass toilet bottles with silver and red and green guilloche enamel hinged lids, 1902. by Levi and Salaman, in a brown leather cylindrical case, 12cm high (4.75in)
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A collection of small silver, comprising; a silver mounted cut clear glass spirit/hip flask, the mounts and monogrammed cup, London 1908-10. by Stewart Dawson & Co Ltd, a small spirit flask inscribed 'Irene', Birmingham 1919. by A & J Zimmerman, a pierced round sweet dish with two scroll-pierced flat handles, 1917. by Synyer & Beddoes, a napkin ring, 1929. a silver mounted perpetual calendar, 1916. by Charles S Green & Co, and two silver and mother of pearl handled folding fruit knives, 1891. and Sheffield 1924.
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A Gauge 1. locomotive 4-6-0. LMS Class 5. ‘Black Five’ spirit fired with silver soldered copper boiler built by B Bloor. Certificate No.002. locomotive No 5231. Initial test pressure 130psi. Retest pressure 100psi. Design working pressure 65psi. Safety setting 65psi. Last boiler test dated 4th.March 2003.The model with fluted motion hand rails and steps finished in LMS Black livery No 5231. 13.5cm high 10cm wide 61cm long.
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An approximately 1in scale model of a live steam traction engine having twin simple cylinders with trunk guides Stephenson’s link reverse eccentric driven water pump steam valve safety valve imitation speed governor solid flywheel belly tanks pressure gauge band brake to back wheel fair leads spoked wheels with strakes spirit fired with pressure vessel fitted. The traction engine finished in green and black paintwork and is sold together with a finely fitted out living van and water cart having fitted water pump. 120cm long.
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Joachimides, Christos M., & Norman Rosenthal (editors), American Art in the 20th century Painting and Sculpture 1913-1993, London, Prestel, 1993, small folio (300mm x 220mm.), half title, illustrations, and plates, many colour, original black cloth, pictorial dust-jacket With a number of other works including, Uwe M. Schneede Surrealism The Movement and the Masters (New York, 1973), Nathaniel Harris Rugs and Carpets of the Orient (London, n.d.), Eugene A. Delcroix Patios, Stairways and Iron-Lace Balconies of Old New Orleans (New Orelans, 1941), Margit Rowell and Angelica Zander Rudenstine Art of the Avant-Garde in Russia: Selections from the George Costakis Collection (New York, 1981), Ulrich Luckhardt Lyonel Feininger (London, 1989), Great French Paintings from the Barnes Foundation Impressionist, Post-impressionist, and Early Modern (Boston, 1993), Keith Harltey (and others, editor), The Romantic Spirit in German Art 1790-1990 (London, 1994), John S. Badeau (and others) The Genius of Arab Civilization Source of Renaissance (London, 1976), and Charlotte Gere s Nineteenth century Interiors An Album of Watercolours (London, 1992)
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Scheja, Georg, & Bert Koch, The Isenheim Altarpiece, New York, Harry N. Abrams, 1969, small folio (290mm x 250mm.), half title, colour frontispiece, colour plates, and illustrations, original black cloth, spine and front cover lettered in gilt, pictorial dust-jacket With a number of other works including, Roseline Bacou Great Drawings of the Louvre Museum (New York, 1968), Gert Schiff 9introduction by) The Amorous Illustrations of Thomas Rowlandson (USA, 1969), George Heard Hamilton 19th and 20th century Art... (New York, n.d.), Antonin Matejcek & Zdenek Wirth Modern and Contemporary Czech Art (London, 1924), and Alec Clifton-Taylor, John Julius Norwich, Roy Strong (and others) Spirit of the Age... (London, 1975),
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49464 item(s)/page