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Lot 42
A pair of silver spirit lables Roberts & Belk Ltd, Sheffield 1977, Whisky and Sherry engraved plaques with Royal Coat of Arms 1952-1977, limited editions 734 and 787 each of 2500 to celebrate the Queen`s Silver Jubilee, 6cm long, weight 1.5oz, together with a silver wine coaster, Birmingham 1992 and a decorative silver coffee spoons For details of the condition of this lot please contact the auctioneer.
Lot 66
A set of seven silver spirit labels, Harman Brothers, Birmingham 1961, each of rectangular form with rounded corners and gadrooned rims, to include; Gin, Madeira, Whiskey, Marsala, Sherry, Vermouth and Port, all suspended from silver chains, weight 2.5oz (7) For details of the condition of this lot please contact the auctioneer.
Lot 77
A set of five white metal and enamel spirit lables, each of shield form with blue enamel letters upon engine turned ground and green enamel borders with four characters to the reverse, all suspended on chains (at fault), together with an American silver souvenir spoon, an `S` white metal label on chain, and a `Wellington` pendant (8) For details of the condition of this lot please contact the auctioneer.
Lot 126
A late Victorian silver mounted Doulton Burslem spirit flask by Horton & Allday, Birmingham date obscured (post 1890), circa 1900, the spherical screw-on cover applied with a script monogram, the flattened oblong body painted and gilt with a bird on a fruit tree bough, green printed mark, 13cm (51/8in) long, in a leather covered fitted box for Sherman & O`Neill, Belfast
Lot 135
A crocodile skin suitcase with silver gilt fittings by Mappin & Webb, London 1927, with twelve linear cut glass jars, four bottles and other fittings, including a spirit flask, a folding corkscrew and a nail buffer, a part manicure set in a crocodile wallet and two crocodile boxes, the case cover now with a blank reserve, gilt stamped for Mappin & Webb as retailer, 55cm (21 3/4 in) wide
Lot 290
A mahogany mercury wheel barometer, early 19th century, the 8 inch circular silvered register calibrated in inches and with the usual observations beneath ebonised bordered convex mirror, arched alcohol scale Fahrenheit thermometer and hygrometer to the restored swan neck pediment, the rounded base with spirit level signed Pedrone Brothers, Carlisle to the rounded base, 97cm high
Lot 704
A group of Seton Pottery, for Martell Cognac, limited edition water jugs from `The Spirit Behind the National`, comprising; `Rough Quest - The Winner 1996`, `Minnehona - The Winner 1994`, `Race Void - 1993` and `Party Politics - The Winner 1992`, and a plated, galleried decanter tray for Famous Grouse, designed by G Stanley Todd 1986, 30 by 14.5cm. (5)
Lot 51
JAWLENSKY, ALEXEJ VON 1864-1941 Landschaft mit rotem Dach, Wasserburg , signed. Oil on board, 48.5 by 52.5 cm. Executed c. 1906.Provenance: Museum Wiesbaden, Wiesbaden, acquired by 1952.Galerie Wilhelm Grosshennig, Düsseldorf, acquired by 1961.Anonymous Sale; Lempertz, Cologne, 28th November 2007, Lot 154.Acquired from the above.Private collection, Germany.Private collection.Exhibited: Alexej Jawlensky, Neues Museum, Wiesbaden, 4 September-3 October 1954, No. 10 (label on the reverse).Kunstwerke aus Galeriebesitz, Städtisches Museum, Wiesbaden, 14 October-117 March 1956-1957, No. 24.Alexej Jawlensky, Galerie Wilhelm Grosshennig, Düsseldorf, 3-31 October 1961.Vom Abbild zum Urbild, Ganserhaus, Wasserburg, 5 September-28 October 1979, No. 8.Literature: C.Weiler, Alexej Jawlensky, Cologne, 1959, p. 262, No. 514, illustrated.Vom Abbild zum Urbild, Wasserburg, Ganserhaus, 1979, p. 32, No. 8, illustrated.M. Jawlensky, L. Pieroni-Jawlensky & A. Jawlensky, Alexej von Jawlensky, Catalogue Raisonné of the Oil Paintings, 1890-1914, London, 1991, vol. I, p. 136, No. 145, illustrated.Landschaft mit rotem Dach, Wasserburg (Landscape with a Red Roof, Wasserburg) is an early work by the outstanding innovator and gifted colourist Aleksej von Jawlensky. It was painted in 1906 at Wasserburg am Inn, at a time when the artist’s enthusiasms for various styles were constantly shifting and he was seeking his signature colour palette.In January of that year Jawlensky showed nine pictures at the World of Art exhibition in St Petersburg, along with Mstislav Dobuzhinsky, Vladimir Serov and Konstantin Somov. The exhibition was organised by Sergei Diaghilev, who invited Jawlensky and Marianne von Werefkin to spend the winter with him in St Petersburg. That summer the artists set out for Wasserburg, an old Bavarian town with narrow lanes and picturesque views. Jawlensky worked tirelessly, painting from nature, excited by the idea of “life in colour”.The countryside had a calming effect on Jawlensky: his colours were already less outrageously dazzling, and light and dark bluegreen tones now predominated in his pictures, while his yellows and reds became somewhat muted. The landscape is charged with exceptional energy, conveying the psychological state of a person as he contemplates nature. Jawlensky was a real observer, convinced that it was necessary to devote one’s whole being to take in and commit to canvas the beauty of nature. Of the works of this period — mostly spent in Germany with only occasional visits to Russia — a significant number were landscapes, executed in the spirit of Impressionism. However, over time, the artist adopted the portrait as his favourite genre and this is the genre in which he was to work most and which was clearly the answer to all his creative urges.Jawlensky was forever trying to find himself and continually discovering new enthusiasms. His acquaintance with Matisse and his passion for the work of Cézanne and later Gauguin, greatly influenced his aesthetic views and it was under the influence of the French masters that Jawlensky developed his individual colour palette, which would blaze particularly brightly on the eve of the First World War.
Lot 257
RUSSEL CROUSE: MR CURRIER AND MR IVES, NY 1930, 4to, orig two-tone cl + W S HALL (ed): THE SPIRIT OF AMERICA CURRIER AND IVES PRINTS, “The Studio”, 1930, 1st edn, 4to, orig pict wraps + HARRY T PETERS: CURRIER AND IVES PRINTMAKERS TO THE AMERICAN PEOPLE, NY 1942, 4to, orig decor cl, pict paper label worn (3)
Lot 387
A Victorian plated entrée dish and cover with warmer base, of rectangular form with fluted decoration and gadrooned borders, the interior with tree and well, together with an Elkington & Co. plated four piece tea set, comprising teapot, spirit kettle and stand, milk jug and sugar bowl and a plated on copper jug.
Lot 495
One bottle Taylor`s Port 1963, one bottle J G F & S Vieux Cognac 1858, one bottle John Russell of Gravesend Fine Old Jamaica Rum, one bottle Ellis & Co. Finest Old Jamaica Rum, one bottle unidentified wine bearing stamp to cap "Berry Bros & Rudd" and an unidentified spirit bottle dated to the cap "1887" and bearing indistinct stamp
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49464 item(s)/page