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Lot 248

A BOXED HORNBY OO GAUGE MODEL TRAIN PACK, Northern Rail Class 156, 'Spirit of the Royal Air Force', set no. 156480, DMS no. 57480, DMSI no. 52480, in new condition with unopened accessories and instruction manual, outer cardboard box in good condition

Lot 827

A MIXED LOT TO INCLUDE A ROYAL DOULTON 'SPIRIT OF YOUTH', A/F, STUDIO POTTERY JUGS, BOXED COMPACTS, BURLINGTON WARE JUG, ETC

Lot 26

Three Truscot Potteries Toby jugs, by Ted Elkin and Jan Doman, designed by John Armstrong, comprising John Mulligan, no. 254, Henry Porter and Paul Smith, together with a pair of Metaxa Five Star half litre spirit barrels, moulded as figures in traditional costume and six bells commemorative and traditional whisky decanters, some with contents. (11)

Lot 26

Green-Man Moth - Sponsor: Green Light / Liberty Artist: Lois Cordelia The Green Man or Foliate Face is a timeless symbol that appears in ancient carvings as a face surrounded by leaves. It is a symbol of the endless cycle of rebirth, re-growth or re-greening in nature. It is as if we stand face to face with the spirit of nature, who meets us with calm, level gaze or a playful mischievous grin! Many foliate faces suggest this playful game of hide and seek amongst the foliage. How many faces can you spot peeping out from the leaves?

Lot 38

Where the heart is - Sponsor: Charles Stanley Artist: Stuart Belton The single thread that intertwines and weaves its way all over the entire elephant symbolises the passage of life to death. This thread can be followed from its start to its finish – unbroken, the bright patchwork of colours that surround the thread celebrate the beauty, diversity, and richness of life. The thread becomes more intense around the area of the elephant’s heart. This design is ultimately a celebration of life, community, and the spirit of being human.

Lot 6039

Gentle Giant Star Wars Return of the Jedi Light-up Spirit of Yoda collectible bust, 2007 Convention Exclusive, Limited Edition number 2005/25000, Near Mint, within Excellent opened packaging, includes insert and certificate.

Lot 6059

Gentle Giant Star Wars Light-up Spirit of Obi-Wan Kenobi collectible mini bust, Toy Wishes Exclusive, Limited Edition number 1585/2000, Near Mint to Mint, Within Excellent to Near Mint opened packaging, including insert and certificate.

Lot 1103

A Pratt's Perfection Spirit Anglo-American Oil Co Ltd enamel sign, approx. 46 x 122 cmFaded, some loss and chips, see photographs

Lot 1155

A Rolls-Royce Spirit of Ectsasy mascot, designed by Charles Sykes, possibly for a Ghost or Phantom, 13.5 cm highProbably 1920's. Plate is worn, height including thread is 17 cm high

Lot 8

A late Victorian silver pocket spirit flask of curved rectangular shape with hinged ball cap, cm high; London 1899, by W. S. Hutton & Sons. (6 oz).

Lot 38

A mid-20th century travelling spirit decanter set, containing three shaped flasks and four gilt-lined cups, in leather case with strap and other items.

Lot 36

An Edwardian Silver Plated Spirit Kettle with Burner, 30cms High

Lot 49

Progressive Rock LPs, approximately twenty-five albums of mainly Progressive Rock with artists including Deep Purple, Led Zeppelin, Jethro Tull, Family, Colosseum, Ginger Baker's Airforce, Soft Machine, Roxy Music, Brian Eno, Fripp/Eno, Faust, ELP, Ekseption, Spirit, Curved Air, Queen, Pentangle, Focus, String Driven Thing, Grateful Dead and more - various years and conditions

Lot 17

Prog / Hard Rock LPs, approximately forty-five albums of mainly Progressive and Hard Rock with artists comprising Ten Years After (5 albums), Free (6 albums), Spirit (5 albums), Janis Joplin (2 albums), Stone The Crows (3 albums), Maggie Bell (2 albums), Bad Company (3 albums), Nazareth (3 albums), Steppenwolf (3 albums), The Allman Brothers (3 albums), Duane Allman (2 albums), The Band (3 albums), The Guess Who (2 albums), The Pretty Things, Paul Kossoff, Rare Earth, Randy California, and Leon Russell - various years and conditions - many Excellent

Lot 214

Magnum LPs, ten albums comprising The Spirit, Wings of Heaven, On A Storytellers Night, Mirador, Marauder, The Eleventh Hour, Goodnight LA, Chase The Dragon, Vigilante and Anthology - Anthology Sleeve has some wear, otherwise mainly all in Excellent condition

Lot 550

Spirit Folio F1 Faders, two Soundcraft Two Spirit Folio F1 Fader 100s with power units, appear unused, Excellent condition untested

Lot 249

Rock / Psych LPs, sixteen albums of mainly Classic and Psychedelic Rock with artists comprising Jimi Hendrix, Cream, Jefferson Airplane, Free, Spirit, Al Stewart, Steve Miller, Dr John, Country Joe & The Fish, Mott the Hoople, Graham Nash, Steppenwolf, Gram Parsons and Paul Kantner - various years and conditions

Lot 96

Rock / Prog / Metal LPs, approximately fifty-five albums of mainly Progressive and Classic Rock and Metal with artists including Dio, Judas Priest, Saxon, April Wine, Ted Nugent, Genesis, Peter Gabriel, Atomic Rooster, Tangerine Dream, Spirit, Robin Trower, Ten Years After, Focus, Maggie Bell, Status Quo, ZZ Top, Mike Oldfield, Alan Parsons Project, Pat Benatar, Jon Anderson, Santana, Rick Wakeman, Styx, Joe Walsh and more - various years and conditions

Lot 38

4 x Glen's Spirit Drink : 2 x Passion Fruit & Peach and 2 x Strawberry & Apple, all 70 cl. (4)

Lot 198

Selection of Spirit Miniatures to include: Chartreuse, Cognac, Gin, Vodka, Drambuie (15 Total)

Lot 243

SOUL - LP COLLECTION. A smashing collection of 33 soul LPs. Artists/ titles include Cissy Houston - Presenting (SMLP80), The Nights (LSLP 1003), Ronnie McNeir (PLP-10007), Carolyn Franklin - Baby Dynamite (LSP-4160), Mavis Staples - Only For The Lonely, Brenton Wood - Gimme Little Sign, Carla Thomas - Memphis Queen, Garland Green - Jealous Kind Of Fella, Sly & The Family Stone - There's A Riot Goin' On, Kool & The Gang inc Spirit Of The Boogie, & The PJs Live. The Jive Five - I'm A Happy Man. The Platters, Jackie Ross, Ty Karim, Barbara Acklin, Aretha Franklin, Soul Survivors, Jackie Lee, Jay & The Techniques, Danny Wagner, Bobby Womack, Leroy Hutson, The O'Jays, Al Green, Maxine Brown, The JBs, Donnie Elbert, Lou Rawls. Condition is generally VG to Ex with some a little below, some a little above.

Lot 267

REGGAE - LP / 12" COLLECTION. A collection of around 80 x LPs/ 12". Artists/ Titles include Beverley Simmons Pays Tribute To Otis Redding (PMLP-1), Prince Buster - I Feel The Spirit (BBLP 802, record sticks on side 1), Prince Buster Fabulous, The Upsetters - Return Of Django, Bob Andy's Song Book, Derrick Morgan - Forward March!, Jackie Edwards, Owen Gray, Eddie Lovette, Delroy Wilson, Ken Boothe, Toots And The Maytals, Dave And Ansell Collins, Desi Roots, Bob Marley & The Wailers and Judge Dread. Please note condition varies and whilst some records grade Ex some records grade below VG.

Lot 142

Child Jesus, The Good Shepherd surmounted by a medallion "God the Father and Dove of the Holy Spirit" and a branch, ivory sculpture, terraced stand "Our Lady, Saint Joseph, Mary Magdalene, Source of Life, birds, lions and sheep among plants", carved ivory stand "Sheep", Indo-Portuguese, 17th/18th C., one bird missing, branch without leaves, other two branches missing. Notes: vd. catalog of the exhibition "A Expansão Portuguesa e a Arte do Marfim". Lisbon: Calouste Gulbenkian Foundation, 1991, p. 105, fig. 262. This lot is subject to CITES export/import restrictions and is duly certified No. ???????????????????. Cabral Moncada Leilões warns of the fact that several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and turtle. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned., Dim. - (sem medalhão) 20,5 cm

Lot 27

A staff «female figure», carved wood, carved staff handle "Woman's head and breasts"., Angolan - Ovimbundu, 19th/20th C., faults and defects, purchased in Porto, in 1975. Notes: Provenance: Collection of Engineer Elísio Romariz dos Santos Silva, item number 237, referred to in the notebook of the collector «Angola - Arte Negra, Arte Negra, Relação e descrição das peças», identified in it as «Bastão»:"Topped by a woman's head, whose hairstyle formed 2 braids falling over the nape of the neck (the one on the left is broken and has disappeared) on top of the head there is a protrusion of the hairstyle. [...] Underneath the hairstyle and on the forehead, there is a decoration of 5 grooves (in the middle there are only 3). The staff's stem has 2 breasts, whose nipples are in the same position of almost extreme diameter. The base of the stem has an elongation. [...] Purchased in Oporto in 1975 [...]". "The staff representing unique figures (often female) generally represent the ancestral spirit that protects the respective owner […]" - cf. JORDÁN, Manuel - "Os Tshokwe e Povos Aparentados". In "Na presença dos Espíritos - Arte Africana do Museu Nacional de Etnologia, Lisboa". Lisboa: Museu Nacional de Etnologia, 2000, p. 111. There are staffs with some similar characteristics at the National Museum of Archeology - vd. https://www.matriznet.dgpc.pt/MatrizNet/Objectos/ ObjectosConsultar.aspx?IdReg=1072882 - consulted on February 24, 2023, at 08:29., Dim. - 66 cm

Lot 28

A «Muila» dance staff, wood, leather, beads, buttons, metal, carved staff top "Torso and head of woman with trilobed hairstyle"., Angolan - Lubango - Huila, 20th C. (1st half), fault on one of the arms of the sculpture, fracture, possibly later leather, major patina wear, other small faults and defects, purchased at an exhibition of handicrafts held in Luanda, on the Marginal, by the Instituto do Trabalho, in August 1966. Notes: Provenance: Collection of Engineer Elísio Romariz dos Santos Silva, item number 60, mentioned in the notebook of the collector «Angola - Arte Negra, Relação e descrição das peças», identified in it as «Bastão de dança Muila (?) - Itanda (?) »: "The staff is surmounted by a half body with two arms, one of which, the left one, is 'broken'. The head, with a trilobed hairstyle, is ornamented with brass metal studs [...]. Covering the body is a leather cover, made up of three pieces; the central one over the others [...]. Purchased at an exhibition of Handicrafts held in Luanda, on the Marginal, by the Instituto do Trabalho, in August 1966 [...]. This item's file (1751) did not specify the ethnicity of its author and owner - Chimbindua, from the village of Hoque, Posto do Hoque, Municipality of Lubango, District of Huíla". "The staffs that represent unique figures (often female) usually represent the ancestral spirit that protects the respective owner […]" - cf. JORDÁN, Manuel - "Os Tshokwe e Povos Aparentados". In "Na presença dos Espíritos - Arte Africana do Museu Nacional de Etnologia, Lisboa". Lisboa: Museu Nacional de Etnologia, 2000, p. 109., Dim. - 39 cm

Lot 289

VERNEY, Luís António.- [...] De re Metaphysica ad usum Lusitanorum adolescentium libri quatuor.- Romae: Ex Typographia Generosi Salominii in Foro S. Ignatii, 1753.- XXXII, 240 p.; 21 cm.- E., First edition (variant A) of one of the most important texts of the Pombal reform of education in Portugal. Luís António Verney (1713-1792), son of French parents, but born in Lisbon, the greatest exponent of the Enlightenment in Portugal and one of the most famous Portuguese "estrangeirados", studied at the College of Saint Antony the Abbot, in Lisbon and at the Oratorians, at the Convent of the Holy Spirit of the Quarry, before graduating in Theology at the University of Évora. Ownership manuscript of the time, on the title page: Coll: Anglor: Ulyssip: —Preston. Clean copy with large margins. Remarkable shagreen “vieux rouge” contemporary binding, slightly worn, with a slightly dehydrated spine and small damage to the turn in; identical covers with ornamental borders (roulette) and elaborate decoration in the corners with loose tools, similar to the éventail style; coat of arms of Portugal, engraved in gold on the central fleuron; gilded and chiseled edges; it preserves the original endpapers in marbled paper. Verneian Bibliography, 72 (p. 482).

Lot 37

Maternity, wooden sculpture representing a female figure holding a child, Congolese - Yombe, 19th/20th C., minor defects. Notes: Provenance: Collection of Engineer Elísio Romariz dos Santos Silva Fig. 5 in the notes printed "A Escultura Tribal dos Povos Banto" updated version, from 1995, of the work with the title "A Escultura Negro-Africana Vista à Luz da Filosofia Banta", which the author presented in 1971, for the XXII Floral Games of Huambo Town Hall (former Nova Lisboa) - Angola, p. 12. Original work available at https://memoriaafrica.ua.pt/Library/ShowImage.aspx?q=/bchuambo/bchuambo-026&p=10, consulted on March 16, 2023 at 11:16. Item number 1, mentioned in the notebook of the collector «Angola - Arte Negra, Relação e descrição das peças», identified in it as «Maternidade»: "Protective image (Ntadi), with supernatural strength (Nkissi); dedicated to the spirit Mumaza, to prevent the sterility of its owner and his family, called «ngudi ye muana masa". It is kept in the «Ngudi a nzo» (mother place), that is, the conjugal room of the head of the family, a secret and inviolable place of intimate life, where only the head of the family and the woman who accompanied him could enter, or whoever he authorized. The woman has colloidal tattoos, generically called «Nsamba» [...]. She has a pointed cap on her head, known as "N'sumba" and, over her breasts, a double cord with a large cylindrical bead, which only consecrated chiefs could have. The use of this bead is in disagreement with the type of cap, which is different from the «Mpu», exclusive to the families of consecrated chiefs. The tattoo, the cap and the bead are the 2nd degree formal elements that place the image in the ontological order of the living, but do not individualize it. [...] Purchased in 1966, in exchange for a Muana Pwó mask, of very good quality, purchased in 1965 in the Lovua region, Luanda, from [...] Rodrigo Dinis, an employee of the C.F.B, in Lobito. He who had painted the statuette in Repe black ink (water ink) and informed that it had been taken to Portugal at the end of the 19th century by his uncle José Caetano Correia Henrique, who was in service in Angola as an army officer" - Cf. Bibliography referred to by collector: (possibly) VERLY, Robert - "Les mintadi: la statuaire de pierre du Bas-Congo (Bamboma-Mussurungo)". Louvain: Revue Zaïre, 1955; JAHN, Janheinz - "Muntu: African Culture and the Western World". Paris: editions du Seuil, 1961; and his article SILVA, Elísio Romariz dos Santos - "A Escultura Negro Africana Vista à Luz da Filosofia Banta" published in "Boletim Cultural do Huambo", nº 26. Nova Lisboa [Huambo]: Serviços Culturais do Município de Nova Lisboa [Huambo], 1971, pp. 11-20, available in https://memoria-africa.ua.pt/Library/ShowImage.aspx?q=/BCHuambo/BCHuambo-026&p=10, consulted the 11 de Março de 2023 às 14:30. Vd. «Maternity sculptures in LAGAMMA, Alisa - "Kongo - Power and Majesty". New Haven: Yale University Press, 2015, pp. 40-41, 70-71 and 180-181, figs. 15, 38 and 122; and in LEHUARD, Raoul - "Les Phemba du mayombe - Collection Arts D'Afrique Noire". Arnouville: Arts d'Afrique Noire, 1977, pp. 47, 77 and 119, nºs 10 and 26. "[...] these maternities - in search of the idealized representation of female beauty - sometimes of excellent craftsmanship, were carved in large numbers on the coast of Loango and Cabinda, in the second half of the 19th century, on the occasion of a new popular cult of «nkisi» - known as «mpemba» - favorable for the treatment of gynecological problems" - cf. and vd. the catalog "Escultura Angolana - Memorial de Culturas". Lisboa: Museu Nacional de Etnologia, 1994, p. 66, nº 12. A similar example is part of the collection of the Museu Nacional de de Etnologia, with the number AO.907 - vd. https://www.matriznet.dgpc.pt/MatrizNet/Objectos/ObjectosConsultar.aspx?IdReg=1125006, consultado a 18.08.2023 às 12:03., Dim. - 27 cm

Lot 5

A «Mwana Pwo» Mask, wood, fibers and metal, mask representing the ideal of female beauty, used by professional dancers in various types of ceremonies, Angolan - Tshokwe, 20th C. (1st quarter), minor defects, from the region of Saurimo, province of Lunda-Sul. Notes: Provenance: Collection of Engineer Elísio Romariz dos Santos Silva Fig. 7 in the notes printed "A Escultura Tribal dos Povos Banto" updated version, from 1995, of the work with the title "A Escultura Negro-Africana Vista à Luz da Filosofia Banta", which the author presented in 1971, for the XXII Floral Games of Huambo Town Hall (former Nova Lisboa)- Angola, pp. 13-14. Original work available at https://memoriaafrica.ua.pt/Library/ShowImage.aspx?q=/bchuambo/bchuambo-026&p=10, consulted on March 16, 2023 at 11:16. Item number 4, mentioned in the collector's notebook «Angola - Arte Negra, Relação e descrição das peças», identified in it as «Máscara Muana Puo»: "Tattoos: - on the forehead and chin: «Mupila»; - on the cheeks: «Masoji» (tears), «Tubenga» (which is not straight); - on the nose: «Cangongo». - The nasal septum is perforated to be crossed by a stick (mutondu wa zulu), ethnic mutilation that was widely used by the populations of northeastern Angola, but is now in disuse. - Several cross-shaped signs (variants of «mipila»?) all over the face. On the forehead are two brass head studs. [...] Purchased on May 30th. [19]70 to Sanssango Tchiouga, a Tshokwe dancer who represented(?) in the Lumeje region. This dancer lived in the Soba Jamba sanzala (Luena), north of the C. F. Benguela railway line [...]. The mask, his costume and two rattles were kept in a good wooden box with a lid [...]. Purchasing the mask was very difficult because the dancer said that the mask had come from the region of Saurimo (Henrique de Carvalho) and that in Lumeje there was no sculptor who could make another one as beautiful and good [...]. For this reason, after a long conversation, not only with me, but also with his friends, whom he asked for advice, he decided to sell it [...] but when he handed it over, tears came to his eyes, it was a pity to part with it and to have to go without dancing for a while until he found another". According to Marie Louise-Bastin "The name of the mask is Pwo, "Woman", or Mwana Pwo, "Girl". It used to represent a mature woman who had proved her fertility by having a child. More recently, due to changing African values - possibly under European influence - this mask has represented a girl and the hope of having many children. The male masquerade, embodying the female ancestor, guarantees fertility to the spectators during his performance. He has fake breasts and wears cloth draped around his hips and a heavy crescent-shaped belt that bounces up and down as he moves his back. In the past, these gestures were discreet and elegant in order to teach women graceful manners. When ordering a mask, the dancer offered a brass coin, the symbolic price of a bride. Treated as if it were a person, the mask was often buried by the death of the dancer, whose profession generally passed to the nephew. A professional sculptor ('songi') was then tasked with producing a new mask, a process that formerly took several weeks. He worked in the bush, using as a model a woman whose beauty he admired. To that end, he took every opportunity to meet her and observe her features, including her tattoos, hairstyle, and jewelry. For this reason, female masks are often portraits; although they share the fundamental characteristics of all Tshokwe sculpture, each piece varies in subtle ways. The technical mastery of the sculptor, combined with the inspiration caused by the model, explain the great variety of sculptural expression always found in Tshokwe art. The «mukishi wa Pwo» adorns many objects, such as drums, sanzas and knife sheaths. When a female image works as a counterpoint to a representation of the male «Cihongo» mask, reference is also being made to the «Pwo». If the owner of the «Pwo» mask became ill, it was customary to consult a diviner to find out if it was the spirit of the «Pwo» mask that was causing the illness. If the dancer no longer had a mask, he would order a new one and inaugurate it near the «cota», after his wife had sacrificed a chicken over the head of the mask. He would then dance before the assembled village. Finally, there would be a communion meal between the dancer and his wife. The same ritual would be performed in the case of someone who had neglected a mask still in use. The dancer kept the «Pwo» mask usually in the «mutenji» hut outside the village or hidden in a basket in his own house.) cf. BASTIN, Marie-Louise - "Escultura Tshokwe". Porto: Faculdade de Letras da Universidade do Porto, 1999, pp. 102-103. Para o mesmo tipo de máscara vd. REDINHA, José - "Album Etnográfico Portugal-Angola". Luanda: C.I.T.A, 1971, p. 91 (como "Muana-Mpuo"); JORDÁN, Manuel - "Os Tshokwe e Povos Aparentados". In "Na presença dos Espíritos - Arte Africana do Museu Nacional de Etnologia, Lisboa". New York: Museum for African Art, Snoeck-Ducaju, 2000, pp. 100-102, cat. 73-75; BASTIN, Marie-Louise. "La sculpture Tshokwe”. Arcueil: Alain et Françoise Chaffin, 1982, pp. 100-103, figs. 40-45 (como "Masque Pwo/Pwo"); o catálogo "Escultura Angolana - Memorial de Culturas". Lisboa: Museu Nacional de Etnologia - Sociedade Lisboa 94, 1994, pp. 143-144, nºs 162-164; LIMA, Mesquitela de - "Os Akixi (Mascarados) do Nordeste de Angola". In "Diamag - Publicações Culturais nº 70". Lisboa: Companhia de Diamantes de Angola - Serviços Culturais Dundo - Lunda - Angola - Museu do Dundo, 1967, pp. 151 e 153, nºs 11-15 (como "Mukixi wa Pwó"); FELIX, Marc Leo. - "100 Peoples of Zaire and Their Sculpture: The Handbook”. Brussels: Zaire Basin Art History Research Foundation, 1987, p. 183, fig. 15; o catálogo do leilão realizado a 1 de Fevereiro de 2023 na Lempertz "Art of Arfrica, the Pacific and the Americas". Brussels: Lempertz, 2023, lote 42; e https://www.metmuseum.org/art/collection/search/319264?ft=Pwo&offset=0&rpp=40&pos=1, consultado a 14 de Março de 2023 às 15:37., Dim. - 19 cm

Lot 184

AN EARLY 19TH CENTURY THREE COLOUR GOLD SENTIMENTAL LOCKET CIRCA 1800 The locket with a flaming heart pierced with an arrow, the heart engraved with a 3, below a banner inscribed VOUS MAVEZ BLESER, verso with a three colour scene with a pair of turtle doves below a banner engraved with AMOUR SANS FIN, the inside of the locket engraved with Rosemary that's for remembrance, with a glazed compartment containing rosemary and heather, with a polished shaped bale, with an associated rope twist chain Size/dimensions: locket 4.4cm x 3.2cm Gross weight: 15.6 grams One side of the locket with turtle doves representing Venus and symbolising pure, innocent and enduring love, as reflected in the French inscription above translating to Endless Love. The other side of the locket with the French inscription translating to You Hurt Me above a flaming heart, symbolising passionate love Condition Report: The locket has wear commensurate with age and use, there is a pin missing to one side of the locket, it may be that the locket was pinned closed at one point with sliding pins to both sidesvOUS M'AVEZ BLESER meaning YOU HURT MEAMOUR SANS FIN meaning ENDLESS LOVE. The 3 engraved on the heart possibly relates to 3 being the divine number. It was the number of the trinity, the Father, the Son and the Holy Spirit. It was also the number signifying the passage of time, of birth, life, death; the past, present and future; the beginning, middle, and end. Condition Report Disclaimer

Lot 148

Boxed writing set with glass inkwells together with vintage rulers, spirit level and box containing a quantity of paint brushes

Lot 1269

A metal two gallon fuel can named to Shell Motor spirit

Lot 1283

Two metal 2 gallon fuel cans named to Shell Motor Spirit and BP Motor Spirit Esso, both with lids

Lot 415

FOUR BOXES OF CERAMICS AND COLOURED GLASSWARE, to include a 'Nut Brown' rolling pin, Alessi oil and vinegar set, three mid-century red ornamental 'Brandy Glasses' with a ceramic cat and mouse figures, stoneware flagons, a green glass bon-bon dish with a control bubble stand, a 19th century cut crystal obelisk, vintage 'Pepsi-Cola' bottle, a matt black Beswick 'Black Beauty' horse figure, a Royal Doulton 'Spirit of the wind' horse figure supported by a wooden plinth, a Royal Worcester 'Sweet Dreams' figurine, four Bossons chalk head wall plaques, a small West German vase, two Beswick character jugs 'Scrooge' 372 and 'Micawber' 310, a 'John Barleycorn' jug, a collection of Fortnum & Mason lidded pots, etc. (s.d) (4 boxes + loose)

Lot 442

Ca. 202BC - 220AD.An earthenware bird figure standing on its bronze legs and its body is decorated with vivid polychromy. This bird is a mingqi, 'spirit goods' belonging to the burial rituals in the Chinese Han Dynasty. High-ranking persons were buried with various everyday objects; it was believed that life after death was a continuation of the present life, and therefore the deceased was provided with all the objects necessary to continue living after death. H.C. Clydesdale, "The Vibrant Role of Mingqi in Early Chinese Burials", Heilbrunn Timeline of Art History, The Metropolitan Museum of Art, New York 2000. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:120mm / W:180mm ; 310g Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.

Lot 258

Ca. 400-500 AD.A bronze finger ring composed of a flat-section hoop and a circular bezel adorned with intricate dotted patterns and a prominent pentagram. Within the Roman world, the pentagram symbol carried significant connotations, emblematic of both religious and mystical significance. Serving as a potent talisman, the pentagram represented various aspects of Roman spirituality, symbolizing harmony, protection, and the interconnectedness of the divine and mortal realms. Its geometric structure, characterized by five intersecting lines forming a five-pointed star, represented the five elements revered in Roman cosmology - earth, air, fire, water, and spirit. As such, this mesmerizing pentagram-engraved bronze finger ring stands as a testament to the profound symbolism woven into the fabric of Roman culture, encapsulating the multifaceted beliefs and enchantments of the ancient civilization. Size: D: 17.12mm / US: 6 3/4 / UK: N; 4.18g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Lot 260

Ca. 400-500 AD.A bronze ring boasting a broad, flat-sectioned hoop with pairs of incised crosses on its shoulders. The hoop expands to form a bezel that is meticulously adorned with a pentagram and surrounded by sets of dots enclosed within a rounded incised border. In the ancient world, rings held a special significance beyond their function as mere adornments. They were often used to convey messages of power, status, and allegiance. Symbolic rings like this one served as talismans imbued with hidden meanings, decipherable only to those with the knowledge and insight to comprehend them. The pentagram is a particularly powerful and enduring symbol, even to this day. In ancient times, it was regarded as a symbol of mystical significance, representing the union of the divine and the earthly realms. In the context of Roman beliefs, the pentagram was associated with the five elements of earth, air, fire, water, and spirit, and was believed to possess protective and transformative powers.Size: D: 18.34mm / US: 8 1/4 / UK: Q ; 4.47gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Lot 119

Ca. 100-300 AD.A bronze figurine encapsulates Victory in a moment of sublime poise. Captured in a standing posture, her form radiates an aura of dignified ascendancy, each contour painstakingly crafted to resonate with the divine essence she embodies. Draped in the elegance of flowing robes, her attire is a canvas for the intricate mastery of the artisans, a tapestry of delicate detail that bespeaks a commitment to capturing the ethereal in tangible form. It is the visage, however, that becomes the pièce de résistance of this bronze masterpiece. Crafted with finesse, the face of Victory is an intricately rendered tableau of features, each curve and line an ode to the artist's prowess. The fine details coalesce to breathe life into her countenance - her eyes, radiant with an otherworldly intensity, seem to hold the gaze of every triumphant soul who has sought her favour. The lips, poised in a delicate curve, offer an enigmatic smile that speaks of the inexpressible elation that follows victory's embrace. Victory, an emblematic figure dating back to the Hellenistic era and embraced by the Roman world, stands as a testament to the enduring spirit of conquest and glory. Personifying victory and success, Victory, or Nike in the Hellenic tradition, originated from the grand narratives of ancient Greece. However, her identity seamlessly transitioned into the Roman psyche, encapsulating the Roman reverence for triumph and ascendancy. This revered deity, an allegory for the transformative power of achievement, found her celestial presence invoked on the fields of battle, within the walls of civic architecture, and in the hearts of those who aspired to ascend the echelons of achievement. Size: L:73mm / W:40mm ; 102.5g Provenance: Private London collection, pre-2000s.

Lot 444

Ca. 1368-1644 AD or later .A glazed terracotta mingqi depicting a standing attendant on a tiered, integral base. He is portrayed in a noble and dignified manner, with an upright posture and an expression of calm composure. The gentle contours of the figure's face, including the high cheekbones, a prominent nose, and small lips, are carefully crafted with fine details such as the almond-shaped eyes, and the delicately arched eyebrows. The figure is dressed in a long, flowing green robe with contrasting accents on the sides, which are painted in red. The robe is tied with a sash of ochre color, which enhances the elegance of the ensemble. The figure carries an object under his left arm and his both hands are clenched. Mingqi, or "spirit objects," were created to be buried with the deceased and were believed to accompany the soul into the afterlife. These objects were often crafted with great attention to detail and were intended to represent the various aspects of life that would be important in the afterworld. Cf. Christie's Live Auction 5564, Asian Art, 15 September 2005, Lot 407. Size: L:190mm / W:60mm ; 280g Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong.

Lot 192

Mixed collection of items to include Labrenta spirit bottle stoppers, vintage rabbit teddy bear, two Welsh religious bound books and a miniature Huntley & Palmer tin

Lot 312

Walker & Hall Silver Plated Spirit Kettle & Burner, height on stand 26cm

Lot 365

Crystal Spirit decanter, crystal claret jug with stopper, cut glass fruit bowl together with a collection cut glass drinking glasses etc (2 trays)

Lot 419

Peter Lindbergh (1944-2019) was a German fashion photographer renowned for his distinctive black-and-white portraits and his influential contributions to the fashion industry. He was widely regarded as one of the most influential fashion photographers of his time. Born in Poland and raised in Germany, Lindbergh began his photography career in the 1970s. His work stood out for its raw and unfiltered aesthetic, challenging the prevailing standards of beauty and fashion photography. Lindbergh's photographs often emphasized the natural beauty and individuality of his subjects, presenting them in a more authentic and less retouched manner. Lindbergh collaborated with numerous fashion magazines, including Vogue, Harper's Bazaar, and The New Yorker, and he worked closely with top fashion designers such as Giorgio Armani and Calvin Klein. He photographed many celebrities and supermodels, including Kate Moss, Naomi Campbell, Linda Evangelista, and Cindy Crawford, helping to launch their careers and contributing to the rise of the "supermodel" phenomenon. One of Lindbergh's most iconic works was the January 1990 British Vogue cover, which featured five emerging supermodels, including Cindy Crawford, Linda Evangelista, and Naomi Campbell. This cover is often credited with defining the era and capturing the spirit of the 1990s fashion scene. Lindbergh's impact extended beyond the fashion world. His work transcended mere commercial photography, and he is recognized for his artistic vision and ability to convey emotion and depth through his images. His photographs often had a cinematic quality, capturing a moment frozen in time. Peter Lindbergh received numerous accolades during his career, including the Lifetime Achievement Award from the Council of Fashion Designers of America. His work continues to be exhibited in major galleries and museums worldwide. Sadly, Lindbergh passed away in September 2019, but his artistic legacy and contributions to fashion and photography endure. Measures 9.25 x 13.5 Verso is blank.Mounted to archival quality paper.

Lot 466

Peter Lindbergh (1944-2019) was a German fashion photographer renowned for his distinctive black-and-white portraits and his influential contributions to the fashion industry. He was widely regarded as one of the most influential fashion photographers of his time. Born in Poland and raised in Germany, Lindbergh began his photography career in the 1970s. His work stood out for its raw and unfiltered aesthetic, challenging the prevailing standards of beauty and fashion photography. Lindbergh's photographs often emphasized the natural beauty and individuality of his subjects, presenting them in a more authentic and less retouched manner. Lindbergh collaborated with numerous fashion magazines, including Vogue, Harper's Bazaar, and The New Yorker, and he worked closely with top fashion designers such as Giorgio Armani and Calvin Klein. He photographed many celebrities and supermodels, including Kate Moss, Naomi Campbell, Linda Evangelista, and Cindy Crawford, helping to launch their careers and contributing to the rise of the "supermodel" phenomenon. One of Lindbergh's most iconic works was the January 1990 British Vogue cover, which featured five emerging supermodels, including Cindy Crawford, Linda Evangelista, and Naomi Campbell. This cover is often credited with defining the era and capturing the spirit of the 1990s fashion scene. Lindbergh's impact extended beyond the fashion world. His work transcended mere commercial photography, and he is recognized for his artistic vision and ability to convey emotion and depth through his images. His photographs often had a cinematic quality, capturing a moment frozen in time. Peter Lindbergh received numerous accolades during his career, including the Lifetime Achievement Award from the Council of Fashion Designers of America. His work continues to be exhibited in major galleries and museums worldwide. Sadly, Lindbergh passed away in September 2019, but his artistic legacy and contributions to fashion and photography endure. Measures 9.25 x 13.5 Verso is blank.Mounted to archival quality paper.

Lot 604

"Top Gun" is a 1986 American action drama film directed by Tony Scott and starring Tom Cruise in the lead role. The film is known for its portrayal of naval aviation, aerial dogfights, and its impact on popular culture. It became a major hit upon its release and remains a classic of the action genre.Key points about "Top Gun" include:1. **Plot:** "Top Gun" follows the story of Pete "Maverick" Mitchell (Tom Cruise), a young and talented naval aviator who is selected to attend the elite United States Navy's Fighter Weapons School, also known as Top Gun. The film explores Maverick's journey to become the best pilot and his interactions with other pilots, including his rival Iceman (Val Kilmer) and his love interest Charlie (Kelly McGillis).2. **Aerial Action:** The film is known for its exhilarating aerial sequences, including intense dogfights between fighter jets. These scenes contributed to the film's reputation as an action-packed and visually stunning experience.3. **Music:** The film's soundtrack, featuring the hit song "Danger Zone" by Kenny Loggins and other memorable tracks, became synonymous with the movie's high-energy vibe.4. **Cultural Impact:** "Top Gun" had a significant impact on popular culture, popularizing aviation and military aesthetics, as well as the "need for speed" catchphrase. The film's influence extended to fashion, music, and even recruitment efforts for the U.S. Navy.5. **Tom Cruise's Star Power:** "Top Gun" solidified Tom Cruise's status as a leading Hollywood star. His portrayal of Maverick contributed to his rise as one of the most recognizable actors in the industry.6. **Romantic Subplot:** The film incorporates a romantic subplot between Maverick and Charlie, who is an instructor at Top Gun. Their relationship adds depth to the story and balances the action with personal drama.7. **Director and Style:** Director Tony Scott's visual style and use of fast-paced editing contributed to the film's dynamic and engaging feel. The aerial shots and action sequences are particularly notable.8. **Sequel:** A long-awaited sequel, titled "Top Gun: Maverick," was scheduled for release in 2022 (the information is accurate as of September 2021). The sequel features Tom Cruise reprising his role as Maverick, now a flight instructor.9. **Legacy:** "Top Gun" remains a beloved classic that continues to resonate with audiences. Its blend of action, drama, and romance, along with its portrayal of naval aviation, has made it a defining film of the 1980s and an enduring part of cinematic history."Top Gun" remains an iconic film that captured the spirit of aviation, camaraderie, and high-stakes competition. Its influence on pop culture and its status as a classic action movie have solidified its place in cinematic lore.Measures 24 x 36.

Lot 736

New York City, often referred to as the "Big Apple," is a bustling metropolis that captivates visitors with its vibrant energy, iconic landmarks, and diverse cultural offerings. Located on the eastern coast of the United States, New York City is a melting pot of cultures and is known as a global hub for finance, fashion, art, and entertainment.The city's skyline is dominated by towering skyscrapers, with the Empire State Building and One World Trade Center standing as iconic symbols. Times Square, with its dazzling billboards and bustling crowds, epitomizes the city's vibrant atmosphere. Central Park, an urban oasis in the heart of Manhattan, offers a peaceful escape from the bustling streets, featuring lush greenery, scenic paths, and recreational activities.New York City is home to world-class museums such as the Metropolitan Museum of Art, the Museum of Modern Art (MoMA), and the Guggenheim Museum, showcasing an extensive collection of artworks spanning different periods and styles. Broadway, the renowned theater district, is synonymous with top-notch performances and musical extravaganzas, attracting theater enthusiasts from around the world.Cuisine in New York City is a reflection of its diverse population, with an endless array of culinary options. From street food vendors selling hot dogs and pretzels to Michelin-starred restaurants offering haute cuisine, there is something to satisfy every palate. Neighborhoods like Chinatown, Little Italy, and Harlem offer unique dining experiences that celebrate the city's multicultural heritage.The city's neighborhoods each have their own distinct character and charm. Greenwich Village is known for its bohemian atmosphere, art galleries, and historic cafes. SoHo is renowned for its fashionable boutiques and cast-iron architecture. The Upper East Side exudes elegance and is home to prestigious museums and luxury boutiques, while Brooklyn offers a hip and artistic scene with trendy bars, street art, and a thriving music culture.Transportation in New York City is made easy by its extensive subway system, iconic yellow taxis, and pedestrian-friendly streets. Exploring the city's diverse neighborhoods and attractions is a delight, with each block offering something new to discover.New York City's dynamic energy, world-class attractions, and unparalleled cultural experiences make it a city that never fails to leave a lasting impression. Whether it's admiring the skyline, immersing oneself in its vibrant arts scene, or simply enjoying the hustle and bustle of its streets, New York City offers a unique and unforgettable experience that truly embodies the spirit of the city that never sleeps.Measures 24 x 36.Mounted to linen.

Lot 577

N.C. Wyeth, a celebrated American illustrator and painter, has left a lasting impact on the world of art with his dynamic and evocative depictions of adventure, history, and literature. Born in 1882, Wyeth's art is characterized by his vivid storytelling, mastery of composition, and ability to capture the essence of narrative through visual imagery.N.C. Wyeth's artistic legacy can be encapsulated as follows:1. **Illustrative Excellence**: Wyeth's career as an illustrator is marked by his exceptional ability to bring stories to life through his art. He collaborated with authors such as Robert Louis Stevenson, Washington Irving, and Arthur Conan Doyle, adding visual depth to their narratives.2. **Adventurous Themes**: Wyeth's illustrations often centered around adventurous and historical themes, depicting scenes of pirates, explorers, Native Americans, and knights. His images conveyed a sense of action, drama, and emotion that resonated with audiences.3. **Dramatic Composition**: Wyeth's skill in composition allowed him to create dynamic and visually striking images that drew viewers into the scenes he portrayed. His use of light, shadow, and perspective added depth to his illustrations.4. **Historical and Literary Context**: Wyeth's illustrations often transported viewers to historical periods or fictional worlds. His ability to capture the spirit of these settings enriched the reading experience for countless individuals.5. **Legacy in Illustration**: N.C. Wyeth's legacy as an illustrator has influenced subsequent generations of artists and illustrators. His work contributed to the development of illustration as a respected and impactful art form.6. **Family of Artists**: N.C. Wyeth's artistic legacy extends to his talented family, including his son Andrew Wyeth and grandson Jamie Wyeth, both of whom achieved prominence as artists in their own right.7. **Book Covers and Publications**: Wyeth's illustrations graced the covers of numerous books and were featured in popular publications of his time. His art played a pivotal role in shaping the visual identity of classic literature.8. **Cultural and Historical Record**: N.C. Wyeth's illustrations captured moments from history and literature, preserving cultural narratives and historical events in visual form for generations to come.N.C. Wyeth's legacy as an illustrator who skillfully brought narratives to life continues to inspire artists, illustrators, and admirers of storytelling art. His ability to convey emotion, action, and atmosphere through his illustrations has left an enduring mark on the realms of art, literature, and popular culture.Measures 15.75 x 20.

Lot 859

Ormond Gigli (1925–2019) was an American photographer known for his versatile and imaginative approach to photography. He gained recognition for his iconic photograph "Girls in the Windows," which captured a group of young women looking out of the windows of a brownstone building in New York City. This photograph is celebrated for its creativity, composition, and the sense of curiosity it evokes.Key points about Ormond Gigli and his work:1. **"Girls in the Windows":** Gigli's most famous photograph, "Girls in the Windows," was taken in 1960. It features 43 models positioned in the windows of a vacant brownstone building on New York's East 58th Street. The photograph is characterized by its innovative composition and the juxtaposition of the women against the architectural backdrop.2. **Visual Storytelling:** Gigli was skilled at creating visual narratives in his photographs. He often incorporated elements of storytelling and theatricality into his images, infusing them with a sense of drama and intrigue.3. **Fashion and Commercial Photography:** Gigli had a successful career in fashion and commercial photography. He worked with major fashion magazines and brands, capturing stylish and evocative images that reflected the spirit of the times.4. **Variety of Subjects:** Throughout his career, Gigli explored a wide range of subjects, from portraits to landscapes, architecture, and street scenes. His photographs often carried an element of surprise or an unexpected perspective.5. **Innovative Techniques:** Gigli was known for his innovative techniques, including his ability to create dynamic compositions and use light and shadow to enhance the mood of his photographs.6. **Career Development:** Gigli's early interest in photography led him to study at the School of Modern Photography in New York. He later worked as an assistant to prominent photographers, which contributed to his development as an artist.7. **Legacy:** Ormond Gigli's photographs continue to be celebrated for their creativity, visual impact, and ability to capture a sense of time and place. His work is considered a reflection of the dynamic and evolving nature of photography as an art form.8. **Exhibitions and Recognition:** Gigli's photographs have been exhibited in galleries and museums internationally. His contributions to photography have earned him a place among the notable photographers of his era.Ormond Gigli's ability to infuse his photographs with imagination, theatricality, and unexpected compositions set him apart as a photographer who constantly sought innovative ways to tell stories through images. His legacy lives on through his iconic photographs and his influence on the art and practice of photography.Measures 24 x 24.

Lot 325

Tom Bianchi (1945-2020) was an American photographer, writer, and LGBTQ+ activist. He was born in 1945 in the suburbs of Chicago, Illinois, and later resided in New York City and Palm Springs, California. Bianchi is best known for his groundbreaking photography that documented the gay male experience during the height of the HIV/AIDS crisis. In the 1970s and 1980s, Bianchi worked as a lawyer in New York City while also pursuing his passion for photography. He became an active participant in the emerging gay liberation movement and began photographing his friends and lovers, capturing intimate and candid moments within the gay community. Bianchi's photography is characterized by its sensual and poetic nature, often featuring male nudes in natural landscapes or domestic settings. His work aimed to celebrate the beauty and humanity of gay men and challenge prevailing stereotypes and prejudices. During the AIDS crisis of the 1980s and 1990s, Bianchi's photography took on added significance. He captured the personal and collective experiences of his friends and loved ones affected by the disease, providing a compassionate and honest portrayal of the impact of HIV/AIDS on the gay community. Bianchi's photographs served as a form of documentation and remembrance, offering a glimpse into a pivotal moment in LGBTQ+ history. In addition to his photography, Bianchi authored several books, including "On the Couch" (1987), "Deep Sex" (1992), and "Fire Island Pines: Polaroids 1975-1983" (2013). These publications further showcased his distinctive style and contributions to queer visual culture. Tom Bianchi's work continues to be celebrated for its artistic and historical significance. Through his photography, he captured the resilience, beauty, and spirit of the gay community, leaving behind a visual legacy that resonates with subsequent generations. Measures 6.75 x 9.75 Printed Circa 1990's > Verso is blank.Mounted to archival quality paper.

Lot 550

The Bauhaus school, founded in 1919 by architect Walter Gropius in Weimar, Germany, stands as a transformative and iconic institution in the world of art, design, and architecture. It emerged in the aftermath of World War I as a response to the changing cultural and industrial landscape. The Bauhaus sought to bridge the gap between art and industry, emphasizing a synthesis of craftsmanship, functionality, and artistic expression. With an interdisciplinary approach, the school offered a curriculum that encompassed various disciplines, including architecture, painting, sculpture, textiles, and more. Notable artists and designers, including Paul Klee, Wassily Kandinsky, and László Moholy-Nagy, contributed to the innovative pedagogy that encouraged experimentation and collaboration across artistic mediums. The Bauhaus also played a role in shaping the modernist aesthetic, emphasizing clean lines, geometric forms, and a focus on utility. Despite facing political pressures and eventual closure by the Nazi regime in 1933, the Bauhaus' ideas and principles continued to influence design and education worldwide. Its legacy lives on through its impact on architecture, design, and artistic philosophy, symbolizing the spirit of innovation and the pursuit of a harmonious union between art, industry, and society.Measures 18 x 24.

Lot 644

San Francisco, located on the west coast of the United States in California, is a vibrant and iconic city known for its stunning natural beauty, diverse culture, and progressive spirit. Here is an overview of what makes San Francisco a captivating destination:1. Golden Gate Bridge: One of the most recognizable landmarks in the world, the Golden Gate Bridge is an engineering marvel that spans the entrance to San Francisco Bay. Visitors can take in breathtaking views of the bridge from various viewpoints or walk or bike across it for an up-close experience.2. Alcatraz Island: Situated in the middle of San Francisco Bay, Alcatraz Island is known for its historic prison that once housed notorious criminals. Today, it is a popular tourist attraction where visitors can take a ferry to explore the island and learn about its intriguing history.3. Cultural Diversity: San Francisco is a melting pot of cultures and ethnicities, creating a vibrant and diverse community. The city celebrates its diversity through various cultural festivals, neighborhoods, and cuisine. From the bustling Chinatown to the colorful Mission District, there is a wealth of cultural experiences to be had.4. Cable Cars: San Francisco's iconic cable cars are not only a charming mode of transportation but also a symbol of the city. Visitors can ride the historic cable cars up and down the city's steep streets, enjoying scenic views and a nostalgic experience.5. Fisherman's Wharf: Located on the waterfront, Fisherman's Wharf is a bustling tourist destination offering a mix of seafood restaurants, souvenir shops, street performers, and attractions such as the famous Pier 39 with its resident sea lions. It's a lively area where visitors can soak up the waterfront atmosphere.6. Golden Gate Park: Spanning over 1,000 acres, Golden Gate Park is a sprawling urban oasis filled with gardens, lakes, trails, museums, and recreational facilities. Visitors can enjoy activities such as picnicking, visiting the de Young Museum, exploring the Japanese Tea Garden, or simply taking a leisurely stroll through the park.7. Culinary Delights: San Francisco is a food lover's paradise, known for its diverse culinary scene and innovative gastronomy. From gourmet seafood at Fisherman's Wharf to farm-to-table restaurants in the Mission District, the city offers a wide range of dining options, including international cuisines and fusion dishes.8. Progressive and Artistic Spirit: San Francisco has long been associated with progressive and countercultural movements. The city is known for its thriving arts scene, with numerous galleries, theaters, and music venues. The vibrant street art, colorful murals, and iconic music festivals reflect the city's creative spirit.San Francisco's combination of natural beauty, cultural diversity, culinary delights, and unique attractions make it a captivating destination. Whether exploring its iconic landmarks, immersing oneself in its vibrant neighborhoods, or savoring its culinary delights, visitors to San Francisco are sure to find a wealth of experiences that embody the city's charm and progressive energy.Measures 24 x 36.Mounted to linen.

Lot 319

Peter Lindbergh (1944-2019) was a German fashion photographer renowned for his distinctive black-and-white portraits and his influential contributions to the fashion industry. He was widely regarded as one of the most influential fashion photographers of his time. Born in Poland and raised in Germany, Lindbergh began his photography career in the 1970s. His work stood out for its raw and unfiltered aesthetic, challenging the prevailing standards of beauty and fashion photography. Lindbergh's photographs often emphasized the natural beauty and individuality of his subjects, presenting them in a more authentic and less retouched manner. Lindbergh collaborated with numerous fashion magazines, including Vogue, Harper's Bazaar, and The New Yorker, and he worked closely with top fashion designers such as Giorgio Armani and Calvin Klein. He photographed many celebrities and supermodels, including Kate Moss, Naomi Campbell, Linda Evangelista, and Cindy Crawford, helping to launch their careers and contributing to the rise of the "supermodel" phenomenon. One of Lindbergh's most iconic works was the January 1990 British Vogue cover, which featured five emerging supermodels, including Cindy Crawford, Linda Evangelista, and Naomi Campbell. This cover is often credited with defining the era and capturing the spirit of the 1990s fashion scene. Lindbergh's impact extended beyond the fashion world. His work transcended mere commercial photography, and he is recognized for his artistic vision and ability to convey emotion and depth through his images. His photographs often had a cinematic quality, capturing a moment frozen in time. Peter Lindbergh received numerous accolades during his career, including the Lifetime Achievement Award from the Council of Fashion Designers of America. His work continues to be exhibited in major galleries and museums worldwide. Sadly, Lindbergh passed away in September 2019, but his artistic legacy and contributions to fashion and photography endure. Measures 9.25 x 13.5 Verso is blank.Mounted to archival quality paper.

Lot 472

Tom Bianchi (1945-2020) was an American photographer, writer, and LGBTQ+ activist. He was born in 1945 in the suburbs of Chicago, Illinois, and later resided in New York City and Palm Springs, California. Bianchi is best known for his groundbreaking photography that documented the gay male experience during the height of the HIV/AIDS crisis. In the 1970s and 1980s, Bianchi worked as a lawyer in New York City while also pursuing his passion for photography. He became an active participant in the emerging gay liberation movement and began photographing his friends and lovers, capturing intimate and candid moments within the gay community. Bianchi's photography is characterized by its sensual and poetic nature, often featuring male nudes in natural landscapes or domestic settings. His work aimed to celebrate the beauty and humanity of gay men and challenge prevailing stereotypes and prejudices. During the AIDS crisis of the 1980s and 1990s, Bianchi's photography took on added significance. He captured the personal and collective experiences of his friends and loved ones affected by the disease, providing a compassionate and honest portrayal of the impact of HIV/AIDS on the gay community. Bianchi's photographs served as a form of documentation and remembrance, offering a glimpse into a pivotal moment in LGBTQ+ history. In addition to his photography, Bianchi authored several books, including "On the Couch" (1987), "Deep Sex" (1992), and "Fire Island Pines: Polaroids 1975-1983" (2013). These publications further showcased his distinctive style and contributions to queer visual culture. Tom Bianchi's work continues to be celebrated for its artistic and historical significance. Through his photography, he captured the resilience, beauty, and spirit of the gay community, leaving behind a visual legacy that resonates with subsequent generations. Measures 5.98 x 6.75 Printed Circa 1990's > Verso is blank.Mounted to archival quality paper.

Lot 831

William Henry Johnson (1901 – 1970) was an African American painter and graphic artist known for his distinctive and vibrant modernist style. He is celebrated for his contributions to the Harlem Renaissance and his ability to capture the spirit and diversity of African American life in his art.Key aspects of William Henry Johnson's life and work include:1. **Early Life and Training:** Johnson was born in South Carolina and developed an interest in art at an early age. He moved to New York City during the height of the Harlem Renaissance, where he studied at the National Academy of Design and developed his artistic skills.2. **Harlem Renaissance:** Johnson was part of the Harlem Renaissance, a cultural movement that celebrated African American art, literature, music, and intellectual achievements. He was influenced by the cultural and artistic atmosphere of the era.3. **Distinctive Style:** Johnson's art is characterized by bold and expressive use of color, simplified forms, and a strong sense of rhythm. He often painted scenes of everyday life, including landscapes, portraits, and depictions of street scenes.4. **European Influences:** Johnson spent time studying and working in Europe, particularly in France. His exposure to European modernist movements, such as Fauvism and German Expressionism, further influenced his artistic style and use of color.5. **Folk Art Influence:** Johnson's travels through Europe also exposed him to European folk art traditions. He integrated elements of folk art, including decorative patterns and symbolic imagery, into his own work, resulting in a unique blend of influences.6. **Depictions of African American Life:** Johnson's paintings often depicted African American individuals and communities engaged in various activities, such as music, dance, work, and everyday life. His art celebrated the vibrancy and diversity of African American culture.7. **Neglected Recognition:** Despite his talent and contributions to art, Johnson's work did not receive widespread recognition during his lifetime. He faced racial prejudice and economic challenges that impacted his artistic career.8. **Rediscovery and Legacy:** In recent decades, there has been a renewed interest in William Henry Johnson's art. His work is now recognized for its significant contributions to American modernist art and its portrayal of African American experiences.William Henry Johnson's art serves as a valuable record of African American life and culture during a pivotal period in history. His bold use of color, expressive forms, and unique blend of influences have left an indelible mark on American art history.Measures 11.5 x 16.

Lot 585

The Bauhaus school, founded in 1919 by architect Walter Gropius in Weimar, Germany, stands as a transformative and iconic institution in the world of art, design, and architecture. It emerged in the aftermath of World War I as a response to the changing cultural and industrial landscape. The Bauhaus sought to bridge the gap between art and industry, emphasizing a synthesis of craftsmanship, functionality, and artistic expression. With an interdisciplinary approach, the school offered a curriculum that encompassed various disciplines, including architecture, painting, sculpture, textiles, and more. Notable artists and designers, including Paul Klee, Wassily Kandinsky, and László Moholy-Nagy, contributed to the innovative pedagogy that encouraged experimentation and collaboration across artistic mediums. The Bauhaus also played a role in shaping the modernist aesthetic, emphasizing clean lines, geometric forms, and a focus on utility. Despite facing political pressures and eventual closure by the Nazi regime in 1933, the Bauhaus' ideas and principles continued to influence design and education worldwide. Its legacy lives on through its impact on architecture, design, and artistic philosophy, symbolizing the spirit of innovation and the pursuit of a harmonious union between art, industry, and society.Measures 18 x 24.

Lot 698

The Bauhaus school, founded in 1919 by architect Walter Gropius in Weimar, Germany, stands as a transformative and iconic institution in the world of art, design, and architecture. It emerged in the aftermath of World War I as a response to the changing cultural and industrial landscape. The Bauhaus sought to bridge the gap between art and industry, emphasizing a synthesis of craftsmanship, functionality, and artistic expression. With an interdisciplinary approach, the school offered a curriculum that encompassed various disciplines, including architecture, painting, sculpture, textiles, and more. Notable artists and designers, including Paul Klee, Wassily Kandinsky, and László Moholy-Nagy, contributed to the innovative pedagogy that encouraged experimentation and collaboration across artistic mediums. The Bauhaus also played a role in shaping the modernist aesthetic, emphasizing clean lines, geometric forms, and a focus on utility. Despite facing political pressures and eventual closure by the Nazi regime in 1933, the Bauhaus' ideas and principles continued to influence design and education worldwide. Its legacy lives on through its impact on architecture, design, and artistic philosophy, symbolizing the spirit of innovation and the pursuit of a harmonious union between art, industry, and society.Measures 18 x 24.

Lot 632

The Bauhaus school, founded in 1919 by architect Walter Gropius in Weimar, Germany, stands as a transformative and iconic institution in the world of art, design, and architecture. It emerged in the aftermath of World War I as a response to the changing cultural and industrial landscape. The Bauhaus sought to bridge the gap between art and industry, emphasizing a synthesis of craftsmanship, functionality, and artistic expression. With an interdisciplinary approach, the school offered a curriculum that encompassed various disciplines, including architecture, painting, sculpture, textiles, and more. Notable artists and designers, including Paul Klee, Wassily Kandinsky, and László Moholy-Nagy, contributed to the innovative pedagogy that encouraged experimentation and collaboration across artistic mediums. The Bauhaus also played a role in shaping the modernist aesthetic, emphasizing clean lines, geometric forms, and a focus on utility. Despite facing political pressures and eventual closure by the Nazi regime in 1933, the Bauhaus' ideas and principles continued to influence design and education worldwide. Its legacy lives on through its impact on architecture, design, and artistic philosophy, symbolizing the spirit of innovation and the pursuit of a harmonious union between art, industry, and society.Measures 18 x 24.

Lot 607

"Indiana Jones" is a film franchise centered around the adventurous archaeologist and explorer Dr. Henry "Indiana" Jones Jr. The franchise was created by filmmaker George Lucas and directed by Steven Spielberg, with Harrison Ford in the iconic lead role. The series is known for its action-packed stories, globe-trotting adventures, and memorable characters.Key points about the "Indiana Jones" franchise include:1. **Characters:** The franchise's central character is Dr. Indiana Jones, a professor of archaeology who leads a double life as a daring adventurer and treasure hunter. The character is known for his signature fedora hat, leather jacket, bullwhip, and adventurous spirit.2. **Films:** The franchise consists of four films: - "Raiders of the Lost Ark" (1981): The first film introduces Indiana Jones as he embarks on a quest to find the biblical Ark of the Covenant before the Nazis can obtain it. - "Indiana Jones and the Temple of Doom" (1984): The second film is a prequel set one year before "Raiders," where Indiana Jones faces off against a sinister cult in India. - "Indiana Jones and the Last Crusade" (1989): The third film follows Indiana's quest to find the Holy Grail and reconnect with his estranged father (played by Sean Connery). - "Indiana Jones and the Kingdom of the Crystal Skull" (2008): The fourth film is set in the 1950s and sees Indiana Jones searching for a mysterious artifact while dealing with Soviet agents.3. **Adventure and Action:** The franchise is known for its thrilling action sequences, elaborate stunts, and iconic set pieces. The films pay homage to classic adventure serials of the past.4. **Humor and Wit:** Indiana Jones's wit, charm, and sense of humor contribute to the franchise's appeal. His interactions with other characters often include humorous banter.5. **Cultural Impact:** The "Indiana Jones" franchise has left a significant impact on pop culture. Indiana Jones's iconic image, quotes like "It belongs in a museum!" and the theme music composed by John Williams have become widely recognized.6. **Merchandise and Spin-offs:** The franchise has inspired various merchandise, video games, novels, comics, and theme park attractions.7. **Harrison Ford's Role:** Harrison Ford's portrayal of Indiana Jones has become one of his most iconic roles, cementing his status as a Hollywood legend.8. **Legacy:** The franchise's blend of adventure, history, and mythology has made it a beloved and enduring part of cinematic history. It has inspired generations of filmmakers, adventurers, and fans.The "Indiana Jones" franchise is celebrated for its thrilling adventures, charismatic protagonist, and memorable storytelling. It continues to captivate audiences with its timeless appeal and remains a staple in the realm of action-adventure cinema.Measures 26.5 x 38.5.

Lot 368

Peter Lindbergh (1944-2019) was a German fashion photographer renowned for his distinctive black-and-white portraits and his influential contributions to the fashion industry. He was widely regarded as one of the most influential fashion photographers of his time. Born in Poland and raised in Germany, Lindbergh began his photography career in the 1970s. His work stood out for its raw and unfiltered aesthetic, challenging the prevailing standards of beauty and fashion photography. Lindbergh's photographs often emphasized the natural beauty and individuality of his subjects, presenting them in a more authentic and less retouched manner. Lindbergh collaborated with numerous fashion magazines, including Vogue, Harper's Bazaar, and The New Yorker, and he worked closely with top fashion designers such as Giorgio Armani and Calvin Klein. He photographed many celebrities and supermodels, including Kate Moss, Naomi Campbell, Linda Evangelista, and Cindy Crawford, helping to launch their careers and contributing to the rise of the "supermodel" phenomenon. One of Lindbergh's most iconic works was the January 1990 British Vogue cover, which featured five emerging supermodels, including Cindy Crawford, Linda Evangelista, and Naomi Campbell. This cover is often credited with defining the era and capturing the spirit of the 1990s fashion scene. Lindbergh's impact extended beyond the fashion world. His work transcended mere commercial photography, and he is recognized for his artistic vision and ability to convey emotion and depth through his images. His photographs often had a cinematic quality, capturing a moment frozen in time. Peter Lindbergh received numerous accolades during his career, including the Lifetime Achievement Award from the Council of Fashion Designers of America. His work continues to be exhibited in major galleries and museums worldwide. Sadly, Lindbergh passed away in September 2019, but his artistic legacy and contributions to fashion and photography endure. Measures 9.25 x 13.5 Verso is blank.Mounted to archival quality paper.

Lot 801

The Bauhaus school, founded in 1919 by architect Walter Gropius in Weimar, Germany, stands as a transformative and iconic institution in the world of art, design, and architecture. It emerged in the aftermath of World War I as a response to the changing cultural and industrial landscape. The Bauhaus sought to bridge the gap between art and industry, emphasizing a synthesis of craftsmanship, functionality, and artistic expression. With an interdisciplinary approach, the school offered a curriculum that encompassed various disciplines, including architecture, painting, sculpture, textiles, and more. Notable artists and designers, including Paul Klee, Wassily Kandinsky, and László Moholy-Nagy, contributed to the innovative pedagogy that encouraged experimentation and collaboration across artistic mediums. The Bauhaus also played a role in shaping the modernist aesthetic, emphasizing clean lines, geometric forms, and a focus on utility. Despite facing political pressures and eventual closure by the Nazi regime in 1933, the Bauhaus' ideas and principles continued to influence design and education worldwide. Its legacy lives on through its impact on architecture, design, and artistic philosophy, symbolizing the spirit of innovation and the pursuit of a harmonious union between art, industry, and society.Measures 18 x 24.

Lot 784

N.C. Wyeth, a celebrated American illustrator and painter, has left a lasting impact on the world of art with his dynamic and evocative depictions of adventure, history, and literature. Born in 1882, Wyeth's art is characterized by his vivid storytelling, mastery of composition, and ability to capture the essence of narrative through visual imagery.N.C. Wyeth's artistic legacy can be encapsulated as follows:1. **Illustrative Excellence**: Wyeth's career as an illustrator is marked by his exceptional ability to bring stories to life through his art. He collaborated with authors such as Robert Louis Stevenson, Washington Irving, and Arthur Conan Doyle, adding visual depth to their narratives.2. **Adventurous Themes**: Wyeth's illustrations often centered around adventurous and historical themes, depicting scenes of pirates, explorers, Native Americans, and knights. His images conveyed a sense of action, drama, and emotion that resonated with audiences.3. **Dramatic Composition**: Wyeth's skill in composition allowed him to create dynamic and visually striking images that drew viewers into the scenes he portrayed. His use of light, shadow, and perspective added depth to his illustrations.4. **Historical and Literary Context**: Wyeth's illustrations often transported viewers to historical periods or fictional worlds. His ability to capture the spirit of these settings enriched the reading experience for countless individuals.5. **Legacy in Illustration**: N.C. Wyeth's legacy as an illustrator has influenced subsequent generations of artists and illustrators. His work contributed to the development of illustration as a respected and impactful art form.6. **Family of Artists**: N.C. Wyeth's artistic legacy extends to his talented family, including his son Andrew Wyeth and grandson Jamie Wyeth, both of whom achieved prominence as artists in their own right.7. **Book Covers and Publications**: Wyeth's illustrations graced the covers of numerous books and were featured in popular publications of his time. His art played a pivotal role in shaping the visual identity of classic literature.8. **Cultural and Historical Record**: N.C. Wyeth's illustrations captured moments from history and literature, preserving cultural narratives and historical events in visual form for generations to come.N.C. Wyeth's legacy as an illustrator who skillfully brought narratives to life continues to inspire artists, illustrators, and admirers of storytelling art. His ability to convey emotion, action, and atmosphere through his illustrations has left an enduring mark on the realms of art, literature, and popular culture.Measures 21 x 16.5.

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