We found 49472 price guide item(s) matching your search

A Shell Motor Spirit child's pedal car can .

A Shell Motor Spirit and Motor Oils (with clam motif) double sided enamel advertising sign, lacking hanging flange. 24 x 15".

A BP Motor Spirit Union Jack double sided enamel advertising sign by Franco Signs, London with hanging flange, 24 x 16".

A Russian Oil Products Ltd. Motor Spirit petrol pump price indicator (ROP), 9 1/4" diameter with four paper inserts.

A Zenith Motor Spirit, The Texas Company (South Africa) Ltd, two gallon petrol can, Valor 8 26 to base, with plain cap.

An embossed alloy garage sign 'Petroleum Spirit Highly Inflammable NO SMOKING Switch Off Engine', repainted, 24 x 15".

An Atlantic Motor Spirit two gallon petrol can, Valor 3 27 to base, with Atlantic cap.

An Atlantic Motor Spirit two gallon petrol can, Valor 2 33 to base, with Atlantic cap.

A Globe Motor Spirit two gallon petrol can with plain cap - the only known example of this ultra rare can.

A Regent Motor Spirit two gallon petrol can with Regent cap, Valor 8 39 to base.

A Glico Motor Spirit two gallon petrol can, repainted with plain cap.

A Mex Motor Spirit two gallon petrol can with plain cap.

A Pratts Motor Spirit (small lettering) two gallon petrol can, stamped to handle: Feaver Maker London 6.14.

A plain 'petroleum spirit highly inflammable' two gallon petrol can, repainted with Pratts cap, Valor 3 E to base.

A Shell Motor Spirit two gallon petrol can, repainted with Shell cap, Valor 6 37 to base.

A Shell Motor Spirit two gallon petrol can, older repaint with Shell cap, Valor 7 37 to base.

A Shell Motor Spirit two gallon can with plain cap, made by Valor.

A Crown Spirit two gallon petrol can with embossed crown logo and plain cap.

A Pratt's Perfection Motor Spirit double sided enamel sign with hanging flange, by Jordan of Bilston, 21 x 18".

A Pratt's Perfection Spirit double sided enamel sign with hanging flange, by Protector of Eccles, excellent bright colour and gloss, 21 x 18".

A good collection of large salt glazed wine and spirit flagons, some with impressed retailers marks.

A limited edition leather bound book 'The Spirit of Chelsea' complete with silver plaque and slipcase.

A military tin trunk and two old spirit levels.

A set of three silver spirit labels, London 1968, D J Silver Repairs, sherry, whisky and port, 40g

Charles Stuart Harris, a Victorian silver spirit kettle of bun form, with fruitwood handle, with reservoir and stand, raised on three shell feet. Each marked for London 1885. 25cm high. Gross weight 709gm

A collection of EPNS tableware comprising a Spirit kettle, a bachelor's tea set and other items

Heidoskop 45 x 107 mm 1. Modell und Stereotenax 45 x 107 mm, um 19211) Franke & Heidecke, Braunschweig. Nr. 463, Stereokamera für Platten oder Filmpacks. Carl Zeiss Tessar 4,5/5,5 cm Nr. 440084 und 440085, Heidoscop-Sucher-Anastigmat 1:3,2, Verschluß läuft, Libelle funktioniert, Wechselmagazin mit Einlagen und Heidoscop-Köfferchen. (3-/3) - Und: 2) Goerz, Berlin. Stereotenax Nr. 125462 mit Goerz Dogmar 4,5/6 cm, Verschluß läuft, mit Gelbfiltern und Mattscheiben-Rückteil. (3-4/3) - Beide Kameras voll einsetzbar. Start Price: EUR 180 Zustand: (-/-)Heidoskop (45 x 107 mm) First Model and Stereotenax (45 x 107 mm), c. 19211) Franke & Heidecke, Braunschweig. No. 463, stereo camera for plates or film packs, Carl Zeiss Tessar 4.5/5.5 cm nos. 440084 and 440085, Heidoscop-Sucher-Anastigmat 1:3.2, shutter and spirit-level working, magazine with inserts and Heidoscop case. (3-/3) - And: 2) Goerz, Berlin. Stereotenax, no. 125462, with Goerz Dogmar 4.5/6 cm, with yellow filters and focusing screen back, shutter working. (3-4/3) - Both cameras full useable. Start Price: EUR 180 Condition: (-/-)

Bergbau-Vermessungsinstrument von Negretti & Zambra, um 1890Signiert auf dem Fernrohr "Negretti & Zambra, London", poliertes Messing, 7-Zoll-Kompaß, versilbert, Ø 18 cm, mit 2 Wasserwaagen, horizontaler Halbkreis mit verschiedenen Hypo- und Basisskalen, 32cm-Fernrohr mit Wasserwaage, Zahnstangen-Feinfokussierung auf das Objektiv, in Original-Mahagonikasten. Start Price: EUR 350 Zustand: (2-3/2-3)Negretti & Zambra Miner's Dial, c. 1890Engraved on the telescope "Negretti & Zambra, London", all polished brass construction, 7-inch silvered circular compass dial with 2 spirit levels, horizontal half-circle with different hypo and base scales, 15-inch sighting telescope with longitudinal bubble level, rack-and-pinion fine focussing to the objective, in original fitted mahogany case. Start Price: EUR 350 Condition: (2-3/2-3)

Großer Schweizer Theodolit "Wild T3", 1969Nr. 91578 US, Wild, Heerbrugg, alles funktioniert. Stahl und Messing lackiert, 36 cm hoch. Okulare 24x, 30x und 40x, 2 Libellen, 2 Spiegel, Teilung 360°, kleinste Teilung 0,2". - In Metall-Container. Start Price: EUR 280 Zustand: (2-3/2-3)Large Swiss “Wild T3” Theodolite, 1969No. 91578 US, Wild, Heerbrugg, lacquered steel and brass, with 24x, 30x and 40x eyepieces, 2 spirit levels, 2 mirrors, graduation 360°, smallest graduation 0.2 in., in tin container, ht. 14 in., full-working condition. Start Price: EUR 280 Condition: (2-3/2-3)

Schraubendampfer "Axel", um 1910Dampfbetriebenes Modellboot mit Einzylinder-Dampf­maschine und Lenzpumpe (erneuert), Messingkessel für Spiritusbefeuerung, Blechrumpf mit geplanktem Deck und Holzaufbauten, Länge: 95 cm. - Kompletter und schwimmender Zustand, ein Mast gebrochen, Farbabplatzungen am Rumpf, ungetestet. Start Price: EUR 450 Zustand: (4/-)Screw Steamship "Axel", c. 1910Steam-powered toy boat with single-cylinder steam engine and bilge-pump (replaced), spirit-heated brass boiler, metal hull with wood superstructure, 37 1/2 in. long, complete and floatable condition, one mast broken, paint chipped on hull, untested. Start Price: EUR 450 Condition: (4/-)

Stehende Dampfmaschine mit Märklin-Bauteilen, um 1930Genieteter Messingkessel, Höhe 21 cm, Ø 9 cm, mit Wasserstandglas, Manometer, Dampfpfeife und Sicherheitsventil, Spiritusbrenner, doppeltwirkender Zylinder, Steuerung mit Exzenterring, Schwungrad Ø 9 cm, Gußsockel auf Holzfundament, 19 x 17,5 cm. Die Feuerraumtür und einige weitere Teile wurden von Märklin hergestellt, leichtgängig, jedoch ungetestet. Start Price: EUR 140 Zustand: (3/-)Vertical Steam Engine with Märklin Parts, c. 1930Riveted brass boiler, length 8 1/4 in., Ø 3 1/2 in., with water level glass, manometer, steam whistle and safety valve, spirit burner, double-acting cylinder, slide control with eccentric ring, 3 ½-inch flywheel, cast-iron base on wood plinth, 7 ½ x 6 4/5 in., the firebox door and assorted other parts by Märklin, smooth-running but untested. Start Price: EUR 140 Condition: (3/-)

Bockdampfmaschine von Rossignol, um 1890Charles Rossignol, Frankreich. Modell CR 555, stehender Messingkessel, seitlich angebrachter oszillierender Zylinder aus Gußmetall, simulierter Geschwindigkeitsregler, Speichenschwungrad, Ø 7,8 cm, Gußmetall-Säulen und -Sockel, Spiritusbrenner vermutlich ergänzt, Gesamthöhe 19 cm. Start Price: EUR 140 Zustand: (3-4/3-4)Single-Cylinder Overcrank Steam Engine by Rossignol, c. 1890Charles Rossignol, France. Model CR 555, vertical brass boiler, cast-iron oscillating cylinder, dummy speed regulator, 3-inch spoked flywheel, cast-metal columns and base, spirit burner probably added, total height 7 ½ in. Start Price: EUR 140 Condition: (3-4/3-4)

Heißluftmotor, Typ Heinrici, um 1920Nebeneinander liegende Arbeits- und Verdrängungszylinder, obenliegende Kurbelwelle, luftgekühlt, Spiritusbrenner, 2 Schwungräder, Ø je 14,3 cm, Gesamthöhe mit Sockel 49 cm, leichtgängig, jedoch ungetestet. Start Price: EUR 350 Zustand: (2-3/-)Heinrici-Type Hot-Air Engine, c. 1920Working and displacing cylinders arranged side-by-side, overhead crank, air-cooled, spirit burner, two flywheels, Ø 5 3/5 in. each, overall height 19 1/3 in., smooth-running but untested. Start Price: EUR 350 Condition: (2-3/-)

Werkstattmodell mit Stuart-Dampfmaschine "Victoria"Große Dampfmaschinenanlage, Messingkessel, Länge 31 cm, Ø 15 cm, mit Wasserstandglas, Manometer, Dampfpfeife, Dampfdom mit Sicherheitsventil und Galerie mit Treppe, für Spiritusbrenner (fehlt), liegende Stuart-Victoria-Niederdruck-Dampfmaschine, mit Schwungrad Ø 18 cm, funktionierender Geschwindigkeitsregler, Lederriemen zur Kraftübertragung auf zweites Schwungrad, Messing-Kondenswasserkessel mit handbetriebener Speisepumpe, zusammen auf Stahlplatte mit Holzfundament, Gesamtmaße mit Kamin 73 x 52 x 89 cm, leichtgängig, aber ungetestet. - Ein exzellent gebautes imposantes Modell. Start Price: EUR 750 Zustand: (3+/-)Workshop Model with Stuart "Victoria" Steam EngineLarge steam engine, brass boiler, length 12 ¼ in., Ø 6 in., with water level glass, manometer, steam whistle, steam dome with safety valve and gallery with stairs, for spirit burner (missing), Stuart “Victoria” horizontal low pressure steam engine, 7-inch flywheel, working governor, leather belt for power transmission to second flywheel, brass condensing water boiler with hand-operated feed pump, on steel baseplate with wood base, overall dimensions with chimney 28 ¾ x 20 ½ x 35 in., smooth-running but untested. - A well-built and imposing model. Start Price: EUR 750 Condition: (3+/-)

Liegende Dampfmaschine mit Kessel, um 1925Genieteter Stahlkessel, Länge 30 cm, Ø 12,5 cm, mit Wasserstandglas, Manometer, Dampfpfeife und Dampfdom mit Sicherheitsventil, 5-flammiger Spiritusbrenner, Maschinenteil bezeichnet auf Schwungrad "W.B. 140" (Wilhelm Bischoff, Dresden), doppeltwirkender Zylinder, Kreuzkopfführung in Gleitlager, Steuerung mit Exzenterring, Geschwindigkeitsregler, Schwungrad Ø 14 cm, Gußsockel, zusammen auf Holzfundament, 40 x 36 cm, leichtgängig, jedoch ungetestet. Start Price: EUR 350 Zustand: (3+/-)Horizontal Steam Engine with Boiler, c. 1925Riveted steel boiler, length 11 ¾ in., Ø 4 4/5 in., with water level glass, manometer, steam whistle and steam dome with safety valve, five-flame spirit burner, marked on flywheel "W.B. 140" (Wilhelm Bischoff, Dresden), double-acting cylinder, crosshead guide in plain bearing, slide control with eccentric ring, speed regulator, 5 ½-inch flywheel, cast-iron base, on wood base, 15 ¾ x 14 1/5 in., smooth-running but untested. Start Price: EUR 350 Condition: (3+/-)

Frühe Dampfmaschine mit Kessel, 1882Mit Herstellerplakette "Erich Jasmund Mechaniker, 1882", liegender Messingkessel, Länge 22 cm, mit Dampfpfeife und Sicherheitsventil, zweiflammiger Spiritusbrenner, Maschinenteil aus Messingguß, doppeltwirkender Zylinder, Kreuzkopfführung in seitlichen Gleitlagern, Schiebersteuerung mit Exzenterring, auf Holzplatte, 25 x 28 cm, leichtgängig, benötigt Reinigung. Start Price: EUR 240 Zustand: (3-4/-)Early Steam Engine with Boiler, c. 1882With maker's plaque "Erich Jasmund Mechaniker, 1882", horizontal brass boiler, length 8 ¾ in., with steam whistle and safety valve, two-flame spirit burner, machine of cast brass, double-acting cylinder, crosshead guide in lateral slide bearings, slide control with eccentric ring, on wood base, 10 x 11 in., smooth-running, needs cleaning. Start Price: EUR 240 Condition: (3-4/-)

Dampfmaschine mit Dynamo, um 1920Großer Messingkessel, Länge 30,5 cm, Ø 10 cm, mit Wasserstandglas, Manometer, Sicherheitsventil und Dampfpfeife, 5-flammiger Spiritusbrenner, doppeltwirkender Messingzylinder, Schiebersteuerung, gußeisernes Speichen-Schwungrad, Ø 13 cm, Dynamo bezeichnet "Little Hustler", auf Mahagonisockel, 35,5 x 39,5 cm, leichtgängig, jedoch ungetestet. Start Price: EUR 350 Zustand: (3/-)Steam Engine with Dynamo, c. 1920Large brass boiler, length 12 in., Ø 4 in., with water level glass, manometer, safety valve and steam whistle, five-flame spirit burner, double-acting brass cylinder, slide valve control, cast-iron spoke flywheel, Ø 5 in., dynamo marked "Little Hustler", on mahogany base, 14 x 15 ½ in., smooth-running but untested. Start Price: EUR 350 Condition: (3/-)

Zweizylinder-VerbunddampfmaschineGroße Dampfmaschinenanlage, mit gravierter Messingplakette "H. Rehse, Leipzig, 1917", Messingkessel, teilweise mit Zinkblech verkleidet, Länge 33 cm, Ø 12 cm, mit Wasserstandglas, Wasserablaßhähne, Manometer, Dampfpfeife und Sicherheitsventil, für Spiritusbrenner (fehlt), nebeneinander liegende Hoch- und Niederdruckzylinder, Kreuzkopfführung in röhrenförmigen Gleitlagern, Speisepumpe, 2 Speichenschwungräder, Ø jeweils 11,5 cm, auf Gußsockel mit Fliesenmuster, zusammen auf grün lackiertem Blechfundament, Gesamtmaße 55 x 41 x 42 cm, guter und leichtgängiger Zustand, jedoch ungetestet. - Es handelt sich vermutlich um eine aus Teilen der Modellbaufabrik Wilhelm Bischoff in Dresden hergestellte Dampfmaschine. Start Price: EUR 450 Zustand: (2-3/-)Twin-Cylinder Compound Steam EngineLarge steam engine, engraved on brass plaque "H. Rehse, Leipzig, 1917", part zinc-sheet-covered brass boiler, length 13 in., Ø 4 ¾ in., with water level glass, water drain cocks, manometer, steam whistle and safety valve, for spirit burner (missing), side-by-side high and low-pressure cylinders, crosshead guide in tubular slide bearings, feed pump, two spoked flywheels, Ø 4 ½ in. each, on cast-iron base with tile pattern, on green-painted sheet-metal plinth, overall dimensions 21 2/3 x 16 1/6 x 16 ½ in., good and smooth-running condition, but untested. - Note: This model is probably made of parts from the Wilhelm Bischoff Modellbaufabrik in Dresden. Start Price: EUR 450 Condition: (2-3/-)

Linhof Technika 6 x 9 mit Schneider-Objektiv-Satz, um 1955Linhof, München. Technika Nr. 80386 für 6,5 x 9 cm mit nummeridentischen Steuerkurven für Schneider-Kreuznach-Optiken Angulon 6,8/65 mm, Xenar 3,5/105 mm und Tele-Xenar 5,5/180 mm, alle Verschlüsse laufen und alle Linsen unter Punktlicht sauber, mit 3 Suchermasken, Linhof-Kompendiumblende 42 mm, 4 Filter, Linhof-Wasserwaage, 2 Rollfilmmagazine Rollex 6 x 6 und Super Rollex 56 x 72 mm, 4 Doppelkassetten 6,5 x 9 für Platten oder Filme und Mattscheiben-Rückteil. Alles in Metallkoffer. Start Price: EUR 350 Zustand: (3/3)Linhof Technika 6 x 9 with Schneider Lens Set, c. 1955Linhof, Munich. No. 80386 for 6.5 x 9 cm, with corresponding matched cam for distance-meter-coupled Schneider lenses: Angulon 6.8/65 mm, Xenar 3.5/105 mm and Tele-Xenar 5.5/180 mm, three viewfinder masks, compendium sunshade 42 mm, four filters, spirit level, two roll-film magazines Rollex 6 x 6 and Super Rollex 56 x 72 mm, four double cassettes 6,5 x 9 for plates or sheet films and focusing screen back, all in metal case, all shutters working and all lenses clean under point light. Start Price: EUR 350 Condition: (3/3)

A leather-cased tea-set for four persons by Mappin & Webb,English manufacture for French export and retailed from Nice and Monte Carlo outlets, brown leather case with leather handle to lid, with fall-front, opening to olive Rexine interior fitted with wicker-handled kettle with stand and burner, one large and one small food tins, spirit flask, and set of four ceramic tea-cups with saucers, with tea-spoons housed behind leather straps in the lid, some old stains and marks to case, measuring 33 x 20 x 19cm overall. For further information on this lot please visit Bonhams.com

Four ERII silver mounted spirit decanters, together with two ERII silver spirit labels, S J Rose & Son, Birmingham 1977, 1.4toz. (6)

Corgi - Aviation Archive, eight models comprising three ‘Military’ and five ‘Berlin Airlift’ 1:144 scale models, to include limited editions AA31502 Bristol Britannia 312F ‘XX-367’ ‘Team Spirit’ A&AEE Boscombe Down no.686/2500; 48104 Boeing C-97A Stratofreighter Military Air Transport Services no.2815/4000; 47205 Avro York - RAF; 47403 Avro Lancastrian; all boxed (8)Condition Report:Boxes have slight storage wear, models appear new mint in package, all boxed with certificates of authenticity where relevant. Models have not been checked for completeness.

MASANAO: A SUPERB IVORY NETSUKE OF HOTEI WITH A TREASURE BAGBy Masanao, signed Masanao 正直Japan, Kyoto, late 18th century, Edo period (1615-1868)The pot-bellied God of Luck, dressed in a voluminous robe finely engraved with karakusa and flowers across the various pleats and folds, smiling a toothy grin as one hand supports the linen bag on his head in which he stows away the Precious Things, Takaramono, while the other lifts his hem off the floor in preparation to ford a stream. The sack detailed with foliate designs and tied to one side with a finely incised braided rope issuing tassels. The back with generously excavated and angled himotoshi and the neatly engraved signature MASANAO.HEIGHT 6.2 cmCondition: Some age cracks, repairs to the legs and to the tassels of the treasure bag, otherwise in good condition. Fine natural patina overall. The decorations to the robe and bag likely added later by a talented engraver such as Hidemasa of Osaka. Provenance: Bonhams, Fine Japanese Art, 10 November 2016, London, lot 217. French private collection, acquired from the above.Masanao's place as one of the greatest of all netsuke carvers is justified by the outstanding genius displayed in his work. His netsuke, from their daring originality, bold design, beautiful modeling and living spirit stand in a class of their own. Such is the outstanding character of an exceptional Masanao netsuke that it immediately attracts the eye. Combined with a free and bold style it has a fine and delicate finish. Perhaps to a greater degree than with any other netsuke carver, Masanao's netsuke strike one instantly as the creation of an inspired master and with the power of direct expression. Notably, Masanao is listed in the Soken Kisho, the first publication on netsuke published in 1781.Literature comparison:Compare a closely related wood netsuke illustrated in Sagemonoya (2004) Ninety-Nine Netsuke & One Inro, p. 10-11, no. 13.Auction comparison:Compare a related ivory netsuke of Daikoku by Masanao with similar tassels to the bag, manner of carving and himatoshi at Bonhams, Fine Japanese Art, 6 November 2012, London, lot 114 (sold for GBP 34,850).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2307502998-K).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A VERY LARGE IVORY NETSUKE OF TWO RATS GNAWING AN UMBRELLAUnsignedJapan, 18th century; Edo period (1615-1868) Finely carved as two rats gnawing on a tattered umbrella, one peering through the folds, the other recumbent on its hindlegs, the fur inked for texture with the beady eyes inlaid with dark lustrous horn. The base with a himotoshi and a second natural aperture through the folds of the parasol.LENGTH 9.6 cmCondition: Very good condition with typical wear. The left ear of the larger rat chipped.Netsuke motifs often come from interesting proverbs from old times. Tales and poems with metaphors were popular among ordinary people in the Edo period, which had an influence on motifs. According to Yukari Yoshida and Joseph Kurstin, this netsuke illustrates the Japanese proverb, “If an umbrella is eaten by a rat, the owner's family will make a fortune.” This netsuke represents the spirit of making the best out of any given situation.Auction comparison:Compare a closely related large ivory netsuke of two rats gnawing a tattered umbrella at Christie's, Japanese and Korean Art, 21st September 2006, New York, lot 399 (sold for USD 2,040).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2307500497-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

AN AMUSING NEGORO-STYLE LACQUER NETSUKE OF A DRUNKEN SHOJO IN A SAKE CUPUnsignedJapan, 18th-19th century, Edo period (1615-1868)The drunken Shojo shown inside a large sakazuki (sake saucer), her hands on the rim and leaning her head over the cup as if to catch her breath after drinking, her face with a drunkenly bemused expression. She is dressed in a voluminous robe with hems adorned with carved wave designs, her long finely incised hair falling neatly down her back. Good, asymmetrical himotoshi through the underside of the saucer.LENGTH 3.6 cmCondition: Good condition with minor wear to lacquer. One chip to the edge.Provenance: Galerie Souquet, Paris, June 7, 1951. Collection of Robert and Isabelle de Strycker, acquired from the above, and thence by descent within the same family. Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France's post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976).A Shojo is a Japanese sea spirit with similarities to a ghost but differing from the latter in the fact that Shojo are tangible. It enjoys drinking alcohol, especially sake. Legend has it that workers at breweries in Japan have seen Shojo lurking about after indulging in their products.Negoro-ware is characterized by relatively simple shapes, and by a red lacquer surface rubbed to reveal an underlying layer of black. The name derives from that of a temple, Negoro-ji in present-day Wakayama Prefecture, where the technique for making the wares was discovered by accident in the thirteenth century.

FUKAGAWASAI: A FINE LACQUER MANJU NETSUKE DEPICTING SHOJO WITH A SAKE JAR AND SAUCERSigned Fukagawasai (Shinsensai) 深川斉 Japan, 19th centuryThe two-part wood manju netsuke bearing an attractive grain, lacquered in gold and red takamaki-e with a Shojo sleeping against an enormous jar filled with sake, her smiling face cradled in the palm of her hands, probably dreaming of drinking more sake. The reverse with a sakazuki (sake-saucer) lacquered in takamaki-e and nashiji and inscribed with the character ju 寿 ('long life'), which is usually associated with drinking sake. The Shojo's robe, accompanying ladle, and sake jar embellished with fine hiramaki-e patterns. Signed to the back FUKAGAWASAI – the artist appears to be unrecorded. Central himotoshi through the back, the cord attachment within. DIAMETER 3.6 cm Condition: Very good condition with minor wear to lacquer. Provenance: From a noted private collection in Geneva, Switzerland, assembled since the 1960s, and thence by descent. An old collector's label to the base, 'Art Ancien Chine & Extr-Orient Geneva: 2623, HAA, SHINSENSAI' and another inscribed label describing the manju netsuke. An important part of this collection was on permanent loan and was exhibited over several decades at the Asia-Africa Museum in Geneva. A Shojo is a Japanese sea spirit with similarities to a ghost but differing from the latter in the fact that Shojo are tangible. It enjoys drinking alcohol, especially sake. Legend has it that workers at breweries in Japan have seen Shojo lurking about after indulging in their products.

Silver spirit kettle on stand, with burner beneath, embossed decoration, hallmarked 'G&SCoLtd, London 1912' (Goldsmiths & Silversmiths Co Ltd), total height 32.5cm, total weight 42.5

A Collection of Miscellaneous Items, to include a Boosey & Hawkes clarinet, a violin, cowrie shells, mother of pearl mounted opera glasses, Victorian child's iron shod shoes, a Victorian truncheon, candlesticks, cigarette and tea cards, silver plated items, etched amber glass tumbler for the Edinburgh Exhibition, 19th century wooden cased brass spirit level etc. (qty)

Glassware and Dinnerwares, including:Tudor crystal wine glasses and Royal Worcester Evesham, Harvest, a silver plated table service by Roberts & Belk and a spirit kettle (qty)

A Collection of Assorted Silver, including a spirit-flask; a letter-opener, set with a Charles II crown; condiment-items; napkin-rings; silver playing card case and other items, weight of silver 20oz 11dwt, 640gr (qty)There is overall surface scratching and wear, consistent with age and use. The crown on the letter-opener with wear and with a bruised tip to the end. The spirit-flask with some very obvious bruises as can be seen in the illustration. The lid of the card box with some bruises and slightly ill closing. The two packs of cards have not been checked to confirm if they are complete. The other pieces in typical condition.

Three Various Silver Items, comprising a silver cigar-lighter, in the form of a hunting-horn, by Reid and Sons, Sheffield, 1929, 19.2cm high; a Victorian silver cream-jug, London, 1891 and a silver-mounted glass spirit-flask, hinge damaged, weighable silver 9oz, 280gr (3)

A Collection of Assorted Silver, including two cigarette-cases; two spirit-flasks and a pencil in fitted case; Together With a gold plated pocket watch, by Tempo (qty)The spirit-flasks are in reasonable order with some typical surface scratching and wear. The wicker covering on one with some distortions. There are some bruises to the cigarette case. The pencil does not function properly. Gross weight of silver 434gr.

A Mahogany 14-Inch Dial Wheel Barometer, signed L.Balerna, Halifax, circa 1840, swan neck pediment, 14-inch silvered dial, thermometer box, hydrometer, spirit level dial, ivory surround to the adjustment aperture,133cm highWith non-transferable Standard Ivory Exemption Declaration Number BX1KW3K9 Case with small scratches in parts, silvered dials are slightly discoloured, mercury tube with air bubbles.

CERAMIC REFERENCE BOOK COLLECTION 中國陶瓷藝術參考書籍（共四十四本）含：高古、中古、明清陶瓷研究及出版著作、顯赫館藏等 Including: early pottery, Chinese Ming and Qing dynasty ceramics, museum and private collection, in total 44 publications.Asahi Shimbun Cultural Planning Department (Ed.). Newly Discovered Southern Song Ceramics: A Thirteenth-Century "Time Capsule". Tokyo: Asahi Shimbun Publishing Company, 1998.Ayers, John. The Seligman Collection of Oriental Art: Chinese and Korean Pottery and Porcelain. London: The Arts Council of Great Britain, 1964.Chen, Quanfang. Yaozhou Kiln. Shaanxi: Shaanxi Travel & Tourism Press, 1992.Chinese Ceramics: Leeds Art Gallery and Temple Newsam House. Leeds: Beck & Partridge Ltd, 1966.D'Argence, Rene Yvon Lefebvre. The Hans Popper Collection of Oriental Art. Japan: Kodansha International Ltd, 1973.Duan, Qing Bo. Ancient Chinese Pottery. Wuhan: Hubei Fine Arts Publishing House, 2001.Gerald, Reitlinger. Eastern Ceramics and Other Works of Art from the Collection of Gerald Reitlinger. Oxford: The Ashmolean Museum, 1981.Gompertz, G. St. G. M. Chinese Celadon Wares. London: Faber & Faber, 1958.Houli, Yang, and Fan, Fengmei. Dated Qingbai Wares of the Song and Yuan Dynasties. Hong Kong: Ching Leng Foundation, 1998.Hughes-Stanton, P. and Kerr, Rose. Kiln sites of ancient China: An exhibition lent by the People's Republic of China, 1981.Illustrated Catalogue of Celadon Wares in The Percival David Foundation of Chinese Art. London: School of Oriental and African Studies, 1997Joseph, Adrian Malcolm (Ed.). Chinese Pottery Burial Objects of the Sui and Tang Dynasties. London: Hugh M. Moss Ltd., 1970.Kerr, Rose. Song Dynasty Ceramics (Victoria & Albert Museum - Far Eastern Series). London: V&A Publications, 2004.Kotz, Suzanne (Ed.). Imperial Taste: Chinese Ceramics from the Percival David Foundation. San Francisco: Chronicle Books, 1989.Krahl, Regina. Yuegutang: Eine Berliner Sammlung Chinesischer Keramik / A Collection Of Chinese Ceramics In Berlin. Berlin: G + H Verlag, 2000.Lau, Aileen (Ed.). Spirit of Han: Ceramics for the After-life. Singapore: Sun Tree Publishing, 1991.Laurence, Desmond Roger. Chinese Porcelain: 25 years of unscholarly collecting. London: D.R. Lawrence, 2003.Laurence, S.J.. Chinese Pottery and Porcelain: From Prehistory to the Present. London: British Museum Press, 1991.Li, Hui Bing. Porcelain of the Song Dynasty (vol 1). Shanghai: Shanghai Science and Technology Press, 2002.Li, Hui Bing. Porcelain of the Song Dynasty (vol 2). Shanghai: Shanghai Science and Technology Press, 2002.Lu, Yaw, Feng, Xianming, and Tregar, Mary. Song Ceramics: With an Illustrated Catalogue of the Exhibition Organized by the Southeast Asian Ceramic Society and Held at the National Museum, Singapore in May-June 1983. Singapore: Southeast Asian Ceramic Society, 1983.M.H. de Young Memorial Museum. Avery Brundage Collection: Chinese Ceramics. San Francisco: de Young Museum Society, 1967.McElney, Brian Shane. Museum of East Asian Art: Chinese Ceramics v. 1: Inaugural Exhibition. Bath: Museum of East Asian Art, 1993.Medley, Margaret (Ed.). Decorative Techniques and Styles in Asian Ceramics: Colloquies on Art & Archaeology in Asia No.8. London: School of Oriental and African Studies, 1978.Medley, Margaret. Yuan Porcelain and Stoneware. London: Faber & Faber, 1974.Mino, Yutaka and Tsiang¸ Katherine. Ice and Green Clouds: Traditions of Chinese Celadon. Indianapolis: Indiana University Press, 1986.Mowry, Robert D., Farrell, Eugene, and Rousmaniere, Nicole Coolidge. Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown and Black Glazed Ceramics, 400-1400. Cambridge: Harvard University Art Museums, 1996.Pierson, Stacey (Ed.). Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties. London: Percival David Foundation of Chinese Art, 2011.Pierson, Stacey (Ed.). Song Ceramics: Art History, Archaeology and Technology: Colloquies on Art & Archaeology in Asia No. 22. London: Percival David Foundation of Chinese Art, 2004Pierson, Stacey (Ed.). The Museum of East Asian Art Journal. Bath: Museum of East Asian Art, 1995.Pope, John Alexander. Fourteenth-Century Blue and White: A Group of Chinese Porcelains in the Topkapi Sarayi Muzesi, Istanbul. Washington: Freer Gallery of Art Occasional Papers, 1952.Scott, Rosemary E. (Ed.). The Tectus Collection: Tectussamlingen, Centraltryckeriet AB Boras. 1991.Sullivan, Michael. Chinese Ceramics, Bronzes and Jades in the Collection of Sir Alan and Lady Barlow. London: Faber and Faber Limited, 1963.Sydney L. Moss Ltd.. Chinese Monochromes From the P.J. Donnelly Collection. London: Sydney L. Moss Ltd., 1974.The Burrell Collection: Chinese Stonewares and Porcelains. Glasgow: Glasgow Art Gallery, 1950s.The Museum of Oriental Ceramics, Osaka. Song Ceramics. Tokyo: Asahi Shimbun Publishing Company, 1999.The Vancouver Society for Asian Art Presents The Talking Jars. 1971Tregear, Mary. Early Chinese Green Wares: in the collection of the Ashmolean Museum. Oxford: Oriental Art, 1967.Tregear, Mary. Guide to the Chinese Ceramics in the Department of Eastern Art Ashmolean Museum. Walsall: Finaprint Ltd, 1966.Tung, Wu. Earth Transformed: Chinese Ceramics In The Museum Of Fine Arts, Boston. Boston: Museum of Fine Arts, 2001.Watson, William. Pre-Tang Ceramics of China: Chinese Pottery from 4000 BC to 600 AD. London: Faber & Faber, 1991.Watson, William. Tang and Liao Ceramics. New York: Rizzoli International Publications Ltd., 1984.Wirgin, Jan. Sung Ceramic Designs. 1970.Wood, Nigel. Chinese Glazes. Philadelphia: University of Pennsylvania Press, 1999. Note: Please note this lot will be offered with no reserve. 本拍品不設底價

Tadeusz Makowski (Polish, 1882-1932)Letter with an Illustration of a Cow and a Man on the reverse signed 'Votre bien dévoué, / Makowski' (lower right of the letter)pen, graphite, and wash on paper31.5 x 21.0 cm (12 3/8 x 8 1/4 in).unframed.Footnotes:ProvenanceAlfred and Maria Tarski, Berkeley, California; then by family descent to the Estate of Eva Kristina Ehrenfeucht.N.B.Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.Translation of the letter, which is written in French and begins below the image of the cow: 31 August 1932My very dear friend, from day to day I postpone my correspondence, and am realizing that the weeks pass quickly and that I leave you without my news. [Next page] The days are already short and the evenings I feel too tired to gather my thoughts to share with my friends. Now I've been here for almost two months and I'm finally able to recap the results of my work, which always remain a bit vague at the beginning. Well! My dear friend, I have more than twenty panels more or less, some of which will require more development in my workshop in Paris - if it is impossible for me to finish them here. At the same time, I'm taking a canvas of 60 which is already slightly drafted out and I hope to push myself to soon be ready to translate onto these according to the documents collected in nature ['les documents recueilles sur la nature']. I hope that you will find in my efforts a continuation of the spirit of my little painting of ruin ['mon petit tableau deruir'] - it seems to me that above all it will be necessary to exercise much of the painter's memory to evoke as needed the shapes and colors without their living aspect. Because more and more I consider a big part of the tradition of imagination to be painting. The landscape doesn't tempt me much, or rather the figure absorbs me almost entirely. I take much more care in finishing each small painting, and this work of patience and of love gives me so much joy, which saves me from moments of despair in the event of my success. It is the only compensation for all the troubles which nonetheless don't complicate a life full of obstacles from all sides.I want to be able to stay for another month in the countryside - especially since I haven't benefited much from it for my health. Perhaps you could do something very small for me; I would be delighted and very grateful. This delicate subject for which I apologize will, I hope, be forgivable given the frankness with which I have always addressed your good memory. The weather is getting a little bad - but I'm not complaining. My puppy is doing well and happily taking his bath every day in the river - is there anything new there from anyone? Maybe an exhibition in September? Your news is a great pleasure to me.Sending you all my affection, my friendship, and my deepest respects to Madame.Faithfully yours,MakowskiFor further information on this lot please visit Bonhams.com

AN EXCEPTIONALLY RARE WHITE AND RUSSET JADE TIGER SCROLL-WEIGHTTang Dynasty or earlierThe large pebble finely carved as a tightly coiled tiger with large bulbous eyes above jaws agape revealing fangs, the body with finely incised stripes and terminating with two curled tails, the paws tucked neatly beneath the body, the stone of pale white tone with russet-brown speckles. 6.5cm (2 1/2in) wide. Footnotes:唐或更早 玉虎紙鎮Provenance: a Japanese private collection, by reputeR.H.Ellsworth (1929-2014), New York (noted in a Spink and Son Ltd. Valuation, dated 12 January 1968)Bluett and Sons Ltd., LondonA British private collection, and thence by descentPublished and Illustrated: Bluett and Sons Ltd., Oriental Art II, London, 1991, no.9 (dated as Western Han dynasty)J.Rawson, 'Strange Creatures' in Oriental Art, vol.XLIV, 1998, pp.44-47, fig.5 (dated as Western Han dynasty)J.Rawson, 'The Eternal Palaces of the Western Han: A New View of the Universe' in Artibus Asiae, vol.LIX, 1999, Zurich, pp.5-55, fig.32 (dated as Western Han dynasty)On Loan: The British Museum, London, from c.1998來源：日本私人收藏（據傳）R.H.Ellsworth (1929-2014)，紐約（由Spink and Son Ltd.提供的一份日期為1968年1月12日的評估報告中提及）倫敦古董商Bluett and Sons Ltd.蘇格蘭私人收藏，並由後人保存迄今著錄：Bluett and Sons，《Oriental Art II》，倫敦，1991年，編號9（斷代為西漢）J.Rawson， 《Strange Creatures》，《Oriental Art》，第44期，1998年，第44-47頁，插圖5（斷代為西漢）J.Rawson，《The Eternal Palaces of the Western Han: A New View of the Universe》，《亞洲藝術》，第59期，1999年，蘇黎世，第5-55頁，圖版32（斷代為西漢）借展：大英博物館，倫敦，約1998年J.Rawson notes regarding the present jade tiger, that jade carvings such as the present lot, 'were probably made in small sets, like the very fine group from near the tomb of Yuan Di (reigned 48-33 BC) in Shaanxi.'; see J.Rawson, 'The Eternal Palaces of the Western Han: A New View of the Universe' in Artibus Asiae, vol.LIX, 1999, Zurich, p.52. In the Bluett's 1991 catalogue, also showing the present lot, it was noted that this carving shared the characteristics of other Han dynasty carvings in being carved in the round from a pebble of whitish tone with a surface that in places is pitted with brown specks of iron rust tone. It was also noted that cup shaped ears and finely carved claws are also found on these jades. A further comparison was made between the incised tiger stripes on the jade carving and those found on bronze animals inlaid with silver or gold of the Warring States period/Han dynasty; see Oriental Art II, 1991, no.9. For related jade carvings of tiger, Han dynasty, see J.C.Y.Watt, Chinese Jades from Han to Ch'ing, New York, 1980, p.40, no.9; and another illustrated in Chinese Jade Animals, Hong Kong, 1996, pp.80-81, no.46.The present carving of the tiger is exquisitely lively and dynamic, through the jaws open to reveal the menacing teeth, the long thick coiled striped tail emerging from the powerful back haunches, the naturalistic finely curved spine, and the exquisite detail on the underside of the clawed back foot touching on one of the front paws. This dynamism is indicative of an early dating. However, whilst a Western Han dating is possible, it is also possible that this piece is an early revival harking back to the Han style. The tiger has long been one of the oldest symbols for protection in China and is considered as one of the most powerful beasts for warding off evil. The tiger motif inspires both awe and admiration and also embodies the spirit and drive for success. According to Handai jiuyi (The Old Rites of the Han Dynasty), jade seals with a tiger-shaped knob were made for the use of the emperor and empress, indicating the importance of the tiger.For further information on this lot please visit Bonhams.com

A FINE BANDED AGATE SNUFF BOTTLE18th/19th century Smoothly carved and hollowed, of rounded square-shaped body surmounted by a cylindrical neck, the semi-translucent beige body encircled with white and grey bands, an ivory spoon and a coral stopper inlaid with a pearl. 6cm (2 3/8in) high. (2).Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref.6PSB9C2A該批次中含有象牙的物品已根據《象牙法案》（章節10）註冊Ref.6PSB9C2A十八/十九世紀 玉帶瑪瑙鼻煙壺Provenance: an English private collection, and thence by descent來源：英國私人收藏，並由後人保存迄今See a related banded agate snuff bottle, 18th century, in the National Palace Museum, illustrated in Lifting the Spirit and Body: The Art and Culture of Snuff Bottles, Taipei, 2012, p.181. Another related agate snuff bottle, 19th century, is illustrated in The Baur Collection: Chinese Snuff Bottles, Geneva, 2007, p.289. Compare with a similar banded agate snuff bottle, 1750-1860, which was sold at Bonhams New York, 19 March 2018, lot 209.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

FOUR PORCELAIN SNUFF BOTTLES18th/19th centuryComprising of a small red-glazed globular snuff bottle surmounted by a waisted flaring neck, the recessed turquoise base with Qianlong seal mark and probably of the period, metal stopper with hardstone-inlay and ivory spoon, 3.5cm (1 3/8in) high; the second snuff bottle of tall cylindrical form carved around the exterior with two Buddhist lions amidst billowing clouds, all covered in a lime-green glaze, coral stopper and ivory spoon, 7cm (2 3/4in) high; the third snuff bottle of famille rose palette, moulded as a lotus leaf issuing small buds, coral stopper and ivory spoon, 6cm (2 3/8in) high; the fourth, a famille verte bottle with a flattened globular body carved in relief on one side with a gentleman resting beneath a willow tree beside a boy dragging a goat, the other side with jagged rocks issuing gnarled branches and a pine tree, 6.5cm (2in) high. (7).Footnotes:十八/十九世紀 瓷胎鼻煙壺 一組四件The items within this lot containing ivory have been registered in accordance with the Ivory Act (Section 10). Ref.MSKHKBTD, 7Z2XU9YB, GTEFVGLU該批次中含有象牙的物品已根據《象牙法案》（章節10）Ref.MSKHKBTD, 7Z2XU9YB, GTEFVGLUProvenance: Christie's London, 14 June 1971, lot 61 (the red glazed snuff bottle)Marchant and Son, London, May 1969 (the lotus snuff bottle)Arthur Gadsby, Hong Kong, March 1970 (The lions snuff bottle)來源：倫敦佳士得，1971年6月14日，拍品編號61（珊瑚紅釉鼻煙壺）倫敦古董商Marchant and Son，1969年5月（荷葉式鼻煙壺）香港古董商Arthur Gadsby，1970年3月（雙獅圖鼻煙壺）See a very similar lotus shaped snuff bottle, 19th century in the Palace Museum, Taipei, illustrated in Lifting the Spirit and Body: The Art and Culture of Snuff Bottles, Taipei, 2012, p.218. A similar famille rose lotus snuff bottle, 18th/19th century, was also sold at Bonhams London, 5 November 2020, lot 246.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

A RARE YELLOW-GLAZED RITUAL VESSEL, XINGFirst half 19th centuryThe bulbous body raised on three ruyi shaped feet, elaborately decorated with three bands of geometric and tendril diaper patterns beneath the rim, flanked by two handles issuing from dragon heads, covered overall with a egg-yolk glaze except the unglazed tips of the feet and a circle at the base. 24cm (9 1/2in) wide.Footnotes:十九世紀前半期 黃釉铏Provenance: a Swiss private collection, and thence by descent來源：瑞士私人收藏，並由後人保存迄今The shape and decoration on the present vessel derive from archaic bronze vessels made during the Shang and Zhou dynasties. The Qing Imperial kilns often drew inspirations from various bronze wares, which is seen in the renowned Superintendent of the Imperial kilns Tang Ying's (1682-1756) words: 'Imitate the ancient style and inherit the elegance of it, innovate new style and examine its source'. See Xu Huping, The Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, p.33. Vessels of the type containing offerings of a thick meat soup, were displayed close to the spirit tablet on offering tables at the Altars to Earth, Land, Agriculture and Sericulture in the Qing dynasty. See two very similar yellow glazed Xing vessels, Tongzhi mark and of the period, which are illustrated by L.Clark, For Blessings and Guidance: the Qianlong Emperor's Design for State Sacrificial Vessels, Hong Kong, 2019, p.171.Compare with a related yellow-glazed tripod censer, ding, which was sold at Bonhams London, on 14 May 2009, lot 50.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

TWO RARE FAMILLE ROSE EGGSHELL 'QUAIL' RUBY-BACK DISHESYongzhengThe first deep dish delicately enamelled at the centre with three brown-and-white quails on a terrace of tree peony, beneath a band of turquoise cell-pattern in the well and three fruit and floral panels reserved on a pink cell-pattern border; the other saucer dish with two quails eyeing a succulent butterfly on a floral terrace, within a band of pink floral trellis and a yellow-ground border reserved with six alternate dragon and tree peony panels. 20.5cm (8in) and 20.1cm (7 7/8in) diam. (2).Footnotes:清雍正 粉彩錦地開光「安居樂業」圖薄胎瓷盤一對 Provenance: Sotheby's New York, 25 April 2008, lot 83 (yellow-ground border dish)Ralph M. Chait Galleries, New York, 14 November 2008A European private collectionExhibited: International Asian Art Fair, New York, 2002 (yellow-ground border dish)來源：蘇富比紐約，2008年4月25日，拍品編號83 （黃色盤子）Ralph M. Chait Galleries，紐約，2008年11月14日歐洲私人收藏展覽：國際亞洲藝術博覽會，紐約，2002年（黃色盤子）The dishes are notable for their understated elegance, exquisite artistry, and unusual palette combining falangcai and fengcai enamels, the former translating as 'foreign colours', and the latter corresponding to the 'famille rose' palette. The falangcai enamels, introduced from the west, are apparent on the present lot in the brown and ochre enamelling of the quails. A new opaque palette of overglaze colours developed in China around 1720. In this context, a new opaque white greatly increased the shades of colours available to the potters, and a new pink conveyed the overall palette a softer feel. Much admired in China for their courage and fighting spirit, pairs of quail, shuang an, are a homophone for 'peace and prosperity'. Combined with peonies, the birds form the rebus 'Peace, prosperity and wealth', which would have made the dishes an ideal present for a birthday commemoration. Compare with a famille rose eggshell dish decorated with a pair of quails, Yongzheng, in the British Museum, London, illustrated by S.Pierson, Designs as Signs: Decoration and Chinese Ceramics, London, 2001, p.40, no.34.See one similar ruby-back saucer dish, circa 1735, with quail and yellow border, which was sold at Sotheby's New York, 25 April 2008, lot 83.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com