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A Silver Plated and Bone Double Spirit Measure, 10cm high

A Collection of Three Vintage Brass Mounted Spirit Levels

A George IV silver four-piece teaset, Benjamin Smith, London 1823, each piece of squat lobed and ribbed circular form with cast shell and scroll outlines, each engraved with arms, comprising a teapot with cast fruit finial and wooden handle, 14cm, hot water jug with cast finial secondary crest and wooden handle, 21cm, fitting a closely related spirit burner base, London 1827, long-spouted milk jug, 10cm and a two-handles sugar basin, 11cm, 101 ozs in total (5)

C. J. Crocker, Original American Spike, Finest Grain Spirits & Natural Flavours, 70cl/ 35% vol.Footnote: Released as a Bourbon based spirit, there is an argument it is closer to a Rum.

large format gelatin silver prints, the Imperial Cycling Club Belfast 1900; Hadfield Sheffield massive artillery shell c. 1914-18; two large photographs of police forces, one by Thomas J Kerslake of Weston-Super-Mare; RMS Persia with passenger signatures, this one alone in good condition, faint photographer's wetstamp verso for F C Gould & Son, Harmer St Gravesend. Note: RMS Persia was a P&O liner launched in 1900. It was torpedoed and sunk without warning on 30 December 1915 while the passengers were having lunch, by German U-boat U-38. The ship sank in five to ten minutes, killing 343 of the 519 aboard. At the time of sinking, Persia was carrying a large quantity of gold and jewels belonging to the Maharaja Jagatjit Singh, though he himself had disembarked at Marseilles. Among the passengers to survive were Walter E. Smith, a British Member of Parliament, Colonel Charles Clive Bigham, son of Lord Mersey, 2nd Lieutenant John Lionell Miller-Hallett of the Gurkha Rifles, and John Douglas-Scott-Montagu, 2nd Baron Montagu of Beaulieu. His secretary (and mistress) Eleanor Thornton, who many believe was the model for the Rolls-Royce "Spirit of Ecstasy" mascot by Charles Sykes, died.

English, c.1900, signed along the barrel 'Baker 244 High Holborn London' finished in lacquered oxide with lacquered brass parts, on three leveling feet, missing spirit level from top, in original mahogany case, level 36cm long

wooden, black, with spirit level filled with a pink liquid

French, c.1880, unsigned, on adjustable feet, with compass and single spirit level, AF

Rolls Royce Ex Factory Desk Top Spirit of Ecstasy 18cm y

A Victorian beech handled draw knife, length 18 inch, two wood spoke shaves, large beech hooked draw knife, a plate saw set, two saw sets ( one Marples c.1920/1930, one Morrills c.1910), two rosewood / ebony small spirit levels, a set of boxwood handled bevelled edge chisels (full length blades), four sliding bevels and squares, a 12 inch steel rule and a 2 meter rule English made c.1930's

Two 19th century French green glass wine and spirit bottles, one with an armorial seal, the other with a Vieux Cognac seal, 24.5 - 27.5cm highCONDITION: Provenance - Andrew Rudebeck collection of glass. The second part of the collection including Roman to 18th century glass will be offered in Gorringe's 8th December Fine sale.Condition - typical minor imperfections and striations to the glass. Wear to the base consistent with age.

SEVEN BESWICK HORSES, to include two Bois Roussel Racehorse No 701, second version, (one has ear reglued), both brown, cantering shire No 975 (ear reglued and back leg) brown Palomino (prancing Arab type), No 1261( first version), brown (ear missing) two Arab Xayal' No 1265, brown and Palamino (two legs loose) and 'Spirit of Freedom', brown (7) No 2689

A USA Commemorative and metal and ceramic plate, inscribed The Great American Revolution 1776, The Spirit of 76 A M Willard, on reverse Canton Ohio 1976

Royal Doulton Black Spirit of the Wind figure : together with Beswick Horse(2)

Beswick black beauty and foal on base: together with spirit of the wild on base (2).

Royal Doulton Spirit of the Wind: together with Sunlight (2).

Beswick white spirit of freedom: together with spirit of wing (2)

"SPIRIT OF AFRIKA", Burkina Faso - 5 x 1.000 Francs + Medaille 2016, insgesamt 6 Unzen Silber fein, es handelt sich um Set 27 von 99. "SPIRIT OF AFRICA", Burkina Faso - 5 x 1,000 francs + medal 2016, a total of 6 ounces of silver fine, it is a set 27 of 99.

A Plated Rectangular Two-Handled Tray by Elkington & Co, with reeded and ribbon pattern mounts, 22ins x 13.75ins, a plated circular saute pan with turned wood handle, 10.25ins diameter x 15.75ins overall, two plated brandy saucepans with turned wood handles, and a cut glass spirit flask with silver bayonet top and pull-off plated cup, 6.25ins high

A square crystal spirit decanter with hallmarked silver collar, together with a silver plated grape and vine decorated brandy label (h.23cm)

A mixed lot of glassware including a square spirit decanter (h.25cm), a hobnail cut decanter, champagne flutes, wine glasses, two jugs, liqueur glasses etc. (a lot)

Keith Haring (Reading/Pennsylvania 1958 - New York 1990) Kaffeeservice 'No. 1 Spirit of Art' für 6 Personen Villeroy & Boch, 1991. Limitierte Edition, num. Ex. '19/500'. Porzellan. 16-tlg.: Kaffeekanne (H. 22 cm), 6 Kaffeetassen mit UT, 6 Teller, Sahnegießer, Zuckerdose, runde Platte (Dm. 33 cm). Bodenstempel. Mit Zertifikat und Originalverpackung. - Amerikanischer Künstler, dessen Werke stark von der Graffiti-Kunst beeinflußt sind. H. begann 1976 eine Ausbildung als Werbegraphiker, zog aber bereits 1978 nach New York, wo er mit seinen aus Strichmännchen entwickelten Figuren auf Wänden und Plakaten schnell Aufmerksamkeit erregte. Sehr bald folgten erste Einzelausstellungen und Beteiligungen an bedeutenden Gruppenausstellungen, darunter 1982 auf der Documenta 7 und auf der Whitney Biennale. Ab 1985 begann er neben Wänden auch Leinwände zu bemalen. Seine ikonischen, aufs Wesentliche reduzierte Figuren sicherten ihm bald weltweite und bis heute ungebrochene Popularität. Mus.: New York (MoMA u.a.), Berlin, Aachen, Köln, Kopenhagen, Antwerpen, Sydney u.a. Haring, Keith (Reading/Pennsylvania 1958 - New York 1990) A Coffee Service 'No. 1 Spirit of Art' for 6 Persons Villeroy & Boch, 1991. Limited edition, numbered copy '19/500'. Bone China. 16 parts: coffee pot (h. 22 cm), 6 coffee pots with saucers, 6 plates, milk jug, sugar box, round platter (diam. 33 cm). Back-stamp. With certification of authenticity and original boxes. - American artist whose works are influenced by graffitis. H. began studying commercial art in 1976 but moved to New York in 1978 where he soon became famous for his figures developed from stick figures painted on walls and posters. As early as 1982 he exhibited at the Documenta 7, in 1983 at the Whitney Biennale. Since 1985 he started painting canvases. His iconic figures, reduced to the essential brought him worlwide popularity up to today. Mus.: New York (MoMA a. others), Berlin, Aachen, Cologne, Copenhagen, Antwerp, Sydney a. others.

Keith Haring (Reading/Pennsylvania 1958 - New York 1990) Skulpturale Vase 'No. 2 Spirit of Art - Series TriBeCa' Villeroy & Boch, 1992. Porzellan. Limitierte Edition, num. Ex. '157/750'. Bodenstempel. H. 26 cm. - Amerikanischer Künstler, dessen Werke stark von der Graffiti-Kunst beeinflußt sind. H. begann 1976 eine Ausbildung als Werbegraphiker, zog aber bereits 1978 nach New York, wo er mit seinen aus Strichmännchen entwickelten Figuren auf Wänden und Plakaten schnell Aufmerksamkeit erregte. Sehr bald folgten erste Einzelausstellungen und Beteiligungen an bedeutenden Gruppenausstellungen, darunter 1982 auf der Documenta 7 und auf der Whitney Biennale. Ab 1985 begann er neben Wänden auch Leinwände zu bemalen. Seine ikonischen, aufs Wesentliche reduzierte Figuren sicherten ihm bald weltweite und bis heute ungebrochene Popularität. Mus.: New York (MoMA u.a.), Berlin, Aachen, Köln, Kopenhagen, Antwerpen, Sydney u.a. Haring, Keith (Reading/Pennsylvania 1958 - New York 1990) A Sculpture Vase 'No. 2 Spirit of Art - Series TriBeCa' Villeroy & Boch, 1992. Bone China. Limited edition, numbered copy '157/750'. Back-stamp. H. 26 cm. - American artist whose works are influenced by graffitis. H. began studying commercial art in 1976 but moved to New York in 1978 where he soon became famous for his figures developed from stick figures painted on walls and posters. As early as 1982 he exhibited at the Documenta 7, in 1983 at the Whitney Biennale. Since 1985 he started painting canvases. His iconic figures, reduced to the essential brought him worlwide popularity up to today. Mus.: New York (MoMA a. others), Berlin, Aachen, Cologne, Copenhagen, Antwerp, Sydney a. others.

Keith Haring (Reading/Pennsylvania 1958 - New York 1990) Dreieckige Box 'No. 2 Spirit of Art - Series TriBeCa' Villeroy & Boch, 1992. Porzellan. Limitierte Edition, num. Ex. '743/750'. Bodenstempel. 29,5 x 9,5 cm. - Amerikanischer Künstler, dessen Werke stark von der Graffiti-Kunst beeinflußt sind. H. begann 1976 eine Ausbildung als Werbegraphiker, zog aber bereits 1978 nach New York, wo er mit seinen aus Strichmännchen entwickelten Figuren auf Wänden und Plakaten schnell Aufmerksamkeit erregte. Sehr bald folgten erste Einzelausstellungen und Beteiligungen an bedeutenden Gruppenausstellungen, darunter 1982 auf der Documenta 7 und auf der Whitney Biennale. Ab 1985 begann er neben Wänden auch Leinwände zu bemalen. Seine ikonischen, aufs Wesentliche reduzierte Figuren sicherten ihm bald weltweite und bis heute ungebrochene Popularität. Mus.: New York (MoMA u.a.), Berlin, Aachen, Köln, Kopenhagen, Antwerpen, Sydney u.a. Haring, Keith (Reading/Pennsylvania 1958 - New York 1990) A Triangular Box 'No. 2 Spirit of Art - Series TriBeCa' Vlleroy & Boch, 1992. Bone China. Limited edition, numbered copy '743/750'. Back-stamp. 29,5 x 9,5 cm. - American artist whose works are influenced by graffitis. H. began studying commercial art in 1976 but moved to New York in 1978 where he soon became famous for his figures developed from stick figures painted on walls and posters. As early as 1982 he exhibited at the Documenta 7, in 1983 at the Whitney Biennale. Since 1985 he started painting canvases. His iconic figures, reduced to the essential brought him worlwide popularity up to today. Mus.: New York (MoMA a. others), Berlin, Aachen, Cologne, Copenhagen, Antwerp, Sydney a. others.

Keith Haring (Reading/Pennsylvania 1958 - New York 1990) Teeservice 'No. 1 Spirit of Art' für 6 Personen Villeroy & Boch, 1991. Porzellan. Limitierte Edition, num. Ex. '13/500'. 16-tlg.: Teekanne (H. 17 cm), 6 Teetassen mit UT, 6 Teller, Sahnegießer, Zuckerdose, runde Platte (Dm. 33 cm). Bodenstempel. Mit Zertifikat und Originalverpackung. - Amerikanischer Künstler, dessen Werke stark von der Graffiti-Kunst beeinflußt sind. H. begann 1976 eine Ausbildung als Werbegraphiker, zog aber bereits 1978 nach New York, wo er mit seinen aus Strichmännchen entwickelten Figuren auf Wänden und Plakaten schnell Aufmerksamkeit erregte. Sehr bald folgten erste Einzelausstellungen und Beteiligungen an bedeutenden Gruppenausstellungen, darunter 1982 auf der Documenta 7 und auf der Whitney Biennale. Ab 1985 begann er neben Wänden auch Leinwände zu bemalen. Seine ikonischen, aufs Wesentliche reduzierte Figuren sicherten ihm bald weltweite und bis heute ungebrochene Popularität. Mus.: New York (MoMA u.a.), Berlin, Aachen, Köln, Kopenhagen, Antwerpen, Sydney u.a. Haring, Keith (Reading/Pennsylvania 1958 - New York 1990) A Tea Service 'No. 1 Spirit of Art' for 6 Persons Villeroy & Boch, 1991. Bone China. Limited edition, numbered copy '13/500'. 16 parts: Teapot (h. 17 cm), 6 teacups with saucers, 6 plates, milk jug, sugar box, round platter (diam. 33 cm). Back-stamp. With certification of authenticity and original boxes. - American artist whose works are influenced by graffitis. H. began studying commercial art in 1976 but moved to New York in 1978 where he soon became famous for his figures developed from stick figures painted on walls and posters. As early as 1982 he exhibited at the Documenta 7, in 1983 at the Whitney Biennale. Since 1985 he started painting canvases. His iconic figures, reduced to the essential brought him worlwide popularity up to today. Mus.: New York (MoMA a. others), Berlin, Aachen, Cologne, Copenhagen, Antwerp, Sydney a. others.

Large reproduction chrome figure - The Spirit of Ecstasy - Approx H: 39cm

Four vintage paraffin lamp bases together with a group of metalware to include spirit kettle.

A Light Shale oil two gallon petrol can plus an unusual Shellmex Motor Spirit two gallon can dated June 1930.

Ten 2 gallon petrol cans including Pratt's Perfection Spirit and one for Water with a lipped top edge.

An early Shell Motor Spirit two gallon petrol can with lipped edge, and clam design to the top, the handle bearing plate for British Petroleum Co. Ltd.

Ten 2 gallon petrol cans including Pratt's Perfection Spirit, two with cut out bottoms.

A LATE 20TH CENTURY MAHOGANY TANTALUS, containing three square form spirit decanters with facet ball stoppers, the frame with brass fittings including lion mask rings to the sides

A LEATHER SPIRIT FLASK CASE, containing three sectional glass flasks, with plated mounts, the case 18cm high

A LATE VICTORIAN SILVER VESTA CASE, Birmingham 1892, with chased decoration, together with a plain silver vesta, a silver 'Madeira' spirit label on chain, a silver trowel book mark with mother-of-pearl handle, two silver thimbles, two silver handled scissors, and one other item (10)

A SELECTION OF SILVER-PLATED ITEMS to include; a wine bottle coaster, a silver-plated scallop form dish with engraved armorial crest, a plated double-ended marrow scoop, grape scissors, wine funnel, spirit labels, sugar nips, bottle coaster etc.

GEORGE UNITE A SILVER 'BRANDY' LABEL, acanthus leaf chased decoration, with chain, Birmingham 1853, together with; other spirit labels, three silver bladed folding fruit knives with mother-of-pearl handles, a silver folding button hook with mother-o f-pearl handle, a bread fork, mesh purse, three fountain pens, silver mounted horn spoons, one with a whistle terminal, etc.

C. ROBATHAN & SON A SILVER 'SCOTCH' SPIRIT DECANTER LABEL, on chain suspension, Birmingham 2003, together with assorted SILVER ITEMS to include; toast rack, napkin ring, caddy shovel, two spoons, and a Sterling lily of the valley decorated button ho ok, also plated dessert knives and forks for six, weighable silver 112g

ALEXANDER CLARK MANUFACTURING CO., LONDON AN OAK TANTALUS WITH SILVER-PLATED HANDLE, containing three cut glass spirit decanters, with facet cut ball stoppers, the base 36cm wide

Mekhong Rice Spirit, Thailand - 35% , 1 bottle

Yeni Raki Turkish Spirit - 45%, 1 bottle

Good Spirit Golfer, 1 bottle

A Royal Doulton figurine 'Amy' Hn 4760, together with Royal Worcester A Royal Anniversary, The Golden Jubilee Ball and Royal Debut A Royal Presentation", "Spirit of the Dance", some with certificates (7).

A framed set of Egyptian drawings together with 3 prints and a signed print- Eclipse with wolf spirit by Rick Beaver (5).

A Victorian electroplated spirit kettle, with ivory swing handle and hinged cover with finial, the body adorned with floral and foliate panels, the base with a burner, raised on scrolled legs, approx height 33 cm (excluding handle) Est £100 - £150

ASSORTED VINTAGE COLLECTABLES including leather spirit flask, knitting gauge, Art Deco booklet stand, shell rose bowl, boxed set of circular playing cards from the Orient line to Australia, pressed copper art nouveau photo frames ETC.

WELSH MINING INTEREST: A GEORGE V DESK COMPANION, oak case French carriage timepiece, aneroid barometer and spirit thermometer, base with inscription plaque 'Presented To W.H.John, By the Penrikyber Colliery Staff, 1927', 13cms high Auctioneers Note: W.H.John was the agent at both the Penrhiwceiber and the Marine Colliery in Cwm when the latter sufferered a disastrous fire in 1927. This desk companion was presented in thanks for his heroic effort during the rescue of injured miners.

George III silver fluted three legged spirit stand, possibly for a brandy pan, with reeded rims and legs, terminating in lobed pad feet, maker TL DL, Sheffield 1819, diameter 10.5cm, weight 6.70oz approx.

Victorian silver hobnail cut glass silver mounted cylindrical spirit flask with cup, London 1892, height 19cm

Good Victorian five piece silver tea set by Mappin Brothers, of ovoid lobed section and with foliate scroll embossed decoration and raised on four outswept feet comprising spirit kettle (lacks stand), tea pot, hot water pot, milk jug and sucrier, the three pots with ivory handles and finials, Sheffield 1897, weight 77oz approx.

SELECTION OF VINTAGE TOOLSincluding hand saws, various chisels, spirit level, plane, etc

LARGE SELECTION OF GLASSWAREincluding decanters, wine, spirit and liqueur glasses, celery jar, vases, water jug, milk and cream jugs, spill vase, bowls, butter dishes and other items

SELECTION OF CRYSTAL AND OTHER DECANTERSincluding an Edinburgh square spirit with stopper and four other decanters, two cut glass water jugs, two lidded preserve jars, scent bottle and stopper and two lidded storage jars

SPIRIT OF SPEYSIDE WHISKY FESTIVAL 2013A unique blended malt created from 28 Speyside single malts bottled for the festival. 10 Year Old Single Malt Scotch Whisky. 70cl. 40.4% abv. Level mid-neck. Excellent condition. 1 bottle.

SELECTION OF COLLECTABLESincluding Oak and silver plate mounted ice bucket; a Hohner Super Chromonica in box; vintage tins including OXO and Capstan; playing cards; chess pieces; a Barnley's patent rotatable lightening calculator pencil case, ruler and measure; a riding spur; a J. Rabone and sons spirit level in fitted case, etc., 1 tray

CAPERDONICH 1968 - DUNCAN TAYLOR Caperdonich 37 Year Old Single Malt Scotch Whisky from Duncan Taylor Independent Bottlers. 700ml. 40.3% abv. Distilled in 1968 and bottled in 2006. The Lonach range of bottlings are created from the marriage of under-strength spirit from casks with an abv which has dropped below 40% and others with a strength above 40% bringing the aggregate to above 40%, thus allowing the product to be sold as Scotch Whisky. Level mid-neck. Excellent condition. 1 bottle.

Two heavy glass decanters with ceramic spirit labels and another (3)

CHELSEA Large limited edition book in hardback outer case, The Spirit of Chelsea with 3 Certificates of Authenticity individually signed by Peter Osgood, Peter Bonetti and Ron Harris. Good

063 - - Galya Feiermann. Nevada Landing (Burning Man). 2007. Inkjet auf Hahnemühle pearl. 1/3 + AP. 40x60 cm. Aludibond, kaschiert hinter Acryl, signiert. The rare moments of rain in bright sun add to the euphoria, as an art vehicle passes through the outskirts of Black Rock City, Nevada. The spirit of American myth situates perfectly in the western desert landscape. The experience of Burning Man Festival and the cross-country road trips to arrive there in the early 2000s were very formative to the photographer Galya Feierman in learning the flight of imagination, freedom and collective work. - Galya is a photographer from New York, currently living in Berlin. She is searching for feelings between cities and people and the myth that speaks them. Her photography mostly features creative individuals in relation to a metropolis. In this case, the temporary metropolis is left unseen, only the desert that hosts it.

155 - - André Boitard. Marilyn Monroe. 2016. Collage. Unikat. 100 x 70 cm. Signiert, datiert, gerahmt. André Boitard aka Kustos stammt aus einer Künstlerfamilie, deren Spirit der Unabhängigkeit und Eigenständigkeit durch ihn weiterlebt. Er liebt die Freiheit der Straße, nennt sie seine Inspirationsquelle und nutzt sie als Konfrontationsfläche mit der Gesellschaft. Zudem ist sie Fundort eines Großteils seiner in den Collagen verarbeiteten Materialien. Seine Pop-Art ist keineswegs nur dekorativ, sondern birgt in sich eine tiefere philosophische Ebene. Er spricht von "politisch engagiertem Design". Er möchte nicht Gut und Böse definieren, sondern Zwischenräume und Übergänge bewusst machen, Diskussionen provozieren und Denkprozesse anregen.

153 - - André Boitard. Konrad Adenauer. 2019. Collage. Unikat. 50 x 40 cm. Signiert, datiert, ungerahmt. André Boitard aka Kustos stammt aus einer Künstlerfamilie, deren Spirit der Unabhängigkeit und Eigenständigkeit durch ihn weiterlebt. Er liebt die Freiheit der Straße, nennt sie seine Inspirationsquelle und nutzt sie als Konfrontationsfläche mit der Gesellschaft. Zudem ist sie Fundort eines Großteils seiner in den Collagen verarbeiteten Materialien. Seine Pop-Art ist keineswegs nur dekorativ, sondern birgt in sich eine tiefere philosophische Ebene. Er spricht von "politisch engagiertem Design". Er möchte nicht Gut und Böse definieren, sondern Zwischenräume und Übergänge bewusst machen, Diskussionen provozieren und Denkprozesse anregen.