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20th century AD. American travel cocktail case comprising: hinged leatherette fitted case with handle and catch containing four aluminium tumblers, tray, bottle/can opener and double spirit measure; with space for shaker and two bottles. 1.5 kg, 34 x 30 x 15cm (13 1/2 x 12 x 6"). Property of an Essex lady; acquired by inheritance. Sometimes marketed in USA under 'Trav-L-Bar' name. [No Reserve] Fine condition.
An undated archaistic sheet gold diadem, tapering to each rounded end with a median spur to the lower edge; repoussé designs symmetrically placed around a central cross botonny of a bird (dove of the Holy Spirit?), a florid cross, a serpent with open jaws and protruding tongue, a church with cross above the entrance, a voided cross, a row of linked crescents. Cf. similar techniques on a gold 6th century bracelet in Yeroulanou, A. Important Bracelets in Early Christian and Byzantine Art in Entwistle, C. & Adams, N. Intelligible Beauty, Recent Research into Byzantine Jewellery, London, 2010 plate 21a. 2.29 grams, 36cm (14"). Property of a West London gentleman; acquired before 2000. [No Reserve] Fine condition, repaired.
[§] SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.I. (SCOTTISH 1880-1969) ON THE BEACH DINARD Signed, watercolour 25.5cm x 33cm (10in x 13in) Note: One of the most celebrated British watercolourists of the 20th century, Sir William Russell Flint is known for his remarkable technical skill and precision. Born in Edinburgh in 1880, Flint was first introduced to painting by his father before developing his skills at Banks and Co. Printers where he enrolled in a six year apprenticeship as a lithographic draughtsman. Although he is known for his watercolours he also painted in oil and tempera, and produced etchings. Flint was a member of the Royal Academy, and served as president of the Royal Watercolour Society for twenty years from 1936. He was further recognised in 1947, with a knighthood for his services to art, and later a solo exhibition at the Royal Academy. Painting in several countries including France, Italy, Switzerland and Scotland, Flint was captivated by the distinctive and unique character of the distant lands. However, his foremost fascination was the female form. This manifested in a wide range of depictions; spanning from flamenco dancers to his picturesque gypsies and languorous nudes. Today his work is exhibited in numerous institutions around the world including the British Museum, the Victoria and Albert Museum and the Art Institute of Chicago. On the Beach Dinard depicts a sun drenched beach bustling with fashionable women immersed in various activities. The controlled broad washes perfectly capture the atmospheric effects of the idyllic scene. Flint produced a number of paintings depicting beaches from his visits to the coasts of England, Scotland, France and the Mediterranean Sea. The painting perfectly encapsulates the light-hearted spirit of age, whilst displaying his technical virtuosity.
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