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A COLLECTION OF SEVENTEEN GEORGIAN AND OTHER SPIRIT LABELS A PAIR, LONDON BY T PHIPPS & E ROBINSON of canted rectangular form with reeded border, inscribed CLARET and BRANDY; a small canted rectangular spirit label by Robert Gray & Sons inscribed for WHISKY; together with a modern pair of Birmingham spirit labels of similar form, and others (17)
A mixed lot comprising: An electroplated Egg Coddler, of ovoid form, with fitted interior, on a wire work frame with spirit burner to the base, the second a Breakfast Warming Dish, of circular form with pull-off cover, and wicker covered handles, to a fitted interior, and raised on three paw feet, united by a burner, (2)
An impressive large Victorian Tea Kettle on stand, the kettle of compressed circular form, with hinged lid and scrolling overhead handle mounts, with ivory handle and finial, with a plain flared base and four peg suspension points to the body, and decorated with classical floral and foliate swags and masks, and with cartouches with contemporary armorial, to a circular stand, raised on four hollow cast and applied scrolling feet, centred with a spirit burner and same engraved decoration, with two hollow cast mounts, height 16”, weight 90 ½ ozs inclusive, London 1847, Makers mark Robert Garrard and further stamped Garrards Panton Street
Lindbergh, Charles (1902-1974), American pilot. Photograph of Charles Lindbergh standing before the Spirit of St. Louis, inscribed To Waterman Granton Pen (?) and signed by Lindbergh lower right, 21 x 16cm, undated Note: The aviator Charles Lindbergh piloted the first solo non-stop flight across the Atlantic in 1927
An electroplated travelling kettle, with wicker grip swing handle, the rustic stand with a spirit heater; a pair of electroplated Corinthian column sharp fluted stem candlesticks, with bead edge detachable nozzles and stepped square loaded bases and a pair of Victorian electroplated asparagus tongs, with pierced engraved grippers. (4).
A late Victorian novelty thimble spirit measure Just a thimble full. Maker Collins and Cook. Birmingham, 1900; a Regency silver snuff box. Maker John Shaw. Birmingham, 1819. 2.25in. (5.5cm.); and an Edwardian silver heart shaped ring box, inset tortoiseshell, on three legs. Birmingham, 1910. 1.75in. (4.5cm.). (3).
Appleton (Honor C., 1879-1951). Tom, Tom, the Piper's Son, Stole a Pig, and Away He Run!, 1910, watercolour with traces of bodycolour, of Tom in the twilight glancing behind as he makes his escape with a piglet in his arms, with a tree-lined street and two figures in the background, signed and dated in ink, inscribed with the title below the mount (according to label on verso), image size approx. 160 x 150 mm, framed and glazed, original illustration for Traill (Henry Duff), The Baby of the Future, [1911], four col. plts., pubs. ad. leaf at rear, scattered foxing, orig. pictorial wrappers, dust-soiled, spine deficient and corners rubbed, approx. 150 x 115 mm, plus a 1990 illustrated exhibition catalogue of Appleton's work, by Chris Beetles Honor C. Appleton, well-known for her charming book illustrations of children, painted watercolours from an early age. As a young woman she attended the Art branch of the South Kensington Schools, and then Frank Calderon's School of Animal Painting where she gained a scholarship. This was followed by a brief spell in the studio of Sir Arthur Cope, RA, after which she enrolled at the Royal Academy Schools in 1901. She loved her time at the Schools, and her sketch books from this time show influences of Mabel Lucie Attwell, Annie French, James McNeil Whistler, Anne Anderson and William Heath Robinson. In 1902 Honor's career as a book illustrator was launched, and over the next forty years she illustrated over 150 children's books. Honor is perhaps best known for her illustrations for Mrs. H.C. Cradock's "Josephine" series, in which she captures the innocence and spirit of her subject. Her earlier works have a more ethereal quality, and a delicacy of colour, which is seen to full effect in the three works offered here. (3)
An earthenware mug the waisted body printed in black Joshua Pendleton, Wine & Spirit Dealer, Market Place, Tunstell, 24th July 1839, a cylindrical mug with inscribed view of The Convict Prison, Portland and a small mug printed in pink with a view inscribed Thames Tunnel, chipped and cracked (3)
Two Mauchline ware paperknives (Alton Church and Aberystwith (sic)); a Mauchlin ware trinket box (Presbyterian Church, Portrush); a Mauchlin ware canister (Table Rocks, Whitley); a treen money box with parquetry inlay; a mahogany box with a Tunbridge style butterfly design within a geometric border to the lid; a set of bone and ebony dominoes; a set of 'CV Series' wooden draughtsmen, boxed; two treen dice shakers; an ebonized card box with an applied flower-festooned playing card decoration to the lid; assorted cards and card games; a brass and treen spirit level by Rabone; an ebony ruler of rounded form; two Sorrento ware boxes; a Tunbridge ware box with a bird's eye maple central panel to the lid; and a boxed 'Brinco' Junior No.6 stapler.
A Troughton & Simms grey lacquered brass O. S. transit theodolite No. 4, the sighting telescope with silvered vertical circle of degrees and verniers, mounted in trunion, spirit levels and magnifiers throughout, the staff-head mount with three levelling screws and plumb-bob; original fitted case with suppliers label to lid.
"NAPLES" painted by A Fitzgerald, described by S Fitzgerald, published by A & C Black, London 1904 in decorated cloth boards, together with similar volumes, "Tyroll" by Harrison Compton, "Upper Engadine" by Hardwicke Lewis, "The Spirit of Paris" by Frankfort Sommerville, "Our Life in the Swiss Highlands", "Nuremberg" painted by Arthur George Bell, "Pompeii" painted by Alberto Pisa and "Venice" by Canon and Mrs Lonsdale Ragg, all A & C Black (8) See illustration
A Victorian silver spirit kettle with hinged swing handle and ivory spacers above a tapering body, extensively decorated with scrolls and leaves, the cartouche inscribed 'Presented together with a silver salver Nov. 7th 1873 to The Rev. William Henry Davies, M.A., from the parishioners of Windsor in testimony of four years of faithful service while Curate of Windsor', Goldsmiths Alliance Limited, London 1872, 54 ozs.
* Giovagnoli. Spirit of a Hero - a pilot, weightless before his Savoia Marchetti SM79 with engines running, swirling storm clouds above, and a flight of five Macchi Mc200 single-engined fighters diving earthwards, watercolour and gouache, heightened in white, signed, 17.25 x 12.75 in (43.8 cm x 32.4 cm), framed and glazed -1
Hutchinson Intermment Camp, Douglas, Isle of Man. The Camp Almanack, 1940-1941, editor M. Corvin, Administrator, W.G. Feuchtwang, pub. Hutchinson Camp, Douglas, Isle of Man, December, 1940, twenty-four pages produced by Flat-Duplicator, mostly double-sided, incl. twelve full-page illusts., hand-col. with crayons and col. pencils, (one signed Fritz Kramer, another signed Ensli Kahn) and several illusts. to text, orig. paper wrappers tied on the spine with blue silk ribbon, a little dust soiled and minor wear to edges (ownership signature of E. Levine inside front wrapper), slim folio contents include Aliens, by Pfarrer Kerlin, Our Spirit, by Ulli Hirsch, Mission of Art, by Seigfried Oppenheimer, Cultural Flashlights, by K.E. Hinrichsen, The Little Clown, by Michael Corvin, Technical School, by L. Warscauer, Madam X, by W. Limnel, Music-Review, by Perlmann, Romeo and Julia, or a Mystical Fairy-Tale with Red Hot Life in the Background, by Ernst Schwitters-Guldahl, The Re-Construction of Seaside Ressorts, by Bruno Ahrends. -1
[Green, Henry]. A Manchester Book: The Song of the Cat; illustrated with wood-cuts: a Legend of the Chancery Court ..., [1858], b&w wood-eng. illusts., a.e.g., orig. blindstamped red cloth gilt, rubbed and some soiling, frayed to head and foot of spine, 8vo, together with Colman (George, The Younger), Eccentric Tales, In Verse, 2nd ed., 1812, folding hand-col. aqua frontis., contemp. half calf, worn on spines, small 8vo, plus Cruikshank (George), A Discovery Concerning Ghosts: with a wrap 'At the Spirit Wrappers', 1864, b&w wood eng. illusts. to text, contemp. half calf, rubbed and scuffed, large slim 8vo, and Malory (Sir Thomas), La Mort D'Arthur, the most ancient and famous history of the renowned Prince Arthur and the Knights of the Round Table, 3 vols., 1816, eng. frontis. and vign. title to each vol., contemp. half plum morocco, gilt dec. spines, rubbed and some marks, 12mo, and small format, and other various 19th c. literature, bindings, etc., including Robert Bloomfield, Kate Greenaway, etc. (approx. 40)
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49464 item(s)/page