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A French amaranth, specimen wood marquetry and gilt metal mounted commode, stamped with the crowned coat of arms of Amsterdam and J.G for the St Joseph Guild, circa 1775, the grey marble top with moulded edge, above two long drawers, the marquetry depicting a basket of flowers, the canted sides with fluted marquetry and git metal mounts, on gilt metal mouted slender cabriole legs terminating in sabots, 82cm high, 98cm wide, 45cm deep. See Sotheby’s New York, Important French Furniture, 23 Nov 09, Lot 83 for a Louis XV/Louis XVI ormolu-mounted tulipwood, amaranth, parquetry and marquetry table de toilette bearing the same stamp and with the following literature. ‘In recent years it has become apparent that in both Amsterdam and The Hague and almost certainly in other large Dutch cities as well, marquetry furniture in the French manner was produced from the 1760s onwards. The Dutch furniture makers who first began to work in the French manner were not introducing a taste previously unknown in the Netherlands; on the contrary, they tried to imitate furniture from France because it was being imported in large amounts and found high favour with the buying public. Both the city of Amsterdam and of The Hague the furniture makers’ guild complained to the local government of this practice of importing and selling furniture, which was officially forbidden. In 1770 the Amsterdam city council received a request from the Amsterdam Guild of Saint Joseph in which a complaint was made about the importation of furniture and that this foreign competition had forced many furniture makers to reduce the size of their workshops. As a result, the Amsterdam city council renewed and amplified the ban on importing foreign furniture in January 1771. In order not to harm the interests of tradesman and the (foreign) stock they still had in stock, the trade was allowed to sell these last pieces, provided they were stamped with the mark of the Guild of Saint Joseph. This is the stamp composed of the letters J and G flanking the crowned coat-of-arms, which occurs either raised within a sunken reserve or directly impressed in the wood.’ See Baarsen, R.J., Aspecten van de Nederlandse meubelkunst in de tweede helft van de achttiende eeuw, Alphen aan den Rijn, 1993, pp. 157, 158, 168 (Reinier Baarsen, French Furniture in Amsterdam in 1771, Furniture History Society Journal, 1993, p. 114-127). For a similar commode also bearing the stamp for The St Joseph Guild, see Christie’s Interiors, Style & Spirit, 12 May 2009 London, South Kensington, Lot 565.
A matched set of four spirit labels Birmingham 1960 and Sheffield 1962; the gadrooned and shell borders with fine link suspension, inscribed for BURGUNDY, BORDEAUX, WHISKY and BRANDY; together with a domed oval label for YELLOW CHARTREUSE, by Walker & Hall Sheffield 1911 and an unmarked example pierced for WHISKEY (6)
A Victorian spirit label Reilly & Storer, London 1840, the moulded border around pierced inscription for MADEIRA; a George III spirit label for BRANDY, London 1801, of shaped outline with reeded border; a George III spirit label for BUCELLA London 1808; and a Victorian wine label for HOCK, Birmingham 1839, with pendant floral swags(4)
A group of George III spirit labels to include an oval gadrooned example for MOSELLA, CR/WS, London 1791; a rounded rectangular example with gadrooned border inscribed or MADERIA, IR, London 1805 and a simple rectangular example with gadrooned borer with foliate detail inscribed S, T.E, London1823 (3)
A Continental miniature tankard with London import marks 1902, the covered tankard with embossed scenes and border; together with a continental spirit funnel with embossed decoration; a miniature spinning wheel; a J Nasmyth snuff box, Edinburgh 1833, and a calling card case Birmingham 1908 (5)
A Victorian Silver Oil Lamp, the tapering cylindrical body embossed with floral foliate and “C” scroll decoration, to a spreading circular foot with presentation inscription, and fitted with a Hinks’s Duplex Patent Spirit Burner, and frame with electroplated mounts (loaded), height 21”, London 1889, Maker’s Mark EFHT
Two sets of six tea knives, with cases and mostly plated wares, comprising; a shaped oval dish, a salver decorated with a border of fruiting vine, a coffee pot, a pair of sugar casters, two spirit flasks, with pull of beaker bases, a plain spirit flask, a small rectangular dish, a pair of sugar tongs and a glass butter dish, with a stand.
William Heath (Paul Pry) 1795-1840- "The Battle of Waterloo June 18th 1815, Dedicated with Permission to Lieu. General the most Noble Henry William Paget, Marquis of Anglesey & Earl of Uxbridge GCBKMF & KSG"; etching with spirit-ground aquatint, aquatinted by Richard Reeve 1780-1825, rare, with defects, unexamined out of the frame, 42x55cm: W Kobell, early-mid 19th century- "Darstelling der Samrlich...Dede a son Altesse Imperiale L`Archiduc Charles..."(Battle scene); etching with aquatint, touched by hand, after H Mansfield: Follower of Sir Thomas Lawrence PRA- An Officer standing by a canon with battle scene beyond; stipple-engraving: After Richard Caton Woodville II 1856-1927- "The Charge of the Light Brigade"; published by Henry Graves 1895, photogravure, A/F condition very poor, (4) (part unframed)
A modern Scalextric GT40 Sport set No.3. Comprising 2 Ford GT 40 Gulf Racing RN.9 and a red with white stripe example RN3 (Dan Gurney), complete with all parts and paperwork plus extra track sections. Plus a Limited Edition 2003 Goodwood Festival of Speed Ford GT 40 3 car set. A Limited Edition Fly Car Model Ferrari 512S Codalunga. A Ninco McLaren GTR Le Mans car in ELF Jacadi blue livery, RN.50. Spirit Ferrari 512 1971 24H Le Mans, Juncadella-Vacarella. All except loose track boxed, minor wear. Contents VGC-Mint.
9 1/32nd scale Slot Racers. 2 Ninco ‘tuning style’ BMW M3 and a Toyota Supra ‘Wood One’. 3 Spirit- 2 Ferrari 512 M 1st Kyalami 1970 and 24hours Le Mans 1971. Lola B2K/10 24hours Le Mans 2000, Carrera Bentley EXP Speed 6 Le Mans test day 2001. SCX Dome Judd S 101. Plus a Fly Classic series Porsche 908/3 Targa Florio 1970 Vic Elford-Hans Herrmann. All in plastic window boxes. Vehicles mostly as new (a few loose parts) unrun.
A Marklin stationary steam engine comprising horizontal boiler with water gauge, clock valve, safety valve whistle regulator, spirit burner, single cylinder non-reversing engine with dummy regulator from fly wheel and excentric driven water pump, clutch drive to dynamo, mounted on tin printed tile effect base with electric lamp (top missing), some pipe work replaced, slight damage to base printing, 12" x 10" x 15", overall condition fair
A boxwood and brass surveyor`s alidade with compass mid-19th century, signed on the calibrated brass arm `R. & G. Knight, Foster Lane, London`, the arms inscribed `Direction` and `Inclination`, the upper arm inset with a spirit level, the lower arm with a 7/8in. compass, 6.5in. (16.5cm.) long.
* Postal History/Cheques/Ephemera. A quantity of early pre-postage stamp postal history, including provincial town stamps, penny post, etc., together with old Victorian cheques, assorted printed ephemera including Penny savings bank broadsheet, engraved letter heads, Victorian prescription, seamans service ticket, wine & spirit price lists, coach house, Inn & hotel itemised receipts, etc., all from the 19th c.. (-)
A 10 Bore Steel Barrel, for a percussion shotgun, octagonal at the breech, 89cm; a Black Leather Covered Steel Powder Flask, by G & J W Hawksley, with nickel plated charger calibrated from 3 to 4 drams; a Small Quantity of Gun Cleaning Equipment, including a rifle pull with attached oil bottle in a leather pouch, a cartridge extractor with brass cogged wheel grab, a treen rammer, etc; a Glass Spirit Flask, with black leather sleeve.
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49464 item(s)/page