An unusual and extremely rare Victorian silver plated hip flask and coin purse combination, the round almost spherical shaped flask with hinged handle to top, the main body forming the spirit flask section with screw top cap, the face of cap, engraved with registered design diamond, dating the piece to 7th May 1880, the circumference of cap with the retailers 'Halstaff & Hannaford 228 Regent St W', the front of flask with circular 'FH' monogramed hinged door opening to reveal a twin coin purse in blue silk, the divider topped by red leather, 2¾in. (7cm.) diameter. *Condition: in excellent condition with a few tiny dents throughout, a little rubbing to plate to the back (1cm.) long.
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CONTINENTAL SILVER PARCEL - a dimple glass spirit bottle with sterling collar and top with allover applied bamboo and leaf decoration (requiring restoration, beware of sharp pieces), a pair of eastern miniature narrow neck vases, a silver handled carved wooden bladed page turner and a white metal long handled candle snuffer with crown and composition handle (four pieces)
A Victorian silver presentation entree dish, cover and stand, maker Atkin Bros, Sheffield, 1899: inscribed 'Presented to Henry Armstrong Esqr. by the owners of South Pelaw Colliery, Thos W. Dance, Edwin Foster & Trotman Foster in recognition of his kind & valuable services on the occasion of the fire at the colliery, 26th December 1899' of rectangular outline, with gadrooned borders and loop carrying handles to the side, the stand with four swept legs united by an X-frame stretcher with circular spirit burner, 33cm. wide. 2263gms, 72.76ozs. *Notes - The fire occurred on the evening of 20th December when a paraffin lamp set fire to woodwork at the bottom of the shaft. The mine inspector's report states 'Great courage and presence of mind were displayed by the overman and others who twice descended in the cage through the flames and rescued some men who were in a semi-conscious condition'. The date of the presentation is ironic as it was the date that David Harris, one of the rescued men, died of his injuries.
A GROUP OF HORSES, to include Beswick Foal No915 (brown), Foal No946 (Palomino) (slight chip to ear), Palomino No 1261, 2nd version and 'Spirit of the Wind' No 2688 (brown), Royal Doulton Foal DA78 (grey), small Thoroughbred Stallion, DA56, grey and Shetland Pony, DA185 (seconds) (and another horse, rearing (8)
5 various face masks: Duk-Duk spirit dancer, Tulai tribe, Papua N. Guinea (label inside) painted top ofskull set with cowrie shells; painted elongated face with whiskers and loop coiffure; carved light wood with grass beard; simple wood mask with cut out mouth and eyes; elaborate carved face/figure, basket worked feather backing; and a simple carved darkwood ovoid bowl. GC (6) .
8 Hornby O gauge freight wagons. G.W. Goods Brake Van, Lumber Wagon, Wagon with Sheet Rail, Tank Wagon- Shell Lubricating Oil, Goods Van, L.M.S. Petrol Tank Wagon, Castrol. All boxed. Plus 2 loose examples a Brake Van and a Tank Wagon - Shell Motor Spirit. Some wear to boxes. Wagons GC-VGC mostly minor wear. £70-90
A late Victorian pierced boat form silver ink well stand, by George Nathan & Ridley Hayes, assayed Chester 1899, with gadrooned square ink bottle receiver to centre, raised upon four supports, length 13.8cm, together with three Victorian silver fiddle pattern teaspoons, James and Josiah Williams, assayed Exeter 1855 and two in 1870, ten other assorted silver tea and coffee spoons, a silver napkin ring, small silver circular salt, and others (weighable silver 354.4g). Also a silver plated tea kettle on spirit burner stand and related items. (qty)
* ANDRE QUELLIER (FRENCH 1925 - 2010), MAGPIE ON A MAIZE PLANT oil on board, signed 120cm x 60cm Framed. Note: André Quellier began painting at the age of 11. He joined the National School of Fine Arts in 1941 and took classes in classical painting with Jean Dupas and Edmond Heuzé. During the Occupation and following years, he followed the work of choreographer Katherine Dunham, with whom he collaborated for the sets but also to make sketches of the dancers. Dunham recognized him to have captured the spirit of her ballets. He notably illustrated Dunham's book The Dances of Haiti and worked as an illustrator for several other publishing houses. In 1945 he received a prize from the Institute of the French Academy, and in 1955 won a prize from the Casa Velasquez. In 1961 Quellier produced a series of 104 paintings dedicated to the mime of Marcel Marceau. He also made portraits of several personalities from the arts: Brigitte Bardot, Gerard Philipe, Jean Cocteau (acquired in 1990 by the Los Angeles Museum) and Marcel Jouhandeau. Other notable portraits included Mother Teresa, John Paul II, the Dalai Lama and Felix Houphouet-Boigny. Throughout his life he exhibited in Paris and around France, notably at St Tropez and around the world including in New York, London, Moscow, Tokyo, Leningrad and Tehran. Quellier's work rarely appears at UK auctions but "Amorous Couple in a Garden with a Hoopoe" was sold by Christie's (London) lot 317 7th February 2012 for £5000 (premium) and "Flowers in a Glass Vase, in a Landscape" (lot 293) sold in the same sale for £3500 (premium).
Tracy Owen (UK) carved and coloured olive vessel 26x16cm. Signed It was a real pleasure being asked to take part in the Ray Key Collaboration and then choosing a piece of wood from Rays stock of rough turned blanks which I thought would make an interesting vessel. I first came across Ray in about 1990. When I started turning Ray was usually one of the main demonstrators at the large woodworking shows. Ray was a true purist. By that I mean his work was all about the wood and his chosen form without any sort of texture, colour or embellishment. My work on the other hand is more often than not all about adding texture and colour. This piece I think is a nice balance of Rays chosen wood (olive) and form and my texture and colour. This is a new texture I have been experimenting with recently. The colour was added using blue and yellow spirit dyes. I was really pleased with the finished piece . I hope Ray would have felt I had done it justice. The Ray Key Collaboration Auctionn
Matt Overton & Barb Serratore (Joe Seltzer) yew natural edge bowl with quote from Winnie the Pooh - "We didn't know we were making memories, we just knew we were having fun" 7x10cm. Signed Matt studied the four pieces by Ray in his collection and decided to honor Ray by trying to keep his elegant simplicity of form. Matt finish turned the bowl to slightly thin it and to create a smoother surface on the inside. The sap ring, which varied in height from 3/8" to 1/2" was the perfect space to embellish. Barb wanted to woodburn a quote around the live edge. In choosing the quote, she considered what she knew of Ray: he was a personable and well liked man who made friends easily and enjoyed collaborative art. And he was English. So, who better than Winnie the Pooh (A.A. Milne) could have said, "We didn't realise we were making memories, we just knew we were having fun." And if we are fortunate enough, isn't that a life well described? As for the layout of the quote, Barb chose to burn it in between two small checks that developed in the edge as the piece was turned. Barb burned a small and shadowed butterfly on the inside of the bowl to symbolize Ray's spirit in flight. While they were concerned about the checks when they first appeared, the checks figured very heavily on the layout and design in a very positive manner. The quote and attribution were too short to reach around the entire circumference of the bowl, so Barb worked it in between the checks. Its location on the outer edge very naturally dictated the placement of the butterfly on the inner bowl. We are very grateful for the opportunity to have participated. We hope our work honours Ray's memory. The Ray Key Collaboration Auction
Rolly Munro (New Zealand) ash reconstructed bowl 3x18cm. Signed The piece title "wings" An attempt to conserve Ray's roughed out form while allowing me to play with the internal material /space. I first met Ray while staying at the BnB owned by Nick Davidson and his wife in Milersdale during the early 1990s. He kept me entertained with numerous tales and anecdotes every morning while breakfasting during the open days of Craft Supplies/ Home of woodturning. Looking back it strikes me that was a man of uninhibited generosity of spirit. The Ray Key Collaboration Auctionn
Steve Loar (USA) sycamore and other woods scultural form 21x32cm. Signed My several meetings with Ray were at conferences. He was exactly what I’d always heard about him – warm, gregarious, and genuine. For one of my magazine writing projects, I needed some input from several well-known practitioners. Ray, and Richard Raffan, have always been my choices to exemplify the beautifully simple and utilitarian vein of contemporary woodturning. I posted my letter (before the internet…) with bated breath and received a very kind reply answering all that I needed to know to make my observations for the article. Beginning in 1991, I was the first American wood artist to initiate an artistic practice that drew upon cast-off parts and shards from other woodturning artists – like this project. To this day, I specialize in incorporating components from other artists into my narrative sculptures. My goal in collaboration is to always honor the marks of the maker and then extend them in some fashion that they would not have. At its best, my work is a seamless mingling of the two (or three, or four…) of us. What an engrossing challenge this one was! Having Ray’s spirit with me in the studio as I worked was an added joy. My Tribute Collaboration was intended to be a variation on my “Airflow” sculpture of a year ago. There, I had cut open a distorted, cracked, rejected pot from Christian Burchard to create the sense of an abstracted bird landing. Christian’s work is always quite thin with an interior that gives evidence of masterful control. Ray’s pot was of an unknown, terribly dense wood with a rough interior. But, more to the point of my challenge, it was quite a bit smaller than Airflow. This pot had been made from a 16.5 cm diameter crosscut section of an 18-year-old tree with its pith in the exact center. It also had an unexpected wall thickness that swelled to a thickness that left me astounded that it had not exploded as it dried – yet there was not the slightest crack in the entire piece. This wall thickness and its small size stymied my Airflow concept. So, trusting a hunch, I cut the piece in half. In wanting to evoke a sense of movement, new visual research into flying and landing poses of birds was needed to instigate possible new relationships. I was also committed to creating a composition made entirely of turned components; components that had been transformed into narrative elements rather than being seen as “parts of bowls”. A by-product of my collaborative investigations with reject bowls from the Holland Bowl Mill (Michigan/USA) provided the basis for the bird’s simplified body, as well as, a dramatic landscape reference as an unconventional base. The caps of spheres provided the necessary shoulder junctions between the body and wings. “The aim of every artist is to arrest motion, which is life, by artificial means, and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again, since it is life.” The Ray Key Collaboration Auctionn
A Victorian copper spirit kettle and stand, with a turned hardwood overhead handle, sphinx figural lid handle, cast with a Greek key pattern frieze above a tapering body, raised upon a twin handled stand, 43cm high, a compressed brass kettle with hardwood handle,23 cm high and two 19th century brass kettles with loop handles, 17cm high (4)
Box 145 - Mixed Spiritst.e.a earl grey vodka One Gin 'Sage & Apple'Symphonia No.3 Fruit CupJ. Gow Fading LightKlipdrift Premium BrandyBlack Forest Rothaus Single Malt Whisky Banyuls Cask FinishSierra Milenario Tequila AnejoHighland Queen Blend Blended Scotch WhiskyV Gallery - Grape Premium Vodka Spirit DrinkNegrita Anejo ReservePhraya Rum, (11).
Box 149 - Mixed Spirits100 Pipers Blended Scotch WhiskySierra Tequila ReposadoV Gallery - Cucumber Premium Vodka Spirit DrinkFour Pillars Rare Dry GinL'Orangerie - liqueur de Monaco Temperance Distinctly Dry VermouthTrois Rivières Cuvée de L'OcéanNelson's Roasted Pineapple RumDimmi Liquore di MilanoBecherovka OriginalTequila Cazadores AñejoChâteau de Lacquy Armagnac 2004
Silver and silver mounted wares, comprising; a blue and white enamelled twin handled small pedestal dish, Birmingham 1938, a pair of mustard pots, Birmingham 1936, another mustard pot, a faceted glass small spirit flask, a mother-of-pearl small pedestal dish, a book marker, with a mother-of-pearl handle, a pair of sugar tongs, a christening knife and fork, two butter knives, three condiment spoons and the top from a sugar caster, also a foreign ashtray, detailed 900 and a pair of plated sugar tongs, (18).
Box 148 - Mixed SpiritsGrönstedts Cognac ExtraJitterbugV Gallery - Very Berry Premium Vodka Spirit DrinkClan Campbell DarkExpresiones Corazon Tequila BlancoPere Magloire Fine VSHornitos Black Barrel TequilaBraunstein Edition 10Doorly's 14 Year Old RumBlackfin Coffee LiquourSpit-Roasted Pineapple Gin (That Boutique-y Gin Company)Ben Bracken Highland Single Malt Scotch Whisky
Box 150 - Mixed SpiritsThe Irishman Single Malt Irish WhiskeySierra Gran CafeV Gallery - Coffee Premium Vodka Spirit DrinkHogwash Blended Malt Scotch WhiskyL'Orangerie - liqueur de Monaco Temperance Distinctly Dry VermouthTrois Rivières VSOP Réserve SpécialeNelson's Signature RumDimmi Liquore di MilanoBecherovka OriginalTequila Cazadores Extra AñejoChâteau de Lacquy Armagnac 2001
Box 9 - Mixed SpiritsBelgian Owl Eternity Sagamore Spirit Cask Strength Straight Rye WhiskeyHernö Old Tom GinMiyashita Craft Gin OkayamaArak WardyCognac Prunier 20 Years OldDe Kleine Distilleerderij LimoncinoPolar Ice Ontario PeachDramm Burning Black LiqueurClan Fraser Reserve Blended Scotch WhiskyRon Vacilón Añejo 7 AñosThe GlenAllachie Speyside Single Malt Scotch Whisky Age 12 YO
Silver, comprising; a rectangular cigarette case with engine turned decoration, Birmingham 1941, a twin handled bonbon dish, three decanter labels detailed Whisky, Port and Sherry, a small skewer, a paper knife, having a mother-of-pearl handle and a spirit tot, combined gross weight 369 gms, also a set of six coffee spoons, detailed 800, (9).
Box 10 - Mixed SpiritsMeiyo Single Grain Whisky 17 YOHernö Sloe GinBimmerle Lemon Flavoured VodkaLánchíd Brandy De LuxeSagamore Spirit Double Oak Straight Rye WhiskyDomaine Laguille Bas-Armagnac VSOPDe Kleine Distilleerderij Cold Brewed Coffee LiqueurPolar Ice Arctic ExtremeDramm Licorice CreamClan Fraser Reserve Blended Scotch WhiskyRon Vacilón Añejo 5 AñosThe GlenAllachie Speyside Single Malt Scotch Whisky Age 18 YO
Box 147 - Mixed SpiritsMALTS OF SCOTLAND "Images of Tomintoul" MoS19020Turkish wine TrotGrönstedts XO CognacPere Magloire VSOPExpresiones Corazon Tequila Thomas H. Handy AnejoV Gallery - Mango Crush Premium Vodka Spirit DrinkVodka OBraunstein Library Col. 18.2Doorly's 12 Year Old RumManly Spirits Australian Dry GinSpit-Roasted Pineapple Gin (That Boutique-y Gin Company)Ben Bracken Speyside Single Malt Scotch Whisky
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49464 item(s)/page