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Lot 240
A BOX OF WHITE METAL WARE, to include an E.P.C bell shape tankard, engraved 'Contract Services Golf Tournament, team trophy, Runners up 1986', fitted with a scroll detailed handle, a white metal double handled sugar bowl and milk jug, a coal scuttle shaped sugar bowl with scoop, two silver-plated boot shaped spirit measures, an AF white metal basket tray, a cased 'Dalvey' pocket cup, a cased 'Dalvey' compass, together with other loose white metal cutlery pieces such as a cake slice, carving set, serving spoons, teaspoons, a bottle stop etc
Lot 557
A GROUP OF CERAMICS AND GLASSWARES, to include eighteen pieces of Grafton China 'Alton' teawares, a Royal Doulton Sam Weller A Series character jug, height 13.5cm, Wedgwood blue and white dinner plates, illustrating 'Boston, Massachusetts in 1768' and 'The Spirit of 76 Yankie Doodle', two Queen's Birds of America plates (one with large crack), three art glass creatures (bird, swan and fish), items of cut, pressed and engraved glass, decanter and glasses set, etc (sd) (Qty)
Lot 775
THREE BOXES AND LOOSE METALWARES, PRINTS, ETC, to include a spirit kettle on stand, Smiths alarm clock, dressing table items, onyx ashtray with robin on branch mount, small metal cash tin with wood effect exterior, paintings, prints, chalkboard, fireside accessories, etc (three boxes and loose)
Lot 5099
A quantity of Noritake china, including; a green ground tea pot, sugar bowl and milk jug; a pair of spirit flasks; three pot pourri bowls; a wall plaque; a large oval tray; a coffee can and saucer; and other items; together with two pair of Japanese vases; a Satsuma pottery vase, a Dresden cup and saucer and other china (Qty)
Lot 655
FN 285T project, c.1920. Registration number, not registered. Frame number 46915. Engine number unknown.Like BSA, La Fabrique Nationale d'Armes de Guerre ('FN' for short) began as a munitions manufacturer, turning to the production of motorcycles around 1900. Best known for its sensational four-cylinder models, the first of which appeared in 1905, the Belgian company demonstrated the same innovative spirit in the design of its singles being among the first to adopt unitary construction of engine and gearbox, permitting the use of geared primary drive. FN produced both chain- and shaft-driven bicycles and soon applied the latter transmission system to its motorcycles. In 1900 the firm's first powered two-wheeler was produced by mounting a clip-on engine to a bicycle frame, and in December the following year the first production model arrived powered by a 133cc single-cylinder engine. FN's single-cylinder models evolved gradually, growing in size firstly to 188cc and then 224cc, before arriving at 285cc in 1913 by which the atmospheric inlet valve had given way to a mechanically-operated one. Variable-pulley transmission had been introduced on the belt-driven singles in 1907 but would be superseded by shaft drive in 1910, its introduction coinciding with that of the two-speed gearbox.In 1912 the capacity was enlarged to 285 cc by enlarging the stroke to 85 mm and the frame was changed, resulting in a longer and lower machine.When production was resumed after the war the side -by- side valve concept was changed to inlet-over- exhaust and the machine got a kick starter.Production ended in 1922.The early history of this example is unknown although it wears the suppliers badge of Hackford Motors, 32 Acre Lane and Cold Harbour Lane, Brixton, London. Our vendor acquired it from a family friend who said it had been with them since the 1930's, we cannot substantiate this. It appears to be in very original condition including the tyres, it is lacking the rear stand.There is no paperwork with this lot and according to the VMCC marque specialist he would date it at November/December 1920. Buyers should satisfy themselves as to the completeness of the machine.
Lot 215
Six flying eagle glass dome topped dioramas, together with J. H. Boone Native American figure ‘Betrayal’, Bradford Exchange Spirit of the Hunter and Mystic Guardians. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.
Lot 57
GOLD KEY, HARVEY, CHARLTON, MARVEL & ACG MIXED COMIC LOT - (7 in Lot) - (UK Cover Price & US Price) - Includes SPACE FAMILY ROBINSON #10 & 21 (1964/67) + + GHOST RIDER #42 (1979) + FORBIDDEN WORLDS #128 (1965) + ROMANTIC STORY #73 (1964) + SPIRIT #2 (1967) + CAPTAIN ATOM #82 (1966) - Flat/Unfolded
Lot 938
Actor Lou Diamond Phillips signed 10x8 black and white promotional photograph as Ritchie Valens in La Bamba. Lou Diamond Phillips is an American actor and film director. His breakthrough came when he starred as Ritchie Valens in the biographical drama film La Bamba. For the Academy Award-nominated Stand and Deliver, Phillips was nominated for a Golden Globe Award and won an Independent Spirit Award. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 20
Yves Klein (1928-1962)Untitled Blue Monochrome (IKB 53)1959 signed and dated 59 on the reversedry pigment and synthetic resin on stonewareDiameter: 24.5 cm. 9 5/8 in.Footnotes:ProvenanceRené de Montaigu Collection, FranceSale: Tajan, Paris, Succession René de Montaigu, 13 June 1995, Lot 20 Private Collection, FranceSale: Cornette de Saint Cyr, Paris, Art Contemporain, 29 January 2001, Lot 61Acquired directly from the above by the present ownerLiteraturePaul Wember, Yves Klein Catalogue Raisonné, Cologne 1969, p. 72, description of the work listedRadiant in colour and sublime in form, Untitled Blue Monochrome (IKB 53) from 1959 is a truly captivating work by the acclaimed French artist Yves Klein. Born in Nice in 1928, Klein's influence on the landscape of contemporary art has been extraordinarily profound. Despite a fatal heart attack at the young age of 34, Klein had a remarkably active career creating a vast body of work that continuously pushed the boundaries between painting, sculpture and thought-provoking performance art. Klein's exhibition The Void, at Iris Clert Gallery in 1958, held only a year before the present work was created, was a revolutionary conceptual masterpiece where the artist presented a completely empty gallery space in Paris. Thousands of visitors attended the exhibition and expected to see his latest paintings, but instead they were confronted with an empty room and provocative bare white walls. Klein's pioneering Anthropometries also shocked the art world at the time. The artist engaged nude female models covered in paint and used them as human paint brushes, creating impressions of their bodies and working their flesh directly onto the surface. Whilst incredibly controversial and daring at the time, Klein endeavoured to create a more religious, intellectual, and immersive theatrical experience in his practice.Untitled Blue Monochrome (IKB 53) was executed at a pivotal moment in Klein's career. His monochrome paintings which originally began in various colour tones - vibrant oranges, deep purples and exuberant greens – had been exhibited for the first time at the Club des Solitaires in Paris only four years earlier in 1955. Quoted in the exhibition catalogue, Klein discusses his journey to this crucial monochrome series and the assertive experience of his paintings which was achieved through uniformity: 'After passing through several periods, my pursuits have led me to the creation of uniformly monochrome paintings. Using multiple techniques, after appropriate preparation of the foundation, each of my canvases is thus covered by one or more layers of a unique and uniform colour. No drawing and no variation of hue appear there is only strictly uniform colour. In such manner, the dominant force asserts itself upon the entire painting.' (the artist in: Yves Klein Yves Peintures, Paris 1955, p. 33).Two years later in 1957, Klein finalised the fabrication of the deep and intense ultramarine pigment that he would patent in his name. It is this emotive blue that would dominate his oeuvre and form the basis of his monochrome abstraction, sublimely realised in Untitled Blue Monochrome (IKB 53). In the present work, layers of powdery International Klein Blue pigment, otherwise known as IKB, saturate the stoneware in a rich variation of colour, drawing the eye over the striations that mark the concave plane. The viewer is drawn into the surface starting from outer edges and circling inwards. Few artists have been so closely affiliated to one colour as is the case with Klein and the electric IKB. As a result, the two are inextricably linked and synonymously bound to each other. Klein believed the purpose of colour was to strip back the materiality of the canvas or the surface, creating a doorway to a higher experience that transcends the mere physical. His powdery IKB pigment represents a physical representation of a cosmic force or an otherworldly experience which is dependent on the light, the individual viewer and their own sensibility. Indeed, this cosmic energy is palpable when you are placed in front of Klein's monochromes. Regardless of the size or the form; whether applied to canvas, ceramic or to the ethereal anthropomorphic Sculpture-Eponges, you are immediately drawn to the velvety colour, losing yourself to the limitless plane and thereby experiencing infinite freedom as his works act as a conduit into a deep void, unhindered from a specific narrative. Transfixing the viewer and artist alike, IKB evoked the transcendental experience of Klein's childhood spent in Nice, from gazing up towards the luminosity of the limitless sky and out towards the endless azure Mediterranean Sea. This release of the body and mind presents a certain spirituality to Klein's work that was evident throughout his life. Before devoting himself to his artistic practice, Judo was Klein's first love. He travelled to Japan in 1952 and trained as a judoka for a period of fifteen months. Klein's interest in Eastern philosophy was also piqued on this trip, studying Zen Buddhism where the tenets of emptiness and the disavowal of the self can be seen in many of his works. With his interest in Zen Buddhism and combined with his Catholic faith, Klein was rather philosophical and interested in religious iconography. He would often use gold and rose along with his signature colour in his works, recalling the holy trinity. Gold for the Father, blue for the Son and pink for the Holy Spirit. Untitled Blue Monochrome (IKB 53) was originally held in the esteemed collection of the prominent collector and businessman René de Montaigu. Born in Paris in 1897, Monsieur de Montaigu was incredibly passionate about the arts, acquiring works by many of the leading artists of the Twentieth Century such as Ellsworth Kelly, Jean Dubuffet, Christo, Lucio Fontana, Georges Mathieu and Yves Klein. Many works from his collection have been admitted into international institutions; one such example is the Wisteria Dining Room, Paris, now in the collection of the Metropolitan Museum of Art, New York. An entire room complete with walnut wall panels and intricately painted murals, the Wisteria Dining Room is a celebrated example of Art Nouveau design and architecture and was conceived by the French Symbolist artist Lucien Lévy-Dhurmer. A generous patron, René de Montaigu was a founding member of the 'Association of Friends of the Centre Pompidou' in Paris and gifted a painting by the German artist Wols to the museum in 1979.Harmonious in form and size, Untitled Blue Monochrome (IKB 53) presents a wonderful opportunity to acquire an incredibly rare work from the artist's oeuvre. Residing in the collections of prominent international institutions including The Museum of Modern Art, New York, The Centre Pompidou, Paris, The Tate Modern, London, The Louisiana Museum of Modern Art, Humlebaek and the Tokyo Metropolitan Art Museum, Tokyo, Klein's legacy continues to endure and mesmerise through a world of endless colour and possibilities.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 49
MICHAEL CARDEW. 'Pioneer Pottery.' Orig cl, dj, unclipped, First Edition, 1969. good from the Library of John Blowey; GARTH CLARK 'Michael Cardew: An Intimate Account of a Potter who has captured the spirit of the country craft.' Orig cl, dj unclipped but edges faded, 1976, vg; MICHAEL CARDEW. 'A Pioneer Potter: An Autobiography.' First Edition, 1978, vg. plus a paperback edition of Pioneer Pottery. (4) Condition: please request a condition report if you require additional information regarding the condition of this lot Postage: £35 Please note that the postage quote is an estimate of the amount that we would charge to send the item to a buyer in the UK. If you are outside of the UK, or there is no estimate shown here, please contact postage@davidlay.co.uk for a bespoke quote.
Lot 2029
BRITISH AND CONTINENTAL CERAMICS (6)Comprising; a Doulton Lambeth stoneware toby spirit flask; a French porcelain toby jug; a Royal Worcester figure of Saturday's child; a Lladro figure of a ballerina and two other Spanish figuresCondition Report: All good, except Doulton spirit flask - hat rim is broken.
Lot 20
Spark-Ele An elephant calf sculpture, covered in small white, mirrored and shiny mosaic tiles H730mm x L1060mm x W410mm, weight 50kg Artist: Sophie Handy Design Inspiration: Spark-Ele was inspired by the hospice garden Tree of Life. The hospice garden features a silver tree where family and friends can hang a shiny leaf in memory. Spark-Ele is designed to capture the spirit of the St Richard’s Tree of Life; it’s glittering flashes of light reminding us that the memory of loved ones shines bright. Supporter: Tile Choice
Lot 26
Inky the Elephant A black and white elephant, with Worcester scenes intricately hand drawn in penH1600mm x L2150mm x W800mm, weight 40kg Artist: Helen Haynes Design Inspiration: This elephant depicts Helen’s favourite parts of the beautiful city of Worcester in black and white. An ancient city with a story, diverse and with a thriving community spirit even in the modern day. Sponsor: Crowngate
Lot 29
The Gardener An elephant dressed as a gardenerH1600mm x L2150mm x W800mm, weight 40kg Artist: Rachael and Phillippa Corcutt Design Inspiration: Whether it’s planting beautiful displays of flowers or growing vegetables, gardening brings joy, cheer and lifts the spirits. This design is inspired by the beauty of growing flowers and plants, and the hard work and loving care gardeners put in. From the beautiful country gardens around Worcestershire to the vital community spirit of allotments, gardens provide a haven for both people and wildlife. Sponsor: Webbs Garden Centres
Lot 52
Francis Campbell Boileau Cadell RSA RSW (British, 1883-1937)The Dutchman (1932) signed (lower left), further signed, titled and inscribed (verso)oil on board38.1 x 45.7 cm. (15 x 18 in.)Footnotes:ProvenanceThe artist, 1932Ex collection: McEwanWith The Scottish Gallery, stock no. 1085Cadell first visited the island of Iona in the Scottish Hebrides in 1912 and returned to paint there, on an almost annual basis, often accompanied by Peploe. The views painted on Iona were immediately popular with patrons and have retained their great popularity as records of one of the most beautiful and remote wildernesses in the British Isles. They depict a wide range of features on the island and capture the quality of light created by the ever-changing weather conditions. They also perfectly express the spirit of the Colourist philosophy of painting; rendering the forms of the rocks and shadows in a dramatic language of colour and form. TJ Honeyman, biographer of the Scottish Colourists and the man who coined the term, considered Cadell's Iona series to be the archetypal works of the genre.For further information on this lot please visit Bonhams.com
Lot 569
Transport - Model Railways - 'O' Gauge. Lot comprises Meccano clockwork. LNER Tender Engine 4-4-0 number 2711, working clockwork mechanism. Un-named LNER Tank Engine 4-4-2T number 1784, working clockwork mechanism. Bowman LNER Tank Engine 0-4-0T number 265, live steam plus Hornby BP Spirit wagon plus a model metal cannon. Lot also includes a very large box of O-Gauge track. Condition: please request a condition report if you require additional information regarding the condition of this lot Postage: £40
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49472 item(s)/page