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Lot 202

A silver spirit label "whiskey"

Lot 95

Grants Scotch Whisky Three Spirit Bottle Set in Leather Case

Lot 114

Late 19th Century mixed metal table casket, with bronze frame and raised gilt metal scroll work panel on bun feet, together with a plated spirit kettle on stand and a plated muffin dish Condition:

Lot 139

Selection of silver plated items to include; spirit kettle on stand, tray, four piece tea service, trophy cup etc Condition:

Lot 428

Victorian embossed silver bon bon dish, Sheffield 1900, a Victorian silver mounted leather bound glass spirit flask, Birmingham 1887 and a George V silver egg cup, Sheffield 1934, combined weight, 4.8oz approx of weighable silver Condition:

Lot 145

A GEORGIAN STYLE SILVER SPIRIT KETTLE the inverted baluster body with embossed decoration, crested cartouche, with a silver stand with claw feet, with cancelled marks and London Assay office marks for 2018 (APC case no. 9244), 1869g (60.2 troy ozs) gross

Lot 614

Indian double spirit measure embossed with figures 4.5” high 110g

Lot 78

A large Tiffany & Co Sterling Silver spirit flask of rectangular section, with hinged screw-top, 20cm high, 17.6oz

Lot 602

A 19th century brown salt glazed mermaid spirit flask, 20cm long, c.1840

Lot 642

A 19th century S Green, Princess St, Lambeth brown salt glazed stoneware spirit flask, in the form of a coppered barrel, 10.5cm high, c.1840; another, inscribed R. Harper, March 22 1836, 17.5cm high, 1836 (2)

Lot 652

A 19th century two-tone brown salt glazed stoneware bottle, inscribed M Phillibrown's Spirit Warehouse, 81 Long Acre, 23cm high, c.1860; others, various (4)

Lot 657

A Derbyshire brown salt glazed stoneware spirit barrel, applied in relief with Royal Crest, knights and foliage, brass tap, 29cm high, c.1860; another, Doulton Lambeth, Rum, 17cm high, impressed marks (2)

Lot 1480

Large quantity of mixed spirit miniatures including Scotch whisky etc

Lot 1493

Six boxes of mixed spirit and liqueur miniatures including whisky

Lot 210

A large Goebel model of a Golden Retriever, 29cm high, a Beswick model of Spirit of Freedom, and two Royal Crown Derby plates, later part of the 19th century, the first painted with lowers and signed C. Harris, the second in the imari pattern 2776, 22cm diameter (4)

Lot 282

A mixed lot of brass items to include a preserve pan, spirit kettle and coal bucket.

Lot 453

A small collection of mixed metalware to include a spirit measure, large and small wine coasters, a miniature chrome cocktail shaker and a sommelier corkscrew set, boxed (5).

Lot 497

A mixed lot of silver and white metal items to include a ladies' Continental silver open face pocket watch, two pairs of silver earrings, two silver spirit labels; 'Brandy' and 'Whisky' and a set of six Chinese white metal teaspoons.

Lot 206

Walker and Hall silver plated spirit kettle on stand

Lot 247

Vintage silver plated spirit kettle with burner

Lot 140

Victorian brass spirit kettle on stand with turned wood handle and various dents 33cm high and a traditional brass barge water can 27cm high

Lot 162A

Mamod Steam wagon with spirit burner and steering rod

Lot 162B

Mamod steam roller, model TE1A, with spirit burner and 2 x steering rods - not suitable 

Lot 26

Zippo solid brass 1932 - 1990 Americas Spirit Statue of Liberty solid brass lighter, Zippo United States of America brushed brass lighter, Zippo Statue of Liberty, Liberty Island brushed brass lighter, sealed, Zippo 380 Niagara Falls Skyline brushed chrome lighter and Zippo map of America brushed chrome lighter, sealed, all in cases - 5 in total (26)- Unused (FC12)

Lot 415

A good assortment of liqueurs and spirits including La Ina Fino sherry, Two Birds Countryside spirit salted caramel English vodka etc. (CB2)

Lot 14

Cranes I Ann Dergara Embossed Metal  - Mounted and Framed 47x98cmThe enthusiasm with which Ann Dergara approaches her art is a lifelong passion. Born to Norwegian German parents who recognized and nurtured her creative abilities, the Greenville, South Carolina native sold her first painting five years prior to beginning her formal education at Georgia State University. In 1978, a printmaking course at Atlanta College of Art led her to Dick Williams and the innovative and contemporary Odyssey Studio. The artist pursued the etching and the collagraph, later the serigraph, and in 1990 began mono printing. Her mastery of the art of print making is described as remarkable.Yet painting remains Dergara’s first love, and a vibrant testament to her profound talent. Santiago Leon of ARTEFINO speaks for many admirers that Ann’s work is typical of an artist assured of her own talent; it is unconstrained, blending great skill and maturity with the free spirit of a child. Dergara is intent on achieving the original, the unique, the different - but only as it celebrates whatis positive and beautiful.Her brilliant use of color expresses her passionate respect for the harmony of nature - a recurring theme in a body of work that brings her growing, international acclaim.

Lot 20

Horses Ann Dergara  Embossed Metal Mounted and Framed 105x51cm The enthusiasm with which Ann Dergara approaches her art is a lifelong passion. Born to Norwegian German parents who recognized and nurtured her creative abilities, the Greenville, South Carolina native sold her first painting five years prior to beginning her formal education at Georgia State University. In 1978, a printmaking course at Atlanta College of Art led her to Dick Williams and the innovative and contemporary Odyssey Studio.The artist pursued the etching and the collagraph, later the serigraph, and in 1990 began mono printing. Her mastery of the art of print making is described as remarkable. Yet painting remains Dergara’s first love, and a vibrant testament to her profound talent. Santiago Leon of ARTEFINO speaks for many admirers that Ann’s work is typical of an artist assured of her own talent; it is unconstrained, blending great skill and maturity with the free spirit of a child. Dergara is intent on achieving the original, the unique, the different - but only as it celebrates whatis positive and beautiful.Her brilliant use of color expresses her passionate respect for the harmony of nature - a recurring theme in a body of work that brings her growing, international acclaim.

Lot 23

Panoramique III Sergey Cherep Signed Limited Edition 18/250  - Mounted 55x75cmSergey Cherep has changed the international cultural scene with his beautiful landscapes and seascapes that earned him an impressive award at the highly acclaimed 2nd annual international ARTV awards, which were broadcast on the NBC Bravo Network in 2007. Among his many other honors and accolades, Sergey also holds the title Professor at the Accademia del Verbanzo in Italy.Born in Leningrad (now St. Petersburg) on January 24, 1969, Sergey started studying art as a young child. At the age of 3, he developed meningitis and became paralyzed, unable to walk or speak for several years. Attending a School for children with disabilities until he was 7, he found comfort in painting. At the age of 8, he was enrolled in a school for artists and then went on to attend college at the prestigious Serovo Art Institute . There he gained extensive knowledge in all the classic art forms including European Art History, photography, printing processes, sculpture, restoration methods and painting from still-life to portraits. "School was very disciplined," says Sergey, who is still deaf in his right ear from his childhood meningitis. "We did very traditional things like still-life painting. The teachers told us what to paint - there was no freedom. There was no such thing as abstract because it was considered very Western and evil. The school was free - they gave students the paint, the brushes, and the teachers and everything was paid for by the government. But once we graduated, we were supposed to get a job and contribute back to society."Sergey graduated from the Art university in 1988 when he was 18. Glasnost was just coming in and Gorbachev allowed free enterprise on the street. But while the young artist would paint cityscape's in oil, he was forced to sell his artwork through organized crime that controlled the streets, giving 70 percent of his profits to them. Filled with wanderlust and dreams of what he could accomplish, in early 1991 Sergey made the decision to come to America to find the artistic freedom he desperately desired. Leaving his family and everything he knew behind, 21 year old Sergey obtained a visa with the help of an American visiting Moscow and, in May 1992, flew directly to Atlanta, Georgia. He had a Russian friend that was connected to a professor at Emory University who invited Sergey to stay with him. Not able to speak a word of English, Sergey got a job cleaning bathrooms and collecting trash at the IRS building, making $150.00 a week, and painted in his spare time. He learned to speak English by listening to the people who worked at the IRS talk and by taking his Russia / English dictionary into the bathroom and trying to read the newspaper.One day, Sergey showed some of his work to his manager, who became excited by what he saw. The manager helped set up an art show for Sergey in the cafeteria of the IRS building. The young artist sold three paintings at that show and was paid in cash. Afterwards, he found a small frame shop in Atlanta and the owner offered to let Sergey display his art there and do some shows. He sold one painting for $1000.00 in contrast to the $600.00 he made a month for working daily at his cleaning job. The turning point for Sergey came when he met his wife, Renee, at a Christmas party in December 1995. They were married a month later. With his talent and her head for business, the couple immediately set out to get Sergey and his art recognized. They attended an art trade show in New York, where Sergey made $20,000 selling his art. After that, Sergey was able to get his paintings into several acclaimed Galleries. In 1994 , Sergey attended the World Cup Soccer game in California and visited Napa Valley while he was there. He was enchanted by the grapes, the beautiful landscape and the overall ambiance. It was then that his art changed from the traditional European style of painting that depicted stark realism and was so prevalent in Russia to painting a bright, vivid palette of land and sea in primary colors. "The technique of painting that I have embraced is definitely the Post Impressionism style made famous by Van Gogh," says Sergey. "I love the simplicity of colors and energy found in his work.The bold, unrealistic colors and expressive brushstrokes of my predecessors are my tool as I try to bring a three-dimensional feeling out from the paintings by using color , perspective and a thick texture. My paintings are like fairy tales-- a dream place. I don't see things as realistic. I allow the fantastic to happen. When I travel and paint, the sun, the grapes and the smells of California speak to me. But anything can motivate me--a picture, a cut watermelon,or even a color." Sergey has accomplished a signature style, which allows his work to be recognized immediately. He gets up at 5;30 AM every day and begins sketching. When he is comfortable with his composition,he begins painting. ( " Eighty percent of successful painting is composition,' he notes, ) his work now hangs in major galleries internationally. "I feel like I am halfway up the stairs," the artist sums up. "It is not fame I desire but rather to grow as an artist. I still have the hunger inside my spirit and I do want to be known. I love teaching people how to paint and love the fact that they come to me."

Lot 24

Panoramique IV Sergey Cherep Signed Limited Edition 18/250  - Mounted 55x75cmSergey Cherep has changed the international cultural scene with his beautiful landscapes and seascapes that earned him an impressive award at the highly acclaimed 2nd annual international ARTV awards, which were broadcast on the NBC Bravo Network in 2007. Among his many other honors and accolades, Sergey also holds the title Professor at the Accademia del Verbanzo in Italy.Born in Leningrad (now St. Petersburg) on January 24, 1969, Sergey started studying art as a young child. At the age of 3, he developed meningitis and became paralyzed, unable to walk or speak for several years. Attending a School for children with disabilities until he was 7, he found comfort in painting. At the age of 8, he was enrolled in a school for artists and then went on to attend college at the prestigious Serovo Art Institute . There he gained extensive knowledge in all the classic art forms including European Art History, photography, printing processes, sculpture, restoration methods and painting from still-life to portraits. "School was very disciplined," says Sergey, who is still deaf in his right ear from his childhood meningitis. "We did very traditional things like still-life painting. The teachers told us what to paint - there was no freedom. There was no such thing as abstract because it was considered very Western and evil. The school was free - they gave students the paint, the brushes, and the teachers and everything was paid for by the government. But once we graduated, we were supposed to get a job and contribute back to society."Sergey graduated from the Art university in 1988 when he was 18. Glasnost was just coming in and Gorbachev allowed free enterprise on the street. But while the young artist would paint cityscape's in oil, he was forced to sell his artwork through organized crime that controlled the streets, giving 70 percent of his profits to them. Filled with wanderlust and dreams of what he could accomplish, in early 1991 Sergey made the decision to come to America to find the artistic freedom he desperately desired. Leaving his family and everything he knew behind, 21 year old Sergey obtained a visa with the help of an American visiting Moscow and, in May 1992, flew directly to Atlanta, Georgia. He had a Russian friend that was connected to a professor at Emory University who invited Sergey to stay with him. Not able to speak a word of English, Sergey got a job cleaning bathrooms and collecting trash at the IRS building, making $150.00 a week, and painted in his spare time. He learned to speak English by listening to the people who worked at the IRS talk and by taking his Russia / English dictionary into the bathroom and trying to read the newspaper.One day, Sergey showed some of his work to his manager, who became excited by what he saw. The manager helped set up an art show for Sergey in the cafeteria of the IRS building. The young artist sold three paintings at that show and was paid in cash. Afterwards, he found a small frame shop in Atlanta and the owner offered to let Sergey display his art there and do some shows. He sold one painting for $1000.00 in contrast to the $600.00 he made a month for working daily at his cleaning job. The turning point for Sergey came when he met his wife, Renee, at a Christmas party in December 1995. They were married a month later. With his talent and her head for business, the couple immediately set out to get Sergey and his art recognized. They attended an art trade show in New York, where Sergey made $20,000 selling his art. After that, Sergey was able to get his paintings into several acclaimed Galleries. In 1994 , Sergey attended the World Cup Soccer game in California and visited Napa Valley while he was there. He was enchanted by the grapes, the beautiful landscape and the overall ambiance. It was then that his art changed from the traditional European style of painting that depicted stark realism and was so prevalent in Russia to painting a bright, vivid palette of land and sea in primary colors. "The technique of painting that I have embraced is definitely the Post Impressionism style made famous by Van Gogh," says Sergey. "I love the simplicity of colors and energy found in his work.The bold, unrealistic colors and expressive brushstrokes of my predecessors are my tool as I try to bring a three-dimensional feeling out from the paintings by using color , perspective and a thick texture. My paintings are like fairy tales-- a dream place. I don't see things as realistic. I allow the fantastic to happen. When I travel and paint, the sun, the grapes and the smells of California speak to me. But anything can motivate me--a picture, a cut watermelon,or even a color." Sergey has accomplished a signature style, which allows his work to be recognized immediately. He gets up at 5;30 AM every day and begins sketching. When he is comfortable with his composition,he begins painting. ( " Eighty percent of successful painting is composition,' he notes, ) his work now hangs in major galleries internationally. "I feel like I am halfway up the stairs," the artist sums up. "It is not fame I desire but rather to grow as an artist. I still have the hunger inside my spirit and I do want to be known. I love teaching people how to paint and love the fact that they come to me."

Lot 25

Panoramique II Sergey Cherep Signed Limited Edition 18/250  - Mounted 50x53cmSergey Cherep has changed the international cultural scene with his beautiful landscapes and seascapes that earned him an impressive award at the highly acclaimed 2nd annual international ARTV awards, which were broadcast on the NBC Bravo Network in 2007. Among his many other honors and accolades, Sergey also holds the title Professor at the Accademia del Verbanzo in Italy.Born in Leningrad (now St. Petersburg) on January 24, 1969, Sergey started studying art as a young child. At the age of 3, he developed meningitis and became paralyzed, unable to walk or speak for several years. Attending a School for children with disabilities until he was 7, he found comfort in painting. At the age of 8, he was enrolled in a school for artists and then went on to attend college at the prestigious Serovo Art Institute . There he gained extensive knowledge in all the classic art forms including European Art History, photography, printing processes, sculpture, restoration methods and painting from still-life to portraits. "School was very disciplined," says Sergey, who is still deaf in his right ear from his childhood meningitis. "We did very traditional things like still-life painting. The teachers told us what to paint - there was no freedom. There was no such thing as abstract because it was considered very Western and evil. The school was free - they gave students the paint, the brushes, and the teachers and everything was paid for by the government. But once we graduated, we were supposed to get a job and contribute back to society."Sergey graduated from the Art university in 1988 when he was 18. Glasnost was just coming in and Gorbachev allowed free enterprise on the street. But while the young artist would paint cityscape's in oil, he was forced to sell his artwork through organized crime that controlled the streets, giving 70 percent of his profits to them. Filled with wanderlust and dreams of what he could accomplish, in early 1991 Sergey made the decision to come to America to find the artistic freedom he desperately desired. Leaving his family and everything he knew behind, 21 year old Sergey obtained a visa with the help of an American visiting Moscow and, in May 1992, flew directly to Atlanta, Georgia. He had a Russian friend that was connected to a professor at Emory University who invited Sergey to stay with him. Not able to speak a word of English, Sergey got a job cleaning bathrooms and collecting trash at the IRS building, making $150.00 a week, and painted in his spare time. He learned to speak English by listening to the people who worked at the IRS talk and by taking his Russia / English dictionary into the bathroom and trying to read the newspaper.One day, Sergey showed some of his work to his manager, who became excited by what he saw. The manager helped set up an art show for Sergey in the cafeteria of the IRS building. The young artist sold three paintings at that show and was paid in cash. Afterwards, he found a small frame shop in Atlanta and the owner offered to let Sergey display his art there and do some shows. He sold one painting for $1000.00 in contrast to the $600.00 he made a month for working daily at his cleaning job. The turning point for Sergey came when he met his wife, Renee, at a Christmas party in December 1995. They were married a month later. With his talent and her head for business, the couple immediately set out to get Sergey and his art recognized. They attended an art trade show in New York, where Sergey made $20,000 selling his art. After that, Sergey was able to get his paintings into several acclaimed Galleries. In 1994 , Sergey attended the World Cup Soccer game in California and visited Napa Valley while he was there. He was enchanted by the grapes, the beautiful landscape and the overall ambiance. It was then that his art changed from the traditional European style of painting that depicted stark realism and was so prevalent in Russia to painting a bright, vivid palette of land and sea in primary colors. "The technique of painting that I have embraced is definitely the Post Impressionism style made famous by Van Gogh," says Sergey. "I love the simplicity of colors and energy found in his work.The bold, unrealistic colors and expressive brushstrokes of my predecessors are my tool as I try to bring a three-dimensional feeling out from the paintings by using color , perspective and a thick texture. My paintings are like fairy tales-- a dream place. I don't see things as realistic. I allow the fantastic to happen. When I travel and paint, the sun, the grapes and the smells of California speak to me. But anything can motivate me--a picture, a cut watermelon,or even a color." Sergey has accomplished a signature style, which allows his work to be recognized immediately. He gets up at 5;30 AM every day and begins sketching. When he is comfortable with his composition,he begins painting. ( " Eighty percent of successful painting is composition,' he notes, ) his work now hangs in major galleries internationally. "I feel like I am halfway up the stairs," the artist sums up. "It is not fame I desire but rather to grow as an artist. I still have the hunger inside my spirit and I do want to be known. I love teaching people how to paint and love the fact that they come to me."

Lot 22

Two antique pottery flagons, one bearing advertisement Taylor & Lees Wine and Spirit Merchants, Oldham

Lot 238

Unusual late Victorian or Edwardian James Dixon silver plated spirit flask in the form of a shaped cigarette case, with concealed corner bayonet fitted cover, stamped - Pat. No. 10757/22 and J. Dixon & Sons Ltd. Sheffield, with Dixon plate marks

Lot 239

Edwardian silver mounted cut glass spirit flask with screw-on cap and separate drinking cap (London 1904), maker's marks rubbed, 14.5cm overall height

Lot 330

1920s silver spirit flask of rectangular form, with engine-turned decoration and hinged bayonet fitting cover with gold insert and engraved crest (London 1929), Finnigans Ltd. All at approximately 6ozs, 15.5cm overall length CONDITION REPORT General overall condition very good, some minor surface scratching, front panel has some denting towards lower left area of engine-turning. Both bottom corners have very minor bruising. Cap has a small dent in engine-turning just above inset crest. Bayonet cap works and cork is still in place but we have not tested it for leaks. No signs of major damage, splits or repair. Marks slightly distorted. No signs of any engraving or other decoration being removed

Lot 118

Set of six heavy cut glass tumblers with relief lozenge panels and serrated bases and matching cut glass spirit decanter and five cut glass stemmed wines (12) 

Lot 403

Persian metal tray, Sheffield EPNS four-piece tea set, silver plated tray, etc and a spirit kettle

Lot 580

An early 20th Century novelty bamboo silver-mounted "Horse measuring" walking stick, concealed Oxford imperial and metric scale with adjustable brass arm and spirit level (for measuring the "hands" of a horse) 37ins (69.5ins extended overall)

Lot 27

A FIVE PIECE SILVER PLATED TEA SET ON TRAY WITH SPIRIT KETTLE

Lot 42

A box containing a brass jardiniere; two glass bottles; three china spirit barrels etc.

Lot 115

Tang Dynasty Horse Statue, 618-906 AD A large ceramic statue of a horse, head turned to the left and looking down, mouth open and eras pricked. Saddle to the back with decorated saddle cloth with floral motif, harness decorated with red roundels. Short, plaited tail, right hoof raised. Pigment to the surface with details to the face and saddle. The horse was important to the Emperors and elite members of society of the Tang dynasty a dynasty of prosperity, military expansion and artistic achievement. As sculpture, they have timeless appeal, their stylised arched necks, pricked ears and heavy torsos exude confidence, distinction and charm. The breed is believed to be the famous and almost mythical Ferghana horse, known as Tian Ma, or ‘heavenly horse,’ one of China’s earliest major imports originating in the Dayuan area of Central Asia. Such animals were the reserve of the elite and as such they required models of them to act as substitutes in the afterlife. The Han Emperor, Wudi, wrote a poem on the horses, such was their fame:‘The heavenly horses have arrive from the Western frontier. Having travelled 10,000 li, they arrive with great virtueWith loyal spirit, they defeat foreign nations. And crossing the deserts all barbarians succumb in their wake!’These horses were larger, faster and stronger than any horse in China and they finally became symbols of power and prestige. With careful training and masterful training, these horses soon became the favoured breed in China. At that time in China, the more horses you owned the higher your status. The terracotta statues of horses found in tombs have flaring nostrils, pricked ears, powerful legs and strong necks. Probably these statues were the first to depict the Ferghana horse in Chinese art. Size: 38cm. Condition: Good condition. Provenance: Ex. Private Hong Kong collection 1970-2000. Declaration of provenance:  All provenance details are supplied by the vendor (consignor) – Hansons Auctioneers and Valuers supply a Certificate of Authenticity with all antiquities sold showing authenticity. Provenance and known details recorded on this.

Lot 329

A GEORGE III MAHOGANY STICK BAROMETER the silvered rectangular register plate signed 'H Smith Reading', with manually operated vernier, opposing spirit tube thermometer enclosed by a glazed door, the exposed tube chevron strung case with break arch pediment and flat turned cistern cover, 96cm high

Lot 78

A COLLECTION OF VARIOUS ITEMS to include three silver plated spirit flasks, a table lighter, a leather mounted box, an Oriental knife, a small steel sculpture constructed from nails and further items

Lot 138

Large "spirit of ecstacy" chromed figure 37cm

Lot 27

Three cut glass named spirit decanters, 'Brandy', 'Whisky' and 'Gin' height 30cm

Lot 124

A selection of vintage marking measuring and similar gauges and markers including brass top spirit level

Lot 140

An early cabinet makers spirit level with cast and brass body by LL Davis dated 1867

Lot 75

An extensive suite of etched glass, wine, spirit, water, etc. tallest 16cm

Lot 14

TWO SILVER SPIRIT LABELS one Georgian example 'Sherry' and the other 'Port' (2)

Lot 1123

A horse-measure hazel walking stick, the retractable boxwood measure with folding top fitted with a spirit level

Lot 324

Royal Doulton rearing white horse Spirit of the wild on wood plinth

Lot 385

Kevin Francis Peggy Character jug W.S.Churchill, spirit of Britain limited

Lot 438

Beswick palomino matte horse spirit of freedom 2689

Lot 208

A silver Albert chain with t-bars, a torc bangle, a 5-franc pendant dated 1875, two others ingot pendants, a vesta, Carr's spirit measure, hip flask funnel and a miscellany of silver spoons, all hallmarked. Gross weight: 375g

Lot 350

A sixty-five piece tool set, cased, together with a set of four spirit levels

Lot 36

A tapered glass and metal mounted hunting spirit flask, with leather case. Length 21.5cm.

Lot 37

A tapered glass and metal mounted hunting spirit flask, with leather case. Length 26cm.

Lot 522

Two Edwardian glass decanters with spirit labels Port and Sherry. Height 26cm. (2)

Lot 63

A GRADUATING TRIO OF GEORGIAN GREEN GLASS SPIRIT JUGS with plated mounts, (two with original stoppers) 22cm tallest to thumb piece.

Lot 1146

A Pair of Lead Crystal Spirit Decanters, of flattened globular form with slice cut decoration, tall faceted necks, four tinted tankards, coloured glass bottles, decanters etc:- One Box

Lot 1193

Wade 'Gin' and 'Scotch' Pottery Dispensers, Crown Devon 'Sherry' barrel, Italian pottery miniature spirit flasks, vintage Christmas cake decorations, Mdina Seahorse paperweight, Rorstrand avocado dishes, cowrie shell napkin rings, etc:- One Tray

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