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Lot 322
House of Nisbet General Store Proprietor teddy bear, from the Endangered Species collection, 5138, LE 1000, fuzzy alpaca, includes swing label and certificate, Good Plus, within Fair Plus box, 12"/31cm. House of Nisbet Bully Minor teddy bear, 85-0360, LE 5000, golden mohair, dressed in tie and waist coat, with Peter Bull badge, swing label and certificate, 8.5"/21cm. Dormouse Designs Teddy Bear, artist designed by Sue Quinn, Ben's Schooldays, 1989, LE 11/100, gold mohair, includes swing label (detached) and certificate, Excellent, within Fair Plus box, 11"/28cm. Artist Designed Pat Lyons Free Spirit bears x two, brown plush, jointed limbs, both Excellent, 9"/23cm and 12"/31cm. Edward Bear & Associates Little Edward teddy bear, blonde mohair, jointed limbs, includes certificate, Excellent, within Excellent box, 10"/25cm. Also includes Muffy Vanderbear collection album and winter and spring collection 1997 catalogues. (9)
Lot 413
Quantity of vintage cigarette picture card albums including Wills and John Player & Sons, with cards featuring Uniforms of the Territorial Army, Film Stars, R.A.F. Badges, vehicles and dogs, with a small quantity of loose cards, all generally Fair to Good, unchecked for completeness. Large quantity of Lioness Magazine, W.R.A.C. bi-ennial magazine for the Women's Royal Army Corps, with issues from 1986 - 2016 (some years and issues missing), generally Good. Also includes large collection of wine and Spirit labels. (qty)
Lot 271
Muhammad Ali signed tribute boxing presentation display v Joe Frazier, v Brian London and v Wilt Chamberlain, featuring a signed colour photograph of Muhammad Ali & Joe Frazier, signed by both boxers in blue marker pen,19 by 22.5cm., a signed print advertisement of the Ali v Chamberlain bout 4th October 1971, signed by both boxers in blue marker pen, 19 by 22cm., a signed print fight ticket for Ali v London at Earls Court, 6th August 1966, signed by Ali in blue pen, 7 by 14.5cm., the display bearing an engraved plaque detailing each bout, mounted, glazed and framed, 46.5 by 65cm., with a Spirit of Sport COA.
Lot 247
Annunciation between Prophets with God the Father, Dove of the Holy Spirit and Celestial CourtAnnunciation between Prophets with God the Father, Dove of the Holy Spirit and Celestial Court, oil on wood according to drawing by Federico Zuccari (c.1542-1609), engraved by Cornelis Cort (1533-1578) in 1570, Italian school, 16th/17th C., major restoration, faults on the pictorial layer and on the support, cracked support, Dim. - 58 x 69 cm
Lot 54
ANDREA IMBROL - SÉC. XVIII Consecration of the Sacred Heart of Jesus by Margaret Mary AlacoqueANDREA IMBROL - SÉC. XVIII, Consecration of the Sacred Heart of Jesus by Margaret Mary Alacoque, carved ivory plaque, Jesus Christ surmounted by God the Father, the dove of the Holy Spirit and various angels and cherubs, lower part with medallion with busts of Kings Dona Maria I and D. Pedro III, putti holding plaque with coat of arms of the Kingdom of Portugal and another putto holding a plaque with the inscription ANDREA IMBROL MALTES, minor faults on the edge, without frame. Notes: This lot is subject to CITES export/import restrictions and is duly certified nr 23PTLX004357C. Cabral Moncada Leilões warns of the fact that several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and turtle. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned. he is a sculptor from the island of Malta who worked in Portugal during the reigns of King D. José I (1750-1777) and Queen Dona Maria I (1777-1816) of Portugal. Artist referred as "[…] professor natural de Malta, que estudara escultura em Itália, especializado na escultura de marfim […]" - cf. TEIXEIRA, Garcez - "Para a História do Monumento a D. José I". In SOUSA, J. M. Cordeiro de, (Dir), Revista de Arqueologia, tomo I: Lisboa: 1932-1934, pp. 175-178 - p. 177. In 1770, he applied to the second tender for the execution of the royal statue of King José I: "Em sua nova edição, o concurso contou com a participação de um escultor maltês, Andrea Imbrol, único que sabia trabalhar sobre o marfim, juntamente com nosso escultor português" - cf. GOMES, Juliano - "Fidelização de um artista plástico na corte lusa: nobilitação de Machado de Castro (1770-1782)". In "Ciclo de Palestras do Grupo de Estudos Modernidade Ibérica". Goiabeiras: Universidade Federal do Espírito Santo, 2018, pp. 52-60 - p. 56., Dim. - 27 x 14 cmThis lot is subject to CITES export/import restrictions and is duly certified nr 23PTLX004357C. Cabral Moncada Leilões warns of the fact that several countries prohibit the import of goods that incorporate materials from protected wild fauna and flora species, including, among others, ivory, coral and turtle. Therefore, we advise potential buyers to inform themselves in advance about the applicable legislation, in particular the customs regulations in force in the countries concerned. he is a sculptor from the island of Malta who worked in Portugal during the reigns of King D. José I (1750-1777) and Queen Dona Maria I (1777-1816) of Portugal. Artist referred as "[…] professor natural de Malta, que estudara escultura em Itália, especializado na escultura de marfim […]" - cf. TEIXEIRA, Garcez - "Para a História do Monumento a D. José I". In SOUSA, J. M. Cordeiro de, (Dir), Revista de Arqueologia, tomo I: Lisboa: 1932-1934, pp. 175-178 - p. 177. In 1770, he applied to the second tender for the execution of the royal statue of King José I: "Em sua nova edição, o concurso contou com a participação de um escultor maltês, Andrea Imbrol, único que sabia trabalhar sobre o marfim, juntamente com nosso escultor português" - cf. GOMES, Juliano - "Fidelização de um artista plástico na corte lusa: nobilitação de Machado de Castro (1770-1782)". In "Ciclo de Palestras do Grupo de Estudos Modernidade Ibérica". Goiabeiras: Universidade Federal do Espírito Santo, 2018, pp. 52-60 - p. 56.
Lot 10
ROLLS ROYCE WHISKEY DECANTERapp size: 19cmRolls Royce spirit decanter.This Iconic Rolls-Royce radiator-shaped decanter was made by “RUDDSPEED Ltd”, “(England)”, “Reg. Design No 910435.These were sold by high-class retailers such as Harrods of London, UK, in the 1960sThe case is heavy chromium-plated metal and surrounds a glass container.There is a slot in the casing at the rear allowing visibility of the contents with Baize cloth to the base.The finish is of a very high quality, like a Rolls-Royce it oozes quality.The tiny Rolls-Royce badge on the front looks truly authentic.Truly a superb collector's item for a Rolls-Royce owner or car enthusiast.
Lot 968
FIFTEEN BESWICK HORSES AND FOALS, comprising two foals, brown gloss, model no. 815, (one with tiny chip to the ear), Stocky Jogging Mare, third version, palomino gloss, model no. 855, (chip to ear), Foal lying, brown gloss, model no. 915 (chip to ear), two foals (large, head down), brown gloss, model no. 947, two foals (small, gambolling left), brown gloss, model no. 996 (both tails reglued), two foals (small, stretched, facing right), brown gloss, model no. 997, (one has a chipped ear), a Shetland Pony, brown gloss, model no.1033, a Palomino (prancing Arab Type), first version, matt, Black Beauty, black gloss, model no. 2466, Black Beauty Foal, black gloss, model no. 2536 and Spirit of Freedom on wooden plinth, brown matt, model no. 2689 (15) (Condition Report: any damage is mentioned within the description, some pieces have handwritten stickers to the undersides)
Lot 1383
A VICTORIAN OAK NEGRETTI AND ZAMBRA OF LONDON, INSTRUMENT MAKERS OF HER MAJESTY, CISTERN TUBE STORM BAROMETER, the glazed door enclosing top ceramic plate bearing, canted scales, inscribed with barometric air pressure in inches and weather predictions, above a rectangular trunk with Fahrenheit scale spirit thermometer, height 102cm (condition:-surface scratches)
Lot 525
Michael Wilkinson (b.1954) Acrylic Sculpture."Atlanteans III: Odyssey" 1991Numbered (164/300). Comes with COA. Dimensions: 17.5 x 17 x 10.25 in. Michael Wilkinson’s art portrays all that is magnificent and beautiful in the human spirit, using the ideal to show us the possibilities in life and the potentialities within ourselves. Born in California and trained as an architect, Michael Wilkinson started his artistic career in New York in 1979. In 1985, Wilkinson transitioned from working uniquely in bronze to working in the young medium of cast acrylic. A forerunner in the medium, Wilkinson uses acrylic to create dreamlike worlds, communicating complex themes while still incorporating realism in his art. Unlike the traditional, these acrylic sculptures have no beginning and no end; no back and no front. They are viewed in a new way; studied and observed in their entirety from the inside and the outside. Working for nearly a decade in acrylic, Wilkinson constantly expands his talents to sculpt light in original ways. His work is very much in the same school as Frederick Hart.
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49472 item(s)/page