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A late 19th Century Bohemian spirit decanter of shouldered bottle form with hollow blown stopper decorated with an amber tint and flash cut with a fruiting vine design, together with a later pressed glass figure of a classically dressed female holding fruiting vines, and a pressed glass tazza stand of a nude female, tallest 25 cm (3)
Piatnitsky (Yuri, editor, and others). Sinai, Byzantium, Russia. Orthodox Art from the Sixth to the Twentieth Century, pub. Saint Catherine Foundation in Assocation with the State Hermitage Museum, St. Petersburg, 2000, together with Dawn of the Golden Age. Northern Netherlandish Art 1580-1620, pub. Rijksmuseum, Amsterdam, 1993, and The Romantic Spirit in German Art 1790-1990, pub. Thames & Hudson, 1994, col. and b & w illusts., all orig. cloth in d.j., 4to, and other various art ref., mostly G/VG (3 shelves)
1837 Alexandrina Victoria: a brown stoneware spirit flask by Bourne Potteries, the reverse with impressed name and makers mark, 200mm high * Made in anticipation of her accession, it was not until Victoria’s first Privy Council meeting that she signed herself Victoria rather than Alexandrina. See Victoria Remembered, plates 16 and 17Illustrated
A SET OF ENGLISH GLASS SPIRIT BEADS OR PHILOSOPHICAL BUBBLES for measuring the specific gravity of 11[only of the 12] spirits including Whiskey and Rum listed on the printed label to the underside of the cover of turned mahogany box, box 7.5cm diam, 19th c For a similar set see Turner, op cit, fig 23.
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