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Lot 586
TEN VARIOUS ORNAMENTAL HORSES, to include Beswick Huntsman Horse, No.1484, brown, Royal Doulton Palomino Horse DA49, brown, 'Spirit of The Wind' DA57A, brown, 'Spirit of Peace' on wooden plinth DA63B, 'Sunlight' on wooden plinth DA71B, white (leg broken), 'Adventure' on wooden plinth (loose) DA72B, white and 'Spirit of The Wild' (no plinth) DA183, white, together with three other horses (13)
Lot 1312
STAMP PRESENTATION PACKS approx 225 presentation packs, including 40th Anniversary of the Machin Definitives 67-69 (large sheet), The A1 Pacifics (large sheet), The White Ensign (large sheet), Spirit and Faith, Inventors Tale, Penny Black Anniversary Stamps, Art in the 20thc, Definitive Stamps (various), Cunard, Studio Pottery, Sir Isaac Newton, Scout Centenary 2007, Diamond Wedding 1947-2007, and many more.
Lot 322
DINKY; a boxed 100 Lady Penelope's Fab 1 with stand (af).Additional InformationLacking the Spirit of Ecstasy mascot, missing all missiles, Parker and Penelope present, five jewelled headlights to front present, the furthest right when looking face on appears to be a replacement with a different colour. Fab 1 licence plate to front present, no licence plate to rear. Model itself with some chips to paint, no harpoons, stand has been crushed and is misshapen and has an old price sticker on the pictorial section . The outer box with scuffs, scrapes, scratches, creases and some marks.
Lot 287
MARIE C. C. STOPES - BOOKS FROM HER PERSONAL LIBRARY to include The Duchess of Sermoneta - 'The Locks of Norbury' with two bookplates Keith Bryant - 'Oxford Limited' with bookplate and inscription "For Marie of Norbury Keith Bryant May 20th 1940", A. L. Rowse - 'The English Spirit' with inscription "Mrs Stopes with Seasons Greetings & all good wishes for the New Year Christmas 1944 (monogram), Oliver Simon - 'Introduction to Typography' with bookplate, Gelett Burgess - 'Are You A Bromide? or , The Sulphitic Theory' 1912 with "Marie C. Stopes" in ink on endpaper, Thomas Hardy - 'The Woodlanders' with "Marie C. Stopes The Old Lighthouse" in ink on endpaper etc. (8)
Lot 115
A SILVER SPIRIT FLASK the solid silver spirit flask with pull-off bottom section with silver gilt interior, hinged lid, 15cm high, hallmarks for London 1905, maker G.H. James & Co., weighing approx. 8.3ozt Condition Report : Condition: good overall, some denting particularly to domed lid Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 186
A Regency rosewood and brass mounted breakfront side cabinet, circa 1815, the raised mirror back superstructure surmounted by a pierced three quarter gallery, the lower section with central pair of brass grille panelled doors and flanked on each side by three open shelves, each divided by ebonised and parcel gilt pilasters surmounted by Corinthian style capitals, on gilt ball feet, 133cm high, 167cm wide, 24cm deep For a closely related side cabinet, see Christie's, London, Interiors -Style & Spirit, 26th February 2008, lot 135 (£8,750). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old chips, splits and small losses. Depletion and sparkle to mirror plates. One ball foot detached but present. Section of bead moulding to one corner of the central frieze lacking. Brass galleried to the lower shelf of the super structure slightly loose. Shelves are simulated rosewood. Key present and operates lock. Some rubbing and losses to parcel gilt elements. Slight movement in superstructure. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 195
A Regency mahogany and ebonised strung linen press, circa 1815, the moulded cornice above a pair of panel doors, opening to five sliding trays, the lower section with two short and two long graduated drawers, each drawer with lion mask cast handles, on bracket feet, 221.5cm high, 136.5cm wide, 59cm deepFor a linen press of the period with similar inlay, see Christie's, London, Style & Spirit, 25th September 2007, lot 167 (£2,750). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Key present and operates lock to doors. No key present for lock to drawers, all locks are open. Large chip to one side of the upper section. Later blocks to the backs of feet and underside. There is no physical evidence but there is a small chance that the lock plates to the drawers are later associated. Various small neatly executed repair to ebonised stringing. Small section of replacement veneer to one door. Handles appear original and are well cast. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 232
Y A George IV rosewood pedestal table or stand, almost certainly by Gillows, circa 1825, the dished and shaped top with carved beaded edge, the stem incorporating fluted, lappet carved detail, on triple downswept cabriole legs carved with acanthus leaves and terminating in cabochon carved feet, 74.5cm high, the top 35.5 x 26.5cmThe design of the current stand is an elaborate version of a model first shown in 1822 (Estimate Sketch Books folio 3170). The 1822 sketch is notable for being the first early 19th century Gillows design clearly based on a mid-18th century tripod table.For a pair of virtually identical 'stands' also referred to by Gillows as 'flower stands' see Christie's, Style & Spirit, 16th September 2014, Lot 192 (£6.875). A pair of the present model sold Important English Furniture, Sotheby's, New York, 16 October 2008, lot 178 ($20,000).Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Minor fading to top. Old repairs. One screw to block underneath top lacking. Block to underside of top is simulated rosewood. Remnants of small paper label to underside of top. Neat old repairs to bottom of stem, with small nail used to help secure and filler used in places. Three neat repairs to beaded edge of top. Slight movement within the join at the centre of the stem. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 295
λ Kendra Haste MRSS Brown Bear (Grizzly) 2015 Steel armature and painted galvanised wireUnique 138 cm high, 214cm wide, 112cm deepThis lot can be viewed by appointment, please contact Dreweatts for further detailsExhibited: 2017 - Sculpt at Kew, Royal Botanic Gardens, Kew Kendra is a renowned contemporary animal sculptor working with the medium of galvanised wire. Since graduating from the Royal College of Art in 1998, she has established a significant reputation in her field with work included in collections worldwide. Kendra is an elected member of the Royal British Society of Sculptors, the Society of Wildlife Artists (UK) and a signature member of the Society of Animal Artists (USA). Public sculptures in the United Kingdom include an elephant at Waterloo Station, London. Thirteen works at the Tower of London, commissioned by Historic Royal Palaces in 2010 and a rhinoceros at Cannon Hall Museum, Barnsley. 
In 2016, 'Bison Head' was purchased by the National Museum of Wildlife Art, Jackson, Wyoming, the world's pre-eminent museum dedicated to wildlife art. 'What interests me most about studying animals is identifying the spirit and character of the individual creatures. I try to create a sense of the living, breathing subject in a static 3-D form, attempting to convey the emotional essence without indulging in the sentimental or anthropomorphic.' - Kendra HasteCondition Report: Recently cleaned. The bespoke BS EN standard wire mesh and coil wire is applied with hammerite paint, ensuring a durable and non-corroding finish.Condition Report Disclaimer
Lot 34
A Meissen blue and white spirit barrel, second quarter 18th century, decorated with bands of floral vines and on an integral bracket support, un-marked,13cm in lengthProvenance: The Property of an English Lady Condition Report: Some minute chips to the un-glazed end. The figural stopper is lacking as is the spigot.Condition Report Disclaimer
Lot 319
* Dietrich (Christian Wilhelm Ernst, 1712-1774). Head portrait of a lady, brown ink on laid paper, head and shoulders study of a lady profile to right, wearing a loose fitting robe with her hair swept up behind her head, sheet size 8.8 x 7.7 cm (3.5 x 3 ins), laid down on later card, mounted, together with a large collection of mostly 18th and 19th century drawings and prints, including: 2 large chiascuro woodcuts by John Baptiste Jackson, one after Titian's Descent of the Holy Spirit, published 1745, the other after Leandro Bassano's The Raising of Lazarus, published 1742, both damaged; a large later 18th century English scene of warriors in the manner of Fuseli or John Hamilton Mortimer, pen, black ink, and grey wash, damaged with substantial loss; a good early 19th century pencil drawing on paper of the Reverend Henry Mortlock (1788-1834) of the East India Company; a pencil drawing on paper, circa 1830s, of French Revolutionaries around a table, annotated in contemporary ink with the names Dupuis, Mercier, Lameth, Chenier, Condoret and Fabre d'Eglantine; an abstract watercolour and gouache painting of 3 figures by Victor Roman (1937-1995); 2 small early 19th century views of Venice, one with watercolour wash; and an 18th century sepia ink drawing of a courting couple, attributed to Maria Callani in pencil on mount; plus other miscellaneous ephemera, e.g. correspondence, exhibition catalogues, invitations, etc., various condition and sizesQty: (-)
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