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Joni Mitchell, the influential singer-songwriter and painter, holds a special place in the hearts of music lovers and art enthusiasts. Her poetic lyrics, distinctive voice, and innovative musical style have made her one of the most revered figures in the folk and rock music genres.At the June auction, the spirit and legacy of Joni Mitchell come to life as a collection of memorabilia and artwork related to her captivating career takes the spotlight. From original album covers and concert posters to rare photographs and personal artifacts, the auction provides a treasure trove for fans and collectors alike.As you explore the items, you may come across an iconic album cover from one of Joni Mitchell's critically acclaimed albums, such as "Blue," "Court and Spark," or "Hejira." These covers, often featuring Mitchell's own artwork, are not only musical milestones but also visual expressions of her artistic vision and introspection.Additionally, rare concert posters from Mitchell's performances throughout her career offer a glimpse into the vibrant music scene of the time and serve as cherished mementos of her live performances. These posters, adorned with captivating artwork and evocative typography, transport you back to the energy and emotion of her concerts.Photographs capturing intimate moments of Mitchell's life and career provide a candid glimpse into her world. From backstage shots to candid portraits, these images reflect the essence of Mitchell as a multifaceted artist and offer a behind-the-scenes perspective on her creative process and personal journey.Beyond her musical accomplishments, Joni Mitchell's talent extends to the world of visual arts. As a painter, her abstract and expressive artworks explore themes of nature, emotion, and personal introspection. The auction may include original paintings or limited-edition prints, providing an opportunity to own a piece of Mitchell's artistic vision beyond her music.The inclusion of Joni Mitchell's memorabilia and artwork in the auction pays homage to her profound impact on music, art, and popular culture. It allows fans, collectors, and enthusiasts to celebrate and preserve her artistic legacy, showcasing the enduring power of her music and the depth of her creative spirit.Whether you're a dedicated fan, a collector of music memorabilia, or an admirer of visual art, the presence of Joni Mitchell's items in the auction offers a unique opportunity to connect with the artistry and soul of this beloved and influential artist.Measures 23 x 30.

Andy Warhol (1928-1987) was an American artist, director, and producer who was a leading figure in the visual art movement known as Pop Art. Born in Pittsburgh, Pennsylvania, Warhol studied art and design at Carnegie Mellon University before moving to New York City in the 1950s.One of Warhol's most famous works is the Campbell's Soup Cans (1962), a series of paintings featuring different varieties of Campbell's Soup. He was also known for his iconic images of celebrities, such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor, as well as his exploration of consumer culture and mass production.Warhol's art often blurred the lines between high art and popular culture, embracing everyday objects and turning them into art. He employed techniques such as silk screening and the use of mass-production methods in his art studio, known as "The Factory," where he collaborated with a diverse group of artists, musicians, and filmmakers.In addition to his work as a visual artist, Warhol was a central figure in the avant-garde film scene and directed films such as "Chelsea Girls" (1966) and "Empire" (1964). He also managed the rock band The Velvet Underground for a brief period.Andy Warhol's impact on the art world and popular culture was profound, and his legacy continues to influence contemporary art. He passed away on February 22, 1987, in New York City, at the age of 58.Andy Warhol "The New Spirit/Donald Duck", F&S 357, 1985 Silkscreen. Ads Portfolio. Measures (approx): 38 x 38.

Trans World Airlines (TWA) was a major American airline that played a significant role in the aviation industry for much of the 20th century. Here are key aspects of TWA:1. **Founding:** TWA was originally established as Transcontinental & Western Air (T&WA) in 1930 through the merger of Western Air Express and Transcontinental Air Transport. It became known as TWA in 1934.2. **Early Operations:** TWA initially operated as a domestic airline, providing passenger and mail services across the United States. Its early routes included transcontinental flights and services to major cities.3. **International Expansion:** TWA became a pioneer in international air travel in the 1940s. The airline played a crucial role in establishing transatlantic and transpacific routes, connecting the United States with Europe and Asia.4. **Lockheed Constellation:** TWA was closely associated with the Lockheed Constellation (Connie) aircraft. The Constellation became an iconic symbol of TWA's commitment to providing comfortable and luxurious air travel during the post-World War II era.5. **Jet Age:** TWA embraced the Jet Age with the introduction of jet airliners. The Boeing 707 and later the Boeing 747 became integral to TWA's long-haul international operations, offering faster and more efficient travel.6. **TWA Flight Center:** TWA's terminal at John F. Kennedy International Airport in New York, designed by architect Eero Saarinen, is a landmark example of mid-century modern architecture. The TWA Flight Center, opened in 1962, served as TWA's main hub.7. **Ambassador Class:** TWA introduced a premium class of service called Ambassador Class, known for its luxurious amenities and personalized service. This was aimed at providing a high-quality travel experience for premium passengers.8. **Ownership Changes:** TWA underwent several ownership changes over the years. In 1985, corporate raider Carl Icahn acquired the airline in a hostile takeover. The subsequent years saw financial struggles and labor disputes.9. **Bankruptcy and Acquisition:** TWA filed for bankruptcy in 1992 and 1995. In 2001, facing financial difficulties and increased competition, TWA filed for bankruptcy for the third time. American Airlines eventually acquired TWA's assets, marking the end of TWA as an independent airline.10. **Legacy:** TWA left a lasting legacy in the aviation industry. It was a trailblazer in international air travel, contributing to the growth and development of the airline industry during crucial periods. The iconic TWA logo, with a red tail and white letters, remains a symbol of the airline's historic presence.11. **Cultural Impact:** TWA's glamorous image and association with the golden age of air travel have left a mark on popular culture. The airline's history is remembered fondly by aviation enthusiasts and those who experienced its heyday.While TWA is no longer in operation, its contributions to aviation history, its pioneering spirit in international air travel, and its distinctive presence in the mid-20th century have left an indelible mark on the industry.Measures 36 x 54.Backed by linen.

David Klein (1918–2005) was an American artist and illustrator best known for his iconic work in the travel advertising industry. He gained recognition for his vibrant and visually striking travel posters, particularly those created for Trans World Airlines (TWA). Here are key points about David Klein, the artist:1. **Travel Posters:** Klein's most famous and enduring works are his travel posters, which he created during the mid-20th century. His designs captured the spirit of travel and adventure, showcasing various destinations in a bold and colorful style.2. **TWA Posters:** Klein's association with Trans World Airlines resulted in a series of posters that promoted TWA's air routes to different cities and countries. His distinctive designs often featured stylized landmarks, vibrant colors, and dynamic compositions.3. **Iconic TWA Globe:** One of Klein's most recognizable images is the TWA logo with a red globe and white airplane trails, symbolizing TWA's global reach. This logo became synonymous with the airline during its heyday.4. **Advertising Innovation:** Klein's approach to travel advertising was innovative for its time. He departed from the traditional, more conservative styles of the era, opting for bold, modern, and eye-catching visuals that conveyed a sense of excitement about air travel.5. **Versatility:** In addition to his work for TWA, Klein created posters for various other clients, including Broadway shows, cruise lines, and other travel-related companies. His versatility as an artist allowed him to adapt his style to different subjects.6. **Legacy:** While travel posters were in vogue during the mid-20th century, Klein's work has continued to enjoy a resurgence in popularity in recent years. His posters are sought after by collectors, and his designs are often reproduced for their nostalgic appeal.7. **Later Years:** After his prolific career in commercial art, Klein shifted his focus to fine art and painting. His later works include landscapes, portraits, and still-life paintings.8. **Recognition:** David Klein's contributions to the world of art and design have been recognized and celebrated. His influence on the advertising industry and his ability to capture the spirit of travel have left a lasting legacy.David Klein's posters are not only seen as advertisements but also as pieces of art that capture the optimism and excitement of the mid-20th century. His bold and dynamic style continues to resonate with admirers of both vintage design and aviation history.Measures 23 x 35.Backed by linen.

Key West is a vibrant and unique island city located at the southernmost tip of the Florida Keys in the United States. Known for its laid-back atmosphere, historic architecture, and lively culture, Key West has become a popular destination for tourists. Here are key aspects of Key West:1. **Location:** Key West is situated at the southern end of the Florida Keys archipelago, approximately 90 miles (145 kilometers) north of Cuba.2. **Island Paradise:** The city is part of the Florida Keys, a chain of islands surrounded by the turquoise waters of the Gulf of Mexico and the Atlantic Ocean.3. **Climate:** Key West has a tropical climate with warm temperatures throughout the year. It is known for its sunny weather, making it an ideal destination for outdoor activities.4. **Historic Architecture:** The Old Town area of Key West features charming and well-preserved historic architecture. Visitors can explore streets lined with colorful Victorian-style homes, conch cottages, and historic sites.5. **Duval Street:** Duval Street is the main thoroughfare in Key West and a hub of activity. It is known for its vibrant nightlife, diverse dining options, shops, and galleries.6. **Mallory Square:** Mallory Square is a popular waterfront area where visitors gather to watch the famous Key West sunset. It's also known for its nightly Sunset Celebration, featuring street performers, vendors, and live entertainment.7. **Key West Aquarium:** The Key West Aquarium is one of the oldest aquariums in Florida, offering interactive exhibits and educational programs showcasing the region's marine life.8. **Hemingway Home and Museum:** The former residence of author Ernest Hemingway is now a museum. Visitors can explore the house, see Hemingway's writing studio, and encounter the famous polydactyl (six-toed) cats that roam the property.9. **Fort Zachary Taylor State Park:** This state park features a historic fort, beautiful beaches, and nature trails. It's a popular spot for outdoor activities, including swimming, snorkeling, and birdwatching.10. **Water Activities:** Key West offers a range of water activities, including snorkeling, scuba diving, kayaking, and boat tours. The surrounding coral reefs and crystal-clear waters make it a paradise for water enthusiasts.11. **Conch Republic:** Key West has a unique and independent spirit, often demonstrated through events like the Conch Republic Independence Celebration, a lighthearted "secession" from the United States.12. **Fantasy Fest:** Held annually in October, Fantasy Fest is a lively and colorful event featuring elaborate costumes, parades, and street parties. It is one of the largest events in Key West, attracting visitors from around the world.Key West's combination of tropical beauty, historic charm, and eclectic culture make it a distinctive destination that appeals to a diverse range of travelers, from history enthusiasts to sun-seekers and those looking for a lively and laid-back atmosphere.Measures 30 x 40.Backed by linen.

Elizabeth Catlett was an African American sculptor, printmaker, and civil rights activist. She was born on April 15, 1915, in Washington, D.C., and became one of the most celebrated artists of the 20th century.Catlett's work explored themes of race, gender, and social justice, often focusing on the experiences and struggles of African Americans and women. Her sculptures and prints were characterized by a strong sense of realism, with a focus on representing the strength, dignity, and resilience of her subjects.Catlett was deeply committed to using art as a means of activism and social change. She actively participated in the civil rights movement and advocated for equality and justice through her artwork. Her sculptures and prints depicted powerful and iconic figures, capturing the spirit and struggles of African Americans and inspiring hope and empowerment.Catlett's preferred mediums included stone, wood, and bronze for sculpture, and linoleum block prints for her graphic works. She possessed great technical skill and a keen eye for capturing the human form in her sculptures, as well as a bold and expressive approach to printmaking.Throughout her career, Catlett received numerous awards and honors for her contributions to art and activism. She also taught at various institutions, including Dillard University in New Orleans and the National Autonomous University of Mexico, where she lived for many years.Elizabeth Catlett's artwork continues to inspire and resonate with audiences worldwide. Her commitment to social justice and her powerful portrayal of African American experiences have left a lasting impact on the art world, making her a highly respected figure and a trailblazer for artists of color.Measures 11 x 10.1.

Late 19th century mahogany five glass mercury barometer, with a swans neck pediment, brass finial and a round base, eight inch silvered register, brass recording hand and steel indicating hand, silvered hygrometer, spirit thermometer butlers mirror and level bubble, mercury filled syphon tube intact with pulleys and floats. With a replacement recording button.Dimensions: Height: 100cm 

A silver spirit flask, hallmarks for Chester 1927, the front with presentation inscription. 8.5 cm wide. 4.2 troy ounces.

A 9ct yellow gold (hallmarked) pendant in the shape of The Rolls Royce 'Spirit of Ecstasy' approx 4cm - weight approx 17.3 grams

SPIRIT 1 BOUND VOLUME - Contains THE SPIRIT #1 to 8 (APR 1974/ JUN 1975 - WARREN) - Includes a SIGNED DEDICATION BY WILL EISNER on the first inside page - Flat/Unfolded

WILL EISNER'S THE SPIRIT PORTFOLIO (1977 - COLLECTORS PRESS) - A limited edition set of prints with each edition numbered and signed by Will Eisner - This edition is numbered 410/1500 and comes complete with a Certificate of Authenticity - Flat/Unfolded

SPIRIT 2 BOUND VOLUME - Contains THE SPIRIT #9 to 16 + SPIRIT SPECIAL (AUG 1975/ OCT 1976 - WARREN) - Includes a SIGNED DEDICATION BY WILL EISNER on the first inside page - Flat/Unfolded

A bottle of Yang Ling spirit, the bottle containing a coiled snake.

Five various brass spirit measuring ladles including "Brandy", "Whiskey", "Rum" etc.

Three various spirit barrels for "Sherry", "Port" and "Scotch" with taps

A Bassett Lowke special limited release scale model of an LMS 260 Mogul maroon livery no. 2945 spirit fired live steam locomotive, with original box and receipt Measuring approximately 18" long, 4" high, and with a gauge of 1.26"

A Reeves spirit hydrometer in case with instructions

Two spirit irons (Tilley and Comfort)

An early 20th century oak tantalus, complete with two glass decanters and plated spirit labels. 28x26cm.

A Gilt Brass Mounted Two-Handled Coromandel Tantalus, Late 19th Century, fitted with three hob-nail cut glass spirit decanters, with silver wine labels for Whisky, Gin, and Brandy, 13ins x 9ins x 10.5ins high External - back part of lifting cover with circa 6.75ins horizontal shrinkage crack. Top of cover to back right corner shows small area of fill. All gilt metal fittings are present. Key is present. Internally - the holders for glasses have been removed and glasses are absent. Three original glass decanters are present. Two stoppers can be removed, one cannot. Those that can be removed show very slight chipping to their lower part. Bases to all decanters show some scattered small chips. The neck to one of the decanters is badly chipped. All silver labels appear to be in good condition with no obvious damage/loss/restoration.We are unable to offer in-house shipping for this lot. We recommend you contact either Jentel Packing or MailBoxes Etc for quotes.

Wade Hawaiian Dancer spirit decanter, unmarked, height 26cm. This was removed from the archives of the Wade factory and is a possible prototype or colour sample.

Delarup Fountain Pen, with a gold 14k gold nib, Parker fountain pen with a gold 14k nib, Sheaffer fountain pen, with a gold 14k nib, golf teamed spirit measure, bottle opener, etc:- One Tray.

A Victorian Silver-Plate-Mounted Oak Three-Bottle Tantalus, of traditional form, the hobnail-cut rectangular spirit decanters with faceted stoppers 37cm highProvenance: Dutton Manor, Lancashire

A Malt Shovel, stamped Queen Warf Wapping, together with A Tipple Stick, Leather-Mounted Spirit Flask, Set of Beakers, in leather case, A Brass and Copper Coaching Horn, A Copper Bugle, Kit Lock, Boot Trees and Components and Various Baskets (qty)

Assorted 19th Century Wooden and Metalwares, including a copper bain marie, Art Nouveau spirit kettle, a pair of brass strut mirrors, aneroid barometer, a carved oak single drawer cabinet, wall mounted pair of drawers, iron spitoon and tobacco jar, brass jam pan and a stool (qty)

Nicely framed original art by Eric Sloane (American 1905-1985) "The Spirit of Frugality" blue and black pen, mostly black with some period liquid paper. Signed Eric Sloan in red ink. Approximate Dimensions:the part showing in frame l. 9.5 w. 7.25 frame size l.15 ,h. 12.875"Condition:Conservation framing. Not examined out of frame.

A cased pair of silver backed brushes, together with silver mounted comb, a cased German silver plated spirit flask set, in leather case and a pair of oval photograph frames

A BESWICK SPIRIT OF AFFECTION HORSE FIGURE

A BOXED CONCORD SUPER SONIC WRIST WATCH BY PHILLIPPE REVEUR TOGETHER WITH A BOXED "SPIRIT OF CONCORD " WRIST WATCH (2)

COLLECTION OF CRYSTAL GLASSES, AND OTHER CRYSTAL WARE including spirit, wine and soda glasses, also ten Edinburgh Crystal champagne glasses, fruit bowls, sundae dishes and baskets

GROUP OF LEATHER AND OTHER LUGGAGE, including suitcases, collar box, travelling spirit case and attache caseof sizesQty: 7

Illuminated medieval manuscript. Hours of the Virgin (Cistercian Use?). France, fifteenth century.241 vellum leaves (approx. 180 x 130 mms). Ruled in red and lilac, writing area approx. 100 x 65 mms, written in Gothic textura, generally with 17 lines to the page. Text in Latin and French.COLLATION: The manuscript is misbound. It appears to be missing 9 folios, around 5 of which would have had miniatures. We provisionally suggest: 1-2(6) 3-4(8) 5(8-1) [quire 5 within quire 4, as described below] 6-7(8) 8(8-1) 9(8-2) 10-12(8) 13(8-1) 14(8) 15(8-2) 16-29(8) 30(8-1) 31(8) 32(6-1). Quires 1 and 2 bound in wrong order. Single paper leaf bound (with the intention of offering protection?) before the Annunciation miniature in quire 4 (N.B. the above formula describes the vellum leaves only). Quire 5 lacks one leaf (had a miniature for the Hours of the Holy Spirit?); the surviving cognate leaf is bound between the central bifolium in quire 4. The remaining three bifolia of quire 5 are bound later in quire 4 (between fols. 28 and 35). Quire 5 seems to belong between quires 19 and 20. Quire 8 lacking one folio after fol. 56 (had a miniature for Terce). Quire 13 lacking one folio after fol. 92 (had a miniature for Vespers). Quire 9 lacking one folio before 59 (had a miniature for Sext) and one folio between 61-62 (had a miniature for Matins). Quire 13 lacking one folio after fol. 92. Quire 15 lacking two folios (catchword corrected; matches the current opening of quire 16). Quire 30 lacking one folio after fol. 225 (probably had a decorative border). Final folio of quire 32 wanting but probably blank. Catchwords mostly present; sometimes trimmed. Very occasional (incorrect) foliation in pencil.CONTENTS: The following should be considered a provisional list. It reflects the misbound order. Fols. 1r-12v: a calendar [July-Dec misbound before Jan-Jun]. Fols. 13r-16v: Gospel Lessons. Fols. 17r-19v: Obsecro Te. Fol. 20rv: Ruled but blank. Fols. 21r-24r: Ora devota ad mariam virginem [= Lay fait par Achilles Caulier a l'onneur de la Vierge Marie in Arsenal, 3521, f. 259v-261r; see Arthur Piaget, ‘La Belle dame sans merci et ses imitations [IV]’, Romania 31 (1902), 318-21)]. Fol. 24v: French verse, incipit ‘O charboncle reluisant’ [continues at fol. 26r]. Fol. 25rv: Hours of the Holy Spirit [Quire 5, which contains this text, lacks one folio and has also been split up and misbound as described in the collation above. The singleton here at fol. 25 covers Prime and None]. Fols. 26r-27v: remainder of ‘O charboncle reluisant’, followed by two hymns. Fol. 28rv: Unidentified. Fols. 29r-31v: Hours of the Cross [misbound here]. Fols. 32r-32v: Hours of the Holy Spirit [misbound here]. Fols. 33r-34v: ruled but blank. Fols. 35r-61v: Unidentified [lacking two folios]. Fols. 62r-103v: Hours of the Virgin - Matins [lacking opening folio] (fols. 62r-67v); Lauds (fols. 68r-76v); Prime (fols. 77r-81r); Terce (fols. 81r-85r); Sext (fols. 85v-89r); None (fols. 89r-92v); Vespers [lacking opening folio] (fols. 93r-97v); Compline (fols. 98r-103v). Fols. 104r-141r: Unidentified [lacking two folios]. Fol. 141v: ruled but blank. Fols. 142r-151v: Penitential Psalms. Fols. 151v-157r: Litany. Fol. 157v: Ruled but blank. Fols. 158r-191r: Office of the Dead. Fol. 191v: ruled but blank. Fols. 192r-239v: Prayers, mostly in Latin but some in French [one leaf wanting]. Fols. 240r-241v: ruled but blank.DECORATION: 8 miniatures in gold arched frames, with borders filled with acanthus, flowers, insects, animals, and sometimes drolleries (one with the upper body of a nun reading). The miniatures depict the Crucifixion (fol. 29r), the Annunciation (fol. 35r), the Presentation in the Temple (fol. 60r), the Visitation (fol. 68r), the Nativity (fol. 77r), the Coronation of the Virgin (fol. 101r), King David in Prayer (fol. 142r), and a Funeral Service (fol. 158r). 10 additional pages with 3- or 4-sided borders. Two historiated initials: a 6-line initial depicting the Virgin of Mercy, with a nun in prayer immediately adjacent in the border (fol. 21r); a 4-line initial depicting the arma Christi (fol. 29r). Further decorative initials of 1 to 5 lines in height in gold, red, and blue. Rubrics in red and (occasionally) blue. Some chrysography in calendar. Decorative line fillers.BINDING: Later binding of green patterned silk(?) over pasteboard, all edges painted with floral pattern in red, green, and blue. With a blind-stamped brown leather case (painted internally purple, green, and blue).USE: The typewritten notes loosely enclosed in the book (by former owner J. P. Love?) offer Use of Nantes as a suggestion (with a question mark). This inference is probably based on Madan tests as the Hours of the Virgin has Prime antiphon ‘Quando Natus’, Prime capitulum ‘Ab initio et ante’, None antiphon ‘Ecce maria genuit’, and None capitulum ‘Et radicavi’. However, we note the newer CHD tests, where this combination seems to point towards Cistercian Use. The Calendar has contents that might also suggest Cistercian use, including Anianus (13 June and 17 November) and Remigius (1 October) (cf. online catalogue description for Walters Art Museum MS W.44). We note also that Psalm 118 is divided across Prime-None in the Hours of the Virgin, which is associated with monastic uses according to CHD.PROVENANCE: Intended for a female reader? We note ‘intercedere pro me peccatrice’ (with the feminine form) in the Sancta Dei Genitrix (fol. 199v). Perhaps the intended reader is the nun praying beside the historiated initial on fol. 21r. Some parts of the text crossed out by an early(?) hand (text still legible). Border decoration for the Annunciation includes two coats of arms held by angels: ‘sable, nine roundels argent, on a canton azure, a lion or, and azure, a saltire or, a label of tree points gules’ (quoted after the aforementioned typewritten notes).CONDITION: Some fraying to textile covering material, quires loosening. Some foxing and staining, small tear to inner margin of folio with Annunciation miniature (not intersecting the miniature itself), minor worming in blank upper margin of about 6 folios (not affecting text).BIBLIOGRAPHY: ‘New Tests for Localization of the Hore Beate Marie Virginis’, CHD Institute for Studies of Illuminated Manuscripts in Denmark, https://manuscripts.org.uk/chd.dk/use/hv_chdtest.html (last accessed by us 10/1/2024).Provenance: John. P. Love Collection CONDITION: Some fraying to textile covering material, quires loosening. Some foxing and staining, small tear to inner margin of folio with Annunciation miniature (not intersecting the miniature itself), minor worming in blank upper margin of about 6 folios (not affecting text).

A George V silver miniature kettle on stand by Horace Woodward & Co Ltd, London 1914, with kettle, stand and spirit burner, the kettle with turned wooden handle, total height with stand 13 cm, weight 194 grams

Heaney, Seamus Collection of works, all signed Unless otherwise stated, all first trade editions, first impressions, published by Faber and Faber, 8vo, original boards, with the dust jackets, with Seamus Heaney's signature on the title-page in blue or black ink. Titles comprise:Beowulf, 1999 (ownership inscription to front free endpaper, dust jacket price-clipped);The Testament of Cresseid. London: Enitharmon Editions, 2004. Limited edition, one of 350 copies signed by Heaney and illustrator Hughie O'Donoghue on the limitation leaf, large 4to, original green cloth;Electric Light, 2001. First edition, deluxe issue, one of 300 copies specially bound and signed by Heaney, original cloth-backed boards, slipcase;Hailstones. Dublin: Gallery Press, 1984. First edition, deluxe issue, one of 250 copies bound in cloth and signed by Heaney (this copy inscribed 'for Jim, Happy Christmas! Seamus') (dust jacket front panel sunned);North, 1975. First edition, paperback issue, signed 'Seamus Heaney, 8.ix.'98' on initial blank (wrappers slightly rubbed and marked);Field Work, 1979. First edition, paperback issue, with Heaney's inscription reading 'inscribed for Margaret Herbert's friend, Slainte gus saol, Seamus Heaney, December 1979' on the initial blank, spine sunned, wrappers somewhat creased and marked;Sweeney Astray. A Version from the Irish. Derry: Field Day, 1983. Original cloth;Station Island, 1984;The Haw Lantern, 1987 (textblock toned);The Redress of Poetry. Oxford Lectures, 1995;The Spirit Level, 1996;Opened Ground. Poems 1966-1996, 1998;Hallaig. Somhairle MacGill-Eain. Translated by Seamus Heaney. [No place:] Urras Shomhairle, the Sorley MacLean Trust, 2002. One of 200 copies, single unsigned gathering of 4 leaves, original card wrappers (wrappers faded, front wrapper with pen-mark to recto and Edinburgh International Book Festival ticket mounted to verso);The Burial at Thebes. Sophocles' Antigone, translated by Seamus Heaney, 2004;District and Circle, 2006;Human Chain, 2010;and 7 paperback reprints, including Beowulf, all signed by Heaney(23)

Hull and paddle-wheel of the Great Eastern, c.1857 arch-topped albumen-print photograph (27.5 x 36cm), mounted, framed and glazed [V&A; PH.253-1979] Robert Howlett’s iconic images of the construction of the Great Eastern are remembered as ‘some of the most significant photographs of the 19th century’ (Hannavy, Encyclopaedia of Nineteenth-Century Photography, 2008, vol. 1, pp. 717-18). The Great Eastern was by far the largest ship ever built at the time, and remained so when she was scrapped in 1888. Though an unprecedented marvel of engineering, the project was a financial disaster. Brunel died a few days after her departure on its maiden voyage in 1859. Howlett himself had died the previous year, his colleagues believing that his untimely death had been brought about by the chemicals used in his photographic work; his Great Eastern series is today regarded as ‘epitomizing the spirit of Victorian engineering and endeavour’ (ODNB).

Starboard bow of the Great Eastern, 12th November 1857 albumen print photograph (28.5 x 34cm), dated in negative, laid down on recent mount, spotting above skyline, a hint of rubbing and two short closed nicks along right-hand edge, one closed tear and one small nick to foot [V&A; PH.255-1979] Robert Howlett’s iconic images of the construction of the Great Eastern are remembered as ‘some of the most significant photographs of the 19th century’ (Hannavy, Encyclopaedia of Nineteenth-Century Photography, 2008, vol. 1, pp. 717-18). The Great Eastern was by far the largest ship ever built at the time, and remained so when she was scrapped in 1888. Though an unprecedented marvel of engineering, the project was a financial disaster. Brunel died a few days after her departure on its maiden voyage in 1859. Howlett himself had died the previous year, his colleagues believing that his untimely death had been brought about by the chemicals used in his photographic work; his Great Eastern series is today regarded as ‘epitomizing the spirit of Victorian engineering and endeavour’ (ODNB).

Hull, paddle-wheel and chain-drum of the Great Eastern, c.1857 albumen-print photograph (27.5 x 36cm), mounted, framed and glazed, a few blemishes [V&A; PH.259-1979] Robert Howlett’s iconic images of the construction of the Great Eastern are remembered as ‘some of the most significant photographs of the 19th century’ (Hannavy, Encyclopaedia of Nineteenth-Century Photography, 2008, vol. 1, pp. 717-18). The Great Eastern was by far the largest ship ever built at the time, and remained so when she was scrapped in 1888. Though an unprecedented marvel of engineering, the project was a financial disaster. Brunel died a few days after her departure on its maiden voyage in 1859. Howlett himself had died the previous year, his colleagues believing that his untimely death had been brought about by the chemicals used in his photographic work; his Great Eastern series is today regarded as ‘epitomizing the spirit of Victorian engineering and endeavour’ (ODNB).

Three photographs of the Great Eastern, 1857 albumen prints, mounted, comprising:Starboard elevation from mid-Thames, 17 November 1857, 21.5 x 33cm, mount aperture 20.8 x 26.8, extensive loss to left edge (mostly concealed by mount) [V&A; PH.248-1979];Bow-on view, c.1857, 24.8 x 29cm, mount aperture 23.8 x 25cm, loss to left edge (mostly concealed by mount) [V&A; PH.250-1979];Workers (man and boy) beneath the paddle-wheel, 27.5 x 35.5cm, loss to left edge [V&A; PH.257-1979](3) Robert Howlett’s iconic images of the construction of the Great Eastern are remembered as ‘some of the most significant photographs of the 19th century’ (Hannavy, Encyclopedia of Nineteenth-Century Photography, 2008, vol. 1, pp. 717-18). The Great Eastern was by far the largest ship ever built at the time, and remained so when she was scrapped in 1888. Though an unprecedented marvel of engineering, the project was a financial disaster. Brunel died a few days after her departure on its maiden voyage in 1859. Howlett himself had died the previous year, his colleagues believing that his untimely death had been brought about by the chemicals used in his photographic work; his Great Eastern series is today regarded as ‘epitomizing the spirit of Victorian engineering and endeavour’ (ODNB).

Group portrait of Isambard Kingdom Brunel and associates at the launching of the Great Eastern, 1857 Arch-topped albumen print photograph (24 x 22cm), on old mount, framed and glazed, a few blemishes including pale strip of discolouration across centre [NPG x4994] The sitters in this photograph (from left to right) are identified by the National Portrait Gallery as: possibly John Trotman; George William Frederick Howard, 7th Earl of Carlisle; Lord Alfred Henry Paget; John Yates; then Isambard Kingdom Brunel. Robert Howlett’s iconic images of the construction of the Great Eastern are remembered as ‘some of the most significant photographs of the 19th century’ (Hannavy, Encyclopaedia of Nineteenth-Century Photography, 2008, vol. 1, pp. 717-18). The Great Eastern was by far the largest ship ever built at the time, and remained so when she was scrapped in 1888. Though an unprecedented marvel of engineering, the project was a financial disaster. Brunel died a few days after her departure on its maiden voyage in 1859. Howlett himself had died the previous year, his colleagues believing that his untimely death had been brought about by the chemicals used in his photographic work; his Great Eastern series is today regarded as ‘epitomizing the spirit of Victorian engineering and endeavour’ (ODNB).

A COPPER FISH KETTLE, TWO SPIRIT JUGS, TWO COPPER COFFEE POTS AND A COVERED SAUCE POT

ENZO PLAZZOTTA (1921-81), SPIRIT OF REBELLION, A BRONZE OF DAVID STANDING OVER THE HEAD OF GOLIATH, SEAL MARKS ON THE BASE.   H 27cms.

A CAPELLA MAHOGANY BANJO BAROMETER WITH AN ALCOHOL THERMOMETER ABOVE THE SILVERED DIAL, ADJUSTMENT KNOB AND SPIRIT LEVEL

A SILVER PORTABLE BRANDY WARMER BY CYRIL FROST, LONDON 1900, RETAILED BY WORTH & CO. REGENT STREET, THE HINGED LIDDED CYLINDRICAL SHAPE DRAWING UP ABOVE THE SPIRIT BURNER WITHIN THE FOOT, 163Gms.

A silver spirit kettle and stand, 1342g, Thomas Edward Atkins, Birmingham, date marks rubbed, 43 oz

Boxes and Objects - a pair 19th century Indian coconut cups, cased in brass, each with three scoll feet, 7.5cm high, late 19th century; a 19th century mother-of-pearl visiting card case; a pair of plated Corinthian column candlesticks, 16cm high; a Victorian brass magnifying glass; an Arts and Crafts brass spirit kettle, influenced by Christopher Dresser; Baxter prints; etc, qty

Railway Interest - spirit cans including LMS, originally from Derby Railway Works; a brown leather snipe bag; a brass Bladon blow torch; a stoneware Derby White Bros. Botanical jar; a pewter mug constructed from a shell case, with lion badge emblem; other pewter mugs; qty

Beswick 818 Shire horse mare in grey, race horse, spirit horse in white, foals, three plinths and two figural wall plaques The Minstrel, tallest 21cm

Five Beswick horses including Spirit of Earth, Spirit of Freedom etc, all brown matt, tallest 21cm

Four Beswick horses in matt including rare white matt Spirit of Earth, tallest 21cm

Three Beswick horses including Spirit of Affection, 818 Shire mare etc, tallest 22cm

Sydney Folley ROI RSMA (1916-2001) Spirit Sail Barges, Upnor, River Medway, signed lower right, oil on canvas, 35.5 x 50 cm, frame 48 x 63 cmProvenance: Collection of Magdi Obeid, purchased Keys Fine Art 09/02/2018 lot 35, Exhibited RSMA at the Mall Galleries

A Rolls Royce Spirit of Ecstasy ashtray, presented to E.E.Jones for 25 years service in 1975, together with a custom machined ashtray mounted with a Spirit of Ecstasy figure and an early 20th century Rolls Royce Motor Club car badge, mounted. (3)Provenance:Acquired by the vendor while working at Rolls Royce Motorcars in Shrewsbury, Shropshire.

Various silver plated items comprising four spirit kettles, one with bone finial, two egg warmers, both with spirit burners (6).

Brass nautical design bell with anchor shaped suspension bracket, an engraved brass crucifix and brass spirit kettle on stand. (3) (B.P. 21% + VAT)

Royal Doulton Spirit of Affection and Spirit of the Wild, together with Beswick Spirit of Fire, Adventure, and one other white horse figure Condition - chip to ear on one, others fine.

3 Beswick horse figures - The Winner, Spirit of the Wind, and same model on wooden plinth Condition - good, general wear only.

Vintage Pike by Jema, Holland (no. 360) approx 36cm long together with Doulton horse ‘Spirit of Freedom’ and ceramic dog and bird figures. Condition - Bird missing leg and also with small nibbles, other pieces ok, general wear.

A collection of boxed gift items from Collins & Sons Jewellers of Tunbridge Wells, including spirit flask, notebook, and clock

A Stanley 12-205 plane, spirit levels, Bladon blow torch, micrometer, and other engineering and woodworking tools. (a quantity)

A group of Victorian and later copper and brass ware, including three spirit measures, for Brandy Whisky and Rum, a Joseph Sankey copper tea caddy, embossed with a coat of arms, copper grain measure and a brass chestnut roaster. (a quantity)