14DEPECHE MODE - 2010s LPs (REISSUES/ORIGINAL TITLES). Wicked collection of 14 x Mint and sealed LPs from Depeche Mode comprising of high quality 180g reissues and also original titles. Albums are Violator (889853367511), Construction Time Again (88985330001), Speak & Spell (889853299911), Spirit (88985411651 S1), Music For The Masses (889853367313), Delta Machine (88765460631), Black Celebration (889853367412), Sounds Of The Universe (889853370313), A Broken Frame (889853299317), Songs Of Faith And Devotion (889853370412), Where's The Revolution (88985-42003-12), Exciter (889853369317), Some Great Reward (889853300112) and Playing The Angel (889853369911). All factory sealed.
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A large terracotta pansion, height 22.8cm, external diameter 47cm, a c1920s Weymouth pottery jug and two late 19th/early 20th century stoneware jars, the larger stamped 'R. L. Jones & Co Ltd Wine & Spirit Merchants Mansfield' (4).Additional InformationThe pansion with several chips, some further nibbles, rubbing to detail, some small chips, etc throughout.
American HO Gauge Diesel Locomotives, a boxed Bachmann 11510 GP35 Pennsylvania (damaged) and SDP40 locomotives Santa Fe yellow/blue by GSB and BNSF orange and black livery (possibly Athearn) both unboxed, together with SD45 Santa Fe yellow/blue boxed by Athearn (unpowered), B&O blue livery also boxed by Athearn, Chessie System (possibly Athearn), Tyco Spirit of 76 (2) and Santa Fe liveries, all unboxed some locomotives with exterior damage, F-G, (9)
A Doulton Lambeth Two-Tone Glazed Stoneware Handled Bottle and Seven Other Pieces of Stoneware, the bottle printed in brown "Crown Wine Compy 99 Finsbury Pavement", 8ins high, a stoneware circular fruit dish, the rim moulded with fruiting vine, the centre worded in black "Mrs Alsop" within ribbon band, 11ins diameter, a George Skey of Tamworth brown glazed saltware circular dish with moulded rim, 11.25ins diameter, two stoneware spirit barrels and three other items of stoneware
* CLAIRE HARKESS RSW (SCOTTISH B. 1970 - ), POLAR BEAR watercolour on paper, signed, dated 1998 label verso 26cm x 18cm Mounted, framed and under glass. Label verso: Gallery 41, Edinburgh Note 1: In 1998, Claire worked as Artist in Residence with The Royal Zoological Society of Scotland. While at Edinburgh Zoo she was filmed as part of the BBC "Ex-S" series and a fascinating documentary about her work was broadcast in November of that year. This work is a portrait of a specific animal at Edinburgh Zoo and it's likely that many Edinburgh residents and visitors to the Zoo will recognise this animal.. Note 2: Claire Harkess was born in Ayr, Scotland, graduating from Glasgow School of Art in the early 1990s. In recent years her painting has taken her to fragile lands to study and interpret life on the edge. Antarctica, Outback Australia and St Kilda are all places where, in such extreme environments, survival is difficult and the balance of life is delicate. Harkess has also worked on the Galápagos Islands, made famous by Charles Darwin’s ‘The Origin of the Species’. This isolated volcanic outpost remained relatively untouched by man, evolving to become one of the World’s unique ecosystems. The balance present in nature is clearly communicated through Claire's paintings. Painting in watercolour or gouache offers a unique directness; the essential qualities of light and energy present in the natural world are the very essence of the medium itself. The delicacy of her palette and oriental economy of her mark-making creates a subtle tension representing a world that is ‘holding still’, giving a sense of freedom, spirit, time and place. Claire's work is exhibited at The Scottish Gallery, where her most recent highly successful solo show was in July 2020, and at other prestigious galleries around the UK.
Titled 'Calm Morning, Rockaway Inlet', oil on canvas, signed lower right: Fred W. Kost. Diego Salazar gold-leaf frame. Overall size: 22 1/4 x 28 in. Sight size: 15 1/2 x 21 1/2 in. Born in New York City, Kost became a student of George Inness at the National Academy of Design. Kost would begin to exhibit his works there in 1882. His works are often tonalist in quality, with rich warm hues dominating many of his paintings. Frederick Kost’s Tonalist landscapes are never far from the sea, encompassing the tidal marshlands of his early home on Staten Island, and after 1900, the stretches of inlets and wetlands of Long Island’s Great South Bay. But in Kost’s work the subjects are less about place and more about the spirit of place.
I Nyoman Aptika (1969) Balinese Original Signed Oil Painting. Framed measures 28cm by 32cm. Exhibited with Bening Group, Ubud, 2019, water holli exhibition Resort Canggu Bali, exhibition Nirmaya Rupa resort Canggu, Sustainability spirit of art in Bali Bentara Budaya Bali 2020, ngawiwit museum subak exhibition. Tabanan and 2020 virtual exhibition trail line, Maha Rupa Batu Karu Group.
I Nyoman Aptika (1969) Balinese Original Signed Oil Painting. Framed measures 28cm by 32cm. Exhibited with Bening Group, Ubud, 2019, water holli exhibition Resort Canggu Bali, exhibition Nirmaya Rupa resort Canggu, Sustainability spirit of art in Bali Bentara Budaya Bali 2020, ngawiwit museum subak exhibition. Tabanan and 2020 virtual exhibition trail line, Maha Rupa Batu Karu Group.
I Nyoman Aptika (1969) Balinese Original Signed Oil Painting. Framed measures 28cm by 32cm. Exhibited with Bening Group, Ubud, 2019, water holli exhibition Resort Canggu Bali, exhibition Nirmaya Rupa resort Canggu, Sustainability spirit of art in Bali Bentara Budaya Bali 2020, ngawiwit museum subak exhibition. Tabanan and 2020 virtual exhibition trail line, Maha Rupa Batu Karu Group.
A T Smith & Co Canal Pottery stoneware flagon for Lancaster & Co Wine & Spirit Merchants of Stowmarket, numbered 20272, h.42cm; together with various other stoneware flagons and bottles to include Greene King & Sons Ltd of Haverhill, J.H. Jones & Sons Beverages Ltd of Leicester, Birmingham, Nottingham, Derby & Blackpool etc
A Pair of George V Silver Mounted Cut Glass Spirit Decanters, and mixed silverware, the decanters by Hukin & Heath Ltd, London 1911, with plain silver double lipped neck with silver mounted stoppers, 11.5ins high, a pair of Elizabeth II silver circular coasters, London 1995, with bead mounts to rims and turned wood bases, 5ins diameter, a Victorian silver oval tea caddy, London 1882, engraved with shield pattern cartouche surrounded by leaf and floral ornament, 4.5ins high, and a selection of silver tableware, weighable silver 43ozs
A group of vintage garden items, comprising forty five terracotta pots, smallest 5.5cm diameter, largest 14cm diameter, contained in a wooden crate, 37.5 by 26 by 17cm high, and a wooden trug with bentwood handle, 46 by 25 by 23cm high, containing a brass watering can, a small hand axe, hand hoe, trowel, a brass and wood spirit level by J & D Smallwood and a pruning saw. (8 plus pots)
Matchbox - A 'First Shot' model of a Matchbox #7 Rolls Royce Silver Spirit. The model is unpainted in its raw state, and is unspun with painted black base 'Made in Thailand', and is missing its grille. The model was sourced by the Vendor from Matchbox USA in 1986. An unusual item, housed in a clear PVC protective box. Number on case is for identification purposes only.
Spirit of the Empire Royal Canadian Mounted Police including men in pillbox hats, fur hats and pith helmets, with further figures by King and Country, Hachette, First Choice etc. with twenty-six individual original boxes (Condition Excellent-Good, one King and Country stetson bent, boxes Very Good-Good, two lids split) (37)
Beveridge (Sir William, Dr. Julian Huxley and Sir John Boyd Orr, editors). Target For Tomorrow, Numbers 1, 3, 8 & 12 (Industry After the War, Who Is Going to Run It? by Charles Madge, Food and The People by Sir John Boyd Orr, The Future of the Colonies by Dr. Julian Huxley and Phyllis Deane, and Remobilisation for Peace by Sir Ronald Davison), 4 volumes, Pilot Press, 1943-1944, monochrome illustrations after photographs, etc., all original boards, with cover design by Abram Ganes to each, dust wrappers a little rubbed and with some fraying to extremities, small loss to lower edge of upper cover of the first volume, slim 4to, together with: Florence (Lella Secor). Only An Ocean Between (America and Britain series, edited by P. Sargant Florence), 1st edition, George G. Harrap, 1943, colour illustrations, monochrome illustrations after photographs, original blue cloth in dust wrapper, with some light spotting, plus the second and third titles from the same series America and Britain: K.B. Smellie, Our Two Democracies at Work, George G. Harrap, 1944 & Lella Secor Florence, Our Private Lives, George G. Harrap, 1944, colour and monochrome illustrations to each, both original cloth in dust wrappers (the first with dust wrapper designed by Jon Heartfield), slightly frayed to extremities, large 8vo, and other World War Two-related propaganda booklets and publications, including His Majesty's Stationery Office, Bomber Command, The Campaign in Burma, Ark Royal, Frontline 1940-1941, Build The Ships, Land at War, Merchant Men at War, Fleet Air Arm, The Eighth Army, The Mediterranean Fleet, etc., Stephen Taylor, Battle for Health, a primer of social medicine (The New Democracy), 1st edition, Nicholson & Watson, 1944, Michael Young & Theodor Prager, There's Work for All (The New Democracy), 1st edition, Nicholson & Watson, 1945, both in dust wrappers, Maurice Lovell, Landsmen and Seafarers (The Soviets and Ourselves series), George G. Harrap, 1945, Spirit of the Soviet Union, Anti-Nazi Cartoons & Posters, foreword Lord Beaverbrook, 1st edition, Pilot Press, 1942, Oxford Pamphlets on World Affairs series, etc., original cloth, including some in dust wrappers, and many bound in original printed wrappers, stapled as issued, mainly 8voQty: (approximately 150)
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49464 item(s)/page