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Vintage spirit level, boldfinch hole punch together with white metal ring holder

Tiffany & Co. Elsa Peretti 18k Gold Open Heart Pendant Necklace. The simple, evocative shape of Elsa Peretti Open Heart designs celebrates the spirit of love. This elegant creation is one of her most celebrated icons. Marked on back of heart. Comes with baby blue velt Tiffany & Co. bag. Chain Length: 20 in. Total Weight: 6.4 g. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via wire transfer or cashier’s check, no other forms of payment will be accepted.

After Paul Armand Bayard De La Vingtrie (French, 1846 - 1900) "Enchanted Spirit of the Morning Mist" Bronze Fairy. Signed on base.Dimensions: 15.5 x 7 in.

Harry Schaare (New York, Arizona, 1922 - 2008) "You're a Grand Old Flag" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. You're a grand old flag / you're a high-flying flag / and forever in peace may you wave / You're the emblem of / the land I love / the home of the free and the brave." Perhaps no other song captures the joyful spirit of patriotism in America than the opening lines of George M. Cohan's famous song, You're a Grand Old Flag. Known as the "Father of American Musical Comedy" Cohan was born on July 3, 1878, in Providence, Rhode Island, and grew up in a show-biz family. His parents were traveling vaudevillians and when George and his sister Josephine joined the act, the family became known as "The Four Cohans." By age 13, he was writing songs and lyrics for the act. Cohan soon became the starring actor and was also selling original songs to other vaudeville performers. By the age of 20, he was managing the family's business and had complete control of the act. He later turned his attention to Broadway and composed his first musical in 1902 called The Governor's Son. He formed a partnership with Sam Harris and their show Little Johnny Jones opened on Broadway and became a huge hit featuring Cohan's popular songs The Yankee Doodle Boy and Give My Regards to Broadway. But perhaps his most memorable contribution to musical theater was his 1906 hit show, George Washington, Jr. Audiences thrilled to spectacular patriotic musical numbers, and cheered as Cohan marched up and down the stage carrying the American flag while singing You're a Grand Old Flag. Image Size: 17.5 x 14 in. Overall Size: 18 x 15 in. Unframed. (B05162)

Stanley Paine (British, B. 1934) "Rolls Royce Silver Ghost" Signed lower right. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the Great Britain 29p Silver Ghost & Silver Spirit Rolls-Royce stamp issued October 13, 1982. The Rolls-Royce Company, founded in 1904, early the first name in luxurious motorcars. Cars like the Silver Ghost helped earn this reputation for its manufacturer. The Silver Ghost 40/50 model was introduced just three years after the Rolls-Royce Company opened its doors and within ten years had deservedly gained a reputation for being the finest car in the world. Of the first thirty-six Silver Ghosts made, no fewer than eight went to the United States. This excellent motorcar was hand-built to the highest possible standard of mechanical perfection and craftsmanship. Roll-Royce the running chassis and a specialist coachbuilder of the customer's choice was then engaged to create the body to the required specifications. Thus, no two Silver Ghosts were ever exactly alike. The Silver Ghost depicted in the painting is the 1908 model with Roi des Belges coachwork by Barker of London. Near the turn of the century, the Silver Ghost set standards of unsurpassed reliability and excellence both for its own day ... and for many years to come. For example, in 1907 a Silver Ghost traveled fifteen thousand miles nonstop between Glasgow and London, nearly doubling the then world reliability record. In commemoration of this historic drive, the same car -- now with a recorded mileage of over half a million miles -- once again made the journey from Glasgow to London in 1982. Indeed, the Silver Ghost was fit as a fiddle and built to last. Image Size: 6 x 7 in. Overall Size: 11.75 x 13 in. Unframed. (B07693)

Lyle Tayson (American, 1924 - 2014) "Indians of the Northwest in a Canoe" Signed lower left. Original Watercolor painting on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. Northwest Indians built canoes that were 50 feet long and 8 feet wide. These were work boats. Each canoe could hold 20 warriors and 10,000 pounds of cargo, such as fish. Smaller boats or single family boats were also made. Canoes were of great importance to Northwest Coastal peoples. They were used for transportation, hunting and fishing. Their perfect hydrodynamic form has a lot in common with the Viking ship. Before a tree could be felled to be made into a canoe, its spirit had to be properly thanked and released to avoid misfortune. Northwest Indian art is full of the "eyes" of the spirits that filled their world watching them at every moment. These eyes can be seen carved into bows of their canoes. Typically a cedar tree was used for the canoe. The tree was cut, then the log was split in half. The middle was then burned and scraped. After a hole was created, they filled the hole with water and added hot rocks until the water boiled. This softened the cedar so that the canoe could be shaped and carved. Image Size: 18 x 23.75 in. Overall Size: 22.5 x 29 in. Unframed. (B05946)

Lyle Tayson (American, 1924 - 2014) "Indians of the Northwest/Shaman" Signed lower left. Original Watercolor on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Combination Cover for the U.S. 15c Indian Art stamps issued September 25, 1980. One of North America's most lavish and colorful Indian cultures once thrived along the narrow Pacific Coastal strip from Southeast Alaska to Washington state. For it was there that the Northwest Coast Indians settled thousands of years ago, taking advantage of the almost limitless supplies of food and natural resources. From the sea, they gleaned nutritious salmon, herring, cod and even whales. And it was often said that, "when the tide goes out, the table is set," because of the wide variety of mollusks left along the shore. From the thick, dank forests came giant cedar bark used for firewood, canoes and even cloth. And, within the forests were fur-bearing animals which eventually led to a rich trade with Europeans. Needless to say, this wealth of resources left the Coastal Indians with much leisure time which they used to create, carve and decorate ceremonial paraphernalia, lavish houses and elaborate canoes. Sharing a deep and abiding reverence for the wonders of the universe, the Northwest Indians believed that all creatures and things in the physical world had animus or spirit. For this reason, they devoted much time and effort to the ceremonies which would prevent destructive storms, placate the spirits around them and prevent demons from thwarting their plans. The result was exquisitely carved totem poles, magnificent headdresses and intricate masks that represent amazing artistic abilities. Image Size: 20 x 18 in. Overall Size: 30.25 x 22.25 in. Unframed. (B05945)

Dennis Lyall (American, B. 1946) "Cohan Performs "You're a Grand Old Flag"" Signed lower right. Original Oil painting on Canvas board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood Commerative Cover for Old Glory's Proudest Moments postmarked on the anniversary July 4, 2002. You're a grand old flag / you're a high-flying flag / and forever in peace may you wave / You're the emblem of / the land I love / the home of the free and the brave." Perhaps no other song captures the joyful spirit of patriotism in America than the opening lines of George M. Cohan's famous song, You're a Grand Old Flag. Known as the "Father of American Musical Comedy" Cohan was born on July 3, 1878, in Providence, Rhode Island, and grew up in a show-biz family. His parents were traveling vaudevillians and when George and his sister Josephine joined the act, the family became known as "The Four Cohans." By age 13, he was writing songs and lyrics for the act. Cohan soon became the starring actor and was also selling original songs to other vaudeville performers. By the age of 20, he was managing the family's business and had complete control of the act. He later turned his attention to Broadway and composed his first musical in 1902 called The Governor's Son. He formed a partnership with Sam Harris and their show Little Johnny Jones opened on Broadway and became a huge hit featuring Cohan's popular songs The Yankee Doodle Boy and Give My Regards to Broadway. But perhaps his most memorable contribution to musical theater was his 1906 hit show, George Washington, Jr. Audiences thrilled to spectacular patriotic musical numbers, and cheered as Cohan marched up and down the stage carrying the American flag while singing You're a Grand Old Flag. Image Size: 15 x 12.75 in. Overall Size: 18 x 16.5 in. Unframed. (B17011)

Dennis Lyall (American, B. 1946) "Statue of Liberty #2" Signed lower left. Original Oil painting on Canvas. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting appeared on the Fleetwood Mint Stamps of the World Statue of Liberty Centennial Collectors Panel produced July 4, 1986. The Lady, the Goddess, Miss Liberty -- she has been called many names, but she has always been the symbol of freedom. Our grand Lady of the Harbor evokes the hopes and dreams of all those who gaze upon her brilliant face and flock to her open shores. The Statue was a gift from France to the people of the United States -- whose striving for liberty and social justice helped inspire the French in their own search for liberty. To help bring the vision of the statue to reality, the French government enlisted the help of a young sculptor, Frederic Auguste Bartholdi. Initially given the name Liberty Enlightening the World, Bartholdi envisioned the statue to embody the everlasting spirit of Liberty, which would serve as an inspiration for all nations, for all peoples, for all times. After experimenting with several models, Bartholdi revealed the statue in her final form: a serene but forceful woman in classical garb, with an upheld torch of freedom, a crown of radiant light, with chains of bondage broken at her feet, and a sacred tablet inscribed with the date of the Declaration of Independence. Since her dedication in 1886, the Statue of Liberty has stood proudly in New York Harbor, beckoning the thousands of immigrants from faraway lands to her free and prospering shores. The story of over one hundred million Americans literally cannot be told apart from the story of the Statue of Liberty. Image Size: 26 x 21 in. Overall Size: 29.75 x 23.5 in. Unframed. (B10370)

Shannon Stirnweis (Arizona, New York, New Hampshire Oregon, B. 1931) "Statue of Liberty" Signed lower right. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 22c Statue of Liberty Stamp issued July 4, 1986. The Lady, the Goddess, Miss Liberty -- she has been called many names, but she has always been the symbol of freedom. Our grand Lady of the Harbor evokes the hopes and dreams of all those who gaze upon her brilliant face and flock to her open shores. The Statue was a gift from France to the people of the United States -- whose striving for liberty and social justice helped inspire the French in their own search for liberty. To help bring the vision of the statue to reality, the French government enlisted the help of a young sculptor, Frederic Auguste Bartholdi. Initially given the name Liberty Enlightening the World, Bartholdi envisioned the statue to embody the everlasting spirit of Liberty, which would serve as an inspiration for all nations, for all peoples, for all times. After experimenting with several models, Bartholdi revealed the statue in her final form: a serene but forceful woman in classical garb, with an upheld torch of freedom, a crown of radiant light, with chains of bondage broken at her feet, and a sacred tablet inscribed with the date of the Declaration of Independence. Since her dedication in 1886, the Statue of Liberty has stood proudly in New York Harbor, beckoning the thousands of immigrants from faraway lands to her free and prospering shores. The story of over one hundred million Americans literally cannot be told apart from the story of the Statue of Liberty. Image Size: 17.5 x 15 in. Overall Size: 21.75 x 18.75 in. Unframed. (B10255)

Shannon Stirnweis (Arizona, New York, New Hampshire Oregon, B. 1931) "Statue of Liberty" Signed lower right. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the French 2,20ffr Liberte 1886-1986 stamp issued July 4, 1986. Standing proud and silent over New York Harbor, the Statue of Liberty is a stirring symbol of international friendship. Americans owe its design and construction to the French sculptor F. Auguste Bartholdi. Originally planned to be given to the United States by the people of France in 1876 - the date marking one hundred years of American independence- Lady Liberty was not completed and presented to the United States until 1885. The spirit of the Statue had originated in 1865 when Abraham Lincoln was assassinated. Greatly affected by the tragedy, the French people commissioned Bartholdi to erect a monument symbolizing the living friendship between France and America. Entitled Liberty Enlightening the World, the Statue holds a plaque inscribed: July IV, MDCCLXXVI, and at the base of the Statue are the broken shackles of oppression. From her post on New York Harbor's Bedloe's Island, the Statue has welcomed thousands of immigrants yearning to breathe free. Image Size: 17.5 x 14.75 in. Overall Size: 21.75 x 18.75 in. Unframed. (B10257)

* JENNIE TUFFS (BRITISH b 1943 - ), YELLOW TREE, RED PATH watercolour, signed 70cm x 60cm Framed and under glass. Note: Jennie Tuffs is originally a Londoner who is now based in rural Scotland near Edinburgh. Her paintings of flowers are recognised, not least by botanists, for their ability to capture and release the spirit trapped in the heart of the bloom. During the 1960's Jennie trained at St Martin's School of Art & Goldsmiths College in London and at the Academia dei Belli Arte in Florence. Jennie's work has been shown in solo and mixed exhibitions nationwide and her work is collected internationally. Jennie's work is known to millions of travelers in London through her posters commissioned by London Underground for display on the tube. Her most recent commission for the Royal Botanic Gardens both promotes and celebrates the newly redesigned and replanted Broad Walk at Kew. Other commissions include HMRC, Amnesty International. Cassells Publishers, BBC Scotland, London Transport Museum, The New York Graphic Society, The Property Services Agency, Practical Gardening, The Tree Council, Agricultural Risk Management, The Wine Society and Ricordi Grafiche.

* ANDREW HAY (SCOTTISH b 1944), GLASGOW BUILDINGS oil on canvas laid down on board, signed 91cm x 118cm Framed. Note: Having started to paint at the age of 39, within a year the People's Palace Museum, Glasgow had purchased ten paintings and had given Hay his first solo exhibition. Since then his works have been included in numerous public and private collections. His work deals with both narrative and nature, sometimes subverting one or the other in order to advance his artistic practise. His insistence on invention, freedom and risk affirms continuity in his aesthetic spirit. He uses a network of codes, symbols and expressive techniques which play off his collective memory and familiarity of everyday objects and culture from his childhood and juxtaposes them with present day reality. In so doing he embodies them with a new philosophical discourse. Andrew’s work now features in many significant public and private collections and is in the permanent collections of Glasgow's Kelvingrove, Gallery of Modern Art and The People's Palace.

* GREER RALSTON, SPIRIT oil on canvas board, signed 60cm x 40cm Framed

Silver plated hip flask with leather case, a letter clip, cut glass flask, vintage spirit level etc

Salt glazed jug, Staffordshire style figures and a fox mask spirit cup

Scales, spirit levels, two stopwatches including Heuer, etc.

A quantity of silver plate including a pair of grape scissors (cased), entree Dish with swivel lid and spirit kettle with burner

GOOD SPIRIT GOLFER, 1 bottle

FRUISS GRENADINE SPIRIT, 1 bottle

A 1920's WOVEN CANE MOTORING PICNIC HAMPER branded "Coracle", with original fittings by G.W. SCOTT & SONS to include; copper kettle stamped GWS & S with spirit burner, spirit holder with screw cap, 2 wicker bound flasks for milk/water, food box stamp ed GWS Coracle and similar butter dish & lid etc., dimensions of hamper; 20cm high x 43cm wide x 31cm deep

Mixed Lot: Victorian "Just-a-thimble-full" spirit measure or beaker, Birmingham 1876 (a/f), heart shaped trinket box Chester 1898, a Georgian dessert spoon, Victorian silver salt spoon and two tea spoons, a pair of small late Victorian sugar tongs Birmingham 1896, together with a small silver photograph frame and a pair of gold plated reading glasses (qty)

Two large stoneware flagons with loop handles, stamped 'W H Chick, Wine & Spirit Merchant Bridport, approx. 48cmH and 39cmH

A stoneware flagon, stamped 'Chick Spirit Merchant, Bridport', 39cmH

3 ALUMINIUM SPIRIT LEVELS

A collection of five various cut glass wine and spirit decanters, tallest 32.5cm high

A JAPANESE WOODBLOCK PRINT MEIJI PERIOD, 19TH CENTURY By Utagawa Kunisada II (1823-1880) and depicting an actor dressed as Genkuro, the shape-shifting fox spirit, in a modern frame and glazed, together with a volume of the Manga by Katsushika Hokusai (1760-1849), volume 12, the framed print 34.7cm x 24cm. (2)

A COLLECTION OF SILVER, comprising two circular salts, one by Robert Scott, Glasgow 1871, the other with indistinct marks; a silver mounted cut glass spirit decanter and stopper; a pedestal sweetmeat dish, Birmingham 1919; three napkin rings; a matchbox cover; a christening fork and spoon; a pair of sugar tongs; three other odd spoons; a thimble; and a pair of plated knife rests, approximately 10 oz weighable (qty)

A Swarovski Tutelary Spirit edition coloured glass model ' Admirable Fish ', boxed 18cm height

A set of four ceramic spirit barrels, printed decoration of stag; a novelty Pancho Villa decanter and contents; an Ernest Jones onyx desk clock; an onyx table lighter; royal commemorative horse brasses; a Chinese carved horn etc

HAYTER SPIRIT 45 PETROL ROTARY MOWER

A James Dixon & Sons EPBM spirit kettle on a branch styled stand with burner together with two electroplated three-piece tea sets (3).

Mixed silver plate, to include: candelabra; spirit kettle; tazza; candlesticks;m dishes; bowls; and trays.

Mixed tools, to include: spirit levels; measuring tapes; handles; bolts; cobbler's last; antique fishing reel; and other items.

Various collectables, including rattan-bound spirit flask, Vintage biscuit tins, pair of papier mache girandole wall mirrors etc

JOB LOT - HI-FI, FISHING BAG, OLD SPIRIT LEVEL

Seven bottles of mixed spirit to include Vermouth and Chartreuse

Eleven mixed bottles of spirit to include Gin, Pernod, Bacardi, Dom Liqueur

A Microscope Slide Preparation Outfit, French polished stained Pine Case opens to reveal seven glass bottles , cabinet unsigned but bottles with labels for 'Watson & Sons, High Holborn, London' spirit lamp, a brass warming table, a ringing table and three drawers of instruments and blank slides

DECANTERS. A silver collared decanter and 6 others and 2 white metal spirit collars on chains.

DAVID ARNOTT DESIGN ARCHIVE - RALPH MCTELL / THE DUBLINERS / FAMILY. Collection of materials published circa 1970 and designed by acclaimed poster / listings art wizard David Arnott. Many seen here likely proof designs: a fold out Dubliners programme, a Family fold out promotional brochure (folds out to poster 22.5 x 16"), a Ralph McTell flyer, a Humblebums promotional leaflet, six uncut tickets for a 'Riverboat Shuffle' event, four uncut tickets for the US ban 'Spirit' performance at Hornsey Town Hall in Feb 1970.

70s CLASSIC/HEAVY ROCK - LPs. Top collection of 32 x classic LPs. Artists/titles include Led Zeppelin - III (UK 70s RE K 50002), The Mandrake Memorial - Puzzle (US 2000s RE), Procul Harum inc. A Whiter Shade Of Pale/Salty Dog (TOOFA 7/1/2 comp), Deep Purple - 24 Carat Purple, CCS - CCS (SRAK 503), Queen - News Of The World, Greatest Hits (2 copies), Sheer Heart Attack and Flash Gordon, Eric Burdon ANd War - The Black Man's Burdon (US og, SE-4710-2), Hell Preachers Inc. (MALS 1169), Bob Downes - Deep Down Heavy, Spirit - Live, Rainbow - Rising, Jethro Tull, Meat Loaf, Marillion, Gordon Giltrap, Dire Straits, ELO, Mike Oldfield, Supertramp, Audience and The Moody Blues. Well stored (majority in protective plastic wallets), condition is generally VG to Ex.

HAWKWIND & RELATED - CDs. Fab collection of 56 x CDs. Titles include Live at Glastonbury, Harvey Rainbridge, Live in Europe Summer 1998, The Business Trip, Psychedelic Warlord, Electric Tepee, Stasis, Out & Intake, Silver Machine, On Sundown, Revenge, In The Beginning, Bring Me The Head of Yuri Gagarin, Hawkwind Anthology, Collectors Series Vol 2, Area 51, Strange Daze '97, Nigh Riding, Mighty Hawkwind Classics, Space is Deep, Masters of The Universe, California Brainstorm. Spirit of the Age. Condition is generally VG+ to Ex+.

Late 19th/Early 20th century silver plated spirit kettle of circular form, with engraved foliate decoration and scroll handle with ebony handpiece, on a circular frame, with four bun feet and separate burner (Apparently unmarked) 35cm overall height.

Fine quality Victorian silver six piece tea set comprising, two tea pots of baluster form with engraved floral decoration and bead borders, engraved armorial crests, silver loop handles with ivory insulators and hinged domed covers, on a circular bases, matching coffee pot, milk jug, two handled sugar bowl and spirit kettle with separate stand and burner (London 1860/61/62/64) Arthur Sibley, retailed by Gilliam, Serle Street, London. All at approximately 122ozs. Spirit Kettle and stand 43cm overall height. NB. Spirit Kettle has a plated handle.Condition report: General overall condition reasonably good. All pieces have surface scratching and wear to decoration. All pieces are dented, some significantly. Spirit kettle stand is damaged and missing part of the rim holding the burner. Marks clear.

William IV silver heated coffee pot of baluster form, with fluted and ball decoration, gadrooned border and engraved armorial shield and motto, fruitwood scroll handle and hinged domed cover, on a circular base, together with a separate spirit burner and stand, with gadrooned border, on three leaf scroll feet. (London 1831) Edward, Edward jnr. John and William Barnard. All at approximately 36ozs. 29.5cm overall height.

Milbro 0 Gauge Tank Wagons, a 'Royal Daylight' wagon, no 46213, in reddish-brown livery, with spoked iron wheels, G-VG, slight darkening to upper side, 'Dymo' label no 12 to underside, together with a 'Pratt's Spirit' version in greenish-grey, also no 46213 with heavier wheels, F-G, a little paint loss especially to end trestles, one tank restraining cord broken, some scuffing and crazing to finish (2)

Bing and Other 0 Gauge Tinplate Rolling Stock, yellow BP Spirit tank wagon no 3720, milk traffic van no 7419, Midland Rly 5-plank open no 7915, all G-VG, , 'thin-type' milk traffic van, short lime wagon, hooded open wagon and LNWR brake van, all G-VG, with a crimson horse box, P_F, two doors missing and other damages, a Märklin GNR refrigerator van, F, modified couplers, roof re-sprayed corrosion under litho and a Bassett-Lowke cattle wagon, P, general corrosion, 1 buffer missing (10)

clockwork and Battery-Electric 0 Gauge Trains by Mettoy and Others, a Mettoy clockwork blue 'A4' type 0-4-0 no 4491 with LNER tender and three blue/yellow coaches, green 'Bulleid-type' battery-powered 2-4-0 no 393 with tender, with Shell and Regent bogie tank wagons and others, three stations and girder bridge, together with small Chad Valley 4320 locomotive, tender and coach in green (faded/corroded), uncommon milk van, CV spirit tanker and primitive CV 'Royal Scot' loco, a Betal red LNER 2546 loco and tender, and other items, mostly G (qty)

A Gauge 1 live-steam 0-4-0 Tank Locomotive, apparently scratchbuilt to slightly narrow-gauge proportions, possibly incorporating parts of an older Bing engine, having twin outside cylinders and inside valves with slip-eccentric reversing, regulator, lubricator and 'GBN' pressure gauge to cab, finished in green with faint 'MR 3' lining to tank sides, and 3-wick spirit burner, overall G

A Stevens's Model Dockyard Approx 2?" Gauge live-steam 4-2-2 Locomotive 'Boadicea', with cast nameplate 'Boadicea' to right side of boiler, '554' to right cab side and 'GWR' to rear of bunker, with twin outside cylinders and original spirit burner, P-F, valve links missing from both sides, main steam pipe missing, most crimson paint removed (eg to cylinders), some corrosion/pitting to steel parts

An 0 Gauge live-steam Spirit-fired 'Burton Jinty' 0-6-0 Tank Locomotive, in overall black with brass trim, single-cylinder double-acting inside motion, lubricator, regulator and original clip-in 2-wick spirit burner, G-VG, some paint loss to tank edges and other areas, in original box, box F-G, lacks original tools/accessories

An Early Bing O Gauge live-steam spirit-fired 'Power' 2-2-0 Tank Locomotive, in LNWR lined black with those initials to bunker and '1902' to cabsides, with polished brass boiler and oscillating single cylinder in cab, geared drive to rear wheels, complete with safety valve and original 2-wick burner, overall G-VG, rear coupler replaced and Hornby buffers added to front, in remains of original card box with filling funnel, box P

Darstaed 0 Gauge bogie Tank wagons, Yellow Pratts Spirit (2) and Murgatroyds, all in original boxes, E, boxes VG (3)

Modern Bassett-Lowke 0 Gauge Goods Rolling Stock, 3x Ventilated Van set, 3x 3 Plank Freight wagon Set, Bassett-Lowke open truck, Pratts Spirit and ESSO Tank wagons and two 20-Ton Brake Vans BR and LNER, all in original boxes, E, boxes VG (11 trucks in seven boxes)

Various makers 0 Gauge Goods Rolling Stock, ACE Trains Set 1 South Wales PO wagons x3, Progress Products Cable wagon and GW Fish Van (some repaired scratches), Bassett-Lowke Margate red Shell Motor spirit Tank wagon (made up box) and Hornby LNER Passenger Brake Van, all except tank wagon and cable wagon in original boxes, Hornby F, others VG-E, boxes G-VG, together with seven unboxed wagons by Hornby (2), Bassett-Lowke (1) and others kitbuilt, F-G (14 trucks, four boxes)

Bassett-Lowke 0 Gauge Private Owner Wagons, comprising a red/grey 'Lowko Spirit' tank wagon, G, some retouching, spoked iron wheels possibly non-original, together with a Bassett-Lowke 7-plank open wagon no 6285 in light grey with 'London & Northampton' legend, appears 'rebuilt' on possibly non-original underframe, with retouching and 3-link couplers, F (2)

Hornby O Gauge Petrol Tank Wagons, both with 'T3' bases, comprising a circa 1930-1931 orange 'Pratt's' Motor Spirit, with small drop-links, G, moderate chipping/playwear, together with a possibly-repainted grey 'Royal Daylight' wagon, on appropriate base with axlebox slots and post-war embossed Hornby trademark, G, suspected repaint, both coupling rivets appear replaced, very slight corrosion to underframe, plastic wheels fitted (2)

Hornby O Gauge Petrol Tank Wagons, all with 'T3' bases, comprising a circa 1930-1931 orange 'Pratt's' Motor Spirit, with small drop-links, F-G, moderate chipping/playwear, a 'Shell - Motor Spirit - BP Ethyl' wagon in cream with black and red lettering and auto-couplers, G, one small retouch, together with a light grey 'Pool' tanker, G appears original with moderate playwear but repro drop-link couplers and plastic wheels fitted (3)

Hornby O Gauge Petrol Tank Wagons, all with 'T3' bases, comprising a circa 1930-1931 cream 'Motor BP Spirit' no 1404 with small drop-links, a later cream 'BP', green 'Power Ethyl', orange 'Pratt's High Test' on roundel, red 'Motor Shell Spirit', red 'Royal Daylight', dark grey post-war 'Pool' with embossed base, and stamped-lettering red 'Shell', all with auto-couplers, varying F-VG, degrees of playwear(8)