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Lot 601
Box 1 - Mixed Spirits Grappa di Barbera Invecchiata Marks and Spencer Brandy Ncn'ean Botanical Spirit Héritiers Madkaud 40° old VSOP AOC rum Castelmore vintage Henrich´s Rum Jurançon Fass Sauerkirsch Likör mit Vodka Hornitos Cristalino Tequila Barra Gin Brigantia® Aged 8 YO Elg Gin No. 3B Belgian Owl Identité Glen Grant 15 Year Old Single Malt Scotch Whisky
Lot 604
Box 4 - Mixed Spirits Porter's Tropical Old Tom Black Powder Gin Coffee Liqueur STIN - Styrian dry Gin Nelson's Gold Caramelised English Vodka Black Palm Rum | Vanilla Teliani Valley Tsinandali 2017 M&S Brandy 3 YO ManX, Manx Spirit Berentzen Signature Apfel Islay Mist 8 YO Amontillado Napoleon Blended Scotch Whisky All Seasons Whisky Hell Bear American Whiskey
Lot 605
Box 5 - Mixed Spirits Aroma Fine Wines Nero di Vino NV Vecchia Romagna Classica Vermouth Tomaso Agnini with Walnut Infusion Atlantic Spirit Hibiscus Gin Agárdi Rum Rum Ilha do Pessegueiro - Black Pig Alentejo t.e.a earl grey gin Three Ships Premium Select Whisky 5 YO Jefferson's Ocean Aged at Sea Straight Bourbon Whisky Genièvre The Zaan Kilbrin 10YO Irish Single Malt Macduff 10 Year Old (That Boutique-y Whisky Company)
Lot 613
Box 13 - Mixed Spirits Keepr's New Make Single Malt Spirit Selezione Bortolo Nardini Riserva 3 anni Ferro China Baliva Lidl Rhubarb Ginger Gin Liqueur Lunazul Anejo Tequila Ron De Jeremy XO OMAR Single Malt Whisky Cask Strength-Orange Brandy Barrel Lójhtu - Magical Gin of Lapland Bacur Gin Forty Creek Barrel Select Whisky High River Canadian Whisky Gelston's 12 Year Old Port Cask Finish Single Malt Whiskey
Lot 614
Box 14 - Mixed Spirits Keepr's New Make Single Malt Spirit Nardini Aquavite 50 Ferro China Baliva Rum Sixty Six Family Reserve 12 Year Old Rum Lunazul Blanco Tequila Lidl Rhubarb Ginger Gin Liqueur Overeem Port Cask 43% Premium Taunus Dry Gin Ursel - Heritage OEL's 3 Gin Swiss Mountain Single Malt Whisky Double Barrel Stagg Jr. Kentucky Straight Bourbon Whiskey Duffey's Irish Whiskey
Lot 626
Box 26 - Mixed Spirits Rhum Agricole Blanc Neisson L'Esprit Bio Bache-Gabrielsen VSOP Quinta S.Francisco XO Aguardente Vinica Velha Stone Vodka - Distilled Fruit Spirit BERTHA'S REVENGE SLOE GIN Tres Países Stockholms Bränneri Navy Gin Hotham's Handcrafted Gin Stauning Malted Rye Whisky Imperial 12 Year Old Blended Scotch Whisky Howitzer Canadian Whisky Bernheim Original Small Batch Straight Wheat Whiskey
Lot 633
Box 33 - Mixed Spirits Señorio Reposado Mezcal Ö Dark Rum ManX, Manx Spirit Elg Gin No. 2 Old Tom Tesco Spanish Brandy Vermouth - Callicounis Manners London Dry Gin Tarsier Southeast Asian Dry Gin Otso Less is More Loch Lomond Reserve Blende Scotch Whisky James E Pepper 1776 Straight Rye Whiskey Barrel Proof Nant Port Cask 43%
Lot 641
Box 41 - Mixed Spirits Wildcraft Equinox 79 Tampere GIN Barrel Aged Piet Honingh Genever Bacur Gin Bundaberg Rum : Master Distillers' Collection - Small Batch Reserve V Gallery - Grape Premium Vodka Spirit Drink Mr Grape (Triple Distilled) Rogue Apple Pie Moonshine Torres 15 Evan Williams Apple Flavored Whiskey Pikesville 6-Year-Old Straight Rye Whiskey Holy Single Cask Malt Whisky
Lot 187
A Doulton & Watts brown stoneware 'Caudle' spirit flask, 1st half 19th century, one side moulded with Mr and Mrs Caudle tucked up in bed above an inscribed oval plaque, the reserve with a full length portrait of Miss Prettyman carrying a parasol, impressed mark, small chips to the foot, 18.5cm.
Lot 2101
A silver composite three piece tea set, comprising; a teapot having ebonised fittings, a twin handled sugar bowl, Birmingham 1912 and a milk jug, Chester 1911, combined gross weight 1120 gms, also a plated coffee pot, a tea kettle with a stand and a spirit burner, all in a matching design, (5).
Lot 2183
Silver, comprising; a pair of Victorian butter knives, Birmingham 1872, cased, a butter spade, Sheffield 1904, cased, a set of six coffee spoons, Sheffield 1910, cased, also a group of plated wares, comprising; a twin handled trophy cup and stand, a pair of nut crackers, a tripod stand with spirit burner, a three piece christening set, cased and a quantity of of table flatware, (qty).
Lot 533
A cased silver spirit flask by W. & G. Neal, London 1911, engraved with a monogram, 13.5cm (5 1/4in) high; and an Edwardian silver spirit flask by Walker & Hall, Sheffield 1908, engraved Margaret Warren, 14.5cm (5 3/4in) high, 400g (12.85 oz) gross Provenance: From the estate of Christopher and Rosemary Warren Condition Report: W. G. Neal Marks are clear Hinge is tight and cover shuts firmly Engraving is crisp Cup fits tightly Walker and Hall Marks are clear Hinge is tight and cover shuts firmly Engraving is crisp Cup fits tightly Condition Report Disclaimer
Lot 538
An Edwardian shaped circular waiter by Thomas Bradbury & Sons, London 1903, the beaded rim with anthemion at intervals, on four ball-and-claw feet, engraved with a crest and motto Deo Favente, extensively engraved verso, 16cm (6 1/4in) diameter, 335g (10.75 oz) Provenance: From the estate of Christopher and Rosemary Warren For the wording of the engraving related to non-conformism verso please see our website. The crest and motto of Peter Fabyan Sparke Evans, Esquire, J.P., of Trinmore, Clifton Downs, Bristol. He was a member of the Lavington family, from which he was descended, a member of which was an MP during the Commonwealth period. Sparke Evans Park is situated on the riverside not far from the retail park at Brislington, Bristol. The land was donated by P. F. Sparke Evans, a local tannery owner, in 1902. Condition Report: Engraved: To the Sitting Chairman of the Bristol Bench of Magistrates September 1904 Dear Sir As one of the Senior Magistrates of this City, I am sorry to be compelled to decline the b voluntary payment of the Education Rate (Church School portion). I regard it as the revival in spirit of the Act of Uniformity of the year 1662 whereby some of my ancestors, men of University education and of high character, were compelled, for conscience sake, to resign their livings in the Church of England, and to worship God in woods and caves. That Act, and others of a similar nature, have prevented the growth of the union which should exist between all Christian bodies. I hold that this new Act is another blow to the liberties of more than half of the English people; and, if it be not now resolutely protested against, it will be followed buy other measures having for their object the benefitting of one sect at the expense of the whole community: and the feeling of injustice thus engendered will; be injurious to the cause of true religion, and to the best interests of the Church of England itself Yours very faithfully P. F. Sparke Evans [facsimile signature] The Authorities distrained upon this Salver which was sold at public Auction and bought in for me. February 6 1905 AD May 26 1905 No dents or splits, engraving, decoration and marks crisp, sits well on a table Condition Report Disclaimer
Lot 551
A pair of silver menu holders by A. Wilcox, Chester 1938, pierced with a snipe and with a mallard within a circlet, on disc bases, 3cm (1 1/8in( high, in a fitted case; a circular ashtray by Georg Jensen, post war stamped marks, .925 standard, design no. 709, 9.5cm (3 3/4in) diameter; an ashtray set with an El Salvador One Peso 1911; another English and a spirit label, Birmingham 1978, Orange Curacao, 267g (8.55 oz) gross Property from the estate of the late Betty, Lady Grantchester.
Lot 543
EILUNED AND PETER LEWIS: THE LAND OF WALES, London, B T Batsford, 1937, 1st edition, original cloth, Brian Cook dust wrapper (price clipped) + LYNN DOYLE: THE SPIRIT OF IRELAND, ill Brian Cook, London, B T Batsford, 1935, 1st edition, original cloth, Brian Cook dust wrapper + HARRY BATSFORD AND CHARLES FRY: THE FACE OF SCOTLAND, ill Brian Cook, London, B T Batsford, 1933, 1st edition, contemporary inscription on ffep, original cloth, Brian Cook dust wrapper + GEORGE BLAKE: THE HEART OF SCOTLAND, ill Brian Cook, London, B T Batsford, 1934, 1st edition, inscription dated 1936 on front paste down, original cloth, Brian Cook dust wrapper (4)
Lot 544
RALPH DUTTON: THE ENGLISH GARDEN, London, B T Batsford, 1937, 1st edition, acknowledgement slip tipped in, original cloth, Brian Cook dust wrapper + PAUL COHEN-PORTHEIM: THE SPIRIT OF LONDON, London, B T Batsford, 1935, 1st edition, inscription on half title, original cloth, Brian Cook dust wrapper + IVOR BROWN: THE HEART OF ENGLAND, London, B T Batsford, 1935, 1st edition, original cloth, Brian Cook dust wrapper + J H B BELL, E F BOZMAN & J FAIRFAX BLAKEBORUGH: BRITISH HILLS AND MOUNTAINS, London, B T Batsford, 1940, 1st edition, original cloth, Brian Cook dust wrapper (4)
Lot 2
A collection of studio pottery wares including a pair of Tain Pottery plates in the Shandwick pattern 31.5 cm diameter approx, a kettle with dark brown glaze and impressed seal marks to reverse, a spirit barrel on wooden stand, together with matching beakers, a colander, an olive pot, etc (a collection)
Lot 15
SPIRIT FLASK. A Dickson & Sons leather & silver plated small spirit flask. (Hinged top possible seized)WE CAN SHIP THIS LOT. PLEASE NOTE: Due to Covid-19 staff shielding, we are operating a queue system for dispatch based on payment completion. Therefore, our usual speed of dispatch will be slower than normal. Also there may be carrier delays beyond our control. : We reserve the right to not ship multiple lot purchases if they are too heavy or bulky.
Lot 205
BUCK McCAIN. Two porcelain vases with signed transfer printed decoration after original works by Buck McCain. 'Prayer to the Healing Spirit' & 'Spirit of the Warrior'. Both on bronzed stands & sold with certificates. 28 & 40cm.WE CANNOT SHIP THIS ITEM… Due to fragility, size or weight this lot is unsuitable for our in-house postal shipping service.Our recommended carrier for this lot is MBE (Plymouth) telephone +44 (0)1752 257224.
Lot 54
VINTAGE TOOLS. Including a Victorian whetstone in shaped mahogany box, two spoke shaves, one stamped Buck of Whitechapel, two scribers & an ebonised & brass spirit level.WE CAN SHIP THIS LOT. PLEASE NOTE: Due to Covid-19 staff shielding, we are operating a queue system for dispatch based on payment completion. Therefore, our usual speed of dispatch will be slower than normal. Also there may be carrier delays beyond our control. : We reserve the right to not ship multiple lot purchases if they are too heavy or bulky.
Lot 159
Stanley No.22 wood and steel plane, Fagler Laszic Szecerle No 11 coal iron, Victorian brass chamber sticks, 19th century copper and brass spirit kettle on stand, another with turned ivory handle, brass bankers style lamp, walking sticks, Balls Patent Cambridge crested tobacco jar and miscellanea Condition Report Click here for further images, condition, auction times & delivery costs
Lot 16
Jewad Selim (Iraq, 1919-1961)Nisa Fi Al-Intidar ('Women Waiting') oil on board, framedexecuted in 194345 x 35cm (17 11/16 x 13 3/4in).Footnotes:WOMEN WAITING: ONE OF THE JEWAD SELIM'S MOST ICONIC PAINTINGS'Artists were appalled at the conditions of poverty, illiteracy and subjugation of a lot of Iraqi women during this period in Iraq's history. They were concerned about the situation of illiterate women who were 'waiting' for marriage or who were forced to work as prostitutes. Jewad was very proud of his sister Neziha for having the courage to break out of the tradition of 'waiting' and leaving to study art in Paris. The painting will have been a statement of the plight of women at this time'-Miriam Selim, the artists daughter Provenance:Property from the collection of Said Ali and Medhat Madhloom, acquired directly from the artistThence by descent to the present ownerPublished:Jewad Selim, Monument to Freedom, Jabra Ibrahim Jabra, Ministry of Information, 1974, illustrated P.99The Grass Roots of Iraqi Art, Jabra Ibrahim Jabra, Wasit Graphic Publishing Ltd, St Helier, 1983, illustrated in colourExhibition Catalogue: Jewad Selim, National Museum of Modern Art, January 1968, Ministry of Culture, Illustrated in Black and White Exhibited:Jewad Selim, House of Nizar Ali Jawdat in 1950, Baghdad, Iraq, 1950, No.9 (the artists first solo exhibition)Jewad Selim, National Museum of Modern Art, Baghdad, January 1968Bonhams are most privileged to present perhaps one of the rarest and most sought after works of Iraqi art to come to auction in recent history, from the father of Iraqi Modernism, Jewad Selim.Jewad Selim painted Woman Waiting in 1943 and gifted it to his close friends, the brothers Madhat and Said Ali Madhloom, in whose family collection the work has remained for the past 80 years. The work was not only exhibited at Jewad's first ever solo exhibition in the house of Ali Jawdat Ayoubi, but also featured in his major 1968 retrospective at the Baghdad National Museum, and has appeared in almost every major publication on the artist, including the seminal 'Grass Roots of Iraqi Art' by Jabra Ibrahim JabraExecuted in Jewad's key transitional period; during a five year stay in Baghdad after returning from Rome and before enrolling at the Slade, the work is a powerful and unique commentary on the plight of Iraqi women, and perhaps one of the first overtly feminist artworks painted in the Middle East In this painting Jewad depicts the prostitutes that were to loiter in the back alleys of Baghdad, entreating business for passers by. Far from being a merely literal appreciation of its subject matter, Jewad's depiction of the women is a wider commentary on the plight of a generation of Iraqi women whose fate and destiny were tied to the men for whom they were 'waiting'; this including not only Women Waiting for male custom, but for girls waiting to be betrothed whose transition to adulthood depended on the presence of a male provider. Mixing traditional Iraqi and Islamic motifs with a modernist visual language, Selim weaves a form of 'folk modernism' which is both vernacular and universal. Focusing on the florid landscape of downtown Baghdad, Selim's composition is populated with the humorous and extravagant characters encountered in everyday life. Light hearted and boisterous, the 'Women Waiting' is in part a stylistically sophisticated example of a burgeoning modernist movement in Iraq and in part a playful take on life in streets of Baghdad.'...A new trend in painting will solve the identity crisis in our contemporary awakening, by following the footsteps of the thirteenth century Iraqi masters. The new generation of artists finds the beginning of a guiding light in the early legacy of their forefathers' – Jewad SelimJewad Selim (1919-61)It is impossible to understand the modern art movement in Iraq without taking into account the works of this pioneer sculptor and painter, who was undoubtedly the most influential artist in Iraq's modern art movement. To him, art was a tool to reassert national self-esteem and help build a distinctive Iraqi identity. He tried to formulate an intellectual definition for contemporary Iraqi art. In charting his country's contemporary social and political realities, he was committed to combining the indigenous historical and folkloric art forms, with contemporary Western trends.Born in Ankara, Turkey in 1919 to Iraqi parents who moved to Baghdad in 1921, Jewad Selim came from a strongly artistic family: his father was an accomplished amateur painter, whose work was influenced by the European old masters, and his brother Nizar and sister Neziha were also accomplished painters, becoming well-known in their own right.Jewad was sent to Europe on government scholarships to further his art education, first to Paris (1938-39) and then to Rome (1939-40). The effects of World War II resulted in Jewad cutting short his studies and returning to Baghdad, where he began part-time work at the Directorate of Antiquities, where he developed an appreciation and understanding of ancient art of his country, and he also taught at the Institute of Fine Arts and founded the sculpture department.In 1946, he was sent to the Slade School of Art, London. At the Slade, Jewad met his future wife and fellow art student, Lorna. Jewad returned to Baghdad in 1949 to become Head of the Department of Sculpture at the Institute of Fine Arts, where he taught his students to draw on the heritage of their country to create a distinctive Iraqi style and artistic identity, which would become the ethos of an influential art movement just a few years later. In 1950 Lorna joined Jewad in Baghdad, where they were married.In 1951, Jewad Selim formed The Baghdad Modern Art Group.. Modern Iraqi art began with the first exhibition of the Baghdad group where they announced the birth of a new school of art that would 'serve local and international culture'.After painting his most mature works in the 1950s, the artist gave up painting and focussed on sculpture, the culmination of which was his Monument for Freedom in Tehrir Square in Baghdad of 1960-61. This was the largest monument built in Iraq in 2500 years '. The time frame presented by the President was unrealistic and the project did not run smoothly. Immense pressure was put on Jewad to finish his work and he suffered a heart-attack. He died one week later on 23rd January 1961 at the age of just forty-one, leaving a wife and two young daughters.Jewad's early death in 1961 was a shock to the artistic community of Iraq, but his spirit remained and was reignited by a new wave of young artists returning from their studies abroad, who picked up his mantle of extending Iraqi art into the rest of the Arab world and internationally. Jewad had paved the way ahead.This lot is subject to the following lot symbols: * P* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com
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49464 item(s)/page