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TEANINICH 1972 23 YEAR OLD RARE MALTS 75CL HIGHLAND SINGLE MALT Bottle Number: 108664.95% ABV / 75cl For a distillery capable of churning out over ten million litres of spirit in a single year, you might expect the highland distillery of Teaninich to be more of a household name than it actually is. The reason for its borderline anonymity is simply because most of the distillery’s output is earmarked for (parent company) Diageo’s various blends. Official single malt releases are limited to a 12 Year Old that forms part of the Flora & Fauna range, and the occasional limited edition. Even independent bottlings are thin on the ground, so they’re worth snapping up wherever you find them.

GLENGOYNE 21 YEAR OLD HIGHLAND SINGLE MALT 43% ABV / 70cl Founded in 1833, Glengoyne distillery, just to the north of Glasgow, straddles the Highland/Lowland border. The light, fruity and honied spirit is predominantly filled into Sherry Casks that are transported from its Highland Still House, across the road to its warehouses in the Lowlands. Glengoyne wasn't seriously marketed as a single malt until the 1990s, and has since achieved huge popularity, especially in Europe. And, thanks to its proximity to Glasgow, visitors flock to the distillery in their droves to experience the many tours and tastings on offer.

HIGHLAND PARK 12 YEAR OLD 1980S SCREEN PRINT 75CL ISLAND SINGLE MALT 40% ABV / 75cl Orkney’s Highland Park distillery is situated in the town of Kirkwall on the site of an illicit still thought to have been operated by Magnus Eunson, a smuggler, local butcher and former priest who was directly descended from Viking settlers. With that heritage, it’s fitting that today they frequently draw from Scandinavian mythology when it comes to naming their whiskies. The distillery is known for its signature style that utilises Orcadian peat in the malting process, resulting in a fragrant, heathery spirit that is most often left matured in Sherry wood. Please see additional images.

BUNNAHABHAIN 12 YEAR OLD 1980S 75CL ISLAY SINGLE MALT 40% ABV / 75cl Purpose built in 1881 by William Baxter, Bunnahabhain distillery on the northeast coast of Islay featured housing for its workers, as well as its own pier for ease of transporting whisky and materials to and from the mainland. As with most distilleries, much of its life was spent producing blending stock, but in the late 1980s it began to appear as a single malt. Initially this single malt output was mostly sherry matured and so lightly peated as to be barely perceptible, placing Bunna’ firmly in the minority of Islay whiskies. However, since its takeover by Distell in 2013 around 20% of the spirit produced there is now heavily peated, with these expressions bearing the name “Moine” (the Gaelic word for peat).

GLENDRONACH 15 YEAR OLD 1L HIGHLAND SINGLE MALT 40% ABV / 1L Qty: 1 Thanks to its rich, weighty spirit and penchant for sherry cask maturation, GlenDronach is often viewed as an excellent (and affordable) alternative to Macallan, despite being just on the wrong side of the Speyside / Highland border. Once providing the heart of the Teacher’s blend, in recent years GlenDronach has become better known as a single malt thanks to substantial investment by Pernod Ricard, who acquired ownership in 2008, and more recently by Brown-Forman (producers of Jack Daniel’s) who took over in 2016.

BALBLAIR 1989 VINTAGE HIGHLAND SINGLE MALT Bottled: 200743% ABV / 70cl The Highland distillery of Balblair, overlooking the Dornoch Firth, produces a light fruity and complex spirit, a result of its slow, decidedly old school production methods. First marketed as a single malt in the year 2000, it wasn’t until 2007 when they expanded the range (prioritising vintages over age statements) that Balbair really took off. Despite this, in 2019, the distillery made the move back to age statements in order to appeal to a broader clientele. However, there will be a few diehard fans who will miss the era of vintages.

HIGHLAND PARK 18 YEAR OLD ISLAND SINGLE MALT 43% ABV / 70cl Orkney’s Highland Park distillery is situated in the town of Kirkwall on the site of an illicit still thought to have been operated by Magnus Eunson, a smuggler, local butcher and former priest who was directly descended from Viking settlers. With that heritage, it’s fitting that today they frequently draw from Scandinavian mythology when it comes to naming their whiskies. The distillery is known for its signature style that utilises Orcadian peat in the malting process, resulting in a fragrant, heathery spirit that is most often left matured in Sherry wood.

Four: Chief Petty Officer H. B. Simmonds, Royal Navy, who served in H.M.S. New Zealand at Heligoland Bight in 1914; Dogger Bank in 1915; and at the Battle of Jutland in 1916 1914-15 Star (168337 H. B. Simmonds. P.O.1, R.N.); British War and Victory Medals (168337 H. B. Simmonds. C.P.O., R.N.); Royal Navy L.S. & G.C., G.V.R., 1st issue (168337 H. B. Simmonds. P.O. 1Cl., H.M.S. New Zealand) mounted as worn; together with H.M.S. New Zealand Visit to New Zealand 1913, 36mm., silver, unnamed, good very fine (5) £280-£340 --- Henry Bennett Simmonds was born in Devonport on 1 March 1879. He enlisted into the Royal Navy as a Boy 2nd Class on 16 August 1892 and was advanced to Boy 1st Class in August 1893. Was promoted to Ordinary Seaman in March 1895 when on H.M.S. Empress of India; Able Seaman in May 1897 when on H.M.S. Rupert; and Leading Seaman in September 1901 when on H.M.S. Britannia. Serving on H.M.S. Magdala, December 1901-February 1903, he was advanced to Petty Officer 2nd Class in September 1902 and 1st Class in December 1902. Awarded the L.S. & G.C. in March 1910. In January 1911 he was reduced to the rate of Able Seaman, deprived of his L.S. & G.C. Medal and one Good Conduct Badge for neglect of duty; charges of theft of spirit of which he was accused were dismissed. Simmonds regained the rating of Leading Seaman in August 1912 when on H.M.S. Orion. He served on the battlecruiser, H.M.S. New Zealand, November 1912-April 1917 and was re-appointed Petty Officer 1st Class in January 1913. In February 1913 his ship started on a world cruise. In New Zealand a Maori Chief predicted H.M.S. New Zealand would soon be in battle and presented two symbolic tribal garments with the warranty that the ship would come to no harm as long as the Captain was wearing them. The items were a tiki ( a gemstone pendant) and a piu-piu (a rush garment worn around the waist). The New Zealand Government also presented each member of the ship’s company with a silver medallion (above). Serving on the battlecruiser in the early years of the war, Simmonds was aboard her at the battles of Heligoland Bight, 28 August 1914; Dogger Bank, 24 January 1915 and Jutland, 30 May/1 June 1916. In the latter action, the magic garments certainly did the trick, and of the heavily engaged battlecruisers, three of which blew up, H.M.S. New Zealand was hit only once. After such active service Simmonds was posted ashore on Vivid I and Defiance, before joining the destroyer H.M.S. Simoom in February 1918. He was again awarded the L.S. & G.C in April 1917 and was promoted to Chief Petty Officer in April 1918 when on Simoom. He was demobilised in July 1919 and joined the R.F.R. With original photograph of the recipient in uniform and copied service papers and other research in a folder.

A fine Second War ‘Far East’ D.S.M. group of eight awarded to Chief Engine Room Artificer R. L. Jerrard, Royal Navy and Royal New Zealand Navy, who served in H.M.S. Achilles throughout the war - a veteran of the Battle of the River Plate, when the cruiser ‘Achilles opened fire on the German ‘pocket battleship’ Admiral Graf Spee in the South Atlantic, at 6.21 am on 13 December 1939, it became the first New Zealand unit to strike a blow at the enemy in the Second World War. With the New Zealand ensign flying proudly from her mainmast - as battle loomed, a signalman had run aft with the ensign shouting ‘Make way for the Digger flag!’ - Achilles became the first New Zealand warship to take part in a naval battle.’ Jerrard went on to serve in operations in the Pacific, in particular as part of Operation Iceberg, the Battle of Okinawa, and as part of Task Force 37, in operations against Kure, Miko and Kobe. The Achilles remained in the task force’s operational area during the final air operations - ultimately leading to the dropping of the atomic bombs on Hiroshima and Nagasaki in August 1945. Distinguished Service Medal, G.VI.R. (C.E.R.A. R. L. Jerrard. C/M. 38366); Naval General Service 1915-62, 1 clasp, Palestine 1936-1939 (M.38366 R. L. Jerrard. E.R.A.2. R.N.); 1939-45 Star; Atlantic Star; Pacific Star, 1 clasp, Burma; War Medal 1939-45; New Zealand War Service Medal; Royal Navy L.S. & G.C., G.VI.R., 1st issue (M. 38366 R. L. Jerrard, E.R.A.2, H.M.S. Achilles.) mounted for wear, generally good very fine (8) £2,400-£2,800 --- D.S.M. London Gazette 11 June 1946: ‘For distinguished service during the War in the Far East.’ The Recommendation states: ‘For distinguished service during the War in the Far East while serving in H.M.N.Z.S. Achilles. And, more especially, for his persistent and cheerful leadership as senior Chief Engine Room Artificer during which time he built up in his department a spirit of teamwork and cheerful readiness to tackle and master a succession of difficult jobs.’ Robert Leslie Jerrard was born in Porstmouth, Hampshire, in 1908. He was the son of Chief Petty Officer R. W. Jerrard, R.N., and followed in his father’s profession by joining the Royal Navy as a Boy in August 1924. Jerrard advanced to Engine Room Artificer 2nd Class, and entered the New Zealand Division of the Royal Navy. Jerrard served with H.M.S. Achilles (cruiser), from June 1938 - September 1943 and from February 1944 - May 1946. The cruiser was taken into the New Zealand Division of the Royal Navy: ‘As the formal title indicated, the New Zealand naval forces developed within a Royal Navy framework. The cruisers were loaned to New Zealand, which merely paid their running costs - a major advantage for a cash-strapped government. New Zealand also depended upon British expertise and personnel. Senior officers, including Achilles’ Captain Edward (later Rear-Admiral Sir Edward) Parry, were seconded British officers. In 1939 the New Zealand Division comprised 82 officers and 1257 ratings, of whom eight officers and 716 ratings were New Zealanders, supporting them was a 670-strong New Zealand Volunteer Naval Reserve. New Zealand sent its personnel to Britain for training, relied on British logistic support, and looked to the Royal Navy for traditions, advice and example. A small element of the wider British fleet, this force would be placed under the operational control of the Admiralty on the outbreak of war, in accordance with New Zealand’s defence strategy... As the international situation darkened in the last week of August 1939, the likelihood of these plans being implemented suddenly became very real. Both New Zealand cruisers were hurriedly readied for sea. Ships’ bottoms were cleaned, supplies were loaded, and crews were brought up to their war complements. In H.M.S. Achilles’ case, this amounted to 31 officers and 536 ratings - of whom five officers and 316 ratings were New Zealanders [Jerrard being one of the experienced British crew]. Early on 29 August, with Germany preparing to invade Poland, the Admiralty requested that the ships move to their war stations. Seven hours later Achilles put to sea, bound for Balboa in Panama’s Canal Zone.... Achilles was well away from New Zealand when shortly after midnight on 3 September Captain Parry received a signal from London: ‘Commence hostilities against Germany.’ The previous day he had been ordered to change course to the Chilean port of Valparaiso. Achilles arrived there on 12 September 1939. Of all the battles waged during the Second World War, arguably the most important was the Battle of the Atlantic, the struggle to keep open the sea routes to the British Isles... At the outset, the battle also involved denying the Atlantic and other sea routes to Germany. An immediate task for the Royal Navy was to track down and destroy the estimated 237 German merchant ships at sea or in foreign ports. As well as cutting off German trade, this action would prevent these vessels being armed and used to prey of Allied trade. For six weeks Achilles played its part in this world-wide effort, moving along the coasts of Chile, Peru, Ecuador and Colombia in order to deter German ship movements. The only Allied warship on this coast (all the South American countries were neutral), it was ready to intercept any German merchant ship heading for refuge in a neutral port or any of the 17 ships already holed up at various places that might dare to put to sea.’ (The Battle of the River Plate, The New Zealand Story, refers) The German pocket battleship Admiral Graf Spee had been deployed, with the support ship Altmark, to cruise near the Cape Verde Islands in September 1939. With the outbreak of war she was ordered to move into the South Atlantic to operate as a commerce raider, whilst avoiding major engagements. The ‘warship claimed its first victim, sinking the British merchant vessel Clement. The British ship managed to broadcast a distress signal, providing the first indication that a German raider was operating in the area... As a result, Achilles was ordered to quit its watchdog role along South America’s west coast and proceed to the South Atlantic. After a steady passage, and refuelling at the Falkland Islands, Achilles reached the southern approaches of the River Plate on 26 October. It joined Commodore Henry (later Admiral Sir Henry) Harwood’s South America Division, which had been transferred from the America and West Indies Station. The New Zealand ship joined the division’s heavy cruisers H.M.S. Exeter and Cumberland and the light cruiser Ajax in patrolling the Rio de Janeiro/River Plate area.’ (Ibid) On 2 December, in the eastern South Atlantic, the Graf Spee sank the Blue Star Line’s Doric Star, bound from New Zealand to the United Kingdom, and five days later she sank the steamer Tairoa. Both ships had got off distress messages, and their final positions gave the indication that the German ship was heading for the east coast of South America. Harwood concluded that the River Plate was the most likely target, and by the early hours of 12 December 1939 had gathered the Achilles, Ajax and Exeter. Harwood’s educated guess was vindicated when at 6.14 am the following morning the Graf Spee’s smoke was spotted on the horizon. Faced with a much more heavily armed German ship, Harwood’s division faced the prospect of long range annihilation. However, instead of standing off and using the longer range of his guns to good effect, the German Captain closed with the enemy. The Graf Spee ‘opened fire at 6.18 am at a range of just under 20,000 metres. E...

Umarex The Spirit of Legends Makarov .177 CO2 air pistol with chequered faux wood grips and fixed sights, serial number D22B208368, in original box with instructions. 

A Royal Copenhagen Bing and Grøndahl ballerina figure, stooping to tie her pumps, number 2325, 12.5cm high, printed mark; a Royal Copenhagen Madonna and Child, 3658; a Wallendorf ballerina, glazed throughout in gloss white, number 1751; a Royal Worcester figure for Compton & Woodhouse, Spirit of the Dance, limited edition 1,595/5,000 (4)

Tools - a brass Wakefield Castrolease Gun, 16cm; various spirit levels; a Swedish Optimus Nobel brass blow torch; a Swedish Optimus N0.45 brass stove; an empty Wade whisky bell; qty

A silver plated tea urn on claw feet, height 44cm, together with a silver plated spirit kettle 42cm.Condition Report: Urn complete with lid.

A Victorian silver plated tea urn with a silver plated five piece tea service including a spirit kettle on stand.

A vintage 1970's Danish teak wood veneer cocktail drinks corner cabinet. Having a two tambour fronted shelf section with revolving design to reveal the reverse section housing mirrored back panels and recessed section for spirit bottles, along with small shelf.  All being raised on plinth supports. Marked to side - made in Denmark. Measures approx; 77cm x 104cm x 67cm.

A Chinese blue and white ‘spirit’ bottleQing dynasty, Kangxi periodOf elongated barrel shape, with short straight spout rising from a recessed mouth, boldly painted around the body in bright washes of cobalt blue with a thick meander of scrolling leafy chrysanthemums, the recessed base left plain, 14.5cm high.Provenance: Guest & Gray (label).清康熙 青花繪菊紋魂瓶來源：Guest & Gray（標籤）。Condition Report: 品相報告A few expected minor firing imperfections and a shallow infilled chip at the foot. There is a patch highlighting to the side under UV, however this looks to be some transparent residue from the foot chip, rather than restoration to the area. There is also a fine glaze line to the spout.

A Chinese pottery figure of a spirit guardianTang DynastyThe figure painted in polychrome, modelled in squatting position with arms terminating in hooves, the rounded face with a pair of ears to each side and a long plaque to the centre, shoulders flanked by flames, with Perspex stand.34.5cm high. (2)唐 陶彩繪鎮墓獸連座連牛津年代檢測證書The result of Oxford thermoluminescence test number TL test C123j43 (28 June 2023) is consistent with the dating of this lot.本拍品經牛津熱釋光檢測編號C123j43(2023年6月28日)，結果與其斷代相符

A 19th Century embossed plated spirit kettle of squash form with all-over foliate decoration, 40 cm high, together with a plated two-handled drinks tray (by James Dixon & Sons of Sheffield) with all-over foliate and scrollwork decoration, 73 cm x 49 cm (Ivory Reg No. J2JXR6W7)

A collection of domestic decorating tools to include paintbrushes, claw hammer, various rollers, sanding blocks, tiles, tile cutter, spirit levels and clamps together with a Wickes 620 mm single convector radiator

A mid 20th Century teak ladderax style chest of six short and four long drawers with spirit level mounted beech wall supports, 84cm wide x 37cm deep together with a rectangular framed wall mirror, 42cm wide x 84cm high and a small Waring and Gillow oak occasional table, bearing label beneath 32cm2 x 53cm high

The Trail of Painted Ponies: three limited edition figurines, Butterflies Run Free, Petals, and Carries The Spirit, all with CoAs, no cracks or chips, largest H: 22 cm. UK P&P Group 2 (£20+VAT for the first lot and £4+VAT for subsequent lots)

Beswick matte Black Beauty and Spirit of Youth, losses to one ear on Spirit of Youth, largest H: 20 cm. UK P&P Group 2 (£20+VAT for the first lot and £4+VAT for subsequent lots)

AN ASSORTMENT OF VINTAGE ITEMS TO INCLUDE A PULLEY HOOK AND A SPIRIT LEVEL ETC

A VINTAGE SILVER PLATED SPIRIT KETTLE ON STAND - NO BURNER

TWO VINTAGE COPPER ITEMS - A SPIRIT KETTLE WITH WOODEN HANDLE AND LARGE ARTS AND CRAFTS CIRCULAR TRAY, DIAMETER 46 CM

An unusual Crew & Sons plated metal spirit kettle with infuser and separate billy can, cane bound handle. Together with a reproduction yellow metal tap with frog handle. (2) (B.P. 21% + VAT) Damage to the cane work on the handle.  Patination/wear where exposed to air.  Base has wear to the plaiting.

A Country Artists Spirit of the Plains, CA824, on mahogany base, 49cm high.

Three ceramic figures, comprising a Royal Doulton Little Ballerina, 16cm high, a Franklin Mint Swan Lake figure, 29cm high, and a Royal Worcester Spirit of Dance, number 3180/5000, 25cm high. (3)

New unused spirit level. Not available for in-house P&P

SWIVEL CHAIRSA pair of 'Spirit' upholstered swivel tub chairs with oak outer shell, on a 4 star chrome base, 63 x 66 x 86cm(h)

A pair of J Rabone and Son engineer's spirit levels.  The larger of the two comes in its original wooden case and is mounted on a cast iron base.  Measures approximately 20cm.   The other is of smaller size and is not boxed, but is also mounted on a cast iron base.  Measures approximately 15cm.

Ten cut glass wine and spirit decanters, including Webb Corbett Crystal.

A 19th Century String Inlaid Wheel Barometer with Thermometer the Spirit Level Signed E Fisher, Ellesmere, Condition Issues

An Edwardian Oak Double Ended Coopered Spirit Barrel on Stand, 24cms Long

A Vintage Brass Spirit kettle on Stand, No Burner, Together with a Wall Hanging Circular Brass Chestnut Roaster

A stoneware jar and cover stamped 'Hypo-Soda Army & Navy Auxiliary Photo', 25.5cm high, an A. Kennedy, Glasgow stoneware flagon stamped '222, S Vosper Wine Spirit Merchant, Stonehouse', (a/f) and other stoneware and earthenware jars and jugs.

A rare and magnificent Chinese glazed pottery horse Tang Dynasty Powerfully modelled standing four square on a rectangular plinth, the head turned slightly, with unglazed bulging eyes and flaring nostrils, the hooves glazed in ochre.79.5cm high.Provenance: purchased at the Biennale des Antiquaires, Paris, late 1960s/early 1970s.唐 釉陶馬來源：於1960末/1970初購於巴黎古董雙年展。Standing four-square with neatly defined facial features and trim and powerful musculature, the present lot is at once exemplar of the prominent standing that horses had within Chinese society in the Tang dynasty, and of the plastic and sculptural accomplishments reached by the artisans of the period.Horses had long been a coveted symbol of wealth and status in China, and a popular subject of painting and pottery sculpture since the Han dynasty. It is in the Tang dynasty, however, that representation of this noble animal reached its peak, to the point that Tang dynasty pottery horses, both glazed and unglazed, are now iconic. Despite the proliferation of horse sculptures during this period, the ownership of these was reserved for the aristocratic class through an edict of 667 which forbade artisans and tradesmen this right.The magnificent proportions and accurate representation of the present horse mark it out as a sculpture that would have been produced for a family of exceptional wealth and rank. Whilst most examples are represented wearing elaborate saddle and trappings, the horse in the present lot is free of any encumbrance, allowing the sculptor free rein to represent its powerful spirit, at the same time showing off the artist's capacity to naturalistically render the anatomy of the animal.Uncaparisoned, glazed examples of horses of this size are exceptionally rare, and none appear to have come to the market in the past few decades, although some examples are in museum collections worldwide.Cf. Compare a smaller pair, 68.3cm high, sold by Sotheby’s New York, 23 March 2022 lot 313. A horse of similar size, covered in a yellowish-brown glaze, was in the collection of George Eumofopoulos and now in the British Museum, London, illustrated in William Watson, Tang and Liao Ceramic, London, 1984, pl. 220.Condition Report: There are various areas of restorations, including the head, both ears, bottom of the neck, all four legs, bottom section of the tail, which all florescent under UV light. There are stress lines to the back and the inner side of the right rear leg. Please request more detailed images from the department for a full overview. Buyers are encouraged to inspect in person before bidding.

A Scottish mahogany wheel barometer by B. Corti, Glasgow, with a register plate, small convex mirror, mercury filled thermometer, and spirit-level plate signed B CORTI/ GLASGOW, the case surmounted by a broken arch pediment, height 98cm.

A collection of assorted antique tools, including wood and brass spirit levels, the largest 104cm in length, hand drills, clamps, etc (qty)

A collection of assorted antique tools, including wooden and brass spirit levels, of differing sizes, tape measures, plains, etc (qty)

Diamant-Collier GG 585/000 und Verlängerung GG 750/000 mit einem Diamanten 0,40 ct Spirit-Sun-Schliff fancy deep brown / lupenrein-VVS, Federring, L. 53 / 47 cm, 11,1 g, Wertgutachten 2023 über Euro 3.720,-

Royal Doulton spirit of affection

Copper mounted oak spirit barrel

A spirit kettle; two cut glass bowls; and a cheese dish

A plated cocktail set comprising shaker, strainer, spirit measure and spoon

A GROUP OF SIX STONEWARE ALE AND CIDER FLAGONS, comprising a large flagon printed and impressed marks Painter & Edwards wine and spirit merchants- Bicester (missing cork stopper), two flagons for John Allen & Co. Leicester (one has a chip on neck, both have cork stoppers), a tall unmarked flagon with a metal handle and wooden tap, a large Delft blue and white charger, backstamp Delfts-Blauw Chemkefa, diameter 38cm (crazed), a modern Mybelle push button telephone model 850EIF and a Royal Doulton 'Old Charley' character jug (9) (Condition report: obvious damage mentioned in description, phone untested)

A COLLECTION OF METALWARE, comprising a Victorian brass spirit kettle with original brass stand, a gilt metal four flame candelabrum, a silverplate trophy cup, stamped Excelsis, height 38cm on ebonised stand, brass ornaments, a copper scoop, a copper jug with impressed crocodile skin design by J.S & S (Sankey), height 29cm, etc. (9) (Condition report: a few dents and scratches on most pieces)

A QUANTITY OF CUT GLASS WARES ETC, to include a fan shaped vase, approximate height 25cm, vase with indistinct acid etched mark, five champagne coupes, whiskey tumblers, port glasses, two spirit flasks, cruet set, Mary Gregory style water jug and glass etc

ONE BOX OF METALWARE, to include a large, heavy hand decorated copper serving tray 48cmx35cm marked 'Bida' on the reverse (Nigerian origin), a brass spirit kettle, large fireside companion set, an Asian designed brass, lidded pot on three legs, with copper and white metal inlay design, candle sticks, wall lights, a fretted cast bronzed dish decorated with mythical sea creatures, three pewter tankards, etc. (s.d) (1 box)

ONE BOX OF METALWARE AND SUNDRIES, to include a vintage silverplated Dunhill lighter in original case (missing central plug), a brass theodolite with spirit level attachment, silverplate candle snuffer, a cased set of dessert spoons, a set of pre-decimal coins 1953, a 20th Century cylindrical leather carry case containing three glass flasks with stainless steel tops, a pair of Ross 9x35 binoculars - 91205, Hanimex IC2000 camera, a reverse painted glass shop sign 'J&F Ltd. Funeral Furnishers' white and gilt lettering on a black ground, etc. (s.d) (1 box)

A scratch built 2 inch gauge 4-6-0 locomotive and tender, spirit fired finished in black livery.

A 1980s Action GT Horror House board game, near complete, comprising board, death head wheel, six king of demon cards, thirty nine monster cards, a guardian spirit card, four magic pass cards, nine king of demon chips (two missing), one sword, four tokens, instructions and box.

A pair of Spirit Absolute Zero studio quality speakers

A group of six Beswick Pottery horse/pony studies, comprising ''Pinto Pony' 1373, second version, designed by Arthur Gredington, Skewbald gloss, 16.5cm, 'Spirit of Fire' 2829 in white with black stained wooden plinth, designed by Graham Tongue 20cm, two grey Welsh Mountain Ponies 1643 second version and later, one with small under glaze chip to ear, designed by Arthur Gredington 15.9cm and a Black Beauty Foal 2536 (unsure if reissued or not) in matt black, designed by Graham Tongue, 15cm.

A Beswick Pottery Welsh Mountain Pony 'Coed Coch Madog' second version in mottled grey gloss, designed by Arthur Gredington 15.9cm, sold along with a Prancing mottled grey, model number 1261G, an Arab 'Bahram' 1771, in matt chestnut, designed by Arthur Gredington, and 'Spirit of Youth' 2703, in brown gloss, designed by Graham Tongue (chip to one ear)

A 19th/20th Century stained wood tripod stand, 156cm tall, a vintage spirit level, and a cased Dumpy level by J.Halden & Co. Ltd  

Ca. 1650-1550 BC.A scarab formed of steatite with naturalistic features including clypeus and prothorax marked by incised lines. The reverse has been delicately incised with a control geometric design with alongside two parallel bees. Either side of these, a selection of different hieroglyphs emerge such as a symbol of the two hands of Ka representing the spirit and soul, a stylised falcon, a protective wedjat-eye also commonly known as an Eye of Horus and a selection of Nefer symbols. Size: L:19.4mm / W:13.3mm ; 2.14g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Selection of tools to include drill, spirit levels etc, all untested

A Pratts Perfection Spirit embossed copper dish together with a Ferodo Brake Linings box, notepad, Tecalemit Service Record booklet and a Motor Fuel ration book.

A Pratts Motor Spirit enamel sign lacking hanging flange, in fair condition, 20 3/4 x 16 3/4".