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Lot 25JS
Make & Model: Toyota Yaris T Spirit VVT-iDate of Reg: AK11 GWJColour: Greycc: 998MoT: 01-03-2022Fuel Type: PETROLMileage: 114kTransmission: MANUALSummary: Ten stamps of service including six from ToyotaVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=151692
Lot 294
BREWERIANA - TWO STONEWARE FLAGONS OF TAUNTON (SOMERSET) INTEREST the first impressed to the shoulder 'W.B. HELLARD / Wine Merchant / TAUNTON', by J.C. Hawley, Bristol, 37cm high; the second printed to the shoulder 'SCARLETT & SON / Wine & Spirit Merchants, / TAUNTON', by Powell, Bristol, 39cm high. Condition Report : Both in good condition; Hellard with over-glazed flake from footrim. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 88
A SILVER SPIRIT KETTLE, STAND AND BURNER Hallmarked for London 1930, the kettle with wood effect handle and ebonised knob, the stand on four legs with fixed burner stand legs and two chains, the burner removable, and has wick attached, kettle height include handle 22cm, kettle weight (to include all parts) 678g; stand weight to include all parts, stand height 9.5cm approx.; burner weight to include all pars 153g, overall height 30cm approx. Condition Report : Good for age with age related wear and tear, an inscription to the stand. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 3090
A collection of 20 postcards relating to aviation, including photographic postcards titled 'Luffschiff F.D.129. Hindenburg', 'Flight of the R.F.C. Machines, Five Henry Farman's in the Foreground, Five B.E's on the right, Maurice Farman's at Rear', 'Whitehead Aircraft, The Lord Mayor of London Arrives to Open the Extensions', 'London Aerodrome, Hendon, N.W., C. Grahame White with Lady Northcliffe as Passenger in a Farman Biplane', 'Imperial Airways Passenger Aeroplane, City Class' and a printed postcard titled 'Mr. W.L. Brock, winner of London to Manchester Air Race, June 20th, 1914, 322 miles in 4 hours, 42 minutes, Filling up on Pratt's Perfection Spirit'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 347
A group of miscellaneous military and measuring effects, a brass spirit level, leather tape measure, a Howden Calculex compass, an illumination meter by GEC, an International Interventions Exhibition Awarded Silver Medal Correction air meter, No 1204, cased air meter, spirit level, etc. (1 tray)
Lot 122
Turkish and Greek Travel including Slade, Adolphus Records of Travels in Turkey, Greece, &c. London: Saunders and Otley, 1832. First edition, 8vo, 2 volumes, 2 frontispieces, double-page map, plate, original purple cloth gilt, joints cracked, spines faded; Leake, William Martin Travels in the Morea. London: John Murray, 1830. 3 volumes, 8vo, 25 (of 29) maps plans and plates (with the initial folding map in good facsimile), original purple cloth gilt, bookplates, some chipping and fading to spines; Urquhart, D. The Spirit of the East. London: Henry Colburn, 1839. 2 volumes, second edition, 8vo, folding map, plate, original green cloth gilt; Barthélémy, Jean-Jacques Voyage du Jeune Anacharsis en Grèce. Paris: Étienne Ledoux, 1821. Oblong 8vo, 39 plates, a little dampstaining; Mott, Valentine Travels in Europe and the East. New York: Harper & Brothers, 1842. 8vo, original black cloth gilt, ownership signature to half-title, binding worn; Waddington, George A Visit to Greece in 1823 and 1824. London: John Murray, 1825. Second edition, 8vo, folding map, contemporary quarter calf gilt; [Anonymous] Selections from my Journal during a Residence in The Mediterranean. London: W. Clowes, 1836. 8vo, later cloth; and one other (12)Footnote: Provenance: From the Library of the Late William St Clair
Lot 954
A yellow and white metal enamelled brooch in the form of the Holy Spirit and Sacred Heart, a dove carrying a heart in its beak, both enamelled in blue and inset with diamond to the back wings and tail of the bird and three in the heart, totalling fifteen diamonds, length 3.7cm, approx 4.5g, in original box, retailed by Parkes of Regent Street. CONDITION REPORT No missing stones, strong fastening/clasp The stones test as diamonds The metal is unmarked and not tested but would be unusual for the diamonds in base metal A small area of the blue enamel is damaged to the top of the birds head, the quality and the cut of diamonds, style of brooch is indicative of Belle Époque era, late 180/1914. The original box also would date it to the early 1900s.
Lot 238
A modern Replogle 9-inch diameter World Classic Series Globe on stand, an oil on canvas, possibly Continental, depicting people walking on a snow-clad road, with house and trees in the distance, unsigned, in modern frame and a small oak steel banded spirit barrel with brass tap, height 34cm (3).
Lot 473
Box of assorted metalware to include; a horseshoe design brass chamberstick, plated spirit kettle, a trophy cup, trumpet vases, Elkington & Co plated three footed salt cellars, HMS Tiger tankard, coffee pot, miniature ewer, brass embossed goblets, miniature Falstaff tankard, miniature urn, Wedgwood Jasperware ice bucket etc. (B.P. 21% + VAT)
Lot 420
VINTAGE & LATER BRASS TELESCOPES & INSTRUMENTS - a collection to include a leather bound scope by Davidson London with extending sun cover, 39.5cms overall L fully out, reproduction brass three draw telescope with extending sun cover, 47.5cms fully out, reproduction brass miniature sextant, reproduction brass folding compass/sun dial, stamped 'West London', made in India label verso, a small brass capped spirit level, 15.5cms L and a brass pocket watch holder with screw-on lid, 8.5cms L, 5.75cms diameter
Lot 5
Token ID 371I fell in love with the wild, beautiful, uncanny and profound results that came with the first round of Eponym. With Stories, I began to explore what result would come telling Ai that this was ""for a museum"". One of the first results was 'for the museum of modern art' which looked like an abstract landscape hanging on a white wall but it also had a 3d element that was breaking the fourth wall of perspective. It felt like the perfect piece to represent modern Ai driven art with the intent of being FOR a museum. It even came with what looks like an information placard about the art hanging on the wall in lower right corner of the frame.For subsequent stories, I picked museums I've been to that inspire me and tried many permutations for the art. The ones that stood out were ones that looked like they might belong in the museum referenced but also said something to the museum about its history, its present and its future. To me, each piece honors the museum's style but also says something about the art within its walls that can be interpreted in myriad ways. 'for the louvre' has a similar feeling of breaking the fourth wall. The frame and walls evoke an Egyptian artifact that was taken by Napoleon himself and brought to Paris. It was too rich in artificial mystique to pass up.'for the guggenheim' looks like a pen and ink masterpiece Peggy herself would hang on the walls of her spiral halls. The touches of blue in the black and white figures is striking.In 'for the smithsonian' I was looking for something American that also evoked the 'shining city on the hill'. The result that came looks like a sketch that George Washington or one of his officers may have sketched in their journal during the American Revolution.With 'for the van gogh museum' I had originally set out to show how the Ai could recreate or construct a new Van Gogh painting. There were many impressive options but then the result you see here popped up. While not in the style of Van Gogh, it seems to reference the artist himself, it looks like a portion of one of his self-portraits but it also seems to be saying something. Perhaps that Van Gogh is still with us, his haunting blue eye, watching the progress of art and humanity and culture. The cryptic signature on the bottom right. The DaVinci like canvas it's painted on. I don't know. I just couldn't pass up minting it.I mean, come on, 'for the picasso museum in barcelona' looks like late-era Picasso painting, celebrating the spirit of Spanish life as well as the freedom of how children are free with their art. To me, what's minted looks like what Picasso might have painted today and perhaps minted to the chain. 'for the dali museum in paris' to me, looks like two elongated figures embracing, intertwined; surreal and Jungian, the integration of the psyche, of the self, the id and ego, the light and shadow, together as one.'for the national gallery' made me laugh. I kept trying to create a new JMW Turner painting, something quintessentially British, and there were some good options, but then this popped up and it just looked like someone hung the painting up backwards and we were looking at the back of the frame. It also had great shading for the back of the painting. As for the title, this belongs in a museum, it's a reference to Indiana Jones and the Last Crusade, when he rescues the Cross of Coronado...Enjoy.For more information about the artist and their story please visit:https://epostories.auction/epostory/371/this-belongs-in-a-museum
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49464 item(s)/page