We found 49472 price guide item(s) matching your search
There are 49472 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
49472 item(s)/page
A George II mahogany and crossbanded bureau cabinet, circa 1750, the mirrored panel doors opening to an arrangement of pigeon holes, shelves and small drawers, the fall front opening to an arrangement of pigeon holes and drawers, centred an arcaded cupboard door, above a tooled inset writing surface, 214cm high, 99cm wide, 57cm deepFor a similar example of bureau cabinet, see Christie's, London, Interiors - Style and Spirit, 26th February 2008, Lot 43 (£6,875).Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use.Various old splits and chipsSome loses to moulded elements (see images)Mirrored panels with the expected loses, depletion and grey spotsSome sections of the veneer have been re-stuckLeather inset writing surface is a later replacementLock to fall is a period replacementSome replacement timber adjacent to lock plate on inside of fallKeys present to panel doors and fall, no keys present for lower drawers and interior doors.All locks are open.Some later tape applied to back boardsFeet are later replacements but match wellOld screw repairs to strip of timber to panel doorsHandles are originalPlease refer to additional images for visual reference to condition.Condition Report Disclaimer
HENRIC ANKARCRONA (Sweden, 1831-1917). "Equestrian scene at the foot of the Atlas Mountains, North Africa", 1872. Oil on canvas. It has slight damage. Signed and dated in the lower left corner. Measures: 53 x 95 cm 86 x 128 cm (frame). Oil on canvas in which the author represents a scene in which stands out the figure of a man on a horse in cabriole. The expressiveness of the posture of both, introduces the viewer into a battle scene, which is developing in the background. Orientalism was born in the 19th century as a consequence of the romantic spirit of escape in time and space. The first orientalists sought to reflect the lost, the unattainable, in a dramatic journey destined from the beginning to failure. Like Flaubert in "Salambo", painters painted detailed portraits of the Orient and imagined pasts, recreated to the millimeter but ultimately unknown and idealized. During the second half of the 19th century, however, many of the painters who traveled to the Middle East in search of this invented reality discovered a different and new country, which stood out with its peculiarities above the clichés and prejudices of Europeans. Thus, this new orientalist school leaves behind the beautiful odalisques, the harems and the slave markets to paint nothing but what they see, the real Orient in all its daily dimension. Along with the change of vision comes a technical and formal change; since it is no longer a question of recreating an imagined world in all its details, the brushstroke acquires impressionistic fluency, and the artists focus not so much on the depiction of the types and customs as on the faithful reflection of the atmosphere of the place, of the very identity of the North African populations. Henric Ankarcrona served as an officer in France and Spain and participated in several campaigns in North Africa. There he diligently drew motifs of country life and desert battles, camel caravans and Arab tribes. Sketches that after his return to Sweden formed the basis of a large number of paintings. Ankarcrona was part of the circle of artists around Charles XV.
A Mamod Live Steam TE1a Traction Engine, with reversing lever to oscillating cylinder, pull-operated whistle (rusty) and water level plug to back of boiler, F, steering retainer nut detached, light corrosion to alloy parts and some steelwork, lacks drive band and steering extension, but including scuttle and spirit burner, with the original box from Brierley Hill works, box P-F, considerably crushed/split
Hornby 00 Gauge Locomotives and Railbus, R2220 BR green Battle of Britain Class 34081 '92 Squadron', R859 BR black Class 5MT 45192, R357 LMS crimson Patriot Class 5541 'Duke of Sutherland', R360 BR blue Class 86/2 86219 'Phoenix', R863 BR two-tone green Brush Type 4 Class 47/48 Diesel D1738 and R2161 Northern Spirit green/turquoise Class 141 Pacer 2-Car Railbus 142074, all in original boxes, VG-E, boxes P-VG (6)
A boxed Mamod Live Steam TE1a Traction Engine and LW1 trailer, the engine with reversing lever to oscillating cylinder, pull-operated whistle and water level plug to back of boiler, G, with scuttle and spirit burner, some light rusting to firebox and other steel parts, fading to canopy lettering, with fitted drive band, another spare band, steering extension and funnels, in the original box from Brierley Hill works with 'Boy's Toy of the Year award, 1972' sticker, box F-G, together with lumber wagon with three polystyrene logs (1 broken) in original box, wagon G, box G (2)
A Mamod Live Steam TE1a Traction Engine and MM2 Stationary Engine, the TE1a with reversing lever to oscillating cylinder, pull-operated whistle and level plug to back of boiler, F, drive band, scuttle, burner and steering extension missing, some corrosion to firebox surround, top of roof over-painted in black and some fading to lettering on sides, together with a MM2 'thick-crankshaft' version, G-VG but missing spirit burner (2)
Assorted Bing 0 Gauge Freight Stock, comprising red Shell tanker and buff 'Motor BP Spirit' tanker, Lime & Cement wagon, high-side open wagons LMS, NE and GW (2 - one with tarpaulin), and one NE 5-plank, all with printed solebars and late 'auto-couplers', varying F-VG, some suffering from old wrapping damage to varnish (8)
An assortment of 2½" Gauge and other live steam Locomotive Components, including a vintage part-assembled chassis for an 'Austere Ada' 2-8-0, a pair of similar frame sheets with made-up pony truck, one machined cylinder and one rough-cast, and other components; a 0-6-0 frame of unidentified design but appears to be for a single inside-cylinder machine, comprising frames, buffer beams, fitted centre-crank axle with finished wheels and valve eccentrics, 4 other wheels loose in box with chuck-mounting mandrel, cylinder as unmachined brass block, with an elderly made-up but incomplete copper boiler with 2¾" o/d, very thick barrel of 12" overall length, fitted with a single flue tube and cross-tubes, presumed for spirit or paraffin firing, (appears to have been used but lacks back-sheet), a seamless copper tube approx. 1½" diameter x 15" long, a shaped copper inner firebox, possibly also for or from a 3½" gauge loco, with crown stays, approx. 3" wide at largest, 5½" long and 4½" high over stays, and sundry other components, varying F-VG, no boiler paperwork, and a set of 6 rough-cast driving wheels approx. 3½" diameter and stamped 'D82' to crank boss believed to be for a GWR Pannier tank to LBSC's 'Pansy' design, not machined, with a series of Model Engineer magazines circa 1958 covering Pansy construction, a set of GWR 1000 'County' class blue prints and other GWR-related drawings (quantity)
SPIRIT/ THE DOORS - LPs. Here we have a superb pack of 11 LPs by two groups synonymous with the late 60s California scene. Spirit titles include Farther Along (SRM-1-1094), Potatoland (BEGA 23), Twelve Dreams Of Dr. Sardonicus (SEPC 64191, orange Epic label). The Doors inc LA Woman (K42090, curved corner sleeve), Wierd Scenes Inside The Gold Mine (ELK 62 009), Vol. 2 (MID 22 008), Full Circle (ELK 52 002), The Soft Parade (42 079), Live At The Hollywood Bowl (EKT 40), Strange Days (42 016), Waiting For The Sun (EKL 4024, red/ black label). Condition is generally VG to Ex.
An Edwardian silver kettle with stand, by Harrison Brothers & Howson, London, 1912, with an ebonised handle and finial, both the kettle and stand with spiralled edges with shell-shaped corners, the side of the kettle engraved with a seated gryphon, 35cm high when assembled, 43.1 ozt, with an associated white metal spirit burnerCondition report: Finial insulator loose. Burner probably associated.
SEVEN BOXED WALT DISNEY CLASSICS COLLECTION FANTASIA 2000 FIGURES, mostly limited edition, comprising 'A Gift of Love' (Tin Soldier and Ballerina, two figures boxed as one) no 91/2000, Flamingo Fling no 0404/2000, 'Oops....Mickey and Yen Sid', 'Soaring in the Clouds' (Mum, Dad and Baby Whale) no 0714/2000, 'Spirit of Spring' (Sprite) no 0541/2000 and 'Opening Title', all with certificates (Condition report:- all appear ok and clean)
* JENNIFER MCRAE RSA (BRITISH b. 1955),INDEPENDENT SPIRIToil on board, signed and dated '93, titled label versoimage size 19cm x 12cm, overall size 29cm x 21.5cm Framed and under glass.Label verso: The Open Eye Gallery, Edinburgh.Condition report: Condition is very good overall, with no visible signs of restoration, damage, or known issues.
* ELEANOR CHRISTIE-CHATTERLEY (SCOTTISH b. 1929),THE GREEN MAN WALKINGbronze sculpture (cast bronze), 175cm highNote: The Green Man Walking is inspired by the ancient tree-spirit appearing in folklore and myth in many countries and many guises. One of the most prolific concentrations of "green men" is at Rosslyn Chapel where there are reckoned to be "around 100" within the chapel and on the exterior of the building. This striding figure is a metaphor for current concerns for the preservation of the environment expressing the spirit of nature through stance, form and texture. The Green Man Walking seems to carry his burden lightly, stepping out with a certain jauntiness and optimism. Eleanor Munro was born (1929) and educated in Scotland. She studied sculpture at The Glasgow School of Art and Camberwell School of Art. She taught Sculpture at London Marylebone Institute (St John's Wood Sculpture School) from 1970 - 84 and at Blackheath School of Art from 1987 - 93. In 1952 she married the artist Fyfe Christie (1918 - 1975). Some eighteen years after the death of her first husband (1993) Eleanor married the music producer Albert "Jack" Chatterley (died 2016). Eleanor Christie-Chatterley has exhibited her sculptures at numerous venues including Woodlands Art Gallery (London), Blackheath Gallery (London), Old Cattan House Gallery (Norwich), Buckenham Galleries and at Cyril Gerber Fine Art (Glasgow). Her sculptures are in numerous private collections in the UK, the US and in France. Eleanor Christie-Chatterley lives on the west coast of Scotland and is almost certainly Scotland's oldest living sculptor. The original gallery price for The Green Man Walking was £11,000,
A mid-20th century Smiths "Empire" Ships Bulkhead clock, six-inch painted dial and seven-inch cast brass bezel with a flat bevelled glass, Roman numerals and a minute track with steel spade hands, seconds hand and fast slow regulation, dial inscribed �Observator Rotterdam, Made in England�, with a going barrel movement and platform escapement, on an oak effect ten-inch wooden base.With Key.With a Holosteric Compensated Barometer by Schatz, with a five-inch open dial and six-inch bezel, flat bevelled class with brass recording hand, steel indicator hand reading atmospheric pressure in inches and millibars with weather predictions, semi-circular spirit thermometer recording the temperature in degrees Celsius and Fahrenheit, on a nine-inch-stained hardwood base.
-
49472 item(s)/page