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Lot 264
Ward (Samuel). The Happinesse of Practice, printed for John Marriot, and John Grismand, 1622, 4 unnumbered preliminary leaves, including integral blank before title, 48 pages of text (mis-numbered 1-24, 27-42, 41-46), with final leaf (Postcript) unnumbered, disbound without covers, small slim 8vo, together with Williams (John). A Sermon of perservering in Patience, Repentance, and Humiliation, in time of Afflications, preached before the Lords of the Parliament, at the last generall Fast, upon Ash-wednesday the 18. day of February 1628. At the Collegiat Church of S. Peter in Westminster, 1st edition, printed by John Bill, printer to the King's most excellent Maiestie, 1628, printed title, blank leaf, A-G4, H1, extensive early annotations to title verso and blank leaf in brown ink, both with some soiling and marks, text leaves occasionally cropped at head, with partial loss of page numbers (one or two with page number no longer visible), disbound without covers, small slim 4to, plus [Ward, Edward]. The Secret History of the Calves-Head Club: or, The Republican Unmasqu'd. Wherein is fully shewn the religion of the Calves-Head Heroes in their Anniversary Thanksgiving Songs on the Thirtieth of January, by them called Anthems; For the Years 1693, 1694, 1695, 1696, 1697. Now published, to demonstrate the restless, implacable spirit of a certain party still among us..., 2nd edition, printed, and sold by the Booksellers of London and Westminster, 1703, A-D4 (including integral blank at end), 22 pp., plus blank leaf at end, untrimmed, stitched as issued, light soiling to first and last leaf, slim 4to, and two other early 18th century pamphlets: Legion's Humble Address to the Lords, Answer'd Paragraph by Paragraph, [London, 1704], 8 pp., some fraying to margins, trimmed to lower margin with loss of some words (a reply to Daniel Defoe's Humble Address, Moore 74), and The Visions of Sir Heister Ryley: with other entertainments, volume I, number 80, Wednesday February 21, 1710, 4 pp., pages numbered 317-320, both disbound without covers, slim 4to (Qty: 5)NOTESSTC 25045 for the first work. STC 25727 for the second work. ESTC T105975 (a pamphlet exposing the blasphemous Calves'-Head Club, consisting of 'Independants and Anabaptists' which met on the anniversary of the death of King Charles I in order to ridicule his memory, and drink a health to Oliver Cromwell).
Lot 867
A 1950s design gilt-brass ImHof novelty clock/cigarette dispenser with musical automaton doors, 16 cm high to/w a German Art Nouveau green lustre glass inkwell of ribbed mushroom form with organic copper hinged cover, two camping spirit stoves, a boxed set of scale-weights and an early 19th century alphabet sampler by Margaret Cross, aged 9 (6)
Lot 581
A collection of furniture comprising a mid 20th Century mahogany dressing chest of four long and four short drawers bearing label to underside "Finished in Phennopol Heat, Spirit and Stain Resistant Plastic Finish", 198.5 cm wide x 71 cm high x 40.5 cm deep,together with an oak dressing mirror, the central mirror flanked by two banks of two drawers, a pair of mahogany bedsteads, an Edwardian single bedstead and a single bedstead , together with a leaded glazed two section bookcase in the Globe Wernicke style, a modern teak bookcase with sliding doors and cupboard door and a box ottoman
Lot 389
An Orrefors 'Äpplet' green glass vase, designed by Ingeborg Lundin, designed in 1955, inscribed 'Orrefors Expo 32-57 Ingeborg Lundin', 37cm high For the nearly thirty years between 1947 and 1971, that Ingeborg Lundin designed glassware for Sweden's Orrefors glassworks, her designs were prized for their originality, simplicity and grace. Founded in 1898, Orrefors originally manufactured bottles, window glass, and tableware. In 1914, the firm started to produce cut crystal, and by 1925 had become internationally renowned for its engraved art glass. By the late 1940s, the young Lundin and her contemporaries at Orrefors and other Scandinavian glassworks were developing new forms that expressed the spirit of a softer, organic type of modernism. In 1955, Lundin designed the Apple (Äpplet) vase for the Helsingborg 1955 Exhibition, a world’s fair dedicated to modern design. The simple transparent form of her Apple vase is a beautiful luminous shape that needs no ornamentation. The slightly imperfect sphere, topped by a thick-walled cylindrical neck reminiscent of an apple’s stem, relies on the play of light on and in the colourless glass itself. The form exploits the transparency of glass exceptionally well. When shown at the Milan Triennale of 1957, the Apple vase won a gold medal. Produced in both clear and light green transparent glass, it is the best known of Lundin’s designs for Orrefors.
Lot 2217
Artist: Guido Crepax (Italian, 1933-2003). Title: "Valentina". Medium: Pen and ink and pencil drawing on paper. Date: Composed 1974. Dimensions: Overall size: 10 3/4 x 7 9/16 in. (273 x 192 mm).Lot Note(s): Signed lower right. Drawn on white wove paper. Fine condition. Comment(s): Guido Crepas, better known by his nom de plume Guido Crepax, was an Italian comics artist. He is most famous for his character Valentina, created in 1965 and very representative of the spirit of the 1960s. Image copyright © The Estate of Guido Crepas. [29899-2-800]
Lot 71
1987 Rolls Royce Silver SpiritMake: Rolls RoyceModel: Silver Spirit Year: 1987Mileage: 94,000VIN: SCAZS0008HCH20569Registration: D391HHNConfiguration: Right hand driveTransmission: AutoOffered from a deceased estate. The three service books contain twenty stamps of main dealer and independent service history from 3,168 miles in 1987 to 90,557 miles in 2004 when it passed to the current ownership. It also comes with seventeen MoT certificates dating from 1986 to the present, a few parts and service invoices, V5, hand-books and wallet.
Lot 566
A vintage Danish Jydsk Telefon Aktieselskab hand cranked pillar telephone, early 20th century, the painted black body with gilt pin striping, applied maker's label, and chrome and Bakelite handset, with three treen spinning tops, probably early 20th century, the tops of typical form with turned tapering body around a metal shaft, the largest 9cm high, two brass mounted spirit levels, one stamped 'E Preston & Sons', and two Lipton's brass tea caddy's, one stamped 'British Empire Exhibition 1924', the other 'Lipton's Souvenir Tea Caddy' (8)
Lot 577
A Bausch & Lomb Unicum folding bellows plate camera, with removable ground glass viewing screen, removable plate holder and leather case, with a Stanley of London 'Natural Sine' brass ship's compass, a copper and brass bugle, an E Preston & Sons spirit level, a Victorian Merry Phipson No 24 brass letter clip, and a pair of reproduction Great Eastern Railway lacquered brass carriage lamps (7)
Lot 19
NO RESERVE Manuscript Collections.- 3 Short Stories.- The Ruby Ring: The Spirit of the Orange Tree: The discontented Girl, manuscript, 51pp., slightly browned, original wrappers, manuscript label on upper cover, covers worn and detached, sm. 4to, [19th century] § Riddles, manuscript, 57pp., watercolour decoration, pencil inscription on fly-leaf: "Lotty, Nelly & Issy from Lady Digby 1862", 1f. with tear, slightly browned, modern inscription on front pastedown: "From Collection Hon. John Fox Strangway Abbotsbury", original half morocco, gilt, corners bumped, 1862; and c. 15 others, v.s., v.d. (c. 15).
Lot 202
NO RESERVE Montesquieu.- Cattaneo (Giovani, Count) The source, the strength, and the true spirit of laws. In three parts. In which the errors of M. de Montesquieu, and some other eminent writers, are occasionally considered. To which are added, Essays on the natural origin of political governments, first edition in English, small repair to lower margin of H2, occasional spotting, little lightly browned, contemporary calf, upper cover detached, lower joint split, but holding firm, spine ends and corners worn, rubbed, 8vo, Printed for Lockyer Davis, 1753.⁂ Provenance: Sir James Stonhouse (1716-1795), English physician and Church of England clergyman, whose numerous religious tracts found popularity under the Society for the Promotion of Christian Knowledge imprint (ink inscription to front free endpaper 'James Stonhouse. M.D. of Northampton 1753').
Lot 42
James Gillray (British, 1756-1815)Disciples Catching the Mantle - The Spirit of Darkness Overshadowing the Priests of Baal (BM 10992) Etching with engraving and hand colouring, 1808, on wove, published by H. Humphrey, London, with margins, 397 x 341mm (15 7/8 x 13 3/8in)(PL)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com
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49464 item(s)/page