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A Late 19th Century Brass Abney Level, Short & Mason Limited London Level, in black enamelled brass, with a compass and spirit level attached to a protractor set on a square sighting tube, 2 Military Issue 6" Trough Compasses, one in a mahogany case with sliding cover, and stamped with broad arrows, one in a metal case
2017 Rolls-Royce Wraith Black Badge Coupé Registration no. not registered Chassis no. SCA665C09HUX80724•Believed to be one owner from new•Built to Gulf States specification•Rare Black Badge special edition model•Starlight headliner•Circa 16,000 kilometres recordedFootnotes:'The Rolls-Royce Wraith is a car of considerable allure and significance. This, in our view, is certainly the most important new model that this blue-blooded British car maker has created since the modern Rolls-Royce Phantom in 2002.' – Autocar.Reviving a famous name from the company's glorious past, the all-new Rolls-Royce Wraith made its debut at the Geneva Motor Show in 2013. A sleek fastback coupé, the Wraith featured rear-hinged 'suicide' doors and retracting side windows in 'pillar-less style. Powering the Wraith was parent-company BMW's 6.6-litre twin-turbocharged V12 engine producing 591bhp and 664lb/ft of torque, which was transmitted to the rear wheels via a ZF eight-speed automatic gearbox. Capable of completing the 0-60mph dash in only 4.4 seconds, the 155mph Wraith was the fastest Rolls-Royce ever at the time of its introduction. To cater for every taste, the list of options available was extensive to say the least. Highlights of this car's specification include the following:Tyre pressure monitor Rear view camera with top viewConvenience door pocket lightingAdaptive LED headlights Side view camera Television tuner Navigation system USB & Bluetooth with assist DVD Code 2 Camera systemLambs' wool foot matsExtended leather headlinerFibre veneer Visible twin exhaust tailpipesStarlight headliner Black boot trim Twin coachlines in black Black side frame finishersInstrument panel with top stitch RR monogram to all headrests Two-tone steering wheelLane departure warning High beam assistance Head-up display There was also a special-edition 'Black Badge' version of the Wraith available, which in the case of the car offered here came with the following specification and extra-cost options: 21' Carbon alloy composite wheelsFront ventilated seats Dark chrome Spirit of EcstasyBlack Badge tread-platesFull natural grain leatherContrasting stitching in black Bespoke interior - Module EditingGulf specification Hot climate version Arabic owner's handbook Oil service interval Driving lights selectable Decoding speed limit informationBelieved to have been owned from new by the current vendor, this delectable modern Rolls-Royce currently displays a total of circa 16,000 kilometres on the odometer and is offered with photocopies of its Middle Eastern registration document and specification sheet.Please note that if this vehicle is to stay in the UK, it will be subject to Import VAT at the standard rate of 20% and Import Duty at 10% (plus VAT) on the hammer price. The administration for clearing customs is called a NOVA (Notification of Vehicle Arrival) and costs £350 (plus VAT). Both the Import VAT and NOVA charge will be added to the buyer's invoice. Please note that this fee does not include registering the vehicle in the UK. This vehicle will not be available for immediate collection after the sale and will only be released once customs is cleared. If you have any questions regarding customs, please contact the Motorcar Department.Please note that this vehicle is only offered with a photocopy of its old registration document, bidders should satisfy themselves as to registration requirements in their own jurisdiction. Please contact the department for further information.Lot to be sold without reserve.This lot is subject to the following lot symbols: Ω NΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.N MOTORCYCLESIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (SHIPPIO) to undertake the NOVA and C88 (customs) application if applicable on the Buyer's behalf. A fee of £125 + VAT to do so will be added to the Buyer's invoice.CARSIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (CARS) to undertake the NOVA on the Buyer's behalf. A fee of £250 + VAT to do so will be added to the Buyer's invoice.For further information on this lot please visit Bonhams.com
LOUIS-LÉOPOLD BOILLY , LA BASSÉE, 1761 – PARIS, 1845Maternal caressesOil on canvas 46,5 x 38,5 cmIn the quiet of a garden, a tender family scene is offered to us. A young mother, like a modern Madonna, embraces the face of her little girl. Busy with the contemplation of her child, she shows us her medal profile, while the little girl stares at us, with her head in front. Standing against each other, they offer a striking contrast. One is brunette, the other blonde. The mother, hieratic, is dressed in a long white dress in the antiquisite fashion of the Empire, whose long folds descend to the ground with elegance. The little girl, in full movement, makes her black dress shimmer with curved folds that catch the light. Particular care is given to their clothes, in which the painter excels. The decor, with its romantic allure, is skilfully organised. It prefigures in a singular way the staging of photographic portraits in the studio. From the background, a halo of light, corresponding to a gap in the trees, discreetly frames the maternal embrace. However, the main lighting comes from the front, focusing on the mother from whom the light seems to emanate, thus reinforcing the expression of her maternal love.Boilly is the painter of scenes of family intimacy, which he knows how to stage with subtlety under an impression of simplicity. Here he renews the genre of portraiture by bringing a profoundly sensitive dimension to it.Louis-Léopold Boilly (1761-1845) was a French painter and engraver, renowned for his portraits and genre scenes testifying to the lives of his contemporaries. The son of a woodcarver, he studied painting, and more particularly 'trompe-l'oeil', with Dominique Doncre in Arras. Established in Paris in 1785, he began his career with gallant scenes in the spirit of Greuze and Fragonard. However, a great admirer of 17th century Dutch painting, he developed a fine, porcelain touch like Gérard Dou or Van Mieris, whose paintings he owned. Having to change his subjects, considered immoral, under the Revolution, he became a portraitist. These Caresses maternelles are evidence of this turning point in his career. He then developed a particular care to suggest the intimacy of family or friendly relationships. Although he exhibited for the first time at the Salon in 1794, it was mainly under the Directoire and the Empire that he became famous. He had great success at the Salon of 1798 with a group portrait Réunion d'artistes dans l'atelier d'Isabey, and then received the gold medal at the Salon of 1804 for L'Arrivée de la diligence (both in the Louvre Museum), which represents one of his first scenes of urban life that was to become his speciality. As a chronicler of the social life of his time, Boilly became a 'painter of modern life' before his time. Knight of the Legion of Honour and then member of the Institut de France in 1833, he ended his career covered with honours.Provenance: Former collection of Antenor Patiño (1896-1982) for his residence on Avenue Foch, Paris.Work reproduced in, L.-L. Boilly, sa vie, son oeuvre, H. Harisse, Paris, 1898, p. 93, cat. no. 114.
A Rolls-Royce Spirit of Ecstasy desk clock by Swiza, Swiss,number 475, black dial with Arabic numerals, battery powered Quartz movement mounted under a hinged Spirit of Ecstasy, 14.5cm high overall, the case complete with instructions, numbered certificate, guarantee dated 25 May 1985, other ephemera, and a battery cover tool. (Qty)For further information on this lot please visit Bonhams.com
Cooke Troughton & Simms grey painted brass dumpy level in carrying case; and WW2 British .303 Vickers Machine Gun brass Clinometer, stamped 'V.E. 0067' serial No. 2370, dated 1944 unboxed (2)Condition Report:Level very grubby from use and storage but optics look to be clean.Clinometer - some losses of colouring to painted parts. Spirit level not working.
AN EDWARDIAN SILVER SPIRIT FLASK by Williams (Birmingham) Ltd, Birmingham 1905, shaped for the pocket, detachable cup to the base, hinged bayonet cap. 14.5cm highNo major dents, splits or repairs. There are signs of scratching to the base when the cup is removed. The screw twist opening is good and the flask appears to be watertight.
A VICTORIAN SILVER SPIRIT FLASK by William Gibson and John Lawrence Langman, London 1893, oblong and with one canted corner, with bayonet-mounted cover. 13.5cm high, 6.76 troy ouncesClear assay marks; no visible dents or damage; a few surface scratches commensurate with age; the screw top and hinge good.
Blithe Spirit multisigned 20x13 Gielgud Theatre poster includes 10 cast member signatures such as Angela Lansbury, Janie Dee, Sandra Dickinson, Patsy Ferran, Simon Jones and Jemima Roper. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
A large Edwardian silver and leather mounted glass spirit flask, with screw-lock cap and detachable silver beaker inscribed "Heswall Golf Club Foursomes 1928 won by G H Williams", by Walker & Hall, hallmarks Sheffield 1901, height 19cmCap has a few minor dents, no chips or cracks to glass, beaker has a few minor dents on bottom corners, hallmarks clear
Rush: twenty- four original vinyl LPs comprising "Rush", "Presto", "Rush Through Time", "Power Windows", "Hold Your Fire", "Archives", two "Grace Under Pressure", "Exit Stage Left", "Singles", "Fly By Night", two "Hemispheres", "ABC 1974", "Caress of Steel", "A Farewell To Kings", "Tom Sawyer", "2112", "All The Worlds A Stage", "A Show Of Hands", two "Permanent Waves", "Spirit of the Airwaves", and "Moving pictures".In good overall condition, with some wear to sleeve corners. Vinyl generally good, with light scatches visible in places.
Hawkwind interest: forty-six original vinyl LPs comprising a signed "Hawkwind- Zoo" in addition to another unsigned, a signed "Made In Cornwall", six "Robert Calvert- Captin Lockheed" one being signed, a signed "25 Years Hawklords" along with another unsigned, two "Robert Calvert- Lucky Leif and the Longships", two "Robert Calvert- Hype", "Robert Calvert 1984 test pressing", "Hawklords- PSI Power", a signed "Silver Machine" and another unsigned, "Hawkwind- Quark", "Hawkwind- Needle Gun", "Hawkwind- Area 54", three "Hawkwind- Motorhead", "Hawkwind- The Early Years Live", "Decide Your Future EP", "Zarozinia", fifteen "Friends and Relations", two "Sonic Assasins", "Spirit Of The Age", "Warrior On The Edge of Time", and "Solstice in Stonehenge".
Hawkwind: fourteen original concert posters comprising "Hawkwind: Silver Machine" (42cm x 59cm), four "The Silver Machine Has Finally Taken Off: Brixton Academy Sunday 5th March 1989" (60cm x 83cm), "Hawkwind: The Spirit of the Age North America Tour 1995" (40cm x 61cm), "The Roadburn Festival 2006" (42cm x 60cm), "Hawkwind with friends Man: The 1999 Party" cutout poster (50cm x 62cm max.), "Hawkwind: special guests Arthur Brown, December Tour" (50cm x 60cm), "Hawkwind: Walthamstow Assembly Hall 2002" (50cm x 72cm), "Hawkwind with friends Man: The 1999 Party (51cm x 81cm), "Hawklords: Hawkwind Cafe Central" (59cm x 84cm), "Hawkwind: support Capt. Rizz" (70cm x 100cm), and "Hawkwind + Looplizard" (90cm x 70cm).Varying condition, various levels of folding/tearing, wear to print
Five rare Prog vinyl LPs comprising "Spirit of John Morgan" UK first pressing on Carnaby (CNLS 6002), "Skin Alley- To Pagham and Beyond" UK first pressing on CBS (CBS 64140), "Spooky Tooth- It's All About" UK first pressing on Island (ILPS 9080), "Chris Spedding- Backwood Progression" UK first pressing on Harvest (SHSP 4004), and a UK first pressing "Audience- Friends" on Charisma (CAS 1012).
A Selection of Items, including: Victorian copper lustre jugs, plated ware including a three-piece tea service, a spirit kettle, bakelite telephone, Paragon twin-handled commemorative mug, Royal Worcester vase, 19th century blue and white plates, knitting sheaves, cased violin, wooden carved wall bracket, Edinburgh crystal glass, Limoges ceramic plates, scales, early 19th century tea bowls and saucers etc (four boxes)
Three un-common goods wagons: 0-gauge 1927 Bowman tank wagon ‘Shell’ Motor Spirit, some repainting to the tank (G) with Gauge 1 Bassett-Lowke ‘City of Birmingham Gas Dept’ hopper wagon, grey with white lettering shaded black, missing wheels & axles, working door release for hopper (VG-E) allowing for missing wheels, and A.W.Gamage GNR 2883 ‘Insulated Refrigerator & Frozen Meat Van’ repainted roof but body (E) with original Gamage’s box with label showing it is correct for this van (PF) but fragile
A collection of various mixed steam engines and part-built engines, including a single-cylinder hot air engine fitted with slip eccentric and twin flywheels together with a part-complete four-wheel steam-powered locomotive and a part-complete steam plant, comprising of steam engine with spirit burner on wooden plinth
Mercer Precision Engineers of Birmingham, spirit-fired live steam traction engine, finished in green and red with single cylinder and slip eccentric, Stephenson's valve gear, brass silver soldered boiler, easy access to fittings, complete with a carry case containing a quantity of running equipment, plans/notes and a canopy that could be attached to the traction engineLength 30cm. Width 13cm. Height to top of chimney 20.5cm.
From Freelance Designs 4.5" gauge spirit-fired model of a 4-4-0 locomotive and tender, named "Greater Britain", made from brass, gunmetal and copper components, easy access to back head controls with regulator lever, sight glass, whistle, and safety, water feed tender, well-made example, un-painted, sold with a professionally built oak and glazed display cabinet with track section and makers plaque
1925-41 Hornby 0-gauge clockwork No.1 Tank Goods set comprising 0-4-0 No.1 LNER green tank loco, some areas over-painted/over-varnished (G) with LNER open wagon, Shell Motor Spirit tank, NE goods brake. All wagons open axle-guard. All (G-VG). With track (P). Some internal box fitments are replacements (BG). Top of lid (BE) but sides show signs of deterioration.
dating: 1830-40 provenance: France or Naples, Made of beige silk, painted on one side with coat of arms with three lilies on a blue background, under crown and with collar badge of the Order of the Holy Spirit, surrounded by two palm branches. On the margin garland of lilies, left side with opening for the shaft, and with fringes in gilded thread on three sides. Rare object still keeping remains of the original gilding. Coming from one of several royal castles or estates. dimensions 108 x 88 cm.
dating: 1830-40 provenance: France or Naples, Made of beige silk, painted on one side with coat of arms with three lilies on a blue background, under crown and with collar of the Order of the Holy Spirit surrounded by two palm branches. On the margin garland of lilies, left side with opening for the shaft, and with fringes in gilded threads on three sides. Rare object still keeping remains of the original gilding. Coming from one of the several royal castles or estates. diameter 104 x 88 cm.
COSTUME DE DANSE RITUELLE CHITIPATI AVEC MASQUE EN PAPIER-MÂCHÉ, ROBE ET BOTTES EN SOIE PEINTE ET BRODÉEMONGOLIE, XIXE SIÈCLE Himalayan Art Resources item no. 205065 Mask: 59 cm (23 1/4 in.) high; robe: 163 x 135 cm (64 1/8 x 53 1/8 in.); boots: 36.4 cm (14 3/8 in.) high.Footnotes:A CHITIPATI RITUAL DANCE COSTUME WITH PAPIER-MÂCHÉ MASK AND PAINTED SILK AND SILK EMBROIDERED GARMENTS AND BOOTS MONGOLIA, 19TH CENTURY 蒙古 十九世紀 彩繪緞繡屍陀林主舞服及靴子配彩繪紙塑面具 Costumes such as these were used during ritual Cham dances, a practice involving narrative reenactments meant to both story tell and invoke deities. Initially originating in Tibet, Cham became a practice that covered large areas of the Himalayas. Held during ceremonial festivities at local monasteries, monks wearing these costumes were understood to be invoking the spirit of the costume they adorned. Cham costumes were elaborate and consist of large papier-mâché masks, fine silk with appliqué and embroidery, and decorative footwear. Coupled with sounds of gyaling, cymbals and drums these coordinated dances displayed a dramatic and spirited portrayal of ritual deity invocation. Wearing the chitipati costume would have served to supplicate the protective energies associated with these skeletal beings and provoked reminders of the impermanence of all things. Considered embodiments of the deity themselves, each element of the costume is thoughtfully designed. The five pointed crown of skeletons and parasol finial surmounting the terrifying gaze and wide gaping mouth of the face is deliberately fearsome. The embroidered silks decorated with severed heads and skulls at the top and a rocky terrain on the hem below with a ritual apron around the waist are layered to exhibit fluttering while in motion. Compare a similar papier- mâché mask with parasol finial illustrated on HAR 53077 and another wrathful deity costume on HAR 53074, both which are from Mongolia. Published:Michael Henss, Buddhist Ritual Art of Tibet: A Handbook on Ceremonial Objects and Ritual Furnishings in the Tibetan Temple, Stuttgart, 2020, p.427, no. 588. (mask only)Exhibited:Remember That You Will Die, Rubin Museum of Art, New York, 19 March - 9 August, 2010.Provenance:Peter Hardt, New York, 2008For further information on this lot please visit Bonhams.com
ENSEMBLE DE QUATRE GANTS DE COSTUMES DE DANSE CHITIPATI EN SOIE BRODÉE ET CUIR PEINTMONGOLIE, XIXE SIÈCLE Himalayan Art Resources item no. 205066 Hand: 33 cm (13 in.), the longest; The Perspex case: 54.5 x 27 x 97 cm (21 7/8 x 10 5/8 x 38 1/4 in.)Footnotes:A SET OF FOUR EMBROIDERED SILK AND PAINTED LEATHER HANDS FROM CHITIPATI RITUAL DANCE COSTUMES MONGOLIA, 19TH CENTURY 蒙古 十九世紀 緞繡及彩繪皮革屍陀林主舞手套一組四件 Part of Tibetan Buddhist ritual practice is the sacred, costumed dance that is elaborately performed during festivals. One of the many costumes that could be worn on such an occasion was a skeleton costume representing the protectors of tantra, whose dances symbolized their triumph over evil. These two pairs of gloves belonged to a skeleton outfit, which would have enlivened and invoked this protector spirit in an act of subjugating negative forces. The papier-mache mask which would have originally accompanied these gloves was exhibited and published in Himalaya: le visage des dieux, Musée départemental de St-Antoine-l'Abbaye, p. 65, fig. 85.Published:Robert Thurman and David Weldon, Sacred Symbols: The Ritual Art of Tibet, New York, 1999, p. 97, no. 43.Ramon Prats, et.al., Monasterios y lamas del Tibet, Madrid, Fundación 'La Caixa', 2000, p.118, no.59.Exhibited:Monasterios y lamas del Tibet, Fundación 'La Caixa', Madrid, November 2000-January 2001.Provenance:Rossi and Rossi, London, 1999For further information on this lot please visit Bonhams.com
JAMES MARTIN PEEBLES: 2 Titles: SPIRIT MATES THEIR ORIGIN AND DESTINY SEX-LIFE MARRIAGE DIVORCE ALSO A SYMPOSIUM BY FORTY NOTED WRITERS A SPIRIT MATES - THEIR PRE-EXISTENCE EARTH PILGRIMAGE REUNIONS IN SPIRIT-LIFE, Ed Robert Peebles Sudall, Michigan, USA, Peebles Publishing Co, 1909, first edition, port frontis inscription on title page, 4pp adverts at end, original decorative cloth gilt, some rubbing to spine, one copy on Copac held at Senate House Library, University of London, DEATH DEFEATED THE PSYCHIC SECRET OF HOW TO KEEP YOUNG, Los Angeles, Peebles Publishing Co, 1912, fifth edition, port frontis inscription on title page, 3pp adverts at end, original decorative cloth gilt (2)
JOHN SEBASTIAN MARLOW WARD: A SUBALTERN IN SPIRIT LAND, London, William Rider & Son, 1920, first edition, port frontis, 2pp adverts at end, inscription on title page, original cloth gilt, spine gilt lettered plus JOHN SCOTT: I LENT A HAND TO A GHOST, London, Spiritualist Press 1950, first edition, original cloth, d/w (small part losses) plus GODFREY WINN: THE QUEST FOR HEALING, London, Frederick Muller, 1956, first edition, original cloth, d/w, vgc (3)
ALEXANDER VERNER, SIX SCARCE PAMPHLETS IN ONE COMPRISING SUCCESS AND HAPPINESS SERIES, BOLTON BRITISH PSYCHOLOGICAL INSTITUTE [1908-10], new edition revised and enlarged, numbers 1 to 6 complete, comprising HOW TO BECOME HEALTHY WEALTHY AND HAPPY AND TO CURE DISEASE OR PERSONAL MAGNITISM AND WILLPOWER - MEDICAL HYPNOTISM AND SUGGESTION - PRACTICAL PSYCHOMETRY - HOW TO KNOW YOUR FUTURE AND TO READ THE PAST PRESENT AND FUTURE OF OTHER PEOPLE OR CLAIRVOYANCE AND CRYSTAL-READING THE WAY TO UTILISE THEM - TABLE WRAPPING AND AUTOMATIC WRITING - HOW TO CONVERSE WITH SPIRIT FRIENDS, original wraps bound in, contemporary cloth gilt, vgc
TONY LEWIS: DOUBLE CENTURY THE STORY OF MCC AND CRICKET, London, Hodder & Stoughton, 1987, (100) numbered (90), signed by Tony Lewis and Colin Cowdrey, original grained leather, all edges gilt, slip case plus J S FINCH: "GAME IN SEASON", NP 1984, first edition, original faux brown leather gilt plus CRICKET ILLUSTRATED AND 60 PHOTOGRAPHS BY G W BELDAM OF FAMOUS CRICKETERS, London and Glasgow, Gowans & Gray, 1908, first edition, adverts at front and end, inscription on front paste down, original pictorial wraps v worn with losses and detached, plus CHRISTOPHER MARTIN-JENKINS: THE SPIRIT OF CRICKET A PERSONAL ANTHOLOGY, London, Faber & Faber, 1994, first edition, signed, original cloth d/w, (price clipped), otherwise vgc plus GEOFFREY MOORHOUSE: LORD'S, London, Hodder & Stoughton, 1983, first edition, original cloth d/w (price clipped) otherwise vgc plus DICKIE BIRD WITH KEITH LODGE: 80 NOT OUT MY FAVOURITE CRICKET MEMORIES, London, Hodder & Stoughton, 2013, first edition, inscription on front free end paper, original cloth d/w, vgc plus LEN HUTTON WITH ALEX BANNISTER: FIFTY YEARS IN CRICKET, London, Stanley Paul, 1984, first edition, original cloth d/w, vgc plus ABE MITCHELL: LENGTH ON THE LINKS A BOOK FOR PLAYERS IN ALL STAGES REVEALING THE SECRETS OF THE LONG BALL, Ed J Martin, London, Methuen, 1935, first edition, original cloth, plus LOUIS T STANLEY: A HISTORY OF GOLF, London, Weidenfeld & Nicholson, 1991, first edition, original cloth d/w, vgc (9)
Boyle,R.: Memoirs for the Natural History of Humane Blood, Especially the Spirit of that Liquor. London, Smith 1683/84. Kl.8°. Ldr. d. Zt. (Tls. stärker beschabt). Wing B3993. Fulton 146. Garrison & Morton 861. Norman 308.; Wellcome 228725762. - The first analysis of blood, Boyle's Memoirs may be considered the first scientific study in physiological chemistry, exhibiting methods which have become universally adopted. This is Boyle's most important medical work" (Garrison & Morton). - Exlibris. - Verso vord. flieg. Vorsatz hs. Eintrag von alter Hand. Titel unten im w. Rand kl. Fehlst. - (918).
A brass miner's dial or surveyor's compass, the silvered dial inscribed Bradford London, dial 12 cm diameter, cased and a cased Surveyor's level by Chadburn Brothers Sheffield (2)Miner's dial - Some minor wear to the silvered dial, cross hairs broken, single spirit level. case lacking fittings.Surveyor's level - general wear and rubbing to the finish. Spirit level glass cracked, some verdigris around the spirit level casing. Fitted case with adjustable tripod mount, label for J. Halden & Co Ltd.
MOUNTAINEERING: SMYTHE (F S): 'An Alpine Journey..', London, Gollancz, 1934: FIRST EDITION, publishers black cloth with dustjacket, minor wear else VG: 'The Spirit of the Hills', Hodder & Stoughton, 1935, VG in dustjacket: 'Climbs in the Canadian Rockies', 1950, FIRST EDITION, jacket a little marked with a few minor nicks: with 19 others, mountaineering, cross-period 20thc publications, generally in G-VG condition. (22)
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49464 item(s)/page