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GROUP OF VICTORIAN AND LATER CLEAR PRESSED GLASS,including a pair of stemmed bon bon dishes, a pair of frosted candlesticks and a fish spirit flask (10)

A Royal Mint Britannia The Spirit of a Nation 2018 six coin silver proof set complete in presentation box with COA.

A Royal Mint Britannia The Spirit of a Nation 2019 six coin silver proof set complete in presentation box with COA.

A Royal Mint Britannia The Spirit of a Nation 2021 six coin silver proof set complete in presentation box with COA.

Magic. Supernatural.- Tales of Magic and Mystery, 4 issues only (of 5), lacking issue 2, very occasional light spotting, issue 3 with joints split at head but covers holding, 1927-8 § Friskell (Samri) Spirit Mediums Exposed, margins lightly toned, spine strengthened with brown paper and tape, 1930, original pictorial wrappers, lower covers lightly soiled, some chipping to extremities, some spines with loss to head and foot, short splitting to joint ends, New York; and a copy of The Life of a Showman, 8vo & small folio (6)⁂ The first includes the first printing of the short story "Cool Air" by H. P. Lovecraft, "that will ring down through the corridors of your memory for years to come". The second features writing by Houdini, magician Howard Thurston and Sir Arthur Conan Doyle.

 A unique Rolls Royce Silver Wraith radiator mascot display cabinet lined with wooden fitted shelves containing rare Rolls Royce radiator mascots. In total, there are 14 Spirit of Ecstasy mascots. The early pre-war examples have the correct bases and underwing markings together with Charles Sykes and C. Sykes signatures. To TopRolls Royce Kneeling Lady on the correct radiator cap for the SilverWraith motorcar of the late 1940s/early 1950s Top ShelfEdwardian type Silver GhostRolls Royce Whisper in the manner of Charles SykesRolls Royce Silver Ghost 1918-1925 Second ShelfRolls Royce 20HP solid nickel 1922-1928Rolls Royce Phantom One 1925-1929Rolls Royce long service presentation retirement Spirit of EcstasyRolls Royce Phantom Two 1930-1933Rolls Royce Silver Shadow 1970s Third ShelfRolls Royce20/25 1931-1935Rolls Royce Kneeling Lady 1934 onwardsRolls Royce Silver Cloud 1950sRolls Royce Silver Cloud III 1960sRolls Royce Corniche Convertible Gold Plated 1980s  

Rolls Royce Spirit of Ecstasy kneeling version for the 1950s Rolls Royce Silver Wraith on a turned wooden base, with pat no to underside.

Automobilia Rolls-Royce interest - Rolls Royce Silver Shadow & Bentley T series Carmargue & Corniche by Malcolm Bobbitt; Rolls-Royce and Bentley The Crewe Years by Martin Bennett; Rolls-Royce Silver Spirit & Silver Spur; Bentley Mulsanne, Eight, Continental, Brooklands and Azure by Malcolm Bobbitt; The Rolls-Royce Motor Car by Birds & Hallows; Rolls-Royce & Bentley Sixty Years at Crewe by Malcolm Bobbitt. (5)

A 19th Century mahogany cased banjo barometer/thermometer with storm dial to top, small mirror and spirit level to base marked Christensen, High Street, Cowes, the silvered main dial to mercury works - some damage

An old embossed and painted aluminium advertising sign for Pratts motor spirit

A vintage Shell Motor Spirit petrol can - sold with another

A quantity of hedge trimmer items, spirit levels, etc.

An Edwardian oak tantalus with silver plated fittings and three cut glass spirit decanters and silver plated decanter labels - no key

A pair of hobnail cut glass spirit decanters - sold with a pressed glass box and cover of globe form

Chokwe - Angola, Zambia Chihongo mask.Hard wood with dark patina, branches, fibers, fabric, rope, pigments and human hair.Small defects and numerous signs of use. . Cm 24,00 x 30,00 x 15,00. In almost all the Chokwe groups that populate the vast territory that extends between Angola and Zaire, the Chihongo masks represented the spirit of a deceased person who interceded to increase prosperity and male power. Formally this type of mask was considered complementary to the Pwo masks that famously embodied the feminine features of beauty. Some Chokwe groups felt that this mask emphasized real features and could only be used and owned by the king and his sons.Splendid for expressiveness, wear and state of preservation, this mask is characterized by two bands of human hair applied only over the ears and three orders of eyebrow incisions that suggest a stylistic influence Mbunda.I integrate the whole system of branches, fibers and fabric that make up the back of this mask and that allowed the dancer to wear it as a hat.Beautiful dark patina and lived and its multiple signs of use.

A mid-19th century mahogany-cased wheel barometer: the foliate carved pediment with scroll-ends above a DRY-DAMP dial, the thermometer below with Blood Heat marker and the circular silvered register-dial signed DOLLOND - London; spirit-level to the shaped mahogany base (99cm high)

18th century RN salvage - HMS Edgar (1668) and HMS Royal George (1756) – 3 items of salvage recovered by Maj-Gen Charles Pasley R.E. at Spithead in the early 1840s, together with a note from Sir Charles Gage Brown, describing the articles and the circumstances in which they were presented to his father, Comm. Charles Brown R.N., at Southampton in 1843. (4)Provenance – by direct descent through the Brown family.1.     HMS Edgar (sunk in 1711) – a large pewter bowl with the arms of Rear Admiral Sir Hovenden Walker engraved to its rim.2.     HMS Edgar (sunk in 1711) – an onion-shaped wine bottle encrusted with part of a seashell.3.     HMS Royal George (sunk in 1782) – a bottle of Madeira4.     Sir Charles Gage-Brown – a 300-word note explaining how the above were given to his father by Pasley, who was in charge of salvaging and clearing both vessels, which were a hindrance to the Spithead anchorage.The note from Sir Charles Gage Brown reads:Articles to be disposed of from the wreck of the HMS Royal GeorgeA large circular Bowl, brought up from the wreck of the Royal George in 1843 and presented to my father by Colonel Pasley R. E. with whom he had been associated in the blowing up and removal of the wreck, it is just in the condition in which it was recovered.It measures about 18 inches across and has a broad rim of 2 inches, and with a centre 2 in deep – on the rim is the coat of arms of the former owner. At Herald’s College I ascertained that the arms are borne a family named Walker*. I have not troubled the Admiralty by enquiring if there was an officer of that name serving in the ship at the time of the most melancholy accident, or the rank of such officer so serving. The Royal George was sunk in 1782. There are also two tablespoons just in the condition in which they were recovered.Also a quart bottle of sherry – I may as well give an incident concerning it. On the day that it was brought to my father’s house, there was a dinner party of naval officers & at dessert to which small boys were in those days admitted, he showed them this bottle. There was quite a little excitement about it and one ardent spirit persisted in having the cork drawn, a little of the wine was poured out and tasted by all, a taste was sufficient but our ardent friend was bent upon another test, and threw the remains in the glass into the fire, with the unexpected result of quite a blaze, showing how much spirit remained in it after 60 years submersion. My father had it again corked & sealed and it has never been touched since then.**HMS Edgar – blown up and sunk at Spithead 15 Oct 1711. 400 seamen and others lost – a bottle of Hock with wine in it. The old fashioned shaped Hock bottle, brought up from the wreck by Colonel Pasley R.E. in June 1843. Nearly 200 years old. Also 1lb weight, now weighing but little more than ½ lb.* Gage Brown's note erroneously ascribes the pewter bowl as being salvaged from the Royal George. It was, in fact, as the family later discovered, almost certainly raised from HMS Edgar. Gage Brown took the bowl to the Richmond Herald, Charles Athill, at the College of Arms in London on October 21st 1894 in order to confirm the arms on the bowl were those of the Royal George's Admiral, Richard Kempenfelt. It appears Gage Brown, half a decade after the salvage had been presented to his late father, had been barking up the wrong tree. Athill followed up with a letter the next day:College of ArmsQueen Victoria Street E.C.21 Oct 1894Dear Sir,With reference to the old pewter bowl which you shewed me yesterday. The Arms are not those of Admiral Kempenfelt, but belong to the family of Walker of Ilam co. Stafford. One of the Walkers was probably an officer with the "Royal George".Yours faithfully,Charles H. AthillRichmond Herald** The vendor informs us: 'The 'sherry' bottle from HMS Royal George, which is still a third full, was tasted and proven still sound in 1965 by David Rutherford of Rutherford Osborne, Shippers of Madeira, who declared it to be Madeira Sercial. The bottle from HMS Edgar still contains liquid, but I defy anyone able to drink it!'

DR. CHRISTOPHER DRESSER for Benham & Froud - a copper and brass kettle with upturned rim, angular handle and raised on three tapering angular brass feet, impressed Benham & Froud mark to underside. The kettle suspended from a wrought-iron tripod stand with spirit-burner beneath and heavy spherical hanging weight below (wrought-iron stand 81cm high)

Box of unused set of 6 spirit tots, mixed glass, old pipes etc

Magpie lot incl. a small kettle on stand with raised decoration, spirit flask, 2 lady Royal Doulton figurines

A collection of cut glass vases, fruit baskets, dishes, water jugs, tankards, along with coloured and other wine and spirit glasses

A collection of spirit flasks, vintage cameras and binoculars

Four vintage red painted petroleum spirit cans

Thirteen collectable rock LPs, artists to include: Bob Dylan; Spirit; Camel; U2; The Rolling Stones; Elton John; Fleetwood Mac; David Bowie; and Crosby, Stills & Nash. (13)

William Oxer F.R.S.A .Acrylic on Canvas - 'Light Spirit' - A highly exhibited British, primarily figurative painter and artist, who incorporates classical techniques to produce contemporary artwork. 44cm x 57.5cm (including gilt frame)

A large collection of rock and pop CDs, artists to include: U2; Slade; T.Rex; Adam Ant; Tool; Whitesnake; The Beatles; The Sweet; The Dandy Warhols; Metallica; Uriah Heep; Wishbone Ash; Slayer; The Offspring; Yes; Seether; Spirit; Venom; UFO; and others. (Qty)

A silver plated spirit kettle, together with a silver plated egg stand and two pickle stands.

A silver plated spirit kettle with a silver plated 5 piece tea and coffee set.

George V hallmarked silver spirit kettle on stand, Sheffield 1921, maker James Deakin & Sons, height 29cm, weight 1347g all in

A 19thC two coloured stoneware jar, with raised rosette Lowe Son & Cobbled Limited Wine and Spirit Merchants Stamford, 37cm high.

An early 20thC two coloured stoneware jar, impressed JR Lowe Wine and Spirit Merchants Stamford, stamped 2 gall, 44cm high.

Robert Tomlin (20thC). The Spirit of Lincoln Artisan, limited edition print number 127/1000, signed by various Red Arrow members, 28cm x 38cm.

Theophylactus (Archbishop of Ochrida, circa 1050-1108). In quatuor Evangelia enarrationes, denuo recognitae. Joanne Oecolampadio interprete, Basel, Andreas Cratander, March 1525, [8], 221 leaves, plus final blank, with woodcut device to verso (?8, a-z6, A-M6, N8), title within elaborate woodcut border, depicting God the Father, the Son and the Holy Spirit surrounded by a heavenly host, symbols of the four evangelists, and the thirteen apostles, contemporary ownership inscription in ink below the title date 'Mychaell Shirbroke booke', first page of main text with elaborate decorative woodcut border, with large woodcut initial to verso, numerous smaller woodcut initials throughout, several woodcut head- and tail-pieces, colophon to verso of N7, with contemporary manuscript inscription in brown ink below 'Ex libris Cuthberti Shirbroke de Thurveton infra decanatum de Broke Norwicens diocesis cl[er]ici', occasional contemporary manuscript annotations in brown ink to margins (presumably by Cuthbert Shirbroke or Sherbrooke), unobtrusive peppering of worm, mainly to front of volume, not affecting legibility, marginal waterstaining to the second half of the work, becoming somewhat heavier to the final 12 leaves, minor marginal fraying to first and last few leaves (not affecting text), contemporary blind-decorated full calf upper and lower covers only, over modern antique-style brown calf over wooden boards, with clasps (thongs renewed), folioQTY: (1)NOTE:Provenance: Cuthbert Sherbrooke of Norfolk, rector of Rockland and Thurton (Thurveton), active 1530-1537, with his inscription below the colophon on N7.A number of books bearing Sherbrooke's ownership inscription were discovered in 1912 in a locked cupboard at Oxton Hall in Nottinghamshire, and were sold at Sotheby's the same year (28 June, lots 439-465), amongst which the present work was presumably included. Four volumes belonging to Cuthbert Sherbrooke are identified by Margaret Lane Ford in Private Ownership of Printed Books, The Cambridge History of the Book in Britain (2014), pages 212-13. See Bernard Quaritch, Manuscript Waste, 2019, item 11.Adams T587; BM STC German, 113.Second edition of Theophylactus' commentary on the New Testament, translated by Johann Oecolampades.

A leather shot flask, a small brass and copper hunting horn and a double B.R./W. 1955 spirit level.

A cast metal "Spirit of Ecstasy" Rolls Royce car mascot, raised on an oak plinth. Mascot height only 10.5 cm.

A pair of square form spirit decanters, another and a club shaped decanter.

CARTON OF PLATEDWARE WITH SPIRIT FLASK, SILVER TEETHING RING, ORNAMENTS, CLOCKS ETC

STANLEY SPIRIT LEVEL

Spanish school; second half of the 18th century."The Coronation of the Virgin".Oil on canvas.It presents slight losses and damages.Measurements: 22 x 14 cm; 30,5 x 23 cm (frame).In this work Mary is represented in the centre, establishing herself as the axis of symmetry of the composition. She is crowned by God the Father on the right and Jesus Christ on the left. On the crown above her head flies the Holy Spirit in the form of a dove, the bird seen from the front in a foreshortened view. The composition, which is strictly symmetrical without losing its naturalism or a certain restrained dynamism that already reveals the baroque taste, is completed by the presence of five angels at the Virgin's sides and three little angels' heads below her feet. This is a piece in which conceptualism predominates over naturalism, which is why the space is undefined, simply a golden background of Glory from which delicate clouds emerge, opening up in the upper central part to give way to the Holy Spirit. The lighting is also typically mannerist: a dramatic, fanciful and artificial light that multiplies its spotlights and creates delicate nuances that model the volumes, and deep shadows that serve to emphasise Mary's central position. In addition, the author has made a careful study of the postures and gestures, individualising each character and seeking eloquence and expression. At the same time, the gazes of the angels, the Virgin, Jesus and God the Father establish a complex, closed dialogue, typical of a period when painters liked to multiply the readings and meanings of their works, making them almost enigmas. At the same time, the Virgin looks upwards, also directed at God, in her role as mediator between humanity and the Kingdom of Heaven.

Andalusian School, Circle of MATIAS DE ARTEAGA (Villanueva de los Infantes, Ciudad Real, 1633 - Seville, 1703), 17th century."The Annunciation".Oil on canvas.Retouching.Repainting and restorations.Measurements: 81 x 102 cm; 105.5 x 120 cm (frame).The spatial complexity that the theme of the Annunciation denotes here, making the pedestrian architectural plane coexist with the celestial one, presents clear concomitants with the way in which Matias de Arteaga treated the biblical episodes. It is therefore part of the Sevillian Baroque, in Arteaga's circle. The main scene is set in an interior in which, on the right hand side, the Virgin kneels before a lectern. A vase of lilies, a symbol of Marian purity, stands between her and the archangel who brings her the good news. Saint Gabriel points upwards, where God the Father and the Holy Spirit burst forth in a burst of golden glory. In the background, the urban architecture is depicted, based on sober, perfectly delineated arcades. A Spanish Baroque painter and engraver of the Sevillian school, Matías de Arteaga y Alfaro was able to capture and interpret the dual influence of Murillo and Valdés Leal with his own personality. The son of the engraver Bartolomé Arteaga, while still a child his family moved to Seville, where he trained in his father's studio and in contact with Murillo, whose influence reveals his early work together with that of Valdés Leal, who settled in Seville the same year that Arteaga passed his master painter's examination in 1656. In 1660 he was among the founding members of the celebrated drawing academy promoted by Murillo, among others, of which he served as secretary between then and 1673. In 1664 he joined the Hermandad de la Santa Caridad brotherhood and two years later the Sacramental del Sagrario brotherhood of Seville cathedral, for which he produced a number of works. Around 1680 he is also recorded as working as an appraiser of paintings. He died in 1703, and the inventory of his estate at his death reveals a wealthy lifestyle that included an important library and an engraving studio, as well as over 150 paintings, almost half of which were of religious subjects. Among them were four series of the Life of the Virgin, some of which were expressly said to contain architectural views, such as those in the present work and those in the Museo de Bellas Artes in Seville. The most characteristic feature of his peculiar style is precisely these series of always religious subjects, set in broad landscapes and architectural perspectives taken from prints. Arteaga is represented in the aforementioned Sevillian museum, various Sevillian churches including the cathedral and the Museo Lázaro Galdiano, among others.

Spanish or Novo-Hispanic school, first half of the 17th century."The Trinity receiving the soul of a Christian".Oil on canvas.Frame of the 18th century.It presents perforations. Restorations and faults.Measurements: 108 x 85 cm; 118 x 94 cm (frame).In this composition the ascension of the soul of a deceased Christian is illustrated in a very eloquent and descriptive way. The scene is populated by numerous biblical characters and religious allegories: on the lower level, two demons want to tempt the soul of the recently deceased, but St. Michael breaks in with his sword and a group of saints also watch over the good soul. In heaven, the Virgin awaits, occupying the centre of the composition, flanked by groups of bishops and archangels arranged symmetrically on either side. At the top, God the Father and the Son, together with the Holy Spirit, preside over the composition. Numerous phylacteries cross the skies and establish links between the figures. Stylistically, the painting is fully in keeping with the Spanish Baroque style, although it is likely to have come from workshops in New Spain.

VIOLET LIGHTNING - VOID SPIRIT LP (ORIGINAL AUSTRALIAN COPY - NEUTRON STAR NS 666314). The scarce only 1979 LP from Violet Lightning (Ian McFarlane). The record (Netron Star NS 666 314) is in glossy Ex condition with a couple of light and minor surface hairline marks. Complete with insert in Ex condition. The sleeve is in sharp Ex condition with a little laminate wear.

DOWNTEMPO/ SPACE ROCK - LP/ 12" PACK. A superb pack of 9 modern downtempo/ space rock LPs/ 12". Artists/ titles include Zero 7 - When It Falls (5050467098718, Printed inners. Records Ex+/ sleeve Ex), Spiritualized inc Lazer Guided Melodies (DEDLP 004, 2 LP plus bonus 7". Printed inners. Records Ex+/ sleeve Ex) &, I Think I'm In Love (SPIRIT 014T, Ex/ Ex), The Abbey Road EP (SPIRIT 015T, Ex/ Ex), Smile/ Sway (SPIRIT 003T, Ex/ Ex) & Come Together Remixes (SPIRIT015TDJ, Ex/ Ex). Spacemen 3 - Big City Drive (BLAZE 41T, Ex/ Ex). Death In Vegas inc Rocco (HARD 29 12, Ex/ Ex), Dirt (HARD 9 12, VG+/ Ex), Dirt (HARD 2712, Ex/ Ex), Twist And Crawl (HARD 26 12, Ex/ Ex).

SPIRIT OF JOHN MORGAN - S/T LP (UK STEREO - CARNABY - CNLS.6002). An excellent copy of the self-titled debut LP by British blues-rock group Spirit Of John Morgan (CNLS.6002, 1969 UK stereo pressing on Carnaby. Union Jack labels have a little pitting, this will have happened at time of pressing. The record is in superb Ex+ condition/ The front laminated flip-back sleeve is in beautiful, glossy Ex condition).

JOHN MORGAN AND RELATED - LP RARITIES. An excellent pack of 4 LPs by British blues-rock legend John Morgan. Titles include Spirit Of John Morgan inc Age Machine (CNLS 6007. 1970 UK press on Carnaby. Record Ex/ sleeve Ex) & Spirit Of John Morgan (1C 052-90 906, 1969 German pressing on EMI/ Columbia. Record Ex/ sleeve Ex). Kaleidoscope (x2) inc (6302 010, 1 copy doesn't have a sleeve. Records are Ex & strong VG+/ sleeve is VG+) & Live At Durrant House (SWP 1007, signed on the rear by John Morgan. Record Ex/ sleeve Ex).

The Sex Pistols: A Rare Anarchy In The UK Tour Poster For The Cancelled Show at Charlton Theatre In Preston,10th December 1976,listing the Sex Pistols and their UK tour dates, with support acts The Damned, Johnny Thunders & The Heartbreakers and The Clash, who were all due to play in Preston before most of the tour dates were cancelled, 19 1/2in x 29in (49cm x 73.5cm)Footnotes:Following the furore caused by the Pistols' infamous appearance on the Bill Grundy 'Today' TV show on 1st December, all but three of the nineteen tour dates were cancelled. According to the family of John Peel, he drove to the 4th December concert in Derby to see the band perform, only to find it was cancelled. He consoled himself with the idea that it was probably more in the spirit of punk than if the gig had gone ahead.For further information on this lot please visit Bonhams.com

STÈLE D'UMA MAHESHVARA EN GRÈSINDE DU NORD, XIE SIÈCLE38 cm (15 in.) highFootnotes:A SANDSTONE STELE OF UMA MAHESHVARANORTH INDIA, 11TH CENTURY印度北部 十一世紀 砂岩濕婆與烏瑪石碑Provenance:With Claude de Marteau, Brussels, by 1970s 'As Uma-Mahesvara, their image shows Uma as part of Shiva's ambience, though not of his body. The togetherness of god and goddess is full of meaning on more than one level: Uma-Mahesvara may be seen as wedded divine lovers, exalted in their embrace; they may be realized in their togetherness as Purusa and Prakrti, Spirit and Matter, Essence and Substance – while each level implies the other, linked by a living myth. Their coincidence subsists in the work of art. Each age and school of art and each sculptor realized Uma-Mahesvara in a separate way, channelled by the iconographic guidance of the manuals on image making.' (Kramrisch, Manifestations of Shiva, 1981, p. 58.) Shiva's fingers hug Uma's supple waist as she nimbly reclines on his left thigh. Twisting her torso and raising her gaze, Uma dotes on Shiva while he looks forward with a searching gaze. Ensconced below are the divine couple's offspring, Ganesha and Kartikeya, as well as endearing depictions of their bull and lion mounts. The remaining carved surface is crammed with celestial attendants and mythical vyalas and makaras. Stylistic comparisons can be drawn with a stele attributed to the mid-10th-century in the Los Angeles County Museum of Art (M.75.11). See also a 9th-century Uma Maheshvara stele in the Victoria & Albert Museum (IS.113-1986).For further information on this lot please visit Bonhams.com

A stoneware 2 gls. Spirit Barrel, probably Doultonware, with brown glaze, 13 1/2" (34cms), and a bronzed Spelter cherub figure Lamp, (as is). (2)

A Japanese Export silver Tea Kettle, on simulated bamboo stand with spirit lamp, the kettle chased with birds in flight, insects, and bamboo sprays, the simulated bamboo handle detached. (1)

ROLLS ROYCE MASCOT. A Rolls Royce 'Spirit of Ecstasy' mascot mounted on a wing wheel nut. Mascot height 11cm. Total height 15cm.  Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

A Collection of Pewter to Include Danish Bowl on Four Scrolled Feet, Four Spirit Measures and a Decorated Cup

A Furstenberg porcelain spirit kettle on stand, mid-19th century, with gilt-mounted swing handle, a fruit finial to the lid and decorated in green and gilt floral blooms,23cm wide39cm highProvenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Cracks to the kettle to one side and base. There are small chips and breaks to most the petals on stand.

Pair of Victorian brass 'footman' trivets; brass chestnut roaster; brass spirit kettle; copper warming pan; copper kettle; pewter and other metalware.

Country Artists - two models, Untamed Spirit, and Agile Spirit, bases 37cmx21cm, and 39x18cm, as new, in boxes.Qty: 2

A late 19th/early 20th century copper food warmer by “Alexr. Boyd & Son, 105, New Bond St., London”, of rectangular form with removable cover & three separate spirit burners, 24” wide x 7” high x 9½” deep. (one bun foot loose – lacking fastening nut).

Four sets of lawn bowls; two spirit barrels; an enamelled breadbin; various tools, etc.

An Aster for Fulgurex Gauge 1 Live Steam PLM 4-6-2 Locomotive and Tender, produced in 1977 and finished in PLM red-lined green livery as No. 6101, with twin cylinders, screw-operated reversing, water and pressure gauges, regulator, blower and functioning whistle, with fitted 3-wick spirit burner and tank to tender, possibly made-up from a kit as instructions cover assembly, E, never steamed, non-original boxes (2)

A Bing for Bassett-Lowke Gauge 1 live steam MR/LMS 'Compound' 4-4-0 Locomotive Tender and Goods Stock 'Project Box', the loco with two outside cylinders and valve eccentrics inside wheels, appears to be a non-reversing version, with iron wheels and fluted rods, fixed burner with spirit tank to tender, the later has evidently suffered a conflagration at some time with loss of paint and axlebox castings, the loco overpainted (mostly) in green and fitted with lubricator in cab, overall P, but essentially includes all necessary parts to make a workable engine, together with a B-L LMS van, a GW 'Toad' brake van and bogie open wagon, all wooden bodied, all P in need of restoration (5)

A Gauge 1 spirit-fired live steam Midland Railway 2P class 4-4-0 Locomotive and Tender, in beautifully-finished lined crimson lake as MR No. 2681, with bogie tender, the locomotive with single operating inside cylinder, slip-eccentric reversing, axle-driven water pump and hand-pump in tender, fixed spirit burner with feed pipe from tender tank, pressure gauge, lubricator, regulator and blower, VG, some crazing to right-hand cab-side panel, in a bespoke wooden carrying case, with some boiler and work history, latest certificate issued 12/8/2019

A Gauge 1 spirit-fired live steam Midland Railway 'Compound' class 4-4-0 Locomotive and Tender, evidently made from a Barrett Engineering Services Kit, built and finished to professional standard in lined crimson lake as MR No. 1000, with 6-wheel tender, the locomotive with twin operating outside cylinders, slip-eccentric reversing, axle-driven water pump and hand-pump to tender, fixed spirit burner with feed pipe from tender tank, pressure gauge, water gauge, lubricator, regulator and blower, VG-E, in a bespoke wooden carrying case with boiler test certificate issued 2/7/2019, annotated 'requires running in', original hydraulic test certificate (2008) and other related paperwork