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Hand made, decorated. Modeled as Far Eastern mythological spirit.This is a striking, hand made and decorated, allegorical Bhoma wall mask modeled as a Balinese Barong or mythological spirit. Hanging string. Issued: c. 1970 Dimensions: 9.5"H x 7.25"W Country of Origin: Indonesia Provenance: David Farin Collection
Metal overlay, enamel. Third Eye. Modeled as Eastern divine spirit.This is a striking, hand made and decorated, allegorical Bhoma wall mask modeled as Ganesha, a sacred spirit of various Far Eastern traditions, and with an Awakened, or Third Eye. Profuse applied red and blue enamel decorations, and incised metal overlay, with a rich vintage patina. Exquisite details. Hanging hardware. Issued: c. 1970 Dimensions: 9.75"H x 7"W Country of Origin: Indonesia Provenance: David Farin Collection
Carved wood with leather, feathers, and other natural materials.An unusual and exemplary traditional Indigenous Canadian Nuu Chah Nulth tribal carved mask, modeled as Pookmis or Pook Oobs, called the Wild Man of the Sea, a whale hunter in Pacific Northwest lore and myth who was transformed into a protector spirit. Traditional Pookmis masks are painted white to evoke the effects of drowning; the lips are pursed to indicate Pookmis� distinctive cry, and the hair is tied in a whale hunter�s topknot. With feathers, and other naturalistic material highlights. Artist: Elmer Thompson Issued: c. 1970 Dimensions: 16"H x 12"W Country of Origin: Canada Provenance: Collection of Mona Brown
Wood, clay, beads and fabric in likeness of a Native Hopi spirit.Hand made with wooden base and highly detailed. Wooden figure with mud clay head, depicting native spirit in the traditional Hopi religion. Carved by award winning Coyote Clan Hopi artist Silas Roy, Sr. (b. 1948), son of Hopi Pueblo carver Coolidge Roy, Sr. Certificate of Authenticity. Issued: c. 1995 Dimensions: 10"H Country of Origin: United States Provenance: Collection of Mona Brown
Wood, clay, beads and fabric in likeness of a Native Hopi spirit.Hand made with wooden base and highly detailed. Wooden figure with mud clay head, depicting native spirit in the traditional Hopi religion. Carved by award winning Coyote Clan Hopi artist Silas Roy, Sr. (b. 1948), son of Hopi Pueblo carver Coolidge Roy, Sr. Certificate of Authenticity. Issued: c. 1995 Dimensions: 10"H Country of Origin: United States Provenance: Collection of Mona Brown
Wood, clay, beads and fabric in likeness of a Native Hopi spirit.Hand made with wooden base and highly detailed. Wooden figure with mud clay head, depicting native spirit in the traditional Hopi religion. Carved by award winning Coyote Clan Hopi artist Silas Roy, Sr. (b. 1948), son of Hopi Pueblo carver Coolidge Roy, Sr. Certificate of Authenticity. Issued: c. 1995 Dimensions: 10"H Country of Origin: United States Provenance: Collection of Mona Brown
Wood, clay, beads and fabric in likeness of a Native Hopi spirit.Hand made with wooden base and highly detailed. Wooden figure with mud clay head, depicting native spirit in the traditional Hopi religion. Carved by award winning Coyote Clan Hopi artist Silas Roy, Sr. (b. 1948), son of Hopi Pueblo carver Coolidge Roy, Sr. Certificate of Authenticity. Issued: c. 1995 Dimensions: 10"H Country of Origin: United States Provenance: Collection of Mona Brown
Wood, clay, beads and fabric in likeness of a Native Hopi spirit.Hand made with wooden base and highly detailed. Wooden figure with mud clay head, depicting native spirit in the traditional Hopi religion. Carved by award winning Coyote Clan Hopi artist Silas Roy, Sr. (b. 1948), son of Hopi Pueblo carver Coolidge Roy, Sr. Certificate of Authenticity. Issued: c. 1995 Dimensions: 10"H Country of Origin: United States Provenance: Collection of Mona Brown
Wood, clay, and fabric in likeness of a Native Hopi spirit.Hand made reproduction of a 19th century motif, STAR KACHINA, by Hopi Pueblo artist Manfred Susunkewa (b. 1940). Decorated with pigeon feathers and earth pigments. Artist: Manfred Susunkewa Issued: c. 1970 Dimensions: 14"H Country of Origin: United States Provenance: Collection of Mona Brown
Wood, clay, and fabric in likeness of a Native Hopi spirit.Hand made with wooden base and highly detailed. Wooden figure with mud clay head, depicting native spirit in the traditional Hopi religion. Issued: c. 1970 Dimensions: 5.75"H Country of Origin: United States Provenance: Collection of Mona Brown
Artist signed. Wood, clay, other materials, Native Hopi spirit.Hand made with wooden base and decorated in exquisite detail. Wooden figure with mud clay head, depicting native spirit in the traditional Hopi religion. Signed by Hopi artist OSCAR DALLAS (c. 1920-?). Artist: Oscar Dallas Issued: c. 1960 Dimensions: 11.5"H x 4.5"W Country of Origin: United States Provenance: Collection of Mona Brown
Artist signed. Wood, clay, other materials, Native Hopi spirit.Hand made with wooden base and decorated in exquisite detail. Wooden figure with mud clay head, depicting native spirit in the traditional Hopi religion. Artist signed and titled to base F SAHMIE BLACK OGRE. Artist: F. Sahmie Issued: c. 1970 Dimensions: 14.5"H x 9"W Country of Origin: United States Provenance: Collection of Mona Brown
Artist signed. Wood, clay, other materials, Native Hopi spirit.Hand made with wooden base and decorated in exquisite detail. Wooden figure with mud clay head, depicting native spirit in the traditional Hopi religion. Signed by Hopi artist Rod Phillips (1948-2005), and titled to base LIGHTING KACHINA ROD PHILLIPS. Artist: Rod Phillips Issued: c. 1990 Dimensions: 15.75"H x 9"W Country of Origin: United States Provenance: Collection of Mona Brown
Southern India. Profuse gilding. Metal hanging hardware.An extremely well preserved early 19th century hand decorated polychrome carved wooden statue of the Eastern divine spirit Garuda, a birdlike creature in Hindu, Buddhist and Jain mythology, described as the king of birds. Here he is depicted in his anthropomorphic form (man with wings and some bird features). Garuda is a part of the official state insignia of India, Myanmar, Thailand, Cambodia and Indonesia. Southern India, possibly Kingdom of Mysore. Garuda is depicted with his hands posed to hold the reins of the chariot of Vishnu, for which he is the driver. He wears traditional ceremonial armor breastplate and is surmounted by an extravagant crown, all highlighted with profuse gilt decoration. Presented with a mounting metal chain. Issued: c. 1840 Dimensions: 22"H x 22"W Country of Origin: India Provenance: Collection of John J. Lanzendorf
1977 Yamaha FS1 - E, 49 cc. Registration number UHK 142R. Frame number 57449. Engine number *394 - 057449. Now elevated to cult status, Yamaha's FS1-E 'Sixteener Special' first appeared in 1973. Dropped from the range in 1979, the model was later revived by Yamaha - an almost unprecedented occurrence - with production recommencing in 1987. Originally the 'FS1', the model later gained a set of bicycle pedals to meet UK moped legislation, becoming the 'FS1-E'. In its pre-August 1977, unrestricted form, the 'Fizzie' produced 4.9bhp and was good for around 45mph flat out. When the model was revived, without pedals but now equipped with Autolube, it was available in restricted form only, though the missing horses were relatively easily restored. The passage of time and attendant nostalgia effect has seen the humble FS1-E elevated to the status of one of the most collectible of 'modern' Japanese motorcycles, perhaps only second to the Yamaha RD500LC, (one of which we are also offering) with a whole generation of 50-something motorcyclists eagerly buying and restoring the humble 'Fizzie' in an effort to recapture the spirit of their youth. The FS1-E had the ability to be powered by pushbike type pedals since this was a legal requirement for registration as a moped in the United Kingdom and some other European countries at the time. The special pedal cranks allowed both pedals to be rotated forward so that the pedals would form motorcycle-style footrests in normal operation. To engage the pedals, the left-hand pedal crank could be rotated 180 degrees backwards and locked, and a drive gear engaged allowing the user to pedal. A short chain connected the pedal drive to the main engine-chain drive system. Pedalling was hard work for the rider: there was no freewheel and the pedal gearing was very low. The engine could be started with pedal drive engaged, causing the pedals to rotate under engine power when the bike was in gear. UHK has had some 23 previous owners before it arrived with the previous owner who commissioned a full restoration of the machine and was then displayed at his home. Our vendor purchased it, along with three other fully restored machines, in April 2019, for his own collection. They have remained in a bike cocoon and not used or fired up. Sold with the V5C, this iconic bike will need recommissioning if you wish to take it on the road or else it is ready for display in your sitting room. Purchasers are recommended to check fluid levels before any use.
Medals: a Lloyd's Medal for Bravery at Sea, to Chief Radio Officer G W Jennings of the MV San Demetrio, 16th March 1942, cased.On 14 March 1942 San Demetrio sailed unescorted from Baltimore, Maryland bound for the UK via Halifax, Nova Scotia with a cargo of 4,000 tons of alcohol and 7,000 tons of aviation spirit. On 17 March she was northwest of Cape Charles, Virginia when the German submarine U-404 torpedoed and sank her. 16 crew and three DEMS gunners were lost and six crew wounded, but survivors managed to launch two lifeboats. Two days later the US tanker SS Beta rescued the Master, 26 crew and five DEMS gunners and took them to Norfolk, Virginia.The Master, Conrad Vidot, was awarded the Lloyd's War Medal. The ship's part in Convoy HX 84 was made into a film, San Demetrio London in 1943.
Pair of George III silver spirit labels for Madeira and Bucellas, each with fruiting vine border, London 1818, sponsors mark indistinct, 7.5cm wide, together with a similar George IV example for Sherry, London 1823, with suspension chains, total 2.6toz approx (3) Condition: All in good order, but sponsors mark rubbed, reverse of third example differs from the preceding two. **General condition consistent with age
Pair of Georgian silver spirit labels, for Whisky and Port, each of crescent form beneath urn surmount, Sterling mark only, 5cm wide, together with a George IV silver spirit label for Sherry, Birmingham 1828, sponsor Thomas Freeman, 5.5cm wide, total 1toz approx (3) Condition: Sterling mark only to the pair as catalogued, otherwise sound. **General condition consistent with age
Five assorted Georgian and later spirit labels, comprising Port, London 1831, sponsors John, Henry & Charles Lias, Brandy, Birmingham 1836, sponsor George Unite, Port, Birmingham 1878, sponsor Colen Hewer Cheshire, together with two undated Georgian labels for Port and Madeira, all with chains, 1.5toz approx (5) Condition: **General condition consistent with age
Four silver spirit labels, of foliate design, the first for Madeira, Birmingham 1837, sponsors Taylor & Perry (John Taylor & John Perry), together with another for Port, London 1839, sponsors Joseph & Albert Savory, plus two smaller and later examples for Sherry and Claret, with suspension chains, 1.4toz approx (4) Condition: **General condition consistent with age
Three silver spirit labels, of initial design, comprising H for Hollands, London 1810, sponsors Thomas Phipps & Edward Robinson, Madeira, London 1844, sponsors Charles Reily & George Storer, and Rum, Birmingham 1792, sponsors mark indistinct, with chains, 1toz approx (3) Condition: **General condition consistent with age
Three 19th Century silver spirit labels, for Currant, London 1807, sponsor IR (John Reily), Hollands, London 1824, sponsors mark overstruck, and Cherry, Birmingham 1841, sponsor Joseph Willmore, with chains, 0.8toz approx (3) Condition: Mark overstruck as catalogued. **General condition consistent with age
Three 19th Century silver spirit labels, for Brandy, London 1824, sponsor William Sharp, Brandy, London 1832, sponsor Jonathan Hayne and Port, undated, sponsors mark overstruck, with chains, 1toz approx (3) Condition: Mark to third defective as catalogued otherwise sound. **General condition consistent with age
Three 19th Century spirit labels, for Port, London 1802, sponsor J.A within oval (probably Joseph Ash I), Rum, Birmingham 1839, sponsor Joseph Willmore, and Brandy, sponsor Thomas Phipps & Edward Robinson (undated circa 1800), with chains, 0.65toz approx (3) Condition: No date to third label as catalogued, otherwise sound. **General condition consistent with age
Early 19th Century mahogany-cased wheel barometer, J.Gugeri, Boston, Warranted, the unusually small 6-inch silvered main dial reading from 28 to 31-inches of pressure with Remarks, the shaped trunk with swan-neck pediment over hygrometer, mercury, Fahrenheit thermometer in bow front case, bone adjuster and spirit level inscribed as above, 96cm high Condition: Pediment is a possible replacement, otherwise sound. Please see extra images and TELEPHONE department if you require further information.
A large collection of wine and spirit flagons including Brown of Sons, Wrexham, The Star Brewery, Eastbourne, Tennant Stourbridge, Welch of Rayner, Nottingham etc (10)Condition: Cracks to body of 4, chips to neck of 2, handles missing on 2, handle chipped on 1. Heights vary from approx 30-46cm
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49464 item(s)/page