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Lot 367
Group of mixed collectables to include a wooden standish with twin lidded glass inkwells, carver's mallet, napkin rings, leather-clad pocket inkwell, a cased 'Watts Sitesquare' surveying instrument, wooden spirit level, 3 x glass chemistry bottles and stoppers, chemistry measuring beaker of tapering form, etc
Lot 225
2000 Bentley Arnage Red LabelTransmission: automaticMileage:81,650Launched in 1998, the Arnage was manufactured in Crewe from 1998 to 2009 with its Rolls-Royce sibling, the Silver Seraph. They were the first entirely new designs for the two marques since 1980 when the Silver Spirit and Mulsanne models were introduced. The new Arnage (Green Label) was to be powered by a BMW V8 engine with Cosworth-engineered, twin-turbo chargers and the Seraph was to employ a BMW V12 engine. The Arnage Red Label was launched in October 1999 with the engine reverting back to Bentley power using the traditional V8 engine and a displacement of 6750cc. As part of the modification process, both Red and Green Label cars benefitted from expanded leg room in the cabin, stiffer bodyshells and larger wheels and brakes. First registered on 2nd October 2000 and supplied by Jack Barclay, this impressive example has been in the ‘Bentley enthusiast’ vendors ownership since June 2009. The file for this Arnage contains bills and receipts for servicing, the most recent with specialist Danny Wilcox of DEW services. It is presented in Midnight Emerald with Magnolia Connolly leather hide interior and it also comes with two sets of keys. Presented to auction with a V5C registration document and an MoT test certificate valid until the end of July 2023, this 6.75 V8 litre Bentley offers supreme luxury for a modest outlay.
Lot 254
1992 Bentley Turbo RL Transmission: paddleMileage:108276The Bentley Turbo R initially inherited the turbocharged engine from the Mulsanne Turbo and also sported a retuned suspension and wider tyres on alloy wheels, quite a departure for a Bentley. From the 1987 model year, however, the Turbo R's V8 engine was retuned with new Bosch MK-Motronic fuel injection for added torque. Other modifications carried out at the same time included new sports seats and a higher rear axle ratio. Motor Trend called the Turbo R 'the first Bentley in decades deserving of the famous name' in their review of the car on its introduction to the United States in 1989. The suspension changes, though seemingly subtle, transformed the heavy car into a real performer and slotted above the Bentley Mulsanne S and Rolls-Royce Silver Spirit, and it carved a well-deserved niche in the world of performance saloons.This long wheel base example was registered new on 9th April 1992 in Balmoral Green paintwork over Parchment interior with green piping and a green top roll. The history file that accompanies the car includes various MoT records including the most recent, which is valid until 10th September 2022. Offered at no reserve this is a very good opportunity to acquire a desirable RL example.
Lot 123
A silver mounted glass spirit flask, by Thomas Whitehouse (probably), London 1891, height 15.2cm, together with three various silver plated and leather covered glass flasks by James Deakin & Sons, and a late Victorian small silver hip flask, by W & G Neal, London 1898 (this last as found). (5)Condition note: Silver flask with lid lock as found, further image added.
Lot 259
Hublot, a ceramic Spirit of Big Bang chronograph wrist watch, circa 2017, skeleton dial, reference 641.CI.0173.RX, signed automatic movement, serial 1230464, 42mm excluding the crown, fitted to a signed black rubber strap with titanium folding clasp, box and papersCondition- Movement is currently functioning- The chronograph counts one minute, but the hour counter has not been tested due to time constraints- Dial appears to be in good condition- Hands appear to be in good condition- Case has a some marks and scratches- Glass with a few scratches- Strap shows mostly light marks only - International warranty card- Original sales invoice dated 11/04/2017- Please note that we cannot guarantee the working order, accuracy or water resistance of any watches sold in our auctions- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Lot 130
Archibald Knox - Liberty & Co of London (stamped) - A 19th Century Victorian copper and pewter Arts & Crafts period / design spirit kettle. The teapot with shaped handle to top with wooden finial to lid and hammered decoration throughout the body. The stand of copper construction with legs united by spirit burner tier. Stamped to underside English Pewter Made By Liberty & Co 01098. Measures approx; 31cm tall. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Lot 2171
Books, to include: Frank Brangwyn, 'Belgium', London, Kegan Paul, 1916, with text by Hugh Stokes; W. Shaw Sparrow (ed.), 'The Spirit of the Age: The Work of Frank Brangwyn', London, Hodder and Stoughton, 1905; Brendan Behan, 'Brendan Behan's Island, An Irish Sketch-book', London, Hutchinson, 1962, with illustrations by Paul Hogarth; 'Brendan Behan's New York', London, Hutchinson, with drawings by Paul Hogarth; Paul Hogarth, 'Creative Pencil Drawing'; Eadweard Muybridge, 'The Human Figure in Motion', London, Chapman and Hall, 1913. (6)
Lot 118
KARL HAGENAUER (Austria, 1898 - 1956)."Figure of a horse", ca.1925-30.Sculpture in brass, with marble base.Size: 24 x 28 x 3 cm (sculpture)+ 2 cm (base).The son of the goldsmith Carl Hagenauer, Karl studied at the School of Arts and Crafts in Vienna, where he was taught by Josef Hoffmann and Oskar Strnad and imbued with the spirit of the Wiener Wekstätte. After obtaining his diploma in architecture, he did military service between 1917 and 1919, and on his return he began to work as an architect and in his father's studio. During these years he created numerous pieces in silver, brass, copper, enamel, ivory, stone and wood. In 1928, after his father's death, he took over the management of the workshop and was responsible for the expansion of the firm, extending production to cabinetmaking and opening shops in Vienna and Salzburg. Since then he has exhibited his best pieces both in Austria and abroad, was twice awarded the gold medal at the Milan Triennale and was made a member of the Austrian Werkbund and the Werkstätte. His works are now in collections all over the world, including the Victoria & Albert Museum in London, the MoMA and the Jewish Museum in New York, the Casa Lis in Salamanca and many others.
Lot 13
WILLIAM ETTY (York, Great Britain, 1787 - 1849)."Young Man at Rest, 1828.Oil on canvas glued to panel.It has craquelure and restorations on the pictorial surface.There are losses and damage to the frame.Signed and dated in the lower right area.Measurements: 57 x 78 cm; 75 x 96 cm (frame).No British painter of historical subjects has devoted himself to the representation of the human form as assiduously as William Etty, and in particular to the female nude. Among his contemporaries, who marvelled at the depth and corporeality of his figures, he was known and highly praised for his ability to capture the human form and reproduce flesh tones. Etty was born in York and left school at the age of twelve to work as an apprentice in a print shop. He completed his apprenticeship after seven years and moved to London, where in 1807 he began training at the Royal Academy under Thomas Lawrence. Despite the admiration of his contemporaries for his technical skill, such as his friend John Constable, Etty struggled to gain public recognition early in his career, and it was not until 1821, with the exhibition of Cleopatra's Arrival in Cilicia (National Museums Liverpool) at the Royal Academy, that he finally received the acclaim he craved. Critics marvelled at Cleopatra's "languid, exuberant beauty" and described the painting as belonging to the "highest class" of art. Etty followed this success by exhibiting a succession of important mythological works over the next few years, which established Etty as one of Britain's most important historical painters in the early 19th century. With the advent of the twentieth century, Etty's important contribution to British art had been almost entirely forgotten, and an Arts Council exhibition in 1954 sparked only a brief revival of interest. Today, however, unfettered by the dictates of 19th century artistic discourse and morality, we can appreciate the beauty of Etty's art for what it is. As explored in the recent exhibition "William Etty: Art & Controversy" at the York Art Gallery, Etty's art was the result of a lifetime of serious engagement with the traditions of European painting, dedication to the study of the pattern of life, and commitment to an independent artistic spirit.
Lot 5
An early 19th century universal cross dial by Samuel Porter, the turned mahogany case with screw on/off lid enclosing an equation of time table to the underside and pivoted cross, 16 point compass, two spirit levels and three levelling screws, 11.5cm diameter Reference: The British Sundial Society Bulletin, Vol, 34 (i) March 2022 included
Lot 305
Rolls Royce 'Spirit of Ecstasy' mascot, a good example of the ealiest and largest of all the Rolls-Royce 'Spirit of Ecstasy' radiator mascot, approx 23 cms h. The Edwardian 1911 Rolls-Royce 'Silver Ghost' mascot, finished in the original silver-plated finish on a bronze base metal. Being the earliest of them all this mascot is correctly marked Rolls Royce Limited Feb 6th 1911 around the circumference of the hollow undersided stepped base and signed Charles Sykes across the dome of the hollow base area. This mascot is mounted to the correct RR 'Silver Ghost' radiator cap. Equally correctly the mascot has no underwing markings, which are a later addition after 1918. And also features the pronounced hairband, another pre-war dating point. This George V example is in good original condition throughout, original Rolls Royce cars now selling for over a £1,000 000 this mascot is a prize for any serious collector. -
Lot 402
3 Early Metal Spirit/Drink Measuring Cups. One a half pint, one a gill and the smallest probably a 1/4 gill. Each marked with measure and base with pub name. From the Cow and Calf Inn at Eastcheap, London. The Cow and Calf existed from at least 1801. The address is 36 Little Eastcheap in 1839 and earlier. At 36 Eastcheap in 1856. Earlier census for this address are in St Andrew Hubbards. This pub was rebuilt in its present form in 1892, and At 27 & 29 Eastcheap by 1898. In around 1916 it was renamed the Bodega, and continued under that name until at least 1952. The premises are now in retail use. The pub was designed by Bird & Walters in the Queen Anne style.Largest height 10 cms
Lot 109
CHARLES ANFRIE (France, 1833-1905)."Cuirassier soutenant un soldat blessé".Gilt bronze.Signed on the base.Measurements: 80 x 45 x 31 cm.The sculptor Charles Anfrie was an outstanding bronze artist, valued for the detail with which he describes the costumes and the verism captured in the features. In this scene, a cuirassier from the Franco-Prussian War holds a wounded soldier. Their posture is charged with heroism and a certain religiosity, recalling the theme of the Pieta. The different qualities and textures of the costumes have been recreated with painstaking attention to detail.French sculptor, active in Paris. He produced mainly bronze works in the spirit of academicism and naturalism. Many works refer to historical and mythological themes, as well as everyday life.
Lot 93
ÉMILE GUILLEMIN (France, 1841-1907) and ALFRED BARYE (Paris, 1839-1882)."Arab Knight".Sculpture in calamine on an oval wooden base.Signed by both artists.Measurements: 80 x 60 x 30 cm."Arabian Knight" is a flamboyant sculpture by the bronze artists Émile Guillemin and Alfred Barye, created in 1884, now housed in the Louvre Museum. Due to its success, other copies were made following the aesthetics of the original. Like the one in the Parisian gallery, in this sculpture the two artists depict, in a personal style rich in detail, realistic, dynamic and highly expressive, the figure of an Arab horseman returning from hunting, with a duck and a gazelle hanging from the saddle and a rifle on his shoulder. It was a piece of remarkable beauty and importance (in fact, it was one of the most significant sculptures of the so-called Belle Epoque in France). In terms of aesthetics and historical context, "Arab Knight" belongs to the Orientalist style, a movement born in the 19th century as a consequence of the Romantic spirit of flight in time and space, in which artists produced meticulous portraits of Orient and imagined pasts, recreated to the millimetre but ultimately unknown and idealised. It is worth noting that such works, which recall important historical figures or prominent struggles of the past, were common in 19th-century art as they were often chosen to decorate the interiors associated with the male figure in important houses.A French sculptor of the Belle Époque, Emile Guillemin worked mainly in bronze, although he also produced works in other materials. He trained with his father, the painter Auguste Guillemin, and with Jean-Jules Samson. He exhibited his work at the Paris Salon between 1870 and 1899 and was awarded an honourable mention in 1897.Alfred Barye le Fils or Alf Barye was a French sculptor of the Belle Époque, a pupil of his father, the artist Antoine-Louis Barye. His work includes bronzes of animals as well as oriental figures.
Lot 277
A Chasuble set consisting of a Roman Chasuble, Cope, Dalmatics and 4 stolae. Finished with thick gold thread embroideries and images of the Holy Spirit, floral decors. The first half of the 20th century.Cope closing brackets made of silver. Cope can be dated between 1814 and 1831. Marked Belgium, .833. Second-grade silver.
Lot 215
HENRI PICQ: MULTI GEM-SET AND DIAMOND TUTTI FRUTTI DOUBLE-CLIP/BROOCH, CIRCA 1930Each openwork shield-shaped clip composed of twisting vines issuing from a central ogee motif, set throughout with brilliant, old brilliant, single and baguette-cut diamonds, leaf-shaped carved rubies and sapphires and fluted emerald beads studded with diamonds, with further black enamel detail, one clip with maker's mark HP, both clips with French assay marks, length 6.2cmFootnotes:Provenance: A Private Collection of 20th Century Jewels (Lots 206 - 216)This double-clip/brooch displays the maker's mark of Henri Picq (1861-1941) whose workshop was favoured by Cartier as their principal Parisian supplier for gem-set platinum jewellery between 1900-1918. The Henri Picq workshop was renowned for their high-quality platinum jewels and later produced many of Cartier's 'Tutti Frutti' creations. Cartier 'was said to use the best platinum in Paris. It was renowned for its white, shimmering surface, an alloy of which the Picq workshop was especially proud' (see Nadelhoffer, H., 'Cartier', Thames and Hudson, 1984, p.59).Cartier's Indian-inspired 'Tutti Frutti' jewels are some of the firm's most celebrated and recognisable designs. Cartier first began experimenting with Indian-inspired jewels as early as 1901 when the firm produced a necklace for Queen Alexandra. In 1911, Jacques Cartier first visited India for the Delhi Durbar, a two-week mass event celebrating the coronation of George V, a dazzling scene where the giving and receiving of jewels played an important role in the ceremony. This was the beginning of a long and fruitful relationship between Cartier and the East, resulting in numerous purchases of rare, historic Indian jewels in Delhi, Calcutta and Bombay. The ancestral carved gems that Jacques Cartier first brought back to Paris inspired the creative genius of Louis Cartier and their designer, Charles Jacqueau, who created light, airy platinum frames that were strong enough to hold them in a variety of geometric arrangements, producing a riot of colour. During the 1920s, Indian princes went to Cartier to have their family jewels and ancestral gems redesigned into modern European jewels. American and European clients simultaneously fell in love with Cartier's Indian-inspired creations that were rooted in antiquity while looking refreshingly modern, capturing the spirit and exuberance of the Jazz Age. The first 'Tutti Frutti' jewel to be shown publicly was a bracelet at the Exposition Internationale des Arts Décoratifs et Industriels Modernes in 1925 and the firm's 'Tutti Frutti' creations continued to flourish throughout the 1930s. During this next decade, Cartier began to move away from the austere geometry of the early Art Deco period towards more sinuous motifs with vibrant combinations of colour and texture.For further information on this lot please visit Bonhams.com
Lot 502
A collection of comics including; Marvel The Super-heroes Silver Surfer 1 (with original poster included), Mister Miracle 1 (First appearances of Mister Miracle and Oberon) Marvel's Greatest Comics Featuring Fantastic Four 31, 199, The Complete Fantastic Four 1, 4-5, 9, 11-12, 19, 21-22, Doctor Strange 34, 46, DC the Forever People 1, Dazzler 1, Wolverine 1-4, The Defenders 38, Alpha Flight 2, Secret Origins 21, Giant Justice League of America 148, Strange Adventures 171, Shadow Strikes 1, Dr. Fate 21, Sherlock Holmes 1, Christmas with the Super-heroes 2, The Shadow 1, The Frankenstein Monster 16, Ghost Rider 14, The Daredevils 1-2, Dc / Marvel access 1-4, Rip Hunter Time Master 23, Star-lord 14, Future Tense 4, 14-15, 19, Spirit 2, Lash LaRue 115, Black Diamond 6, Target Comics 3, 1970's Fury 2-9, 14-15, 17-18, Captain Video 2, The Scorpion 3, Showcase 75, Nightwing Annual 1, Tales of the unexpected 67, Nightforce 1, Targitt 1, Rip Off Comix 1, 5, Young Marvelman 44 (9 copies), The Colorado Kid, Reptilicus 1, 4, Reptisaurus, Jughead 136, Uncle Scrooge 195, Banzan 1, E-man 2-4, Ironjaw 1, 3-4 Captain Marvel presents the Terrible 5, Korak son of Tarzan 1, The Daring and the Different 5, Secrets of the Unknown, Jon Sable 33, Flash Gordon 32-33, Doc Savage 4-5, 19, Warrior 1-3, 6-7, 9, Summer Special 1982, The Mysteries of Unexplored Worlds, The Fabulous Furry Freak Brothers issues, Epic Illustrated 1-3, Nightmaster 82-84, Lomax 1, Tarzan Versus the Predator 3, Doctor Zero 2-3, Zorro 51, Rampage Starring the Defenders (without free gift, 2 copies), Tarzan of the Apes 1, Marvel Team-up (British) 1-9, The Wizard, Spike 1-2, A Remembrance of Threatening Green, The Punisher Graphic Novel, along with assorted other comics including Lawman, Tombstone Territory etc (qty) Condition Report:Available upon request
Lot 549
A brass-bound burr walnut stationary box, containing an assortment of wristwatches (inc. Ingersoll, Montine and Helvetia), various fountain pens (inc. Parker and Sheaffer), penknives (inc. a Sheffield silver example), a pair of half-moon spectacles and a miniature spirit level in treen case Condition Report:Available upon request
Lot 58
2003 Toyota Yaris 1.0 T-Spirit 3-Door Hatchback'Registration: HJ53 LXBMileage: 109,930.1 owner from new, Red with grey upholstery, sunroof, electric windows, multi-function leather steering wheel, air conditioning, alloy wheels, colour-coded handles, bumpers, mirrors and trims, plus optional front fog lightsThe car comes with its original owners book-wallet including service booklet, with a number of Toyota Main Dealer stamped entries. There is also a quantity of paper invoices (all main dealer) and two original Toyota keys. The car will be provided with a new MOT prior to the auction.Superbly well built and a reputation for best-in-class reliability, this little Yaris should provide excellent budget motoring for many years to come.To satisfy your knowledge of the vehicles condition please come down to our viewing days as follows: Saturday 17th of September: 10am - 2pm Tuesday 20th of September: 9am - 7pm Our buyers premium on all cars, motorbikes and scooters is 10% + VAT.- We encourage any interested parties to inspect the vehicle on our viewing days and prior to sale on Wednesday 21st of September 2022 to satisfy themselves on the car's condition, please check our buying terms and conditions for cars and bikes available online or via email.Transportation options may be available, please contact us for a quote.
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