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Lot 267
A 19th Century brass bound flame mahogany rectangular three compartment decanter box, fitted with three cut glass spirit decanters and stoppers, blued velvet lined interior with label `Army & Navy C.S makers, the cover inset with monogrammed brass cartouche, approx 30cm wide x 12cm deep x 25cm high
Lot 50
Limited edition part of Dance of The World series. Capturing the spirit and vibrancy of traditions, this dancer wears a traditional Mexican dress mid-step in dance. Royal Doulton backstamp. Artist: Neil FaulknerIssued: 2013Dimensions: 9.25"HEdition Number: 145 Edition Size: 2500Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 53
English provenance.- Annotated.- Trithemius (Johannes) Catalogus scriptorum ecclesiasticorum sive illustrium virorum, collation: A B4 a-z aa-zz4, woodcut historiated initials, occasional contemporary ink marginalia in an English hand in English or Latin (including rear endpaper), including motto 'Fare-fac' and reference to Erasmus to title, [Cologne], [Peter Quentel], 1531 bound with Basilius Magnus (Saint, Archbishop of Caesarea) Opus argutu(m) ac pium De spiritu sancto, ad Amphilochium, translated by Desiderius Erasmus, collation: A6 a-p4 q6, woodcut printer's device to title, woodcut historiated initials, final errata f., extensive contemporary neat Greek marginalia, Basel, [Hieronymus Froben & Nikolaus Episcopius], 1532, together 2 works in 1 vol., marginal water- or -damp-staining (the former heavier to last few ff. of second work), occasional spotting, lightly browned, contemporary English ornately blind-stamped panelled calf over wooden boards (Oldham, Blind-stamped Bindings, nos. 648 & 896, F.I. binder in London between 1538-1551), rebacked, preserving original backstrip in compartments with later red leather label, lacking 1 metal clasp, the other breaking off, lower cover with very small piece missing from leather at head and a few small nail holes, little staining, rubbed and marked, 4to (204 x 156mm.; binding 214 x 174mm.) *** I: Enlarged edition of this bio-bibliography of Christian writers, which first appeared in Basel in 1494.Trithemius (1462-1516) was a German Benedictine, abbot of Sponheim, lexicographer, chronicler and occultist. He had Cornelius Agrippa and Paracelsus were among his students. Our English annotator has concentrated on English authors, including Bede, William of Ockham and Stephen Langton, Archbishop of Canterbury. II: First Latin edition of this treatise on the Holy Spirit. Literature: I: Adams T966; VD 16 T1999. II: Adams B356; VD 16 B723.
Lot 341
Hornby (China) R1022 "Spirits of the North" Twin Train Set containing Co-Co Virgin Railways Class 47 No.47822 "Pride of Shrewsbury", blue and green Northern Spirit 2-car Class 142 Railbus No.142065, 2 x Virgin red Mk.2 Passenger Coaches along with double oval of track, 3 x points, level crossing, controller, wall mounted transformer and trakmat. Conditions: Excellent Plus to Near Mint in Good to Excellent picture box.
![A Great War period Shell Aviation Spirit fuel can, [ RFC / Royal Flying Corps]](https://cdn.globalauctionplatform.com/ff84713f-54a5-40b4-8023-b0fa00d796e7/6a78e6f6-2427-49d0-870d-b1010107500d/468x382.jpg)
Lot 94
A mixed lot of various pop-up books, to include: - Harry Potter and the Half Blood Prince - MAD About Politics - Disney's The Enchanted Castle - X-Men - Star Trek: Giant of the Universe - Star Wars: The Mos Eisley Cantina - Will Eisner's The Spirit - The Incredible Hulk: Trapped - Spider-Man: The Schemer Strikes- Harry Potter- The Golden Compass
Lot 14
Nicholas R. Brewer (American, 1857-1949). Oil on canvas landscape painting depicting a road curving into a group of trees with towering mountains rising in the background. Signed along the lower right.Lot Essay:Born in a log cabin in Minnesota in 1857, Nicholas Brewer’s work typifies his frontier spirit and love for the American landscape. He grew up on a farm, where his days were defined by hard work, but he still found the time to draw and paint in between chores. At the age of 18, he moved to St. Paul. He received some art training there from Henry Koempel, a local painter and decorator, and ended up marrying Koempel’s daughter. He eked out a living for his swiftly growing family through portrait commissions and teaching.In 1885, Brewer first traveled to New York, determined to make it as a serious artist. He received a small amount of training there; however, he remained primarily self-taught. He began receiving some success in New York, and continued spending winters there for much of his career. His work was included in several exhibitions, and he was inducted into the illustrious Salmagundi Club. In his later career, he traveled the United States, giving traveling lectures and exhibitions, as well as taking portrait commissions wherever he went. During one productive visit to Washington D.C., Brewer even painted a portrait of President Franklin Delano Roosevelt.The main reason for his travels, though, was his love of the American landscape. Although Brewer was never able to fully make a living by landscape painting, it remained his true passion. His agrarian upbringing left him with a sense of reverence for the earth, and he delighted in experimenting with colors and textures to best capture the mood of a landscape. He paid particular heed to the flora he passed by, from the solemn Minnesota prairie grasses to southern blue bonnets to the tiny patches of scrub grass clinging to vertiginous California cliffs. His paintings rarely depict specific places; Brewer instead preferred to paint landscapes that he felt represented an ideal, more the spirit than the actuality of a location. Nevertheless, his travels provided him with a rich backdrop upon which to base his works.Sight; height: 20 in x width: 24 in. Framed; height: 21 3/4 in x width: 25 3/4 in.br/>Condition:The colors are bold and bright. The surface is stable. There are no major losses or signs of restoration under UV light. There is minute craquelure along the top half of the painting, particularly along the white areas. In the top right quadrant there is a loose brush hair in the paint, that was assumedly artist generated. The verso of the canvas is in stable condition, there are no losses or signs of repair.
Lot 47
Continental cut and engraved Art Nouveau glass trumpet-shaped vase cut and stained with pink tulips, with diamond cut leaves, on flared faceted foot gilt with fleur-de-lys, 29.5cm high (chipping to foot rim) and a Middle Eastern blue and gilt spirit decanter and six shot glasses, enamelled with flowers and foliage, within gilt bands
Lot 90
VARIOUS ARTISTS comprising PAUL A NICHOLAS (British, 20th Century) watercolour - titled verso 'Common Sandpiper', signed lower left, 13.5 x 19.5cms, and CLEMENCE WESCOUPE (Inuit, b. 1951) colour print - titled 'Mother Bird Spirit', signed and dated '78 lower right, 14.5 x 22cms, and a colour print AFTER BRUNET, titled in pencil 'Paris - Les Quais et Notre Dame', 34.5 x 41cms Provenance: private collection ConwyComments: all framed and glazed
Lot 267
A mangle board, 19th century, on turned supports, 61 x 33cm, together with a mixed lot of kitchenalia to comprise, a bell, a pottery jelly mould, a pottery strainer, various Chinese plates decorated with carp, an enamel metal jug, a 19th Century decanter and a stopper with two silver spirit labels, printed pottery plates
Lot 71
A niello decorated cigarette case, stamped 'Sterling', W 12.5cm, together with a Victorian silver lidded mustard pot, London, 1882, with blue glass liner and silver spoon, a pair of Victorian tongs, and a George V silver mounted leather spirit flask, London, 1923, weighable silver, 7.48oz (4)
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