ARTHUR KRUPP prächtiges Bowlengefäß mit Untersatz und Schöpfkelle, versilbert, um 1890. Bowlengefäß mit Deckel und Untersatz mit einem üppigen Dekor von Weinreben, mit originalem Glaseinsatz auf einem Ständer und Randabdeckung, dazu die passende Schöpfkelle mit hölzernem Griff, unterseitig gepunzt 'ART. KRUPP BERNDORF', Bowlegefäß D. ohne Handhaben ca. 33 cm, H. ca. 43, Untersatz D. ca. 51, Schöpfkelle L. ca. 40,5. Untersatz mit Randbeschädigung, teilweise berieben, Alters- und Gebrauchsspuren.| ARTHUR KRUPP Splendid punch bowl with saucer and ladle, silver-plated, circa 1890. Punch bowl vessel with lid and saucer with a lavish decoration of vines, with original glass insert on a stand and rim cover, with matching ladle with wooden handle, hallmarked on the underside 'ART. KRUPP BERNDORF', punch bowl vessel D. without handles ca. 33 cm, h. ca. 43, coaster D. ca. 51, ladle L. ca. 40.5. Coaster with damage to rim, partially rubbed, signs of age and use.
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FUKAGAWASAI: A FINE LACQUER MANJU NETSUKE DEPICTING SHOJO WITH A SAKE JAR AND SAUCERSigned Fukagawasai (Shinsensai) 深川斉 Japan, 19th centuryThe two-part wood manju netsuke bearing an attractive grain, lacquered in gold and red takamaki-e with a Shojo sleeping against an enormous jar filled with sake, her smiling face cradled in the palm of her hands, probably dreaming of drinking more sake. The reverse with a sakazuki (sake-saucer) lacquered in takamaki-e and nashiji and inscribed with the character ju 寿 ('long life'), which is usually associated with drinking sake. The Shojo's robe, accompanying ladle, and sake jar embellished with fine hiramaki-e patterns. Signed to the back FUKAGAWASAI – the artist appears to be unrecorded. Central himotoshi through the back, the cord attachment within. DIAMETER 3.6 cm Condition: Very good condition with minor wear to lacquer. Provenance: From a noted private collection in Geneva, Switzerland, assembled since the 1960s, and thence by descent. An old collector's label to the base, 'Art Ancien Chine & Extr-Orient Geneva: 2623, HAA, SHINSENSAI' and another inscribed label describing the manju netsuke. An important part of this collection was on permanent loan and was exhibited over several decades at the Asia-Africa Museum in Geneva. A Shojo is a Japanese sea spirit with similarities to a ghost but differing from the latter in the fact that Shojo are tangible. It enjoys drinking alcohol, especially sake. Legend has it that workers at breweries in Japan have seen Shojo lurking about after indulging in their products.
A RARE HIRADO PORCELAIN NETSUKE OF A SHOJOUnsignedJapan, 19th centuryFinely modelled as a drunken Shojo, wearing a large sake saucer as a hat and holding a ladle. The netsuke covered in an attractive, pure-white glaze. The back with large, asymmetrical himotoshi.HEIGHT 5.9 cmCondition: Very good condition with minor wear and firing irregularities.
Mixed lot of Georgian silver flatware, comprising an Old English silver cream ladle, hallmarked RC London 1793; a silver fiddle pattern toddy ladle, hallmarked GF Glasgow 1851; a silver fiddle and thread salt spoon, hallmarked WE WF London, 1804 and a silver fiddle pattern butter knife, hallmarked probably for J Hayne London 1834. Total weight of four items - 3.75oz.
A WOOD NETSUKE OF A SHOJO (DRUNKEN SPRITE)Edo period (1615-1868), early/mid-19th centuryThe shojo slumped over with his arm slung around a large filled sake jar, his left hand touching his head as if painfully hung-over and obscuring his face, his right hand grasping a long ladle; unsigned. 4.1cm x 2.5cm (1 5/8in x 1in).Footnotes:Provenance:Purchased from Mike Dean, December 1982.For further information on this lot please visit Bonhams.com
A FINE FAMILLE VERTE 'KUI XING' BRUSHPOT, BITONGKangxiThe cylindrical vessel with straight sides finely enamelled around the exterior with a continuous scene of Kui Xing holding a brush and a musical chime riding the mythical ao (fish-dragon) amidst crashing waves and rocks, his scarves billowing in the wind, along with a square dou measure, the reverse with a sixteen-character inscription and red and gilt seal reading 'Mu Shiju'. 14cm (5 1/2in) high.Footnotes:清康熙 五彩魁星點斗詩文筆筒「木石居」款Provenance: a Danish private collectionS.Marchant & Son, London, 9 May 2014Published and Illustrated: S.Marsh, Brushpots: A Collector's View, Hong Kong, 2020, pp.242-243, fig.PB 96. 來源：丹麥私人收藏倫敦古董商S.Marchant & Son，2014年5月9日展覽著錄：S.Marsh，《筆筒淵鑒：收藏家的隨心所悟》，香港，2020年，第242-243，插圖PB 96Identified by the writing brush held in his raised hand and his iconic 'back-kick' posture, Kui Xing 魁星 ('Chief Star') is a Daoist deity worshipped to obtain academic success. It would therefore, have been extremely auspicious for a scholar to have his items decorated with this figure, to inspire him in his writing and achieve examination success. The ladle or 'dipper' (as Kui Xing is also associated with the North Star) is depicted on the present lot in the form of a square vessel. Kui Xing is often portrayed with a demonic appearance, a hideous face, a horn-like protuberance on his head, and a sinewy body. According to legend, he was once a mortal scholar with outstanding literary skills but was repeatedly failed in the civil service examinations due to his repulsive appearance. Out of frustration and humiliation, Kui Xing threw himself into a river, where he was saved by a mythical monster called an ao. He then ascended to the Big Dipper and became the stellar patron of the literati and the God of Literature. To dream of Kui Xing before an exam was considered very auspicious. The inscription reads:雲路那堪雙著腳，月殿爭看獨點頭。繡園Which could be translated as:The cloud road could not bear people who stand with two feet.People in the Moon Palace rushed to see the only person whose head was touched [by the brush of Kui Xing]. Xiu Yuan Compare with a very similar famille verte brushpot, early 18th century, in the Groninger Museum, Holland, illustrated by J.A.Jorg, Famille Verte Chinese Porcelain in Green Enamels, Lier, 2011, p.89, no.90.See also a related famille verte 'Kui Xing' brushpot, Kangxi, which was sold at Sotheby's New York, 20 March 2018, lot 371.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A VERY RARE DOUCAI PEAR-SHAPED 'KUI XING' VASEShi jin tang zhi four-character mark, ShunzhiFinely potted with pear-shaped body rising from a short foot to wide cylindrical neck, expertly painted and enamelled around the exterior with Kui Xing riding the back of the mythical ao or dragon-fish, his right arm raised holding a brush, the left clasping an ingot, clad in a loincloth and billowing scarves beside the North Star, the reverse with a poetic inscription and seal, all beneath the mouth rim with a band of triangles. 22cm (8 1/2in) high.Footnotes:清順治 鬥彩魁星點斗膽瓶青花「世錦堂製」楷書款Provenance: S.Marchant & Son, London, 23 July 2008Published and Illustrated: S.Marsh, Brushpots: A Collector's View, Hong Kong, 2020, p.205.來源：S.Marchant & Son，倫敦，2008年7月23日著錄：S.Marsh，《筆筒淵鑒：收藏家的隨心所悟》，香港，2020年，第205頁The four-character underglaze blue mark which reads: 世錦堂製 which may be translated as: 'Hall of Continuous Prosperity through Generations'. The couplet on the present lot reads: 北極之象，太陰之精。鍾英毓秀，翼我文明。Which may be translated as:The phenomenon of the Pole Star is the essence of the Great Yin, Concentrate the talents, nurture the refined, advance the brilliance of our culture.The references to talent and distinguished cultural environments are entirely in keeping with the decoration of the present vase. Identified by the writing brush held in his raised hand and his iconic 'back-kick' posture, Kui Xing 魁星 ('Chief Star') was a Daoist deity worshipped to obtain academic success. It would therefore, have been extremely auspicious for a scholar to own a vase decorated with him on it to inspire him in his writing and achieve examination success.The Chinese character Kui (魁) is composed of the ideograph for 'demon' (鬼) and the ideograph for 'ladle' (斗). The ladle or 'dipper' (as Kui Xing is also associated with the North Star) is depicted on the present lot in the form of a square vessel. Kui Xing is portrayed with a demonic appearance, a horn-like protuberance on his head, and a sinewy body. According to legend, he was once a mortal scholar with outstanding literary skills but was repeatedly failed in the Civil Service examinations due to his repulsive appearance. Out of frustration and humiliation, Kui Xing threw himself into a river, where he was saved by a mythical monster called an ao. He then ascended to the Big Dipper and became the stellar patron of the literati and the God of Literature.Dreaming of Kui Xing the night before the exams was considered an auspicious sign and the candidate who obtained the highest results, known as the First Scholar (zhuangyuan), would walk first on a staircase decorated with the ao mythical beast. Representations of Kui Xing and ao are thus a symbol of literary success and highest achievement at the Imperial examinations.Compare with a related pair of underglaze blue and polychrome enamel pear-shaped bottle-vases, with the same shi jin tang zhi mark, Shunzhi, but decorated with other Daoist deities, in the Butler Family Collection, illustrated by T.Canepa and K.Butler, Leaping the Dragon Gate: The Sir Michael Butler Collection of Seventeenth-Century Chinese Porcelain, London, 2021, p.334.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
VARIOUS ANTIQUE STERLING SILVER ITEMS To include a neo classical shaped candlestick, napkin ring, mustard pot with blue class liner, silver mounted cosmetic pot, silver beaker with hammered decoration, Niello work Siam silver bracelet and a large Sheffield Plate EPNS ladle. Total weighable silver 484.0 grams.
Pelso Regd. leather foot mitt, late Victorian Bristol green decanter with silver plate mount with intwined vines faceted body and stopper, mustard glass decanter with amber coloured stopper, W.S.Adams & Co. copper lidded with sauce ladle, copper coal scuttle and a C19th mahogany drawers from a bureau(6)
Six items of hallmarked silver, comprising a trumpet vase, height 16cm, an urn-shaped vase, height 14cm, both with loaded bases, a twin-handled bowl raised on four hoof feet, length 15.5cm, height 9cm, a pair of spoons and an Arts & Crafts style small ladle, combined weighable silver approx. 6ozt (6).Condition Report: - Loaded vases approx. 7.7ozt. All items are in a worn, used condition. The vases and the bowl do have small dents and ripples.
A part canteen of Danish Jugendstil sterling silver cutlery,designed by and bearing the assay mark of Christian F Heise, hallmarked Copenhagen 1919-1931,the handles with stylised Jugendstil motifs and hammered finish, comprising:ten dinner forks,twelve salad forks,three dessert forks,a herring fork,three cake forks,five dinner spoons,five soup spoons,a dessert spoon,two teaspoons,a scalloped cream spoon,a large gravy ladle,a small gravy ladle,a sugar sifting spoon,a cake spatula,a serving spoon, andfour fruit knives, largest 25cm long, 65.39ozt (52)
A George IV-Victorian matched Fiddle, Thread and Shell pattern canteen for six, various dates and makers, the terminals with a crest, comprising: six table forks, six tablespoons, six dessert spoons, six dessert forks, five teaspoons, a sauce ladle, a butter knife, and two condiment spoons, in a fitted brass bound case, with a storm jacket, approx. weighable 74oz. (qty)
A matched George III-Victorian silver Fiddle and Thread pattern canteen for twelve, various dates and makers including William Chawner, London 1833, and George Adams, London 1866, the terminals with a crest, comprising: twelve tablespoons, twelve table forks, twelve dessert forks, twelve dessert spoons, twelve teaspoons, a soup ladle and a pair of basting spoons, approx. weight 134oz. (qty)Provenance: A Private Collection. The crest is that of Christopher of Norton, Durham.
A collection of antique silver Fiddle pattern flatware,various dates and makers,the terminals with a crest, comprising: twelve table forks, thirty dessert forks, twelve dessert spoons, ten tablespoons, seven teaspoons, four sauce ladles, three salt spoons, a condiment ladle and a pair of sugar tongs, approx. weight 127oz. (qty)
A mixed lot of silver flatware,comprising: twelve Fiddle and Thread pattern tablespoons, various dates and makers, some initialled, a Fiddle and Thread sauce ladle, a Scottish toddy ladle, a tablespoon, and a feeding spoon, plus a set of ten electroplated soup ladles and two other items, approx. weighable 42oz. (qty)
A George III Scottish provincial silver Old English soup ladle, by Charles Jamieson, Inverness, circa 1810, shell-shaped bowl, the terminal with a crest, the reverse of the stem with later initials, length 35.5cm, approx. weight 6oz.Provenance: A Private Collection. The armorial is that of Menzies Impaling Norton. Sir Neil Menzies, 6th Baronet (1780-1844) married Grace Charlotte Conyers Norton in 1816.
A mixed lot of English and continental silver flatware, including: two King's pattern butterknives, three dessert forks, two pairs of sugar tongs, three dessert spoons, a sauce ladle, various teaspoons, a set of six Danish table forks, four Danish dessert spoons, a pair of sauce ladles, plus other items including a tea strainer on stand, a cased set of four bridge pencils and other items of flatware, plus electroplated items: a beaker, and other items, in a fitted wooden case with five trays, approx. weighable 57oz. (qty)
A mixed lot of flatware,comprising silver items: a pair of sauce ladles, a cream ladle, a Scottish toddy ladle, a pair of wishbone sugar tongs, three further pairs of sugar nips, a sugar sifting spoon, four butter knives, plus various teaspoons and salt spoons, plus electroplated items: a set of six fruit eaters with mother-of-pearl handles, and various cased sets and other items, approx. weighable 45oz. (qty)
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