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AM EARLY VICTORIAN EXETER SILVER SAUCE LADLE

AN ANTIQUE SILVER TODDY LADLE, WHALE BONE HANDLE

PUNCH BOWLA smoked glass punch bowl with wood and brass detailing with ladle. 26 x 19 x 22cm (h)

HALLMARKED SILVER KINGS (20), QUEENS (26) HOURGLASS (6) FIDDLE THREAD & SHELL (1) PATTERN CUTLERY - 53 pieces, all but eight bearing 19th Century London hallmarks, mixed dates and makers, the other eight pieces bearing Dublin hallmarks, George IV and Victoria dates, lot includes 9 x 20cms L large forks, 6 x 18cms L smaller forks, 4 x 18cms L tablespoons, 23 x 14.5cms L teaspoons, 3 x 11.5cms L mustard spoons, the Dublin includes 2 x 18cms L tablespoons and 6 x 10cms L mustard spoons, two further items included in the lot are a single 18cms L ladle and a 14cms L teaspoon, both Albert pattern with Victorian London hallmarks, 92ozt gross

MIXED SILVER PLATED WARE & PEWTER GROUP - to include a Siam sterling silver cigarette case with chariot and horses decorative detail, 13 x 8cms, 4.5ozt, Birmingham hallmarked silver cigarette case with engine turned decoration dated 1939, Maker A E Poston & Co Ltd, 11 x 8.75cms, 5.3ozt, large EPNS serving ladle stamped 'Higgs Liverpool', two Victorian half pint pewter tankards and a chased decorated EPNS teapot

VICTORIAN & LATER SILVER, WHITE METAL & EPNS WARE - to include a pair of gilt decorated glass cylindrical vases in pierced white metal stands, 13cm heights, glass scent bottle and stopper with London silver hallmarked collar, interesting, possibly Early 18th Century spoon, having stamped initials to the handle, 7.5cms L, Gorham Silver Company cylindrical pepper pot, 7.5cms H, large EP soup ladle, fluted body two piece Victorian teaset, ETC

ASPREY LONDON & OTHER SMALL SILVER & WHITE METAL - to include a three piece condiment set, London 1939, Maker Asprey & Co Ltd, consisting cylindrical pepper pot, circular thumb lift lid mustard pot and circular salt, the latter two items having blue glass liners along with two non-associated Birmingham silver salt and mustard spoons, 3.5cms H the pepper pot, Georgian Sherry ladle, London 1828, Maker Mary Ann & Charles Reilly and an unmarked drinks label pierced with the word 'Hock', 3.5ozt gross the hallmarked items

Large 19th century silver plated, twin handled tureen of circular form, with scrollwork and shell decoration and separate, slip in, domed cover, on four paw feet (Apparently unmarked), together with an Old English Bead pattern silver plated soup ladle. Tureen 35cm across handles. (2)

Two silver feather edge tablespoons, one hallmarked Hester Bateman, London 1777, engraved scrolled 'C' to handle, the second with rubbed marks, maker WSPC; a Georgian silver sauce ladle; 830 standard sardine servers; plated flatware, cased set of drawing tweezers.

A tray of small silver and plated collectables, two silver and mother-of-pearl fruit knives, Sheffield 1928 and 1898 and a similar button hook, Sheffield 1900; two silver-plated vesta match cases, one in the form of a book; a pierced silver napkin ring; metal snuff box; magnifying lens; two mother-of-pearl salt spoons, plated ladle, sifting spoon etc; a box of "Cowrie Shell Counters", a wooden darning mushroom, a quantity of old lace, bead and sequin panel and an infants dress.

Six brass and copper items including a ladle, trays etc.

Victorian silver fiddle pattern serving ladle, (London 1894), maker Josiah Williams & Co, all at 10ozs, 32.5cm in length.

Part set of 1930s Christofle silver plated Spatours pattern flatware comprising 12 dinner forks, 12 dessert spoons, 11 teaspoons, a table spoon and a soup ladle in a Christofle case, together with a selection of other plated flatware. (Qty)

Selection of late 18th/early 19th century French silver fiddle pattern flatware with Paris marks, together with a large French silver soup ladle and a carving knife and fork with French silver handles. Approximately 84ozs weighable silver. (Qty)

A nine-person first grade silver cutlery set, model: 'Hollands glad', 21st century. Comprising: nine dinner spoons, nine dinner forks, nine dinner knives, nine dessert spoons, nine dessert forks, nine dessert/fruit knives. Furthermore: nine breakfast spoons, nine breakfast forks, nine breakfast knives. A potato serving ladle, sauce ladle, two vegetable serving spoons. Marked: grade one (rampant lion, .925), yearmark 'R' (2001). Diverse afmetingen / various sizes.

GEORGIAN SILVER WINE LADLE WITH A SMALL DENT TO THE SIDE

A Georgian style silver toddy ladle, London 1976, a silver mounted rectangular photograph frame, a caddy spoon, and a vesta case stamped Sterling

A WOODEN FREE STANDING INCOMPLETE CANTEEN, comprising cutlery with names to include 'Robert F Mosley Ltd', hinged opening with table knives, dessert knives and carving tools with ivorine handles, dessert forks, to the pull out draws which include tea spoons, soup spoons, table spoons, soup ladle, egg spoons, dessert spoons, table forks, sauce ladles, together with further 'EPNS' caddy spoons, condiment spoons and pickle forks with Scottish thistle terminal, approximate height of canteen 920mm (condition report: one knife with handle damaged and broken off, missing items set is incomplete)

18th century silver ladle, Old English pattern, London circa 1760's, 34cm

A Georgian silver mustard pot with later Georgian ladle. Of regency form raised on a pedestal base. Maker Robert Hennell 1 London 1788. H13cm, weight 257 grams Condition Report: Lid hinge is slightly loose. Lid itself is slightly misshapen around the edges, caused through previous use, lid still opens/closes smoothly. Overall condition bar this appears to be good bar this, with marks and wear in places commensurate with age and previous use. Blue glass liner appears to be in good condition, with marks in places commensurate with age and previous

A RARE LACQUERED WOOD 'INKCAKE AND BRUSH' YATATEUnsignedJapan, Meiji period (1868-1912)The yatate of ladle type, the fudezutsu (brush holder) with slightly curved handle, terminating in a sumitsubo (inkwell) with a hinged cover, the inkwell lined with a metal ring. The wood of a rich dark color, decorated with takamaki-e lacquer in gold, black and brown, depicting an ink cake and brush surrounded by imprints of chicken feet. The ink cake inscribed Kinshi.LENGTH 19 cmCondition: Very good condition, minor wear, fine polish.Provenance: The Strong National Museum of Play, accession number 78.1483 (lacquered to the base of the inkwell). Margaret Woodbury Strong (1897-1969) grew up in a prosperous family of collectors. Her interests ranged so widely that by 1960 she had amassed more than 27,000 collectible items and works of art. The vast majority of her collections related in some way to play and as her accumulation grew, Margaret planned a museum to house her collection. It eventually opened to the public in 1982, and grew dramatically over the following decades, expanding its collections, facilities, and resources, now spanning over 285,000 square feet. Today, the Strong National Museum of Play (known as just The Strong Museum or simply The Strong) is the only collections-based museum in the world devoted solely to the study of play.

AN EARLY IVORY NETSUKE OF SHOJO WITH HUGE SAKE JARUnsignedJapan, 18th century, Edo period (1615-1868)The Shojo leaning on a large barrel filled up to the brim with sake, a ladle and in her left hand and a sake cup in her right. Note the finely carved hair falling over her shoulders. Himotoshi through the leg and the barrel. Beautiful, deep honey patina.HEIGHT 3.5 cmCondition: Good condition, appealingly worn, a tiny chip to one toe on the right foot, natural age cracks, fine honey-yellow patina.Provenance: Old German private collection.A Shojo (猩々) is a Japanese sea spirit with similarities to a ghost but differing to the latter in the fact that Shojo are tangible. It enjoys drinking alcohol, especially sake. Legend has it that workers at breweries in Japan have seen Shojo lurking about after indulging in their products.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0533). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A HIGHLY UNUSUAL BLACK AND GOLD LACQUER FOUR-CASE INRO OF A MONKEY FESTIVALUnsignedJapan, 19th century, Edo period (1615-1868)The four-case inro of upright rectangular form and lenticular profile, bearing a lustrous roiro ground and lacquered in gold and iro-e takamaki-e with highlights of inlaid gold foil and mother-of-pearl. The depiction is most unusual – almost one hundred monkeys are shown posing as various legendary or religious figures and re-enacting festivals and various other scenes from daily life. These include performing the kocho-no-mai (butterfly dance), Nitta no Shiro slaying the gigantic boar, Omori Hikoshichi with the demon on his back, yamabushi monks carrying oi-bako, various samurai, a Shojo with a huge sake ladle, a shishimai dancer, a fox priest, Li no Hayata slaying the Nue, a procession of a Daimyo, and a Nio temple guardian. The top of the inro is further lacquered with monkeys posing as the lucky gods Hotei, Fukurokuju, Ebisu, Daikoku, and Jurojin. The bottom case shows an amusing scene of monkeys relaxing around and fighting inside a sumo wrestler ring. The inside compartments of nashiji with gold fundame edges. With an en suite signed silver cuboid ojime depicting theater scenes and a signed wood netsuke of a monkey riding a gigantic hyotan (double gourd).SIZE 7.9 x 5.4 cmCondition: Excellent condition with only very minor wear.Provenance: From a private collection in Chicago, Illinois.Museum comparison:Compare to an inro with a similar depiction in the Metropolitan Museum of Art (Met), New York, accession no. 81.1.314.

A large Booths tureen with lid, ladle and plate, tureen 38cm long (staining to bottom plate)

Antique silver & horn handle toddy ladle measures approx 13 ins long

CHARLIE AND THE CHOCOLATE FACTORY (2005) - Collection of Wonka Candy PropsA collection of candy props from Tim Burton's fantasy adventure Charlie and the Chocolate Factory. Wonka lollies hung from the ceiling of Willy Wonka's (Johnny Depp) old shop, while never-melting ice cream was sold outside by one of his competitors, and stacks of Wonka bars were sold around the world. A ladle was used by Wonka, Charlie (Freddie Highmore) and Grandpa Joe (David Kelly) during the chocolate riverboat ride.This lot consists of one biscuit-foam vanilla ice-cream scoop and waffle cone; two purple-tinted resin cups; a ladle featuring a seahorse-design handle; a packaged Wonka bar; and two red-tinted translucent resin lollies, each displaying a large "W". A section of the ice cream cone's tip has snapped off, and one of the lollies is missing its wooden handle. Some of the collection also exhibits glue remnants and minor staining. Dimensions (Wonka lolly): 28.5 cm x 19 cm x 1.5 cm (11 1/4" x 7 1/2" x 1/2") Estimate: £1,000 - 1,500 MThis lot will be auctioned on Saturday, November 5th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Sunday, November 6th.

Quantity of Portmerion 'Botanic Garden' pattern comprising soup tureen and ladle, three storage jars, flan dishes, plates, rammekins, vinegar bottles, tea pot, plates, bowls etc. (71)

George III silver ladle, possibly London, 1773, 151g approx.

George III silver ladle, London, 1792, together with a set of four early Victorian silver teaspoons, London, 1838, sugar tongs, spoons, etc., 272g approx. of weighable silver

Georg Jensen silver ladle, Continental (Antik) pattern, import marks for London 1931, 34.2g approx

A RARE BLUE AND WHITE DOCUMENTARY 'KUI XING' VESSELDated to the Jiawu year, corresponding to 1654 and of the periodSuperbly potted with gently curving walls rising to a flat lipped rim, painted around the exterior in underglaze blue with Kui Xing holding a brush and silver ingot riding a cloud above swirling waves, his scarves billowing in the wind, the north-star constellation in the sky along with a square dou measure, calligraphic inscription. 22.1cm (8 3/4in) diam.Footnotes:甲午年（公元1654年) 青花魁星圖盌Provenance: Berwald Oriental Art, London, 4 November 2014來源：倫敦古董商 Berwald Oriental Art，2014年11月4日Identified by the writing brush held in his raised hand and his iconic 'back-kick' posture, Kui Xing 魁星 ('Chief Star') is a Daoist deity worshipped to obtain academic success. It would therefore, have been extremely auspicious for a scholar to have his items decorated with this figure, to inspire him in his writing and achieve examination success.The Chinese character Kui (魁) is composed of the ideograph for 'demon' (鬼) and the ideograph for 'ladle' (斗). The ladle or 'dipper' (as Kui Xing is also associated with the North Star) is depicted on the present lot in the form of a square vessel floating above the waves. Kui Xing is often portrayed with a demonic appearance, a hideous face, a horn-like protuberance on his head, and a sinewy body. According to legend, he was once a mortal scholar with outstanding literary skills but was repeatedly failed in the civil service examinations due to his repulsive appearance. Out of frustration and humiliation, Kui Xing threw himself into a river, where he was saved by a mythical monster called an ao. He then ascended to the Big Dipper and became the stellar patron of the literati and the God of Literature.Dreaming of Kui Xing the night before the exams was considered an auspicious sign and the candidate who obtained the highest results, known as the First Scholar (zhangyuan), would walk first on a staircase decorated with the ao mythical beast. Representations of Kui Xing and Ao are thus a symbol of literary success and highest achievement at the Imperial examinations.The other side is with a calligraphic inscription in three lines: 北極之象，太陰之精鍾英毓秀，翼我文明甲午春日寫於花前解貂Which may be translated as:The image of the polestarand the essence of the MoonConcentrate what's special, nurture what's refinedand advance the brilliance of literary cultureWritten on a Spring day in the Jiawu year (1654) before flowers and undoing fur.Of particular interest is the last line: 'before flowers and undoing fur', encapsulating the changing season from winter to spring when one sheds warmer clothes for lighter ones. It hints at the Jin dynasty official Ruan Fu, who is said to have exchanged his expensive furs for cheap wine. He was impeached by officials but was pardoned by the emperor. The term 'exchanging gold and fur for wine' became a metaphor for unfettered pleasure and individuality, characteristics admired by late Ming literati.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A RARE CELADON-GROUND BLUE AND WHITE AND COPPER-RED GLAZED 'KUI XING' BRUSHPOT, BITONGKangxiFinely potted with straight sides rising to a grooved mouth-rim, meticulously painted around the exterior with a continuous scene of Kui Xing the Star Lord five times interspersed between square measuring vessels, twice Kui Xing is depicted in one direction and thrice in the opposite, holding a brush in one hand and a silver ingot in the other, his sinewy body clad in copper-red deer-skin garments and cobalt-blue billowing scarves, in two representations he stands on a sprig of prunus in white raised slip, all against a celadon-green glaze background, the base unglazed save a recessed circle glazed white. 18.2cm (7 1/4in) diam.Footnotes:清康熙 豆青釉青花釉裡紅魁星點斗筆筒Provenance: The Wheatley collection, LondonS. Marchant & Son, London, 2 June 1999Published, Illustrated and Exhibited: S Marchant & Son, Seventeenth-Century Blue and White and Copper-Red and Their Predecessors, London, 1997, p.58, no.55 S.Marsh, Brushpots: A Collector's View, Hong Kong, 2020, pp.190-191來源：Wheatley 收藏，倫敦倫敦古董商 S. Marchant & Son，1999年6月2日錄著及展覽：《S Marchant & Son, Seventeenth-Century Blue and White and Copper-Red and Their Predecessors》，倫敦，1997，頁58，編號55S.Marsh，《Brushpots: A Collector's View》，香港，2020，頁190-191Identified by the writing brush held in his raised hand and his iconic 'back-kick' posture, Kui Xing 魁星 ('Chief Star') is a Daoist deity worshipped to obtain academic success. It would therefore, have been extremely auspicious for a scholar to have his brushpot decorated with this figure, to inspire him in his writing and achieve examination success.The Chinese character Kui (魁) is composed of the ideograph for 'demon' (鬼) and the ideograph for 'ladle' (斗). The ladle or 'dipper' (as Kui Xing is also associated with the North Star) is depicted on the present lot in the form of a square vessel. Kui Xing is often portrayed with a demonic appearance, a hideous face, a horn-like protuberance on his head, and a sinewy body. According to legend, he was once a mortal scholar with outstanding literary skills but was repeatedly failed in the civil service examinations due to his repulsive appearance. Out of frustration and humiliation, Kui Xing threw himself into a river, where he was saved by a mythical monster called an ao. He then ascended to the Big Dipper and became the stellar patron of the literati and the God of Literature.Dreaming of Kui Xing the night before the exams was considered an auspicious sign and the candidate who obtained the highest results, known as the First Scholar (zhangyuan), would walk first on a staircase decorated with the ao mythical beast. Representations of Kui Xing and Ao are thus a symbol of literary success and highest achievement at the Imperial examinations.A blue and white and copper-red brushpot with related design of Kui Xing, Kangxi, is in the Victoria and Albert Museum, London (acc.no.C.976-1910). See also a doucai brushpot with Kui Xing and prunus, Kangxi, illustrated in The Complete Collection of Treasures of the Palace Museum: Small Refined Articles of the Study, Shenzhen, 2009, p.95, no.65.Compare with a smaller but related underglaze blue and white-decorated celadon-ground brushpot, Kangxi, which was sold at Christie's New York, 21 March 2014, lot 2141.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A Victorian silver Old English pattern sauce ladle, London 1865, a salt and spoon, a baby's push and a butter knife, 4.3 ozt (5) Provenance: From a large single owner collection of silver, from an estate in Somerset

An early Victorian silver fiddle pattern sauce ladle, Exeter 1844 Provenance: From a large single owner collection of silver, from an estate in Somerset

A George VI silver fiddle pattern sauce ladle, London 1826, and a Georgian silver Old English pattern ladle, marks rubbed, 3.2 ozt (2) Provenance: From a large single owner collection of silver, from an estate in Somerset

A George III silver fiddle and shell pattern punch ladle, London 1819, 7.9 ozt Provenance: From a large single owner collection of silver, from an estate in Somerset

A George III Scottish silver Old English pattern punch ladle, Edinburgh 1782 Provenance: From a large single owner collection of silver, from an estate in Somerset

A Victorian silver fiddle and thread pattern sauce ladle, London 1841, 2.9 ozt Provenance: From a large single owner collection of silver, from an estate in Somerset

A George III silver bright cut Old English pattern sauce ladle, London 1798, 1.7 ozt Provenance: From a large single owner collection of silver, from an estate in Somerset

A Victorian silver fiddle pattern sauce ladle, Exeter, 1857, 2.6 ozt Provenance: From a large single owner collection of silver, from an estate in Somerset

A George IV silver fiddle and shell pattern sauce ladle, Edinburgh 1826, and a George IV Old English pattern sifter spoon, London 1826, 1.5 ozt (2) Provenance: From a large single owner collection of silver, from an estate in Somerset

A George III silver bright cut Old English pattern punch ladle, London 1808, 5.2 ozt Provenance: From a large single owner collection of silver, from an estate in Somerset

A George III Old English pattern punch ladle, London 1776, 5.4 ozt Provenance: From a large single owner collection of silver, from an estate in Somerset

A George III silver Old English pattern sifter spoon, London 1813, a William VI fiddle pattern sauce ladle, Edinburgh 1831, and a Georgian fiddle pattern salt spoon, 2.5 ozt (3) Provenance: From a large single owner collection of silver, from an estate in Somerset

A George III silver fiddle pattern punch ladle, London 1817, 6.6 ozt Provenance: From a large single owner collection of silver, from an estate in Somerset

A Victorian silver Old English and beaded pattern punch ladle, London 1869, 8.7 ozt Provenance: From a large single owner collection of silver, from an estate in Somerset

A Victorian silver fiddle thread and shell patterned punch ladle, London 1848, 8.6 ozt Provenance: From a large single owner collection of silver, from an estate in Somerset

A 19th century silver caddy spoon, crested, with a shell bowl, a silver ladle, a silver cream jug and a silver egg cup, 5.3 ozt (4)

A silver rat tail or Hanoverian soup ladle, monogrammed, Birmingham 1898, 7.9 ozt

A mixed lot of vintage American kitchenalia, to include numerous cake tins, pie dishes, coffee pot, whisk, tongs, ladle, oven dishes etc

Early 20th century Elkington & Co. EPNS soup tureen of oval form on oval foot with twin scrolled handles matching ladle, 41.5cm x 27.5cm, 3 matching smaller tureens, Elkington & Co. EPNS tray, and other Elkington & Co. EPNS tableware (2 boxes)

Pair of Geo.III Scottish hallmarked silver Fiddle pattern sauce ladles, probably Alexander Henderson, Edinburgh 1809 and an Old English ladle, probably George Smith & William Fearn London 1790, (3)

Large Georgian shell bowl ladle, with engraved monogram to handle. Maker’s mark for Hester Bateman of London. Hallmarked London with date letter for 1787. Very good condition, delicately polished throughout. W:8.5cm x D:24.5cm x H:34.5cm

An early George III bottom marked soup ladle with shell shaped bowl, London 1764 by T&W Chawner, 190g

A Georgian toddy ladle with whalebone handle, inset with a coin, dated 1714

A Georgian fiddle pattern sauce ladle, London 1825 by WT and a plated example

A plain OE pattern sauce ladle, Sheffield 1932, 32g

A modernist long handled ladle, London 1957? By GH, 47g

A group of silver hallmarked flat ware. The lot to include a toddy ladle (hallmarked Edinburgh 1844), silver mustard spoon (hallmarked Edinburgh 1813), silver cruet spoon (rubbed hallmarks), and a small knife (hallmarked Sheffield 1994). Largest spoon measures 15cm, smallest measures 10.5cm. Total weight 81g. 

A vintage moulded glass punch bowl with ladle, hooks and 8 punch glasses