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Lot 482
FOUR 9 CARAT GOLD GEM-SET RINGS comprising a yellow sapphire and diamond three stone ring, hallmarked London 1981, ring size K1/2; a peridot and sapphire cluster ring, hallmarked Sheffield 1989; ring size T; a 9 carat gold blue topaz and cubic zirconia three stone ring, hallmarked London 1988, ring size K1/2; and a 9 carat gold ruby and diamond ring, hallmark worn, ring size K1/2. (4) 8.1 grams grossGood overall condition
Lot 32
Three dress rings, comprising a flowerhead cluster ring, set with a lasque-cut diamond bordered by turquoise-coloured cabochons, with foliate engraved shoulders, 15ct gold mounted, a red stone, half pearl and diamond dress ring, with foliate scroll engraved shoulders and hoop, and a garnet cabochon single stone ring, stamped '15 .625', ring sizes K½, N and N respectively (3)Approximate gross weights only: first ring 1.6gm, second ring 1.6gm, third ring 2.4gm.
Lot 108
A late Victorian half hoop ring, alternately set with coral cabochons and half pearls, 15ct gold mounted, (half pearls untested for origin), together with a white stone cluster ring, two colour mounted, stamped '9CT', a pair of lorgnettes, and two further items (5)Approximate gross weights only: half hoop ring 1.7gm, cluster ring 1.6gm.
Lot 41
A diamond single stone ring, the old-cut diamond in four claw setting, between single-cut diamond set shoulders, stamped 'PLAT 18CT', together with a ruby and diamond cluster ring, 9ct gold mounted, and a white stone half hoop ring, also 9ct gold mounted, first ring total diamond weight approximately 0.25ct, size M½ (3)Approximate gross weights only: first ring 2.3gm, second ring 1.6gm, third ring 1.9gm.
Lot 12
Three gem set dress rings, comprising a diamond and half pearl half hoop ring, a 'Dearest' half hoop ring, and an opal five stone ring, 18ct gold mounted, inscribed to interior, (half pearls untested for origin), ring sizes J, M and N½ respectively (3)Qty: 2Approximate gross weights only: first ring 2.4gm (marks are heavily worn but possibly for 18ct), second ring 1.4gm, third ring 3.1gm
Lot 75
A collection of jewellery, comprising an Egyptian pendant on a fancy-link chain, stamped '750', a 9ct gold and enamel St. Christopher pendant, two further 9ct gold St. Christopher pendants, a hollow heart pendant, on a trace-link chain with clasp stamped '9ct', and a shell cameo ring, 9ct gold mounted, first pendant length 4.2cm (6)Approximate gross weights only: Egyptian pendant on chain 12gm, enamel St Christopher pendant 2.1gm, two other St Christopher pendants combined 8.3gm, heart pendant on chain 1.7gm, cameo ring 4.6gm.
Lot 34
An opal and diamond half hoop ring, the graduated oval cabochon opals spaced by pairs of round brilliant-cut diamonds, 9ct gold mounted, together with a red stone and diamond half hoop ring, 18ct gold mounted, hallmarked for Chester 1911, and a further stone set dress ring, ring sizes L, L½ and K½ respectively (3)Approximate gross weights only: opal ring 1.8gm, red stone ring 2.5gm, green stone ring 2.6gm
Lot 38
A synthetic ruby, diamond and enamel cluster ring, the possibly later replaced cushion-shaped synthetic ruby in collet setting, bordered by rose and lasque-cut diamonds, above a scroll pierced gallery with diamond accents, between foliate shoulders of old, rose and lasque-cut diamonds, the tapered hoop with black enamel foliate accents, two colour mounted, (some diamonds deficient), ring size approximately MTypical curved striations and bubble inclusions to the synthetic ruby, with abrasion and scattered small chips to its surface - this is possibly a later replaced stone. Synthetic ruby dimensions approximately 11mm length x 9mm width. Diamonds have varaible colour and clarity, some stones with chips/fractures, some stones of greyish appearance. Five diamonds are missing and occasional diamonds appear to be later replaced. The old-cut diamonds weigh approximately 0.12ct each. The edges of the settings are worn and have fine splits/creases. The pierced gallery has some splits and possible solder repairs. Enamel to the hoop has chips and losses. The shank has been re-sized and the mount has general surface wear. Metal standard is untested but appears to be a gold and silver combination and the setting appears to be antique. Length of setting 17mm. Gross weight approximately 7gm.
Lot 13
A 19th century single stone ring, centred with an oval cabochon red stone in closed-back setting, to a floral engraved surround and tapered hoop, gold and silver mounted, ring size N½The red stone is possibly a garnet, but is untested as such, and has surface wear, scuffs and nicks. The mount has general surface wear, with patchy rubbing to the engraved decoration. The shank is a little mis-shapen and has been re-sized to the back, with areas of whiteish solder and porosity, and a fine seam/split associated with one of the solder joins. Further fine seams are present to the back of both shoulders. Gold standard is untested. Gross weight approx. 4.7gm.
Lot 100
A collection of jewellery, comprising a 9ct gold hollow ropetwist-link chain, a lady's 9ct gold cased wristwatch by Longines, with unassociated gilt metal bracelet, a garnet insect brooch, a 9ct gold stone set panel brooch, (fitting deficient), a 9ct gold half hoop ring, a graduated malachite bead necklace, two stick pins, assorted ear studs, a green hardstone panel brooch, and a costume butterfly brooch by Trifari, chain length 47cm (qty)Approximate gross weights only: ropetwist chain 9gm, insect brooch 7.2gm, stone set panel brooch 2.3gm, half hoop ring 0.8gm, ear studs 7.2gm combined.
Lot 85
A late Victorian diamond set Mizpah ring, 18ct gold mounted, hallmarked for Birmingham 1886, and an Edwardian diamond and gem set cluster ring, also 18ct gold mounted, hallmarked for Birmingham 1907, (two stones deficient), ring sizes O½ and M respectively (2)First ring: the rose-cut diamond has fractures and chips. General surface wear to mount. The band is slightly off-round, with a shallow dent to the back, and has been re-sized. Band tapers in width from 7.5mm to 4.3mm. Hallmarks are clearly struck, maker's mark 'E.V'. Gross weight approx. 2.6gm. Second ring: one red stone and one diamond are missing. The remaining diamonds have a greyish fractured/chipped appearance and the red stones have surface wear. The mount has thinning to the edges of the settings and shank, with general surface wear throughout. The shank has been re-sized. Hallmarks have light wear, the maker's mark is indistinct. Gross weight approx. 2.8gm
Lot 99
A collection of jewellery, comprising a half pearl set memorial brooch, applied with a foliate spray to a black ground, with foliate scroll border, glazed verso, (later fitting), two diamond set ring mounts, stamped '18' and '18CT' respectively, (diamonds deficient), a cultured pearl dress ring by Mikimoto, signed and stamped 'K14', (one cultured pearl deficient), an 18ct gold wedding band, a 9ct three colour gold necklace, of tapered textured design, a ropetwist-link chain, two single stone dress rings, and a cultured pearl necklace, brooch length 4.7cm (10)Approximate gross weights only: memorial brooch 26.5gm, two diamond set ring mounts combined 3.7gm, cultured pearl dress ring 4.2gm, 18ct gold wedding band 2gm, 9ct gold necklace 11.2gm, ropetwist-link chain 11.3gm (untested as gold/gilt metal), two single stone dress rings combined 13.2gm, cultured pearl necklace 22gm (broken)
Lot 98
A collection of jewellery, to include a cultured pearl dress ring, stamped '375' a naval crown bar brooch, with blue and red enamel decoration, stamped '9CT', a riding crop bar brooch, stamped '15CT', a 9ct gold cross pendant, and assorted further jewellery, costume items and coinage, first ring size L½ (qty)Qty: QtyApproximate gross weights only: cultured pearl ring 2.6gm, naval crown brooch 3.2gm, riding crop brooch 2gm, cross pendant 0.7gm
Lot 88
A collection of jewellery, comprising a diamond five stone ring, stamped '18CT & PLAT', a diamond half hoop ring, 18ct gold mounted, (one diamond deficient), a stone set half hoop ring, 18ct gold mounted, (two stones deficient), a 9ct gold owl brooch, with red stone eyes, a further brooch, 9ct gold mounted, (fitting deficient), and an open face fob watch, first ring size I (6)Approximate gross weights only: diamond five stone ring 1.8gm, diamond half hoop ring 3.5gm, stone set half hoop ring 1.6gm, owl brooch 5.3gm, other brooch 0.8gm
Lot 62
A diamond five stone ring, the graduated round brilliant-cut diamonds spaced by smaller single and brilliant-cut diamond points, to a scroll decorated hoop, 18ct gold mounted, maker's mark AJW, total diamond weight approximately 0.70ct, ring size approximately J½ - KThe principal diamonds have variable clarity, most stones with fracture inclusions, surface-reaching fractures/chips and dark spotted mineral inclusions, with estimated SI2 to P2 clarity and H to J colour, assessed mounted. These diamonds graduate from approximately 0.20ct to 0.08ct in size. The diamonds points have a typically greyish, fractured appearance. The ring mount is relatively modern with general surface wear and patchy thinning to the tips of the setting. The shank has been re-sized. Gross weight approx. 3.9gm.
Lot 47
A sapphire and diamond five stone ring, alternately set with circular mixed-cut sapphires and single-cut diamonds, 18ct gold mounted, together with a lozenge-shaped diamond panel ring, stamped '18CT & PT', and a diamond three stone ring, similarly stamped, ring sizes L½, K½ and L respectively (3)Approximate gross weights only: first ring 2.7gm, second ring 2.4gm, third ring 1.3gm
Lot 83
Three 9ct gold signet rings, each with a monogrammed rectangular panel, together with a carnelian single stone ring, yellow precious metal mounted, and a 9ct gold ring mount, largest ring size Z (5)Approximate gross weights only: three signet rings combined 14.5gm, carnelian ring 7.2gm, ring mount 6.8gm
Lot 11
An 18ct gold wedding band, with engraved decoration, hallmarked for London 1968, a 22ct gold wedding band, hallmarked for Birmingham 1925, and a yellow metal wedding band, with reeded decoration, ring sizes Q, N and O½ respectively (3)Approximate gross weights only: 18ct band 7.3gm, 22ct band 2.7gm, yellow metal band 6.3gm (untested for metal standard)
Lot 65
A sapphire and diamond half hoop ring, the graduated cushion-shaped sapphires spaced by pairs of old-cut diamonds, between scrolled shoulders, 18ct gold mounted, ring size OQty: 1Sapphires have slightly variable light to mid blue hues with surface wear and facet edge abrasion, the largest sapphire measuring approx. 4.5mm length x 3.5mm width. Diamonds are fairly lively, with occasional small chips/nicks, and one stone contains multiple fracture inclusions. Total diamond weight approx. 0.10ct. The ring mount has surface wear, with patchy thinning to the tips of the claws. There is a hallmark to the back of the shank for Birmingham 1906 and a further 18ct gold mark to one shoulder that appears to be a more modern mark. The maker's mark is possibly 'CHC' or 'CHG' and the mount is numbered 197. Gross weight approx. 3.8gm.
Lot 87
A collection of dress rings, comprising a diamond cluster ring, 9ct gold mounted, a ruby and diamond cluster ring, also 9ct gold mounted, a diamond and red stone half hoop ring, 18ct gold mounted, a diamond and yellow stone half hoop ring, 9ct gold mounted, a further half hoop ring, 9ct gold mounted, and a pink stone dress ring, also 9ct gold mounted, first ring size M½ (6)Approximate gross weights only: diamond cluster ring 2.7gm, ruby and diamond cluster ring 2.2gm, diamond and red stone half hoop ring 2.3gm, diamond and yellow stone half hoop ring 2.3gm, half hoop ring 2.2gm, pink stone dress ring 2.9gm
Lot 26
Ca. 100 AD.A nicolo cameo with the inscription "ΕΥΤΙΚΙ ΕΥΓΕΝΙ" (eutiki eugeni). The phrase "eutiki" can be interpreted as "good luck," while "eugeni" carries connotations of aristocracy or noble lineage. This combination of words suggests a desire for happiness and prosperity, particularly within the context of social status and privilege. This intaglio is housed within a possibly later gold ring, featuring a round hoop with expanded shoulders. Size: D: 15.29mm / US: 4 1/4 / UK: I; 5.05g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Lot 33
Ca. 1-200 AD.A carnelian intaglio set in a later gold ring, showcasing a skillfully rendered portrait of the god Mercury. As a prominent figure in Roman mythology and religion, Mercury holds a multifaceted significance within the pantheon. Mercury is commonly associated with communication, commerce, travel, and eloquence, making him a central deity in Roman religious and social contexts. In this particular portrayal, Mercury is depicted facing left, capturing the artist's attention to detail in presenting a distinct and lifelike representation. The gaze of the god is depicted with a nuanced complexity, with the artist employing masterful techniques to convey Mercury's divine presence. The gaze may exude a sense of alertness, intelligence, and an aura of confidence, encapsulating the god's associations with cunning and intellect. The intaglio further accentuates the fine features of Mercury's face, carefully carved with precision and delicacy. Notably, the artist has paid special attention to the depiction of the god's hair, etching intricate details that lend a sense of texture and realism to the composition. Depictions of gods in Roman glyptic art served as a means of visual communication, expressing religious beliefs and asserting cultural identities. These representations not only conveyed the physical characteristics of the deities but also encapsulated their associated attributes, powers, and narratives. Size: D: 17.93mm / US: 7 3/4 / UK: P; 9.89g Provenance: Private UK collection; Ex. old Swiss family collection formed in the 1990s.
Lot 28
Ca. 1-200 AD.A gold finger ring featuring a round and hollow hoop complemented by expanded shoulders. A bezel adorns the ring, housing an exquisite amethyst intaglio that bears an intricately engraved portrait of a goddess or noble female figure. The depiction captures her left profile, wherein her curly hair is elegantly gathered in a bun at the posterior of her head. Noteworthy attributes include her serene gaze, subtly sculpted nose, and slightly parted lips, conveying a sense of poise and elegance. The portrayal also reveals a rather broad neck and a glimpse of her robe, which exhibits meticulously incised folds, lending a sense of realism to the artwork. Size: D: 17.73mm / US: 7 1/2 / UK: O 1/2; 12.34g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1970s.
Lot 17
Ca. 5th-4th century BC.A solid gold ring with the depiction of Nike, the winged goddess of victory. Crafted in a D-shaped design, the ring showcases a round section shank, providing a comfortable fit for the wearer. The central focus of this remarkable piece lies in its eye-shaped bezel, supported by the shank, and adorned with a delicate dotted border. Enclosed within this border is a captivating portrayal of Nike in an active pose. Nike, an important deity in ancient Greek mythology, personified victory and triumph. Revered as the bringer of success, she symbolized the glorious outcome of battles, contests, and athletic competitions. Depicted with wings, Nike is often portrayed in a state of motion, capturing her essence as the swift and agile agent of victory. In this ring, she is portrayed in a dynamic posture, gracefully leaning towards her left side, conveying a sense of movement and grace. Greek Hellenistic rings with depictions of deities, such as Nike, not only functioned as ornamental pieces but also held symbolic and personal significance for the individuals who wore them. The inclusion of deities in their designs allowed the wearer to invoke the power and favour of these gods and goddesses, seeking their protection and blessings in various aspects of life, including battles, competitions, and achievements. Size: D: 17.32mm / US: 7 / UK: N 1/2; 4.25g Provenance: Property of a London Ancient Art gallery, formerly a private collection, acquired in the years 1970-1980. Then by descent, private collection, 1998.
Lot 361A
Ca. 2nd century AD.A possibly reworked ancient roman carnelian intaglio depicting the scene of Victoria and Jupiter. The scene portrays Victoria, the Roman goddess of victory, on the left side. She is depicted as a robed and winged figure, standing in a dynamic pose, approaching the seated figure of Jupiter on the right. In the scene, Victoria extends her hands in a gesture of offering towards Jupiter, the king of the gods in Roman mythology. Jupiter is portrayed holding a lance, emphasizing his role as a powerful deity. The intaglio captures the interaction between these divine figures, showcasing the dynamic relationship between victory and divine authority. The carnelian intaglio is set within a possibly later gold ring, featuring a round hoop and expanded shoulders. This ring serves as a complementary and aesthetically pleasing frame for the captivating intaglio. The choice of gold as the setting material further enhances the overall luxurious and prestigious nature of the piece. Size: D: 19.96mm / US: 10 1/4 / UK: U; 8.71g Provenance: Private London collection, UK art market before 2000.
Lot 189
Ca. 100-300 AD.A carnelian intaglio distinguished by its oval shape and adorned with a left-facing portrait of a noble female, possibly the wife of an emperor. The portrait exhibits a remarkable level of artistry, capturing the essence of the subject through naturalistic renderings. The noble female's countenance is characterized by large, expressive eyes, a delicate nose, subtle lips, rounded cheeks, and a graceful neck. Her regal appearance is further enhanced by an elaborate coiffure that culminates in a gathered bun at the back of her head. The intaglio itself is set within a potentially later heavy gold ring, featuring a tapered hoop and broad shoulders. The gold setting, with its weight and substantial construction, adds an element of luxury and prestige to the overall piece. Size: D: 17.93mm / US: 7 3/4 / UK: P; 11.97g Provenance: Private London collection, UK art market before 2000.
Lot 16
Ca. 400 BC.A gold ring adorned with a depiction of the standing nude Aphrodites. This enchanting representation showcases the goddess with her body gracefully twisted to one side, accompanied by a flowing cloth delicately suspended from her left hand. The meticulous craftsmanship is evident in the intricately detailed facial features, while her lustrous locks are artfully gathered into a captivating coiffure. The rendering of her form exudes a naturalistic quality, capturing the essence of human beauty. Aphrodite occupies a position of great prominence as the goddess of love, beauty, and fertility. Revered as the epitome of feminine allure, Aphrodite embodies both physical attractiveness and the compelling force of desire. Her influence extends beyond matters of romance, encompassing aspects of prosperity and creative inspiration. Size: D: 16.92mm / US: 6 1/2 / UK: M 1/2; 13.06g Provenance: Private London collection, UK art market before 2000.
Lot 294
Ca. 600 AD.A splendid gold architectural ring. Its octagonal-shaped hoop forms a captivating foundation for its distinctive design, while the applied bezel takes center stage with its architectural composition. At the heart of this ensemble, a dome gracefully ascends, adorned with raised knobs that punctuate its crown, imbuing the structure with a regal presence. Radiating from this central dome, the architectural setting embraces a series of arched openings, meticulously framed with intricate filigree work, lending an air of delicacy and elegance to the overall composition. Byzantine architectural rings, such as this masterful specimen, serve as tangible testaments to the era's profound appreciation for architectural motifs. Combining elements of both art and functionality, these rings symbolize the Byzantines' architectural prowess and their desire to encapsulate the grandeur of buildings in miniature form. The architectural settings, often embellished with remarkable details and intricate ornamentation, mirror the opulence and intricacy found in Byzantine architecture at large. Repaired. Size: D: 17.12mm / US: 6 3/4 / UK: N; 10.69g Provenance: Private London collection, UK art market before 2000.
Lot 34
Ca. 100-300 AD.A fine gold finger ring of a round-section hoop expanding to form an oval bezel set with a jasper intaglio engraved with Gryllos - a parodistic figure composed of a bearded face of Silenus facing right, an equine protome on the top, and ram head facing left. The hybrid stands on rooster legs. Cf. G.M.A. Richer, Catalogue of engraved gems. Greek, Etruscan, and Roman (The Metropolitan Museum of Art, New York), Plate LXIII. Size: D: 19.76mm / US: 10 / UK: T 1/2; 9.79g Provenance: Private London collection; ex. Japanese collection 1990s.
Lot 32
Ca. 100-200 AD.A high quality garnet intaglio presents a captivating portrayal of a right-facing wild boar captured in mid-stride. This masterfully executed depiction showcases the boar in profile, with meticulous attention given to the naturalistic rendering of its features. The incised fur, intricately etched mane, delicately depicted tail, and facial details breathe life into the representation, imbuing the boar with a tangible sense of vitality and presence. Nestled within a possibly later period gold ring, characterized by a round hoop adorned with double ropework decoration, this remarkable artifact exudes a sense of sophistication and craftsmanship. The applied bezel further enhances its allure, featuring a ribbed base and a beaded circuit that accentuates the intricate beauty of the intaglio. Within the realm of Roman glyptic art, depictions of animals held significant importance and played multifaceted roles. Animal imagery often conveyed symbolic meaning, representing various virtues, attributes, or associations tied to the depicted creature. In the case of the wild boar, its portrayal evoked notions of strength, courage, and ferocity, resonating with Roman ideals of bravery and valor. Size: D: 19.35mm / US: 9 1/2 / UK: S 1/2; 8.05g Provenance: Private London collection, UK art market before 2000.
Lot 222
Ca. 100-300 AD.A garnet intaglio depicting a stag. The majestic creature faces right, its muscular body rendered in profile and captured in a dynamic pose of graceful movement, as if caught mid-stride. Situated in the background are delicately etched trees, serving as a contextual backdrop for the stag's presence. The intaglio is housed within a possibly later gold ring. The ring itself features a round hoop, exhibiting a rounded exterior and expanded shoulders. Within Roman glyptic art, animal representations held a multifaceted significance, encompassing both mythical and naturalistic elements. Such depictions often conveyed symbolic meanings, drawing upon the broader cultural and religious beliefs prevalent in the Roman world. The stag, for instance, embodied notions of strength, agility, and virility. Its depiction in a dynamic pose, as if captured in the midst of running, further emphasizes the animal's vitality and energetic spirit. Size: D: 18.95mm / US: 9 / UK: R 1/2; 5.31g Provenance: Private UK collection; Ex. old Swiss family collection formed in the 1990s.
Lot 190
Ca. 100-300 AD.A carnelian intaglio, set within a potentially later gold finger ring, presents a remarkable depiction of a childbirth scene, capturing a significant moment of human life within the realm of Roman glyptic art. The oval-shaped carnelian stone showcases a meticulously engraved composition. To the right, a seated mother is portrayed. At the center, a newborn child emerges, symbolizing the miracle of birth and the continuity of life. Positioned to the left is a kneeling accoucheur, offering support during this profound event. The inclusion of this childbirth scene reflects the Romans' fascination with the cycle of life, the importance of family, and the celebration of new beginnings. Moving beyond the intaglio, the ring itself demonstrates a high level of ornamental artistry. The hoop is composed of two zoomorphic beast heads with splayed mouths, which serve as captivating supports for the bezel cell. The incorporation of these intricate and detailed elements adds a touch of symbolic significance and visual splendour to the overall design. The bezel cell, adorned with a twisted ropework border, further enhances the ring's aesthetic appeal and acts as a protective frame for the compelling childbirth scene. Size: D: 18.14mm / US: 8 / UK: P 1/2; 9.2g Provenance: Private London collection, UK art market before 2000.
Lot 301
Ca. 600 AD.A gold ring with a unique and captivating design, characterized by its hexagonal profile and flat-section hoop. Each of the ring's exterior faces is adorned with intricate religious script. In Byzantine culture, rings adorned with religious scripts played a vital role in both personal expression and religious devotion. These inscriptions often featured prayers, religious verses, or invocations, serving as tangible expressions of faith and acts of piety. The inclusion of such script on rings allowed individuals to carry their beliefs with them, symbolically reinforcing their spiritual connection and providing a constant reminder of their devotion. Size: D: 21.69mm / US: 12 3/8 / UK: Y 1/2; 10.26g Provenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s.
Lot 192
Ca. 3-5th Cen. AD.An octagonal-shaped intaglio with an intricate depiction of the god Sol riding a quadriga, a chariot drawn by four horses. Sol, a prominent deity in Roman mythology, embodies the sun and its life-giving attributes. In this intaglio, Sol is exquisitely portrayed in a triumphant stance, guiding the quadriga with mastery and authority. The symbolism behind Sol riding a quadriga extends beyond a mere representation of solar power. The quadriga itself signifies dominion and control, emphasizing Sol's role as a celestial charioteer who commands the movements of the sun across the heavens. The unpolished agate intaglio is securely set within a flat-section gold ring boasting a hexagonal profil, and exudes a sense of refined craftsmanship. For a similar, please see The Metropolitan Museum of Art, Accession Number: 81.6.173. Size: D: 17.53mm / US: 7 1/4 / UK: O; 9.22g Provenance: Private London collection, UK art market before 2000.
Lot 35
Ca. 100-300 AD.A high carat gold ring set with carnelian intaglio with a captivating depiction of a philosopher, possibly Socrates, showcased in a right-facing portrait. The intricately rendered details meticulously capture his distinctive features, characterized by a bald head, a luxuriant, flowing beard, a pointed nose, a prominent browline, slightly parted lips, and remarkably large eyes. The gold ring is with a smooth hoop and exhibits expanded shoulders, adding an aura of elegance to the overall design. Repolished. Size: D: 15.9mm / US: 5 1/4 / UK: K; 9.63g Provenance: Private London collection, UK art market before 2000.
Lot 293
Ca. 200-300 AD.An amethyst intaglio, housed within a gold ring, presents a captivating engraving that unfolds a visually compelling narrative. The scene depicts two avian figures, potentially peacocks, perched atop a sizable amphora. Between these elegant birds, a Latin cross occupies a central position, imbuing the composition with subtle yet profound religious symbolism. The amphora itself stands as a prominent focal point, flanked gracefully by two branches adorned with delicate leaves, further enhancing the aesthetic appeal of the engraving. The symbiotic relationship between the birds and the amphora suggests a harmonious coexistence of natural and man-made elements, perhaps alluding to the intersection between the divine and the earthly. The ring itself possesses a flat-section hoop, providing a smooth interior surface for comfortable wear, while the exterior is adorned with an exquisite repetitive pattern that encircles the entire length of the loop. The shoulders of the ring exhibit an elaborate scroll design and serve as supportive elements for a large bezel cell that encases the captivating intaglio. Size: D: 18.14mm / US: 8 / UK: P 1/2; 9.26g Provenance: Private London collection, UK art market before 2000.
Lot 219
Ca. 300 - 400 AD (or later) .A chalcedony intaglio features a seated Sphinx positioned in profile, facing to the left, atop a solid baseline. The Sphinx, an enigmatic creature of ancient mythology, is meticulously portrayed with exquisite attention to detail. Its body, a fascinating amalgamation of human and animal elements, showcases a leonine torso elegantly melded with a regal human head, adorned with a majestic headdress. The Sphinx's serene countenance emanates an air of wisdom and mystery, encapsulating the allure of this mythical being. Nestled within a gold ring, possibly from a later period, this chalcedony intaglio finds itself in the embrace of a D-shaped hoop boasting decorative shoulders. The ring's grandeur is further accentuated by its large bezel, adorned with an intricately modelled border. This ornate border adds a touch of sophistication and craftsmanship to the overall composition, framing the Sphinx and creating a captivating visual focal point. Depictions of the Sphinx hold significant significance in Roman glyptic art, transcending mere decorative motifs. The Sphinx, a creature of both Greek and Egyptian mythology, represented a fusion of cultural and symbolic elements. In Roman art, Sphinx depictions often evoked notions of mystery, enigma, and riddles, reflecting the Romans' fascination with intellectual challenges and the quest for knowledge. Size: D: 18.95mm / US: 9 / UK: R 1/2; 9.67g Provenance: Private London collection, UK art market before 2000.
Lot 218
Ca. 200 AD.A carnelian intaglio featuring a depiction of the revered goddess Diana, known as Artemis in Greek mythology. This exquisite intaglio portrays Diana in a dynamic stance with her left hand gracefully retrieving an arrow from the quiver resting on her back, while her right hand holds the bow in readiness, poised to unleash her precise aim. Her body is elegantly twisted to the side, adding a sense of movement and energy to the composition. Diana, a significant figure in the Roman pantheon, occupies a prominent position as the goddess of the hunt, the moon, and chastity. As the twin sister of Apollo, she possesses a complex array of attributes and roles. Diana is celebrated as a skilled huntress, embodying grace, agility, and a deep connection with the natural world. Her association with the moon underscores her role as a protector and nurturer of nature and wildlife. This intaglio is set within a gold ring, possibly from a later period. The ring features a round-section, smooth hoop that exudes timeless elegance, gradually expanding to form a bezel that frames the intricately carved intaglio. The harmonious integration of the intaglio and the gold ring showcases the profound admiration for both mythological narratives and skilled metalworking techniques prevalent in Roman culture. For a similar, please see The Israel Museum, Accession number: 70.62.394. Size: D: 18.95mm / US: 9 / UK: R 1/2; 12.4g Provenance: Private London collection, UK art market before 2000.
Lot 300
Ca. 1200-1300 AD.A gold ring characterized by its elegant and delicate construction, enriched by three gemstones original to the piece. The thin and slender hoop of this remarkable piece features slightly faceted sides, lending it a subtle yet captivating visual texture. At the center of attention is the vertically oriented polyhedral bezel, which commands attention with its unique design. The raised upper face of the bezel forms miniature pyramid-shaped settings, each adorned with captivating emerald, garnet and amethyst cabochons. This splendid use of vibrant gemstones adds a touch of opulence and allure to the ring. Size: D: 17.93mm / US: 7 3/4 / UK: P; 2.09g Provenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s.
Lot 68
A GIANNI VERSACE SIGNATURE GOLD PLATED BRACELET WATCH The circular dial with Roman numerals on black chapter ring and central Medusa medallion, pierced key fret bracelet, case back signed and numbered '000554', quartz movement in working order (watch serviced and battery replaced in September 2022), with original box, booklet and outer box 25mm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 504
18CT GOLD & PLATINUM DIAMOND SOLITAIRE RING, the single claw set round brilliant stone measuring 0.5cts approx., ring size M, 2.2gms, in heart shaped ring boxProvenance: private collection CardiffComments: Clarity SI1/SI2, Colour H/I, good cut and symmetry, all opinions are subjective and not guarantees, we encourage viewing in person if possible
Lot 508
18CT GOLD & PLATINUM FIVE STONE DIAMOND RING, the five graduated old European cut stones measuring 1.5-1.6cts overall approx., ring size M, 3.7gmsProvenance: private collection CarmarthenshireComments: Clarity SI1/SI2, Colour tinted, diamonds are well matched, all opinions are subjective and not guarantees, we encourage viewing in person if possible
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