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A gold-plated open face pocket watch, 40mm white enamel dial marked Sigwart's Precision Lever with arabic numeral chapter ring and secondary seconds dial in plain polished outer and inner Dennison cases numbered 264349, case diameter 48mm, top wind 15 jewel movement, no engraved personal inscriptions, watch winds freely and is running intermittently at present time although no guarantee is given.
A 9 carat yellow gold open face pocket watch, 40mm white enamel dial marked Barrett Northampton with Arabic numeral chapter ring and secondary seconds dial in plain polished outer and inner cases numbered 6351,hallmarked Chester 1925, case diameter 47mm, keyless 15 jewel Record Watch Co movement, gross weight approximately 82.8gms, no engraved personal inscriptions, watch winds freely and is running at present time although no guarantee is given.
An early 20th Century Austrian 14k gold framed and fine mesh evening purse, plain framing set with seven cabochon sapphires and interspersed by six old cut diamonds, the twin acorn pattern clasp set with two cabochon sapphires, 6ins x 7.25ins and with elongated chain handle twith ring to centre (gross weight 235 grammes)
A late Victorian 9ct rose graduated curb link Albert with T-bar hung with a gold coloured metal carnelian set seal, 570mm overall (gross weight, excluding seal, 57 grammes), an Edward VII 1910 half sovereign in 9ct gold ring mount (gross weight 7.9 grammes - size K 1/2), and a 1950's lady's 9ct gold Tudor wristwatch, the rectangular champagne dial quarter set with Arabic numerals, 17mm overall, contained in plain case and on conforming bracelet
A modern 9ct gold six gate bracelet with padlock clasp, a pair of 9ct gold triangular section pierced drop earrings, a gentleman's 9ct gold ring worded "Rob" to face, and a gentleman's 9ct white gold ring, the plain curved rectangular face set with a small white stone (gross weight 41 grammes)
A 22ct gold wedding band (size R - weight 5.5 grammes), a late Victorian 18ct gold ring set with small seed pearls and rose diamonds (weight 2.2 grammes), a modern 9ct white gold wedding band (weight 2.4 grammes), a modern 9ct gold ingot pattern pendant, and 480mm fine chain necklet (weight 12.6 grammes), and a 9ct gold circular fob pendant, 25mm diameter (weight 5.6 grammes)
A Roman gold signet ring (of Henig Type VIII), the hexagonal hoop with neatly faceted external surface and keeled shoulders, inset with dark blue glass intaglio (3rd Century AD - gross weight 9.7grammes- mount around intaglio worn and part missing, intaglio worn) Note: Found on the Isle of Sheppey Kent, Treasure No. 2016 T452, and with copy of H.M. Coronor's report
An 18ct gold Victorian style sapphire and diamond ring, the ovoid face set with oval central sapphire and two smaller sapphires interspersed by four small diamonds (size N 1/2 - weight 2.4 grammes), a 1920's gold coloured metal and silvery coloured metal sapphire and diamond lozenge shaped cluster ring, set with central lozenge shaped sapphire surrounded by twelve small diamonds (size L 1/2 - weight 2.4 grammes), three other sapphire and diamond rings, and a 9ct gold and garnet set ring , a Victorian 15ct bar brooch set with small diamond to centre, 1.75ins (weight 3.5 grammes), and a 9ct gold and oval amethyst pendant and fine chain necklet
Byzantine Opus Interrasile Ring with Doves and Cross, 7th-8th century AD A substantial gold ring with openwork opus interrasile decoration of a series of roundels, one to the front with a equal armed Greek cross, two to the side with standing doves; between each roundel a stylised acanthus leaf. The border and each roundel segmented with dot motif to the centre of each. For a similar example see The British Museum accession number: AF.308 Opus interrasile comes from the Latin opus, meaning work, and interrasile meaning openings. It is a metalworking technique that involves creating a style of openwork decoration by piercing a sheet of metal with a chisel or other sharp tool. The style came into fashion during the Etruscan period and was further developed by Roman goldsmiths. The style continued to flourish in Byzantine jewellery. During the Late Roman period the style was popular for use with gold rings, such as the Aemelia ring found at Corbridge on Hadrians Wall. It was during the Byzantine period that the technique reached its zenith, where craftsmen produced a range of jewellery, including earrings, bracelets and rings in work so fine that the remaining gold looks like a web of ultra fine wires. Symbols typically include the cross, doves, peacocks and trees, all referencing to the owners’ Christian faith.
A Late Roman Gold And Emerald Finger Ring, Circa 4th Century AD. The plain hoop rounded on the exterior, flat on the interior, with a high flaring square bezel, the sides stamped with festoons and stippling, set with a flat emerald.7/8 in. (2.2 cm.) Provenance: Ex. London Collection. Acquired legally over the last 20 years. Declaration of provenance: All provenance details are supplied by the vendor (consignor) – Hansons Auctioneers and Valuers supply a Certificate of Authenticity with all antiquities sold showing authenticity. Provenance and known details recorded on this.
Gold Signet Ring of Field Marshal Sir George Stuart White, 1862. A substantial D-section gold hoop ring and discoid bezel with crest of an armoured forearm and hand brandishing a cross, scroll with legend a 'VI ET VIRTUTE' (through strength and valour) stamped to the inner face a 'LS' maker's mark and an anchor (Birmingham), 'N' in a shield (1862).Field Marshal Sir George Stuart White, VC, GCB, OM, GCSI, GCMG, GCIE, GCVO, (born 6 July 1835, 24 June 1912) was an officer of the British Army. He was stationed at Peshwar during the Indian Mutiny and then fought at the Battle of Charasiab in October 1879 and at the Battle of Kandahar in September 1880 during the Second Anglo-Afghan War. For his bravery during these two battles, he was awarded the Victoria Cross. He went on to command a brigade during the Third Anglo-Burmese War in 1886 and became commander of Quetta District in 1889 in which role he led operations in the Zhob Valley and in Balochistan. He was commander of the forces in Natal at the opening of the Second Boer War and fought at the Battle of Elandslaagte in October 1899. He commanded the garrison at the Siege of Ladysmith: although instructed by General Sir Redvers Buller to surrender the garrison he responded "I hold Ladysmith for the Queen" and held out for another four months before being relieved in February 1900. He finished his career as Governor of Gibraltar and then as Governor of the Royal Hospital Chelsea.Ex. Gloucestershire Collection, acquired legally over the last decade.
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