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Lot 6
A 'HAPPY EMOTIONS' DIAMOND RING, BY CHOPARD, CIRCA 2019Designed as a glazed circular plaque enclosing three 'floating' brilliant-cut diamonds within collet-setting, within a swirl circular mount on a plain gold hoop, mounted in 18K gold, signed Chopard, numbered, Swiss assay mark for Geneva, International convention mark, with maker's case, outer box and booklet, ring size L (52)Accompanied with its certificate of authenticity from Chopard, dated July 2019 Condition Report: Superficial signs of wear, overall in good conditionA very similar ring found on their website retails for CHF2,840 (approx. €2,800)
Lot 60
A CORAL AND DIAMOND COCKTAIL RING, BY CARTIER, CIRCA 1955The oval-shaped corallium rubrum cabochon coral within an openwork mount of textured wire, highlighted with brilliant-cut diamonds, mounted in 18K gold and platinum, diamonds approximately 1.50ct total, signed Cartier Paris, numbered, with maker's mark 'P&Fils' for Péry & Fils, French assay marks, with maker's case, ring size KPlease note that this lot contains coral and might be subject to CITES regulations when exporting outside the EUMaison Péry was established in 1875 by Lucien Péry, whose elegant gold chains attracted the attention of the jewellers housed in the place Vendome. The company was run by four generations of Péry's, from Lucien’s son Albert to his grandson Bernard who was the father of the great Brigitte Péry who went on to manage the business for four decades.Albert's work at during the first half of the 20th century was prolific, producing new designs almost every week. However, when the WWII broke out, Albert was taken prisoner and the workshop was closed for six years. Once the conflict ended, the production started again slowly, increasing in the 1950s, during which time Péry created some of Van Cleef & Arpels’s most iconic pieces, including the Domino jewellery sets and Ludo bracelets.Bernard Péry began to make connections with other jewellery houses and started collaborations, first with Paolo Bulgari, which lasted for two decades, followed by Cartier, Boucheron, Mauboussin, Templier and Tiffany. Indeed, it seems there is no major jewellery house of the 20th century the Péry workshops did not produce for.Bernard’s daughter Brigitte was of similar business acumen and when she took over, she continued to pursue this strategy. Amongst her collaborators were Graff, Dior, Fabergé and Mikimoto. In 2008 she launched a large-scale training program for the workshops in order to promote innovation and modernise the production techniques of the company. Adopting new design processes ensured versatility and allowed Maison Péry to compete on an international stage. In 2011, she finally decided to sell her family's company to the then President of the Richemont Group, Stanislas de Quercize, thus officially combing Maison Péry into the fold of Van Cleef & Arpels.‘Jewellery always makes you dream,’ Brigitte explained in an interview with Olivier Bachet for IAJA, ‘To dream of those who wear them, what a pleasure and what a chance to be able to do so. And to dream of those who always make them with real passion.’Condition Report: Diamonds: approx. 1.50cts total, unable to assess colour due to yellow mount, estimated clarity: a majority of VS and a couple of SINumbered: (Difficult to identify the number): possibly: 0 (or 9) 18185 and signature Cartier Paris, located on the reverse of the galleryFrench assay marks: dog's head for French platinum and eagle's head for French 18K gold, both located on the outside of the hoopMaker's mark for Pery & Fils located on the outside of the hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 18.5g
Lot 62
A GEM-SET AND ENAMEL NOVELTY BROOCH, BY FRASCAROLO, CIRCA 1965The whimsical duck, with textured gold body and wings, oval-shaped ruby eye accented with brilliant-cut diamond eyebrows, embellished with orange enamel beak, black enamel feet and yellow enamel belly, mounted in 18K gold, with maker's mark 'FC' for Frascarolo, length 6.8cmPierino ‘Rino’ Frascarolo was born in Milan in 1928. He began his jewellery career as an apprentice with the Fratelli Lunati company, before going on to find his own firm with his partner, Aldo Lenti. In 1948 he moved his factory to Valenza in Corso Matteotti. It was here that Frascarolo began to design and craft his signature enamel and gold animal creations, the ‘Bestiario’, for which he would become best known.Frascarolo's animal jewels were produced throughout the 1960s and proved so popular that he was unofficially dubbed the ‘David Webb of Italy’. Admirers included HRH The Princess Margaret who owned a tiger bangle and ring by him. It was during this time that the maison of Frascarolo was at its height and his exquisite creations attracted clientele from all over Europe and beyond, who were enchanted by his lively and colourful portrayal of animals in the form of wearable pieces.The manufacture of these pieces was not an easy feat, and their huge popularity is a credit to Frascarolo’s skill as a craftsman. He used casting techniques and machinery that was hugely advanced for the time and employed up to fifty craftsmen at once. Frascarolo and his partner Lenti went their separate ways and the former then established his own brand, Frascarolo & Co., in New York City. Through this venture, Frascarolo brought the work of Italian jewellery masters to new heights of international renown.Pierino Frascarolo died in Valenza in 1976 at just forty-eight years old, whilst his jewellery business was at its peak. Following Pierino’s untimely death, Frascarolo & Co closed its business activities the same year, but due to their collectible nature, his pieces remain in very high demand.Condition Report: Minor signs of wear, overall in good conditionTotal gross weight approx. 32.60g
Lot 63
A GEM-SET AND ENAMEL BRACELET, BY FRASCAROLO, CIRCA 1965Designed as a horse, applied with variously coloured enamel and ruby eyes, the muzzle and tail set with single-cut diamonds, mounted in 18K gold, with maker's mark for Frascarolo, Italian assay mark, inner diameter 5.4cmPierino ‘Rino’ Frascarolo was born in Milan in 1928. He began his jewellery career as an apprentice with the Fratelli Lunati company, before going on to find his own firm with his partner, Aldo Lenti. In 1948 he moved his factory to Valenza in Corso Matteotti. It was here that Frascarolo began to design and craft his signature enamel and gold animal creations, the ‘Bestiario’, for which he would become best known.Frascarolo's animal jewels were produced throughout the 1960s and proved so popular that he was unofficially dubbed the ‘David Webb of Italy’. Admirers included HRH The Princess Margaret who owned a tiger bangle and ring by him. It was during this time that the maison of Frascarolo was at its height and his exquisite creations attracted clientele from all over Europe and beyond, who were enchanted by his lively and colourful portrayal of animals in the form of wearable pieces.The manufacture of these pieces was not an easy feat, and their huge popularity is a credit to Frascarolo’s skill as a craftsman. He used casting techniques and machinery that was hugely advanced for the time and employed up to fifty craftsmen at once. Frascarolo and his partner Lenti went their separate ways and the former then established his own brand, Frascarolo & Co., in New York City. Through this venture, Frascarolo brought the work of Italian jewellery masters to new heights of international renown.Pierino Frascarolo died in Valenza in 1976 at just forty-eight years old, whilst his jewellery business was at its peak. Following Pierino’s untimely death, Frascarolo & Co closed its business activities the same year, but due to their collectible nature, his pieces remain in very high demand.Condition Report: Enamel: some normal wear, overall in good conditionSecurity clasp: does not click properly - advisable to have this tightenedNormal signs of wear, overall in good conditionTotal gross weight approx. 142g
Lot 64
From the private collection of a continental ladyAN ENAMEL AND GEM-SET NOVELTY BROOCH, BY FRASCAROLO, CIRCA 1970Designed as a whimsical basset hound with blue enamel body to onyx nose, green agate for eyes and single-cut diamond snout et eyebrows, mounted in 18K gold, maker's mark 'FC' (near indistinct) for Frascarolo, French assay mark, length 4.3cmPierino ‘Rino’ Frascarolo was born in Milan in 1928. He began his jewellery career as an apprentice with the Fratelli Lunati company, before going on to find his own firm with his partner, Aldo Lenti. In 1948 he moved his factory to Valenza in Corso Matteotti. It was here that Frascarolo began to design and craft his signature enamel and gold animal creations, the ‘Bestiario’, for which he would become best known.Frascarolo's animal jewels were produced throughout the 1960s and proved so popular that he was unofficially dubbed the ‘David Webb of Italy’. Admirers included HRH The Princess Margaret who owned a tiger bangle and ring by him. It was during this time that the maison of Frascarolo was at its height and his exquisite creations attracted clientele from all over Europe and beyond, who were enchanted by his lively and colourful portrayal of animals in the form of wearable pieces.The manufacture of these pieces was not an easy feat, and their huge popularity is a credit to Frascarolo’s skill as a craftsman. He used casting techniques and machinery that was hugely advanced for the time and employed up to fifty craftsmen at once. Frascarolo and his partner Lenti went their separate ways and the former then established his own brand, Frascarolo & Co., in New York City. Through this venture, Frascarolo brought the work of Italian jewellery masters to new heights of international renown.Pierino Frascarolo died in Valenza in 1976 at just forty-eight years old, whilst his jewellery business was at its peak. Following Pierino’s untimely death, Frascarolo & Co closed its business activities the same year, but due to their collectible nature, his pieces remain in very high demand.Condition Report: Enamel: some enamel missing near tummy of the dog, ears and near the tail (contact jewellery dpt for additional images)Diamonds: bright and well matchedMaker's Mark: visible when tilting with 10x magnification and bright light source - due to repolishing - on regular horizontal plaquette on the reverseOwl for 18K gold located on the reverse of a pawSome signs of wear but considered overall in good condition given the ageTotal gross weight approx. 24.30g
Lot 65
From the private collection of a continental ladyAN ENAMEL, EMERALD AND DIAMOND LION RING, BY FRASCAROLO, CIRCA 1965Decorated with red and black enamel, single-cut diamonds and circular-cut emerald for eyes, mounted in 18K gold, maker's mark 'FC' for Frascarolo, ring size I¾Pierino ‘Rino’ Frascarolo was born in Milan in 1928. He began his jewellery career as an apprentice with the Fratelli Lunati company, before going on to find his own firm with his partner, Aldo Lenti. In 1948 he moved his factory to Valenza in Corso Matteotti. It was here that Frascarolo began to design and craft his signature enamel and gold animal creations, the ‘Bestiario’, for which he would become best known.Frascarolo's animal jewels were produced throughout the 1960s and proved so popular that he was unofficially dubbed the ‘David Webb of Italy’. Admirers included HRH The Princess Margaret who owned a tiger bangle and ring by him. It was during this time that the maison of Frascarolo was at its height and his exquisite creations attracted clientele from all over Europe and beyond, who were enchanted by his lively and colourful portrayal of animals in the form of wearable pieces.The manufacture of these pieces was not an easy feat, and their huge popularity is a credit to Frascarolo’s skill as a craftsman. He used casting techniques and machinery that was hugely advanced for the time and employed up to fifty craftsmen at once. Frascarolo and his partner Lenti went their separate ways and the former then established his own brand, Frascarolo & Co., in New York City. Through this venture, Frascarolo brought the work of Italian jewellery masters to new heights of international renown.Pierino Frascarolo died in Valenza in 1976 at just forty-eight years old, whilst his jewellery business was at its peak. Following Pierino’s untimely death, Frascarolo & Co closed its business activities the same year, but due to their collectible nature, his pieces remain in very high demand. Condition Report: Red enamel: some, minor enamel discrepancy located near the nose (please ask the department for additional images)Diamonds: bright and well matchedMaker's mark FC + made in Italy inside hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 21.9gSome minor enamel damage on nose.
Lot 69
From the private collection of a continental ladyA DIAMOND RING, BY CARLO ILLARIO FOR FASANOComposed of wavy lines of brilliant-cut diamonds interspersed by further wavy lines of polished gold, mounted in 18K gold, signed Fasano, with maker's mark for Carlo Illario, ring size MBorn to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Diamonds: approx. 0.28ct total, unable to assess colour due to yellow mount, estimated clarity VS-SIStamped 750 for 18K gold located inside hoop as well signature and maker's markNormal signs of wear, overall in good conditionTotal gross weight approx. 10.3g
Lot 70
From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RING, BY CARLO ILLARIO FOR FASANOThe central cushion-shaped ruby within collet-setting, between calibré-cut ruby shoulders, between calibré-cut diamonds, mounted in 18K gold, diamonds approximately 2.50cts total, signed Fasano, Italian registry mark '26AL' for Carlo Illario, ring size Q½Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Central ruby: please note the weight to be very approximate due to collet setting, approx. 2.10cts, of purplish-red hue, good transparency, medium to dark tone, facets are smoothRemaining rubies: of purplish-red hue, medium to dark tone, good transparency, overall well matched in colourDiamonds: approx. 2.50cts total, unable to assess colour due to yellow mount, estimated clarity VSSignature and Italian assay mark located inside the hoop, 750 for 18K gold located inside hoopMinor signs of wear, overall in good conditionTotal gross weight approx. 8.6g* Please note that the ruby was verbally tested at GCS laboratory in London in February 2022. It was found to be natural, Thai origin with indications of heating with minor residue in healed fissures.
Lot 71
From the private collection of a continental ladyAN ENAMEL PENDANT, BY CARLO ILLARIO FOR FASANOThe white oval plaque with enamel baronial family coat of arms depicting three bull’s heads on a red shield crowned by a coronet and knights helmet, the textured and foliate gold frame with similar bale, mounted in 18K gold, signed Fasano, Italian registry mark ‘26AL’ for Carlo Illario,, length (including bale): 7.2cm, width 4.8cmIllario's workshop was able to confirm that this ring was a unique piece made in the 1970s for Fasano.Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Minor signs of wearSignature and maker's mark located on loopMinor signs of wear, overall in good conditionTotal gross weight approx. 35.4g
Lot 72
From the private collection of a continental ladyA MAGNIFICENT AQUAMARINE, SAPPHIRE AND DIAMOND DRESS RING, BY CARLO ILLARIO FOR FASANO, CIRCA 1970The rectangular-cut aquamarine weighing 13.30cts within a double four-claw setting, between calibré-cut sapphire and brilliant-cut diamond shoulders, mounted in 18K gold, signed Fasano, partial Italian registry mark for Carlo Illario, with document, with maker’s case, ring size L½Illario’s workshop was able to confirm that this ring was a unique piece made in the 1970s for FasanoAccompanied by a document from a Instituti Analisi Gemmelogiche in Valenza (Italy) stating that the aquamarine is weighing 13.304cts and is natural. Report number VKX181091Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Aquamarine: of blue hue, medium tone, good transparency, facets are smoothSapphires: of blue hue, medium tone, good transparency, overall well matched in colourDiamonds: unable to assess colour due to yellow mount, estimated clarity VSItalian assay mark for Illario.Minor signs of wear, overall in good conditionTotal gross weight approx. 13.8g
Lot 74
From the private collection of a continental ladyA SAPPHIRE, COLOURED SAPPHIRE AND DIAMOND COCKTAIL RINGOf flowerhead design, set with oval-shaped sapphire petals centring a brilliant-cut diamond of yellow tint, between oval and cushion-shaped yellow and pink sapphire shoulders, mounted in gold, ring size O½Condition Report: Sapphires: of blue cornflower blue, approx. 9.00cts total (very approximate due to mount), good transparency, medium tone, some natural inclusions visible under a bright light source, facets are smooth, overall well matched in colourDiamond: approx. 0.60ct, of yellow tint, estimated clarity SI12 sapphires: of pink hue, medium tone, good transparency, well matched in colour2 sapphires: of orangy yellow hue, medium tone, good transparency, well matched in colourYellow metal unmarked, tested by the jewellery department to be 18K goldMinor signs of wear, overall in good conditionTotal gross weight approx. 9.4g
Lot 75
From the private collection of a continental ladyA DIAMOND SINGLE-STONE RING, BY CARLO ILLARIO FOR FASANOComposed of a cut-cornered step-cut diamond weighing approximately 2.50cts within collet-setting, to a plain hoop, signed Fasano, with Italian registry mark for Carlo Illario, ring size LBorn to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Principal diamond: please note that the diamond was gauged within collet-setting, approx. 2.50cts, unable to assess colour due to yellow mount, estimated clarity VS2-VS1Superficial signs of wear, overall in good conditionTotal gross weight approx. 9.4g
Lot 76
From the private collection of a continental ladyA DIAMOND AND STEEL DRESS RINGThe central trillion-cut diamond within collet-setting between baguette and tapered baguette-cut diamond, mounted in 18K gold and steel, ring size L½Condition Report: Central diamond: measurements (approx. due to collet setting): 13.18x7.98x3.26mm, estimated colour (approximate due to yellow mount) H/I, estimated clarity SI1-VS2 (due to two minor colourless needles)Remaining diamonds: approx. 0.90ct total, similar colour and clarity than main stoneUnmarked, unsignedNormal signs of wear, overall in good conditionTotal gross weight approx. 8.2g
Lot 78
From the private collection of a continental ladyA DIAMOND FOUR-STONE RINGSet with four brilliant-cut diamonds to the front within claw-setting, on a plain hoop, mounted in gold, diamonds approximately 2.60cts total, ring size N½Condition Report: Diamonds: approx. 2.60cts total (approx. 0.62-0.66 each), estimated colour F/G, estimated clarity VSWhite metal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 4.2g
Lot 80
From the private collection of a continental ladyA DIAMOND SINGLE-STONE RINGThe central brilliant-cut diamond weighing approximately 2.10cts within a six-claw setting, between tapered baguette-cut diamond shoulders, remaining diamonds approximately 0.20ct total, ring size N¾Condition Report: Principal diamond: approx. 2.10ct (gauged mounted, also weight inscribed inside hoop to be 2.12), estimated colour I/J, estimated clarity VSWhite metal unmarked and untested - either 18K gold or platinumNormal signs of wear, overall in good conditionTotal gross weight approx. 4.6g
Lot 84
From the private collection of a continental ladyAN EMERALD AND DIAMOND DRESS RING, BY VAN CLEEF & ARPELSOf stylised buckle design, the frontispiece set with a central row of graduated calibré-cut emeralds between borders of brilliant-cut diamonds, mounted in 18K gold, signed Van Cleef & Arpels, numbered, with maker's mark 'Sté E' for Successeurs d'Ehret, French assay mark, ring size L½Successor to Robert Ehret in 1969, they are located 49 rue Saint Roch in the 1st district of Paris and have worked for Van Cleef & Arpels, Sterlé, M. Gérard or Boivin amongst many others.Condition Report: Emeralds: of bluish-green hue, good transparency, a couple show obvious natural inclusions with the naked eye, medium tone with good saturation overall, one small emerald has a minor chip visible under 10x magnificationDiamonds: unable to assess colour due to yellow mount, overall bright and well matchedSignature and 750 located under the gallery, numbered M36895With maker's mark 'Sté E' for Successeurs d'Ehret, Successor to Robert Ehret in 1969, they are located 49 rue Saint Roch in the 1st district of Paris and have worked for Van Cleef & Arpels, Sterlé, M. Gérard or Boivin amongst many others.Minor to normal wear - overall in good conditionTotal gross weight approx. 10g
Lot 86
From the private collection of a continental ladyA SAPPHIRE AND DIAMOND DRESS RING, BY VAN CLEEF & ARPELSThe cushion-shaped sapphire weighing approximately 3.80cts within a double four-claw setting, between calibré-cut sapphire and brilliant-cut diamond shoulders, mounted in 18K gold, signed Van Cleef & Arpels, numbered, with maker's mark 'Sté E' for Successeurs d'Ehret, French assay mark, ring size L½Successor to Robert Ehret in 1969, they are located 49 rue Saint Roch in the 1st district of Paris and have worked for Van Cleef & Arpels, Sterlé, M. Gérard or Boivin amongst many others.Condition Report: Sapphire: of royal blue hue, medium to dark tone, good transparency, facets are smoothRemaining sapphires: medium to dark tone, overall well matched in colour, facets are smoothDiamonds: approx. 0.60ct total, unable to assess colour due to yellow mount, estimated clarity VSSignature, 750 and number (M36684) located beneath the galleryMaker's mark: horizontal lozenge with 'Sté (snowflake) E' for Successeurs d'Ehret & eagle's head for French 18K gold - both located on the outside of the hoopMinor/Normal signs of wear, overall in good condition* Please note that the sapphire was verbally tested by GCS laboratory in London in February 2022 and was found to be natural, Madagascar origin with indications of heating.Total gross weight approx. 9.3g.
Lot 88
From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RINGThe oval-shaped ruby weighing approximately 2.30cts within collet-setting, to a stylised dome gallery set with half-moon and fan-shaped rubies accented with brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 1.40ct total, maker's mark 'Sté HV' for Abysse Hamard-Vitau, French assay mark, ring size LAbysse Hamard-Vitau was registered in 1982, located 62, rue Lafayette in the 9th district of Paris. They have worked for Van Cleef & Arpels, Mellerio and Fred amongst others.Condition Report: Ruby: Of purplish-red hue, medium tone, good transparency, facets are smoothRamaining rubies: of purplish-red hue, medium to dark tone, good transparency, overall well matched in colourDiamonds: approx. 1.40ct total, unable to assess colour due to yellow mount, estimated clarity VSEagle's head for French 18K gold located on the outside hoop with the maker's mark: horizontal lozenge with 'Sté H (diamond) V)Normal to minor signs of wear, overall in good conditionTotal gross weight approx. 11.30g.* Please note that the ruby was verbally tested at GCS laboratory in London in February 2022 and was found to be natural, of Thai origin, with indications of heat treatment with minor residue in healed fissures.
Lot 88A
From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RING, BY CARLO ILLARIOThe central cushion-shaped ruby within a calibré-cut ruby surround and between baguette and tapered baguette-cut diamond shoulders with gold reeded detailing, mounted in 18K gold, diamonds approximately 0.50ct total, Italian registry mark '26AL' for Carlo Illario, ring size M½Brothers Carlo, Vincenzo and Luigi Illario were a family of goldsmiths from Valenza. They established a jewellery firm in 1920, with each brother taking on their own position. Carlo, who was trained in Paris, headed the production, Vincenzo was a stone setter who also selected the precious gems, and Luigi was head of administration.The brothers worked under their own name, as well as for bigger firms, and were involved with several different jewellery companies. Some of the most renowned goldsmiths in Valenza practised in their workshop, guaranteeing that each product was crafted with exceptional quality.The company brand from 1935 had been 26AL and the business name was under Carlo Illario e Filli. Traditionally, ownership was handed down from father to son and, in 1953, even Luigi's sons, Giovanni and Vittorio, became a part of the family business. From the end of the 1900s, Vittorio and his sons, Pier Luigi and Edoardo, carried on as owners of the company with the 'Illario 1920' logo.In 1996, Giovanni Illario, along with his sons Carlo and Gian Luca, agreed with Vittorio and his sons to set up a new company that would allow them to be more active in the foreign market. This led to a split in Societa Carlo Illario and to the creation of the new Societa Carlo Luca della Quercia which pursues the traditions and spirit of the original company.Their skilled craftsmanship, reputation of excellence and use of innovative goldsmith techniques caught the attention of well-established retailers. Throughout the 20th century, Casa Illario created unique pieces of haute joaillerie for the most famous Italian maisons: Bvlgari, Cusi, Faraone, Fasano, Fecarotta, Settepassi, Ventrella and others. The company's partnership with Bvlgariwas particularly long standing, running from the 1950s through until the 1970s.In this time, Illario made many pieces for Bvlgari, including the now iconic Serpenti watch bracelet. Elizabeth Taylor was a consistent patron, whose personal style and love of dramatic jewels found its home in Illario's creations.Alongside manufacturing for other brands, Illario produced a vibrant assortment of jewellery under their own name. They were known for their fine gemstones and unusual materials, such as polychrome enamel, tortoiseshell and mother of pearl. Striving to stand out, Illario used new techniques in its pieces, such as black rhodium plating to create a contrasted look. The quality of the craftsmanship is clear in all jewels that bear the Illario name, making them highly desirable.Condition Report: Ruby: of purplish-red hue, medium to dark tone, good transparencyCalibré-cut rubies: of medium to dark tone, overall well matched in colourDiamonds: unable to assess colour due to yellow mount, estimated clarity VSNormal signs of wear, overall in good conditionTotal gross weight approx. 14.2g
Lot 9
A GOLD 'BAMBOO' RING, BY CARTIER, CIRCA 1995Designed as a tapered row of polished textured bamboo stem, in 18K gold, signed Cartier, numbered, maker's mark 'Sté GAB', French assay mark, with maker's case, ring size K (51)Accompanied by its certificate of authenticity from Cartier in Tokyo, dated October 29th 1996Condition Report: Minor signs of wear, overall in good conditionMaker's mark: horizontal lozenge 'Sté GAB' - located on the outside of the hoopEagle's head for French 18K gold, also located on the outside of the hoopTotal gross weight: 6.3g
Lot 2524
An Edwardian 9ct yellow gold, opal and emerald dress ring, featuring a centre round opal cabochon flanked on either side by a trefoil of round faceted emeralds, in a boat shaped head with scrollwork shoulders, opal dimensions approx 3 x 1.9mm, weight estimated as 0.09 carats, emerald dimensions each approx 1.75 x 1mm, total weight estimated as 0.06 vcarats, size L½, gross weight 1.5g, hallmarked 9ct, Chester 1909, sponsor CLAll of the emeralds are chipped.
Lot 2536
An 18ct yellow and white gold, opal and diamond circular cluster ring, comprising a centre round cabochon cut opal in claw setting, within border of eight single cut diamonds in grain settings, with trifurcated shoulders, opal dimensions approx 6.2 x 2.45mm, weight estimated as 0.53 carats, diamond diameters each approx 1.35mm, total weight estimated as 0.06 carats, size Q, gross weight 3.6g, hallmarked 18ct, London 1971, sponsor JHLOpal is worn.
Lot 2537
A white gold diamond pendant and earring set, the pendant comprising a satin finish heart set with four round brilliant cut diamonds, attached to a fine boxlink chain with bolt ring clasp, diamond diameters each approx 1.5mm, total weight estimated as 0.04 carats, pendant length 16mm, chain length 450mm, width 0.6mm, gross weight 3.9g, pendant stamped and tested as 18ct, chain stamped and tested as 14ct, the earrings each comprising a hinged huggy hoop in a satin finish each set with three round brilliant cut diamonds, diameters each approx 1.5mm, total weight estimated as 0.06 carats, earring widths each 6mm, gross weight 4.6g, stamped and tested as 14ct
Lot 2545
An 18ct yellow and white gold diamond three stone ring, comprising three graduated emerald cut diamonds in bezel settings, diamond dimensions between approx 4 x 2.65 x 2mm and 4.4 x 3.3 x 2.7mm, total weight estimated as 0.74 carats, assessed mounted collectively colour I to J and clarity VS1 to VS2, size L, gross weight 6g, hallmarked 18ct, London 1995Stones appear good.Some wear to setting, but consistent and modest.Band with surface scratches.No repairs.Marks good.
Lot 2550
A late Victorian 15ct yellow gold memorial ring, comprising a centre Old European cut diamond with a 2mm half pearl to either side, with black enamel inlay and engraved detail, diamond diameter approx 2.4mm, weight estimated as 0.05 carats, size N, gross weight 2.7g, hallmarked 15ct, Chester 1892Enamel is worn.
Lot 2555
A 9ct rose gold two-row graduated curblink bracelet, with bolt ring clasp and cat and horseshoe charms attached, with loose openwork heart set with twenty 1.25 to 1.75mm seed pearls, bracelet length 170mm, width 5.51 to 6.65mm, gross weight 29.6g, partial hallmark for 9ct, Birmingham, heart charm length 22mm
Lot 2557
An 18ct yellow gold, sapphire and diamond half hoop eternity ring, comprising three graduated sapphires and two Old European cut diamonds grain set in a boat shaped setting, sapphire dimensions between approx 1.9 x 1.75mm and 3.2 x 2.7 x 2.15mm, total weight estimated as 0.28 carats, assessed mounted collectively colour G to H and clarity SI2 to I1, size O, gross weight 4.6g, hallmarked 18ct, Chester 1914Some light surface scratches to gold only.Otherwise excellent and appears very little worn.
Lot 2571
A 9ct yellow and white gold Paula Bolton Monet Reflections ring together with a matching pair of earrings, the ring set with a 7 x 4.5mm oval opal doublet, a 2.2mm round moonstone cabochon, and a 2.3mm amethyst cabochon, size M, gross weight 5.7g, hallmarked 9ct, London, the earrings each set with a 7 x 4.2mm oval opal doublet and a 2mm round amethyst cabochon, earring diameters 15mm, gross weight 6.9g, hallmarked 9ct, LondonOpen doublets are chipped.Amethyst is chipped in ring.
Lot 2572
An 18ct white gold, pink sapphire and diamond ring, featuring an oval faceted pink sapphire in a four claw setting with two baguette cut diamonds channel set in each shoulder, pink sapphire dimensions approx 6.31 x 5 x 3.8mm, weight estimated as 1.09 carats, diamond dimensions each approx 2.25 x 1.62 x 1.85mm, total weight estimated as 0.24 carats, assessed mounted collectively colour H to I and clarity VS2 to SI1, size L, gross weight 2.8g, hallmarked 18ct, Edinburgh, no date, sponsor HJ
Lot 2574
An 18ct white gold diamond pendant and earring set, the pendant comprising 25 round brilliant cut diamonds in articulated bar settings, attached to a boxlink chain with bolt ring clasp, diamond diameters each approx 1.5mm, total weight estimated as 0.25 carats, assessed mounted collectively colour H to I and clarity I1 to I2, overall length including pendant 520mm, chain width 0.8mm, gross weight 3.7g, hallmarked 18ct, Birmingham, sponsor SLC, the earrings each designed as a two-strand leaf style with post and scroll fittings, each grain set with eleven melee cut diamonds, diameters each approx 1mm, total weight estimated as 0.06 carats, earring lengths each 29mm, gross weight 3.2g, not marked but tested as 18ct (one back is silver)
Lot 2576
A selection of 9ct yellow gold Masonic jewellery, to include a rectangular signet ring with square and compass engraving, head dimensions 12 x 10mm, size T, gross weight 3.9g, hallmarked 9ct, London 1955, sponsor Lawson Ward & Gammage; a rectangular signet ring with embossed square and compass and masonic symbols on shoulders, head dimensions 12.4 x 10mm, size approx S (misshapen), gross weight 4.7g, hallmarked 9ct, Birmingham 2001, sponsor KJ; an oval signet ring with square and compass engraved in blue enamel inlay, head dimensions 14 x 11.5mm, size R, gross weight 7.5g, hallmarked 9ct, Birmingham 1986, sponsor JHW; a stamped 10k yellow metal oval signet ring with embossed square and compass and letter G in blue enamel surround (enamel chipped), head dimensions 18.5 x 13mm, size W, gross weight 10.6g, tested as 9ct; a fob seal with 14.5mm round carnelian and gold square and compass over the top and engraved three-dimensional masonic tools above, length 35mm, gross weight 9.4g, hallmarked 9ct, Birmingham, sponsor LJ; and a circular openwork pendant, with engraved square and compass and letter G, dia.24mm, gross weight 2.5g, hallmarked 9ct, Birmingham 1908, sponsor WOD (6)
Lot 2584
An 18ct yellow gold diamond five stone half hoop eternity ring, comprising five graduated round brilliant cut diamonds grain set within a boat shaped head, diamond dimensions between approx 2.05 x 1.85mm and 3.55 x 2mm, total weight estimated as 0.35 carats, assessed mounted collectively colour I to J and clarity SI1 to SI2, size V, gross weight 5.3g, hallmarked 18ct, Sheffield 1998, sponsor JPBCentre stone has a conchoidal fracture.
Lot 2585
A 9ct yellow gold crossover diamond ring, featuring 33 fancy light brown and 20 single cut diamonds in claw and grain settings, diamond diameters between approx 1.35 and 4.25mm, total weight estimated as 0.71 carats, clarity assessed as SI2 to I1, size R½, gross weight 5.1g, hallmarked 9ct, Birmingham 2005, sponsor QVC
Lot 2588
A 9ct yellow gold, aquamarine and diamond dress ring, comprising a marquise shaped aquamarine with scalloped sides flanked on either side by a round brilliant cut diamond, with bifurcated shoulders, aquamarine dimensions approx 15.8 x 7.71 x 3.8mm, weight estimated as 2.30 carats, diamond diameters each approx 2.35mm, total weight estimated as 0.08 carats, assessed mounted collectively colour I to J and clarity SI2 to I1, size Q½, gross weight 3.1g, hallmarked 9ct, Birmingham 1982, sponsor JWCAquamarine has minor abrasions.
Lot 2589
A 9ct yellow gold five-row multistone dress ring, featuring two rows of 12 melee cut diamonds alternating with a row of amethysts, sapphires and tanzanites, with bifurcated shoulders, the seven amethysts each approx 2.6 x 1.65mm, total weight estimated as 0.42 carats, the seven sapphires each approx 2.6 x 1.65mm, total weight estimated as 0.63 carats, the seven tanzanites each approx 2.6 x 2mm, total weight estimated as 0.42 carats, diamonds each approx 1.25mm, total weight estimated as 0.14 carats, size Q½, gross weight 4.5g, hallmarked 9ct, Birmingham 2004, sponsor QVC
Lot 2591
An 18ct yellow and white gold, pink sapphire and diamond ring, comprising an oval pink sapphire with a tapered baguette cut diamond to either side, all in claw settings, pink sapphire dimensions approx 7.95 x 6 x 4.1mm, weight estimated as 1.81 carats, diamond dimensions each approx 4.25 x 1.9 x 1.2mm, total weight estimated 0.18 carats, assessed mounted collectively colour I to J and clarity VS2 to SI1, size Q½, gross weight 3.5g, hallmarked 18ct, Birmingham 2007, sponsor HMIn excellent condition with no apparent faults.Appears very little worn.
Lot 2592
Two 9ct yellow gold dress rings, being a ruby and diamond chequerboard style square cluster ring, featuring four rows of four round rubies alternating with three rows of three round brilliant cut diamonds, ruby dimensions each approx 2.55 x 1.61mm, total weight estimated as 1.28 carats, diamond diameters each approx 1.5mm, total weight estimated as 0.09 carats, size Q½, gross weight 3.1g, hallmarked 9ct, Birmingham 2004, sponsor QVC; and a tanzanite and diamond three-row half hoop eternity ring, featuring two rows of seven round tanzanites with six melee cut diamonds in between, tanzanite dimensions each approx 3 x 1.71mm, total weight estimated as 1.40 carats, diamond diameters each approx 1.15mm, total weight estimated as 0.03 carats, size R, gross weight 2.6g, hallmarked 9ct, Birmingham 2004, sponsor QVC (2)
Lot 2593
Two rings, being an 18ct yellow gold full hoop eternity ting channel set with twenty-three 2.7mm round cubic zirconias, total weight estimated as 3.45 carats, size R, gross weight 4.1g, hallmarked 18ct, Birmingham 2004, sponsor QVC; the other being a 9ct yellow and white gold dress ring, having five diagonal bands set with a total of 32 cubic zirconia (one deficient), total weight estimated as 1.60 carats, size R½, gross weight 4.3g, partial hallmark for 9ct, Sheffield
Lot 2596
A yellow metal, sapphire and diamond half hoop eternity ring, featuring four round faceted sapphires alternating with three round brilliant cut diamonds, all in claw settings, sapphire dimensions each approx 3.3 x 2.2mm, total weight estimated as 0.80 carats, diamond dimensions each approx 3.3 x 2.35mm, total weight estimated as 0.45 carats, assessed mounted collectively colour H to I and clarity I1 to I2, size R, gross weight 4.3g, stamped and tested as 18ctAbraded facets to several sapphires.Gold with some minor surface scratches only.A good example.
Lot 2597
An 18ct yellow gold, opal and diamond half hoop eternity ring, featuring three graduated round opal cabochons and two modern round brilliant cut diamonds in scalloped claw settings, opal dimensions between approx 2.75 x 1.05mm and 4.6 x 1.85mm, total weight estimated as 0.30 carats, diamond dimensions each approx 3.5 x 2.15mm, assessed mounted collectively colour G to H and clarity SI2 to I1, size P, gross weight 3.2g, hallmarked 18ct, Birmingham 1902One diamond is fractured.
Lot 2600
A 9ct yellow and rose gold Clogau ring, comprising a panel to the front set with three round brilliant cut diamonds in zigzag setting, diamond dimensions each approx 1.85 x 1.15mm, total weight estimated as 0.06 carats, size Q½, gross weight 4.9g, hallmarked 9ct, Edinburgh, sponsor Clogau, in Clogau box
Lot 2613
An 18ct gold, emerald and white hardstone ring, the emerald cut emerald measuring approx 8 x 5.8mm, within a surround of small white hardstones (one missing), all claw set to a plain band of yellow metal stamped 18ct, 4.8g, size NEmerald good, but is poorly set and the claws are different lengths.One white hardstone missing.Setting and band good.
Lot 2626
A yellow and white metal diamond three-stone ring, comprising three graduated Old European cut diamonds in bezel settings, with trifurcated shoulders, diamond dimensions between approx 3.2 x 1.95 mm and 4 x 2.2mm, total weight estimated as 0.48 carats, assessed mounted collectively colour I to J and clarity SI1 to I1, size N, gross weight 3.4g, not marked but tested as 18ctStones all good.Gold with light surface scratches only.
Lot 2627
A white metal diamond half hoop eternity ring, featuring seven round brilliant cut diamonds in grain settings, diamond dimensions between approx 2.95 x 1.65mm and 3.1 x 2.05mm, total weight estimated as 0.68 carats, assessed mounted collectively colour I to J and clarity SI1 to SI2, size O, gross weight 5.3g, stamped and tested as 18ctStones all good.Gold with light surface wear only.A good example.
Lot 2629
A 9ct yellow gold multi-stone circular cluster ring, featuring 12 rectangular and round pink tourmalines, four rectangular sapphires, and five rectangular and round amethysts, in claw settings, tourmaline dimensions between approx 2 x 1.75mm and 5 x 3.15 x 2.7mm, total weight estimated as 3.02 carats, sapphire dimensions each approx 5 x 3.1 x 2mm, total weight estimated as 1.44 carats, amethyst dimensions between approx 2 x 1.8mm and 5.05 x 3.21 x 2.81mm, total weight estimated as 1.24 carats, size U, gross weight 4.8g, hallmarked 9ct, Birmingham 2004, sponsor QVCExcellent, no apparent faults and appears very little worn.
Lot 2631
Five assorted rings, being a 14ct yellow gold cubic zirconia ring, having a round pink cubic zirconia in a four-claw setting, zirconia dimensions approx 6.95 x 6.99 x 4.4mm, weight estimated as 2.55 carats, size R, gross weight 2.9g, hallmarked 14ct, Birmingham 2005, sponsor QVC; a 9ct yellow gold, orange topaz and citrine ring, the cushion cut topaz measuring approx 7.75 x 7.71 x 5mm, weight estimated as 2.62 carats, with six round citrine set in either shoulder, each approx 2 x 1.45mm, total weight estimated as 0.36 carats, size R, gross weight 2.8g, hallmarked 9ct, Birmingham 2007, sponsor QVC; a 9ct yellow gold citrine dress ring, having four octagonal citrines in bezel settings, citrine dimensions approx 4.2 x 4.45 x 2.8mm, total weight estimated as 1.36 carats, size R, gross weight 2.5g, hallmarked 9ct, Sheffield import 1998; a yellow metal turquoise ring, having an offset square turquoise in a bezel setting, turquoise dimensions approx 5.05 x 5.2 x 1.85mm, weight estimated as 0.32 carats, size R½, gross weight 3.5g, stamped and tested as 14ct; and a white metal moonstone ring, having three oval moonstone cabochons in bezel settings, dimensions each approx 5.9 x 4.05 x 3.05mm, total weight estimated as 1.44 carats, size Q, gross weight 5.7g, stamped and tested as sterling silver (5)
Lot 2650
An 18ct white gold, fire opal and diamond oval cluster ring, featuring a centre oval fire opal within a border of ten round brilliant cut diamonds, all in claw settings, fire opal dimensions approx 7 x 5 x 3mm, weight estimated as 0.49 carats, diamond diameters each approx 2.15mm, total weight estimated as 0.30 carats, assessed mounted collectively colour H to I and clarity SI1 to SI2, size Q, gross weight 4.8g, hallmarked 18ct, Sheffield 1999, sponsor VJOpal is fractured.
Lot 2651
An 18ct white gold, emerald and diamond three-stone ring, featuring a centre square cut emerald and two round brilliant cut diamonds, all in claw settings, emerald dimensions approx 4.5 x 2.15mm, weight estimated as 0.30 carats, diamond dimensions each approx 3.05 x 1.9mm, total weight estimated as 0.20 carats, assessed mounted collectively colour H to I and clarity SI1 to SI2, size J½, gross weight 3.1g, hallmarked 18ct, Birmingham 1993, sponsor DOMOne diamond is fractured.
Lot 2654
Three rings, being a 9ct yellow gold synthetic opal single stone ring, the opal measuring approx 8.85 x 6.85 x 2.5mm, size P, hallmarked 9ct, Birmingham, sponsor JMJ, gross weight 1.6g, a 9ct yellow gold opal doublet ring, the doublet dimensions 10.05 x 7.9mm, size N½, gross weight 2.6g, hallmarked 9ct, London 1980; and a yellow and white metal single stone ring, having a round cubic zirconia in an eight claw setting, cubic zirconia dimensions approx 7.25 x 4.5mm, size K½, gross weight 2.5g, stamped and tested as platinum and 18ctStone is fractured.
Lot 2656
A 14ct yellow gold, amethyst and diamond pendant and earring set, the pendant featuring a pear cut amethyst in a claw setting surmounted by seven round brilliant cut diamonds in a V shape, with a figure of eight bale, amethyst dimensions approx 17.7 x 12.95 x 11.5mm, weight estimated as 14.23 carats, diamond diameters each approx 1.65mm, total weight estimated as 0.07 carats, pendant attached to a fine curblink chain with bolt ring clasp, length 390mm, width 0.4mm, gross weight 7g, hallmarked 14ct, London import 1992, sponsor SAG, the matching earrings each with a pear cut amethyst in a claw setting suspended below a trefoil of round brilliant cut diamonds, with post and scroll fittings, amethyst dimensions each approx 12.1 x 8.1 x 6mm, total weight estimated as 6.34 carats, diamond diameters each approx 1.65mm, total weight estimated as 0.06 carats, gross weight 3.4g, hallmarked 14ct, London import 1992, sponsor SAG
Lot 2658
An 18ct yellow gold, amethyst and diamond fancy cross pendant, comprising five pear and one round cut amethyst with nine round brilliant cut diamonds, pendant attached to a spiga chain with bolt ring clasp, amethyst dimensions between approx 2.9 x 1.7mm and 5.9 x 4 x 3.25mm, total weight estimated as 2.13 carats, diamond diameters between approx 1 and 1.4mm, total weight estimated as 0.04 carats, gross length 40mm, chain length 420mm, width 1.2mm, gross weight 10.4g, hallmarked 18ct, London import 1992, sponsor JCE Ltd
Lot 2660
A 9ct yellow gold multi-stone and diamond flower shaped cluster ring, comprising two marquise cut amethysts, two blue topaz, a peridot, a citrine, a garnet and a sapphire, with three round brilliant cut diamonds to the centre, all in claw settings, amethysts total weight estimated as 0.24 carats, blue topaz weight estimated as 0.10 carats, peridot weight estimated as 0.15 carats, garnet weight estimated as 0.15 carats, sapphire weight estimated as 0.12 carats, diamond diameters each approx 1.15mm, total weight estimated as 0.01 carats, size R, gross weight 3g, hallmarked 9ct, Birmingham 2001, sponsor QVC
Lot 2662
A late Victorian 15ct yellow gold, opal and garnet dress ring, featuring a centre oval cabochon with an oval faceted garnet on either side, all in scalloped claw settings, opal dimensions approx 6 x 4.05 x 1.55mm, weight estimated as 0.19 carats, garnet dimensions each approx 4.55 x 3.85 x 2.6mm, total weight estimated as 0.78 carats, size O½, gross weight 2.5g, hallmarked 15ct, Birmingham 1876Worn facets on garnets.
Lot 2664
A continental 18ct gold dress ring, arranged as three cabochon coloured stones in red, blue and green, stamped 18k and 750, 3.5g, size QSmall hairline crack to inside shoulder by 750 mark, otherwise condition is good.Modern.Stones are sapphire, ruby and emerald.Sapphire dimensions approx 5.7 x 3.8 x 2.25mm, weight esimtated as 0.5 carats.Ruby dimensions approx. 6.6 x 5 x 2.8mm, weight estimated as 0.96 carats.Emerald dimensions approx. 5.8 x 4 x 2mm, weight estimated as 0.32 carats.
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