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An emerald and diamond set ring and matching bracelet, the 9ct gold mounted ring claw set to the front with a circular cut emerald, flanked to either side by an illusion set single cut diamond and scroll shoulders; the bracelet composed of claw set oval cut emeralds, each flanked to either side by pairs of single cut diamonds interspersed by open slim oval links, stamped 10K (2). Length of bracelet 18cm
A 9ct gold mounted ruby and diamond set ring, designed as a claw set floral cluster of circular cut rubies, within a surround of similarly set round brilliant cut diamonds; also a 9ct gold mounted emerald and diamond cluster ring, of shaped oval design (2). Height of rings to front: 1.2cm and 1.1cm
A late Victorian sapphire and diamond set ring, designed as a double-headed coiled serpent, set with an oval cut sapphire and an old European cut diamond; a 15ct gold mounted oval cut sapphire set bar brooch; another set with a square cut sapphire and four seed pearls; another gem set shaped oval brooch; together with a foliate scroll engraved bar brooch, stamped 14K (5)
A collection of items, to include a 9ct gold mounted oval cut amethyst set ring; a graduated circular cut amethyst five-stone ring; two other gem set rings; a 15ct gold mounted graduated seed pearl set floral cluster brooch/pendant, with chain; a hardstone set Albert chain, suspending a citrine set swivel fob; an enamelled and multi-gem set scroll form brooch; together with a 9ct gold 1960's lady's Tudor wrist watch, with box (Qty)
A pair of 18ct gold mounted amethyst and diamond pendant earrings, each collet set with a round brilliant cut diamond surmounting a fancy rounded square cut amethyst drop; another pair of pendant earrings, each claw set with a round brilliant cut diamond, surmounting an ovoid cabochon cut lavender jade drop; also an 18ct gold mounted diamond cluster ring, millegrain set to the front with ten round brilliant cut diamonds (3). Length of earrings 1.9cm and 3cm, ring estimated diamond weight approximately 1.00cts total
A collection of items, to include a modern 9ct gold mounted amethyst and diamond set ring; a 9ct gold mounted oval cut smoky quartz set ring; an early 20th century 9ct rose gold foliate engraved hinged bangle, with fitted case; together with a modern 9ct gold fancy link necklace (4). Necklace 49cm, 25.5g
A 9ct gold mounted amethyst and diamond set cluster ring, claw set with a heart cut amethyst, the surround illusion set with single cut diamonds; another 9ct gold mounted amethyst and diamond set cluster ring; a similarly mounted oval cut amethyst set ring; a circular cut garnet set floral cluster ring; and a gem set pendant (6)
A contemporary 9ct gold mounted diamond set suite, comprising a ring and matching earrings, each set to the front with single cut diamonds upon raised stalks; a 9ct gold mounted oval cut opal cabochon set pendant suspended from a fancy link chain; a 9ct gold mounted synthetic opal three-stone ring and two other gem set rings (6)
An 18ct gold three-stone diamond ring, claw set with graduated round brilliant cut diamonds; a 9ct gold mounted multi-gem set ring, designed as a collet set broad band; two 9ct gold mounted diamond set gentlemen's rings; also a pendant mounted half-sovereign, dated 1904, with 9ct gold ropetwist link chain (5)
A very fine Queen Anne brass mounted quarter-repeating ebony table clock, Richard Haughtin, London early 18th century. The five finned and knopped pillar twin fusee movement with verge escapement, rise/fall regulation and pull quarter repeat on six bells, the very unusual burnished gilt, foliate and herringbone-border engraved backplate with ho-ho bird above shaped reserve, signed Richard Haughtin, Fetter Lane, London to centre, the 7.5 inch gilt brass break-arch dial with ringed winding holes and herringbone border engraved calendar and false bob apertures to the matted centre within an applied Roman numeral chapter ring with stylised fleur de lys half hour markers and Arabic five minutes, with delicate pierced blued-steel hands and angles applied with finely cast female mask and drapery scroll spandrels with foliate engraved infill between, the arch with central gold damascened steel circular signature boss Richard Haughtin, Fetter Lane, London flanked by rosette engraved subsidiary regulation and Strike/Silent dials within a leafy scroll decorated burnished gilt field, the inverted bell-top case with gilt brass handle and foliate scroll pierced fret to the upstand flanked. by foliate cast finials, above brass lined break-arch windows to front, back and sides, the front door with fretwork infill to the upper quadrants and foliate cast brass escutcheons, on moulded base with cast brass squab feet, 47cm high excluding handle. Richard Haughtin was apprenticed to Peter Wise becoming Free of the Clockmakers Company in 1689. A fine maker with most clocks signed with his Fetter Lane address, the last known record of him dates to 1714. The current lot has many fine and rare features, these include very early use of the break-arch dial with extremely rare damascened steel signature boss, burnished gilding to both dial and movement (to the inside of the backplate and pillars as well as the engraved visible surfaces) and engraved decoration to backcock and rise/fall arm. This attention to detail coupled with the sophisticated dial layout and design of the case is reminiscent of the work of Daniel Quare (particularly whilst he was in partnership with Stephen Horseman). A clock of very similar specification and with gilded surfaces to the movement by Richard Vick is also known. The current lot confirms Haughtin's status as one of the finest makers of the period. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.
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566841 item(s)/page