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A DIAMOND SINGLE-STONE RING The brilliant-cut diamond weighing 0.73ct within a six-claw setting and between baguette and brilliant-cut diamond shoulders, mounted in gold, remaining diamonds approximately 0.50ct total, ring size J Accompanied by a report from HRD laboratory in Antwerp stating that the diamond weighing 0.73ct is G colour, VS2 clarity. Report number 07000028041, dated January 9th 2007
A DIAMOND SINGLE-STONE 'LUCIDA' RING WITH WEDDING BAND, BY TIFFANY & CO., 1999 The radiant-cut diamond weighing 0.73ct within a four-claw setting to a plain hoop, mounted in 18K gold and platinum, signed Tiffany & Co., 1999, numbered, ring size J¾; Together with a plain 18K gold wedding band, signed Tiffany & Co., 1999, engraved, ring size L, with maker's case
A SAPPHIRE AND DIAMOND CLUSTER RING The cushion-shaped sapphire within collet-setting weighing 7.08cts, within a surround of brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 1.30ct, ring size N Accompanied by a report from the IGI laboratory in Antwerp, stating that the sapphire weighing 7.08cts is Burmese origin with no indications of treatment. Report number 286703921, dated September 22nd 2017
A DIAMOND SINGLE-STONE RING The brilliant-cut diamonds weighing 4.03cts within a six-claw setting, to a plain hoop, mounted in 18K gold, ring size P Accompanied by a report from IGI laboratory in Antwerp, stating that the diamond weighing 4.03cts is F colour, SI2 clarity. Report number F1R36080 (laser inscribed), dated June 1st 2014
A DIAMOND SINGLE-STONE RING The cushion modified brilliant-cut diamond weighing 1.20ct, within a brilliant-cut diamond frame and between bifurcated shoulders pavé-set with further similarly-cut diamonds, mounted in 18K gold, remaining diamonds approximately 0.80ct total, ring size K Accompanied by a report from the GIA laboratory in America, stating that the diamond weighing 1.20ct, is H colour, VS2 clarity. Report number 2121253754, dated June 28th 2010
A CULTURED PEARL AND DIAMOND 'LE ROI GRENOUILLE' RING, BY JULIE GENET Composed of a large central Tahitian cultured pearl of grey tint measuring approximately 16.5mm, within multiple diamond-set claws modelled as stylised frog legs, mounted in 18K gold, signed JGJ, maker's mark, French assay mark, within maker's pouch and case, ring size L½ This ring has been inspired by the German fairy-tale The Frog Prince written by the Grimm brothers. Julie Genet For Julie Genet, medieval architecture with its impenetrable castellated walls inhabited by knights' whose tales and thwarted love stories, have been a constant fascination. This period is a source of inspiration for the design of certain pieces, with Julie using its symbols and legends as the foundations of her craft. It is, however, a fictional Middle Age, where magic exists and heroes of mythology, legends, literature and cinema intermingle. It is a world where women are strong and muses have superpowers. Each of the collections is conceived as a kingdom populated by jewel characters. Constellation, fabulous galaxy studded with multi-coloured meteorites, flaming golden stars, revolves around Vegas, Tatooine's twin planet. Here, the codes of the game world - poker, backgammon, checkers, chess - have breathed life into the escaped kings and queens of the Legends kingdom where King Frog, Ulysses, Aragorn and Bluebeard are waging a merciless war for the hand of the Lady of the Lake. Each of Julie's pieces of jewellery is a wonderful creature from this fantastic world, making them unique, precious and playful pieces. Despite her initial career as a dental surgeon, she always had an interest in creating jewellery. She took advantage of dental prosthesis techniques, similar to that of classic jewellery, to create her models. She graduated from the Gemological Association of Great Britain in 2011, with a collection of pieces, with a strong sense of style and character based around her fantastical universe. She built up a small but loyal clientele and now devotes herself full time to the creation of precious jewellery. In 2016, in collaboration with her sister Caroline, she launched the eponymous brand Julie Genet Joaillerie.
A SAPPHIRE AND DIAMOND 'KANAWAGA' RING, BY JULIE GENET Of scalloped design, set throughout with brilliant-cut diamonds and a blue gradation of circular-cut sapphires representing a wave from Kanawaga, mounted in 18K gold, diamonds 1.32ct total, sapphires 3.30cts total, signed JGJ, maker's mark, French assay mark, with maker's pouch and case, ring size N½ By using different shades of blue and varying sizes of sapphire and white diamonds, Julie Genet tried to represent a wave and the irregular shape of its foam. This ring was named after Hokusai's woodblock print Kanagawa. Julie Genet For Julie Genet, medieval architecture with its impenetrable castellated walls inhabited by knights' whose tales and thwarted love stories, have been a constant fascination. This period is a source of inspiration for the design of certain pieces, with Julie using its symbols and legends as the foundations of her craft. It is, however, a fictional Middle Age, where magic exists and heroes of mythology, legends, literature and cinema intermingle. It is a world where women are strong and muses have superpowers. Each of the collections is conceived as a kingdom populated by jewel characters. Constellation, fabulous galaxy studded with multi-coloured meteorites, flaming golden stars, revolves around Vegas, Tatooine's twin planet. Here, the codes of the game world - poker, backgammon, checkers, chess - have breathed life into the escaped kings and queens of the Legends kingdom where King Frog, Ulysses, Aragorn and Bluebeard are waging a merciless war for the hand of the Lady of the Lake. Each of Julie's pieces of jewellery is a wonderful creature from this fantastic world, making them unique, precious and playful pieces. Despite her initial career as a dental surgeon, she always had an interest in creating jewellery. She took advantage of dental prosthesis techniques, similar to that of classic jewellery, to create her models. She graduated from the Gemological Association of Great Britain in 2011, with a collection of pieces, with a strong sense of style and character based around her fantastical universe. She built up a small but loyal clientele and now devotes herself full time to the creation of precious jewellery. In 2016, in collaboration with her sister Caroline, she launched the eponymous brand Julie Genet Joaillerie.
A COLOURED SAPPHIRE AND GARNET 'ME' RING, BY JULIE GENET Of abstract design set with a continuous line of circular-cut pink and green sapphires and rhodolite garnets, mounted in 18K gold, signed JGJ, with maker's mark, French assay mark, with maker's pouch and case, ring size N½ This ring is the 3D transposition of Julie Genet's initials JG. It can be worn in four different ways and the three coloured gemstones gives the wearer the impression of having multiple rings in one. For Julie Genet, medieval architecture with its impenetrable castellated walls inhabited by knights' whose tales and thwarted love stories, have been a constant fascination. This period is a source of inspiration for the design of certain pieces, with Julie using its symbols and legends as the foundations of her craft. It is, however, a fictional Middle Age, where magic exists and heroes of mythology, legends, literature and cinema intermingle. It is a world where women are strong and muses have superpowers. Each of the collections is conceived as a kingdom populated by jewel characters. Constellation, fabulous galaxy studded with multi-coloured meteorites, flaming golden stars, revolves around Vegas, Tatooine's twin planet. Here, the codes of the game world - poker, backgammon, checkers, chess - have breathed life into the escaped kings and queens of the Legends kingdom where King Frog, Ulysses, Aragorn and Bluebeard are waging a merciless war for the hand of the Lady of the Lake. Each of Julie's pieces of jewellery is a wonderful creature from this fantastic world, making them unique, precious and playful pieces. Despite her initial career as a dental surgeon, she always had an interest in creating jewellery. She took advantage of dental prosthesis techniques, similar to that of classic jewellery, to create her models. She graduated from the Gemological Association of Great Britain in 2011, with a collection of pieces, with a strong sense of style and character based around her fantastical universe. She built up a small but loyal clientele and now devotes herself full time to the creation of precious jewellery. In 2016, in collaboration with her sister Caroline, she launched the eponymous brand Julie Genet Joaillerie.
A DIAMOND 'ROSE' COCKTAIL RING, BY PIAGET The central brilliant-cut diamond, set within an openwork rose gold mount designed as a flowerhead, mounted in 18K gold, signed Piaget, with maker's mark, numbered, with maker's case, ring size L½ **Accompanied by its certificate of authenticity, dated April 30th 2014, from Piaget in Monte-Carlo
A DIAMOND 'POSSESSION' PENDANT NECKLACE, BY PIAGET The miniature ring pendant embellished with a line of round brilliant-cut diamonds, suspending on a cable-link chain and terminating on one end with a 'P' charm, mounted in 18K rose gold, signed Piaget, numbered, maker's mark, Swiss assay mark, with maker's case and box, pendant length 6mm, chain length 39 & 42cm Accompanied by its card of authenticity, dated May 20th 2015, from Piaget Monte-Carlo
A DIAMOND AND COLOURED DIAMOND 'DOME SAUVAGE' DRESS RING, BY CARTIER, 1999 Of bombé form, pavé-set with brilliant-cut diamonds and brown diamonds throughout, mounted in 18K gold, signed Cartier, numbered, maker's mark, 1999, ring size M Accompanied by its Cartier certificate of authenticity, purchased in 2003 at Cartier
A LADY'S 18K GOLD 'POSSESSION' WRISTWATCH, BY PIAGET 4-jewel quartz Cal-157P movement, silvered engine dial with Roman numerals with gilt faceted lance hands, the round-shaped 18K gold case with 'possession' inscribed on its sides, with reeded turning bezel highlighted with a reverse circular-cut diamond, to a black satin Piaget bracelet, case secured by four screws on the back, gold plated buckle by Piaget, case no. P104**, serial no. 11024**, dial, case, movement signed, Swiss assay mark, case width: 2.9cm Accompanied by its card of authenticity, dated June 4th 2013, from Piaget Monte-Carlo. Piaget's Possession collection, marked by its playful spinning element, dates back to 1990. The earliest piece in the collection was the iconic Possession ring with a central band that could spin freely. The moving element symbolised luck, happiness and love while encapsulating optimism and positive energy in its dynamic circular design. In 2017, Piaget relaunched a brand new Possession collection that now includes other essential pieces such as bracelets, earrings, and necklaces- all delightfully animated.
PROPERTY OF A CONTINENTAL LADY AN IMPORTANT AND EXQUISITE DIAMOND CUFF BRACELET, BY FRED PARIS, 2010 Commande Spéciale - Special Order The wide flexible openwork bracelet decorated with stylised rays of brilliant-cut diamonds throughout, between borders of similarly-cut diamonds within collet setting, revealing a central pear-shaped diamond weighing 5.12cts, highlighted with pear and brilliant-cut diamond accents, mounted in 18K gold, remaining diamonds weighing 31.74cts total, signed Fred Paris, numbered, maker's mark, French assay mark, with maker's case, length 17cm One of Fred's designer came to meet the present vendor in Monte-Carlo and after various design proposals, this unique, one-of-a-kind bracelet was selected to be made for the client. * The diamond weights have been provided by Fred. **** including Fred drawing of the bracelet **** Fred Samuel (1908-2006) established his jewellery brand in 1936 in Paris, where he spent much of his professional life. Originally from Buenos Aires, born into a family that dealt in precious stones, it was no surprise he conceived a passion for cultured pearls and won recognition as a leading expert in the field. Fred imbued his designs with the energy of South America, saying his creations were inspired by the life, the light, the movement, the energy of the continent. This passion is expressed through the use of coloured gemstones and playful motifs. During World War II, Fred Samuel fled Paris and became an interpreter for the Allies. After the war, the brand changed its name to from Fred Samuel to 'Fred' due to anti-Jewish sentiment in post-war Germany. Describing himself in 1936 as a 'Contemporary Creative Jeweller', he proved this through his striking modern designs, with rounded, curvaceous lines. Fred became famous for jewels designed by Jean Cocteau and for its famous clients, such as Marlène Dietrich and the royal family of Monaco, including princess Grace. In 1966 Fred Paris was the inventor of cable jewellery 'Force 10' (made of stainless steel) and this feature is still very prominent today in ring, bracelet, pendant and necklace designs. As the brand grew, new stores were opened across the world; 1976 Monte Carlo, 1981 Cannes, 2001 Tokyo and 2007 Beijing, Dubai and Bogotá. The company became the property of LVMH in 1996 and Fred collaborated with Kate Moss for the design of an exclusive collection in 2012. Fred Paris designed the iconic 23 heart-shaped ruby necklace interlaced with diamonds, which was gifted to Julia Roberts by Richard Gere in the film Pretty Woman. The last major film for which Fred Paris provided jewellery was Casino Royale starring Daniel Craig, featuring the star collection pendant and earrings. This magnificent bracelet is a unique creation of Fred. **** TEXT *** Drawing of Bracelet from Fred *****
A DIAMOND DRESS RING The central oval-shaped diamond weighing 1.24ct in a four-claw between two pear-shaped diamond shoulders, within brilliant-cut diamond borders, mounted in 14K gold, remaining diamonds approximately 1.50ct total, ring size J½ Accompanied by a report from GCS laboratory in London stating that the diamond weighing 1.24cts is E colour, VVS2 clarity. Report no. 80255-36, dated March 23rd 2020
A SAPPHIRE AND DIAMOND RING The oval-shaped sapphire weighing 3.54cts within a brilliant-cut diamond surround, between two rectangular step-cut diamond shoulders and further brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.50ct total, ring size K Accompanied by a report from GIL (Gemological International Laboratories) in Canada, stating that the sapphire weighing 3.54cts is of Sri Lankan origin, with no indication of thermal treatment. Report number STN2019092322835
A FINE EMERALD AND DIAMOND CLUSTER RING The cushion-shaped emerald weighing 3.33cts set in a four-claw setting, within a brilliant-cut diamond frame, mounted in 18K gold, diamonds approximately 1.20ct total, ring size L¾ Accompanied by a report from GCS laboratory in London, stating that the emerald weighing 3.33cts is of Colombian origin, with minor clarity enhancement. Report number 80269-27, dated July 23rd 2020
A DIAMOND AND SMOKY QUARTZ 'TANAGRA' RING, BY AS29 The ring with two central loops, pavé-set with circular-cut smoky quartz throughout, between a border of brilliant-cut diamonds, mounted in 18K gold, signed AS29, with maker's mark, within maker's case, ring size M * Purchased at Brown Thomas in 2012 - accompanied with a copy of certificate of purchase
A TOURMALINE, DIAMOND AND TITANIUM RING, BY MARGHERITA BURGENER Designed as a flowerhead, set with a circular-cut green tourmaline cabochon at the centre within a brilliant-cut diamond surround, to textured blue titanium petals, mounted in titanium and 18K gold, signed Margherita Burgener, with maker's mark, Italian assay mark, with maker's case, ring size M
A DIAMOND SINGLE-STONE RING The round brilliant-cut diamond weighing 1.01ct within a four-claw setting, between two tapered baguette-cut diamonds, mounted in 18K gold, remaining diamonds approximately 0.20ct total, ring size M Accompanied by a report from I.G.I laboratory in Antwerp, stating that the diamond weighing 1.01ct is H colour, VS2 clarity. Report number F3G48835, dated June 15th 2004
A SAPPHIRE AND DIAMOND CLUSTER RING The cushion-shaped sapphire weighing 5.70cts set in a four-claw setting, within a brilliant-cut diamond frame, mounted in 18K gold, diamonds approximately 1.20cts, ring size M Accompanied by a report from The Gem & Pearl Laboratory in London stating that the sapphire weighing 5.70cts is of Sri Lankan origin, with no indication of heat treatment. Report no. 18772, dated July 28th 2020
A COLOURED SAPPHIRE AND DIAMOND DRESS RING The cut-cornered rectangular-cut yellow sapphire weighing 11.94cts set in a four-claw setting, between brilliant-cut diamond shoulders, mounted in 18K gold, diamonds approximately 0.60ct total, ring size L¾ Accompanied by a report from The Gem & Pearl Laboratory in London, stating that the yellow sapphire weighing 11.94cts is of Sri Lankan origin, with no indications of heat treatment. Report no. 18742, dated July 21st 2020
***PLEASE NOTE THE TURQUOISE HAVE NOT BEEN TESTED FOR NATURAL ORIGIN. IT IS POSSIBLE THAT IT IS RECONSTITUTED TURQUOISE*** A PAIR OF TURQUOISE AND GOLD EARRINGS WITH RING EN SUITE, BY MASINI Each earring composed of a cluster of turquoise and gold beads with further gold bead terminals, together with a ring of similar style, mounted in 18K gold, both with maker's mark 'MSN', ring signed Masini, French import marks, ring size I, earrings length 2.7cm
AN IMPRESSIVE TANZANITE AND DIAMOND DRESS RING The cushion-shaped tanzanite weighing 27.12cts within a double four-claw setting, between brilliant-cut diamond shoulders, mounted in 18K gold, diamonds approximately 0.80ct total, ring size L¾ Accompanied by a report from The Gem & Pearl Laboratory in London, confirming that the tanzanite weighing 27.12cts is natural. Report number 18773, dated July 28th 2020
A SAPPHIRE AND DIAMOND COCKTAIL RING, BY BOUCHERON, CIRCA 1960 Of bombé design, the cushion-shaped sapphire centrally set within a frame of European-cut diamonds, to an openwork crossover fluted surround, mounted in 18K gold, signed Boucheron, French assay mark, ring size K¼ Accompanied by a report from C. Dunaigre laboratory in Switzerland stating that the sapphire weighing 0.80ct is of Cambodian origin, with no indications of heating. Report number CDC 1812067, dated December 14th 2018
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566905 item(s)/page