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PARKER pen. Germany, 1980.Guajak wood barrel. Matt gold-plated metal fittings. Shiny gold-plated ring on the inside. With engraved numbering: 913. With RH letters engraved on metal cap.Nib 14k.585 gold coloured.Screw cap. Converter load. Used nib. Original wooden box with wear and tear. Measurements: 14 cm (length); 10 x 19 x 3 cm (case).
Ring in 18k yellow gold BVLGARI style. With central oval-cut natural sapphire, originally from Siam, weighing ca. 0.80 cts. and set in open mouth. Frontis with lane of sapphires, carré cut, of a total weight of ca. 0,50 cts. and pavé of diamonds, brilliant cut, I colour, SI1 purity, of a total weight of ca. 0,20 cts. With original hallmarks. Measurements: 10 mm (front); 17.5 mm (diameter).
Ring in 18k yellow gold designed by ALEN DIONE for DRUGUET. Frontis with calibrated emeralds, rubies and sapphires, carré cut, of first quality and framed in diamonds, brilliant cut, H colour, VS2 purity, weight ca. 0,24 cts. Signed and with hallmarks.Measurements: 16.8 mm (inner diameter).
An 18ct gold three stone diamond dress ring, set with three old cut diamonds, each in claw setting, the central stone approx 0.15ct, flanked by two smaller stones, each approx 0.08ct, in a raised white gold basket setting, on a yellow metal band, ring size O½, 2.5g all in.
An 18ct white gold sapphire and diamond dress ring, with a central large rectangular cushion cut sapphire, approx 5.22ct, surrounded by an arrangement of baguette and round brilliant cut diamonds, with baguette cut shoulders, diamonds totalling approx. 0.96ct overall, on plain design band stamped 750, ring size N½, 6.6g all in with World Gemological Institute Certificate stating diamonds colour F-G clarity BS2 -SI1 and sapphire intense blue lightly included.
An 18ct yellow and white gold seven stone diamond dress ring, set with seven round brilliant cut diamonds, each in claw settings, totalling 0.50ct, in white gold on a yellow metal band, ring size N½, 3.9g all in, with a World Gemological Institute Certificate stating colour H-I clarity I1.
An 18ct white gold aquamarine and diamond ring, the mixed pear cut aquamarine totalling approx. 4.34ct, with two rows of five round brilliant cut diamonds to each side, diamonds totalling approx. 0.52cts, ring size N½, 5.7g all in, with a world Gemological Institute Certificate stating diamonds colour F-G-H clarity VS1/VS2, aquamarine pale blue clarity I clean
An 18ct white gold trilogy ring, set with an oval ruby approx. 1.10ct flanked by two round brilliant cut diamonds totalling 0.98ct, each in a claw setting on raised basket, ring size N½, 4.1g all in, with a World Gemological Institute Certificate stating diamond colour L-M clarity SI2 -I1 and the ruby oval mixed cut purplish red heavily included.
Left hand with ring and apple. Smyrna, 4th-3rd century BC.Terracotta.Provenance: Smyrna, 1895-1905. Collection Paul Gaudin (Paris 1858-1921 Versailles), archaeologist, engineer and great patron of the Louvre Museum; Acquired between 1894 and 1905 and by family descent. Public auction, France, 2022.Measurements: 7.9 cm. high with stand.Left hand with ring and apple, in terracotta. This piece is part of an archaeological collection of 670 fragments, considered the second most important after the Louvre (1094 fragments) and ahead of those of the Archaeological Museum of Istanbul (135) and the British Museum (108). According to Simone Besques (1972, p.155) "There are hardly any public or private collections that do not contain Smyrna figurines, most of which are unfortunately fragmentary. Nevertheless, they testify to the fact that from the 3rd century BC to the 2nd century AD, there was the most important Hellenistic and Greco-Roman workshop there, both in terms of the quality and originality of its production, and the fact that these figures remained intact until the Roman period".Smyrna was one of the original terracotta centres of Asia Minor. The city was refounded by Lysimachus around 288 BC, a short distance from its former location. Continued habitation until more recent times made systematic excavations impossible. Most of the Smyrna figurines on display in major museums in Europe and the United States are mostly fragments of heads. Smyrna figurines are easily recognised by the colour of their clay, which varies from brown to red. The clay is fine and homogeneous, and contains traces of gold and silver. Some samples still retain their colours. They are carefully modelled.In terms of subject matter, many popular types from the great terracotta art of the Classical or Hellenistic period prevail, such as those of Herakles, deities and athletes. Another favourite subject was clothed female figures of the "Tanagrian" type.There are also so-called "grotesque figures" with exaggerated anatomical deformities. They probably represented real people suffering from deforming diseases.The terracotta style of Smyrna shows great similarities with that of Myrina. It is likely that the same terracotta artists worked in both cities. It is more likely that there was a relevant relationship in Pergamon and Cyme. On the other hand, certain thematic types of the Smyrna workshop - the black figures and the grotesques - allude to the terracotta art of Alexandria, which ensures a close commercial and artistic relationship with that city. Figurines from Smyrna were highly prized in the ancient world. They were exported to Myrina, Priene, Pergamon, Troy, Tarsus, Delos, Athens, Cyprus and Black Sea cities.
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