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Lot 56
TWO 9CT GOLD CHAIN NECKLACES AND OTHER 9CT GOLD AND YELLOW METAL ITEMS, the first a flat triangle link yellow gold chain, fitted with a spring clasp, approximate length 540mm, hallmarked 9ct London import, a yellow gold fine belcher chain, fitted with a spring clasp, approximate length 470mm, hallmarked 9ct Birmingham, approximate gross weight 12.4 grams, two 9ct gold AF rings, hallmarked, approximate gross weight 3.5 grams, an AF yellow metal ring, a fine trace chain, an AF Spiga chain, a single diamond earring, seven yellow metal earring backs, most stamped 9ct, approximate gross weight 3.2 grams (condition report: general moderate wear, some items damaged)
Lot 52
A 9CT GOLD BRACELET AND OTHER JEWELLERY ITEMS, a tri colour fancy link bracelet, fitted with a spring clasp, approximate length 180mm, hallmarked 9ct London import, approximate gross weight 3.1 grams, together with a white metal fancy link chain, abalone shell pendant, a multi gem set necklace, a gem set ring, each stamped 925, approximate gross weight 21.5 grams, a rose metal gem set ring, (condition report: general light wear, some unused condition)
Lot 48
A LATE VICTORIAN 18CT GOLD DIAMOND AND SAPPHIRE RING, centre with a star set old cut diamond, estimated total diamond weight 0.07cts, flanked with two star set, oval cut blue sapphires, to a polished band, hallmarked 18ct Chester 1897, ring size L, approximate gross weight 3.3 grams (condition report: general light wear, stones secure, would benefit from a gentle clean and polish, overall condition good)
Lot 94
AN EARLY 20TH CENTURY 18CT GOLD BOAT RING, set with three circular cut blue sapphires interspaced with two single cut diamonds, open work gallery leading onto a polished band, hallmarked 18ct Birmingham 1914, ring size O, approximate gross weight 2.4 grams (condition report: stones secure, general light wear, overall condition good)
Lot 53
FOUR GEM SET RINGS, the first a yellow gold cluster ring set with a stone assessed as sphene and diamond, hallmarked 9ct Birmingham, ring size N 1/2, a white gold green quartz cluster ring, hallmarked 9ct Birmingham, ring size N 1/2, a yellow gold amethyst and diamond ring, hallmarked 9ct Birmingham, ring size N 1/2, a yellow gold ruby and colourless quartz cluster ring, hallmarked 9ct Birmingham, ring size N, approximate gross weight 6.7 grams, (condition report: general moderate wear, all stones currently intact, overall condition good)
Lot 78
A 9CT GOLD BAND RING AND A YELLOW METAL SEED PEARL RING, polished band, hallmarked 9ct London, ring size Q, approximate gross weight 2.3 grams, together with a yellow metal ring set with three cultured pearls each in a four claw setting, band stamped 10k, ring size M, approximate gross weight 3.2 grams (condition report: general light wear, pearls secure, overall condition good)
Lot 93
TWO RINGS, the first a 9ct gold gem set half eternity ring set with four marquise cut blue sapphires interspaced with three single cut diamonds, polished band, hallmarked 9ct London import, ring size L 1/2, approximate gross weight 2.4 grams, together with a yellow and white metal full eternity ring set with colourless spinels (one stone is missing) stamped 9ct, ring size M, approximate gross weight 2.2 grams (condition report: would benefit from a gentle clean and polish, second ring AF requires a new stone)
Lot 14
Ca. 1-200 AD.A Roman garnet intaglio set into a later gold ring (Byzantine, 9th-12th century AD). The intaglio is meticulously adorned with a plethora of symbolic elements, embodies the profound artistic expression found in Roman glyptic art. The centerpiece of this exquisite artifact showcases a delicately engraved hand clasping a bundle of ears of grain, a caduceus, a poppy seed head, and a wreath. Collectively, these motifs evoke notions of abundance and prosperity, encapsulating the aspirations and beliefs of Roman society. The depiction of the hand holding ears of grain serves as a potent symbol of fertility, agricultural abundance, and nourishment. In Roman culture, grain was not only a vital staple but also represented the bountiful harvests necessary for the sustenance and prosperity of the empire. The hand, a universal symbol of human agency and dexterity, further reinforces the human connection to the cultivation of crops and the subsequent rewards of abundance. The inclusion of the caduceus adds another layer of significance to the composition. As a symbol associated with the Greek god Hermes and later adopted by the Romans, the caduceus embodies messages of commerce, diplomacy, and transcendent power. Its presence within this glyptic scene suggests the influence of trade and prosperity, emphasizing the interconnectedness between economic success and the broader societal fabric. Size: D: 17.32mm / US: 7 / UK: N 1/2; 9.45g Provenance: Private UK collection; Ex. old Swiss family collection formed in the 1990s.
Lot 61
Ca. 200-300 AD.An oval-shaped emerald intaglio that is engraved with a depiction of a standing figure of the goddess Fortuna set in a Victorian period gold ring formed of a round-section rod that is elegantly shaped, giving it a striking appearance. Fortuna, who is one of the most revered goddesses in Roman mythology was the goddess of fortune and luck, and she was believed to bring success and prosperity to those who worshipped her. She was often depicted as a standing figure, holding a cornucopia in one hand and a rudder in the other. The cornucopia symbolized abundance, while the rudder symbolized her control over destiny. The goddess was worshipped by people from all walks of life, including emperors, soldiers, and merchants, who sought her blessings for their endeavors. Size: D: 14.45mm / US: 3 1/2 / UK: G 1/4; 6.91g Provenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s.
Lot 8
Ca. 100-300 AD.A black gemstone intaglio depicting a left-facing portrait of a male wearing a helmet; set in a possibly later gold ring with a round band gradually expanding to triangular-shaped shoulders, accentuated with chiseled decoration. Size: D: 18.80mm / US: 8 7/8 / UK: R 1/2; 14.73g Provenance: Private London collection; British art market 1990s.
Lot 304
Ca. 6th-7th century AD.A gold finger ring commences with a thin round hoop that envelops the finger with a delicate embrace. The focal point of this ornamental masterpiece resides within the applied bezel cell – a vessel of gold that cradles a vibrant-coloured garnet stone with an enchanting allure. The garnet, ensconced within its golden abode, commands attention with its rich hue that resonates with an inner fire. This precious gemstone, set against the backdrop of polished gold, creates a visual symphony that dances between the organic and the refined. Its vivid coloration, a whisper of royalty, encapsulates an era's fascination with both the natural world and the luxury it offers. Size: D: 16.31mm / US: 5 3/4 / UK: L; 1.52g Provenance: Private London collection, pre-2000s.
Lot 15
Ca. late 2nd century AD.A gold ring with a D-shaped design, characterized by a round-section shank that expands at the shoulders and culminates in scroll finials. These finials elegantly support an eye-shaped bezel adorned with intricate scrolls and a cutout, which serves as a captivating frame for the garnet intaglio set below. Faustina Junior, the subject of the intaglio, was a prominent figure in Roman history. She was born Annia Galeria Faustina in the year 128 AD, and she held the title of Augusta as the wife of the Roman Emperor Marcus Aurelius. Faustina Junior played an influential role as the Empress of Rome, and her image on the intaglio highlights her significance and power during the Roman Empire. The left-facing portrait of Faustina Junior depicted on the intaglio reflects the artistic style and attention to detail prevalent during the Roman period. The intaglio, meticulously carved into the garnet gemstone, captures the Empress's likeness, showcasing her facial features, hairstyle, and likely even her attire. Such intaglios were highly prized and served as both personal adornments and symbols of status and allegiance. Size: D: 19.15mm / US: 9 1/4 / UK: S; 7.75g Provenance: Property of a Central London gallery; formerly in a private UK collection; Ex. W. Victor Hruby collection, 1984.
Lot 235
Ca. 1st century AD.A gold finger ring of open type. The shank, a round testament to proportion, gently deviates from perfect circularity, affording it a subtle flattened quality that exudes modernity even within its classical frame. A symphony of details emerges as one's gaze traverses the ring's circumference. The finials, which flare with genteel grace, transcend mere adornment, unfurling into the sculpted semblance of serpent heads. These serpentine visages, with recessed eyes that hint at enigmatic depths, are emblematic of the ancient Roman fascination with the mystical and the mythical. Size: D: 14.07mm / US: 2 7/8 / UK: F; 1.26g Provenance: Private London collection, pre-2000s.
Lot 83
Ca. 500 - 600 AD.A rare gold ring featuring an exquisite intaglio of a Sasanian horserider seated with ease atop his mount, his face finely detailed with an abundant beard and hair, topped with a headpiece that speaks to his noble status. The horse, too, is a marvel of artistry, presented in a distinctive pose with its left foreleg raised and slightly bent, its trappings and tail finely rendered. The ring's design is equally impressive, with a gold band that showcases the intaglio to its fullest effect. The intricate details of the intaglio are highlighted by the shimmering gold setting, which adds an element of richness and warmth to the piece. The Sasanian Empire, which spanned from the 3rd to the 7th century AD, was a flourishing civilization that left an indelible mark on the world. Known for its military might, artistic achievements, and cultural richness, the Sasanian period saw the rise of a unique and distinctive style of art, characterized by intricate motifs, bold designs, and striking use of color. Size: D: 16.92mm / US: 6 1/2 / UK: M 1/2; 5.44g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Lot 3070
Größere Sammlung - Münzen & Medaillen überwiegend BRD beinhaltet u.a. BRD Silbermedaillen wie z.B. 22x '800 Jahre Stuttgart', 10 x 'Grimms Märchen' in Folder, 18 x 'Bundeskanzler', 10 x Medaillen mit blauem Ring, etc. sowie Goldmedaillen mit insgesamt Feingold ca. 5 g. 52 x 10€, 12 x 20€, 15 x 5€ Polymerring, davon 6 x Blauer Planet, wie auch BRD 2 x 2 DM, 7 x 5 DM, 9 x 10 DM, diverse Jahrgänge, unterschiedliche Erhaltungsstufen. Bitte unbedingt das Los ansehen vor Gebotsabgabe.| Larger Collection - Coins & Medals mostly FRG contains e.g. FRG silver medals like 22x '800 Jahre Stuttgart', 10 x 'Grimms Märchen' in folder, 18 x 'Bundeskanzler', 10 x medals with blue ring, etc. as well as gold medals with total fine gold approx. 5 g. 52 x 10€, 12 x 20€, 15 x 5€ polymer ring, of which 6 x Blue Planet, as well as FRG 2 x 2 DM, 7 x 5 DM, 9 x 10 DM, various years, different states of condition. Please have a look at the lot before bidding.
Lot 358
Gold ring with a heart-shaped mauve stone in the center. This ring can also be considered an entourage ring. The center of this ring is quite special thanks to its rare heart shape; the mauve stone is quite dark, allowing the gold around the ring to stand out. - Weight: 7 g - Shipping available - Sizes: D 185 - At first glance: good condition - Condition details: 7,5 GR - Object type: Bijoux
Lot 360
Gold ring and pendant with a white stone decorated in black as the center. The gold ring and pendant show small flowers made of petals leading to the center, on the white stone. - Weight: 9 g - Shipping available - Sizes: D 185 - At first glance: good condition - Condition details: 9,4 GR - Object type: Bijoux
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566841 item(s)/page