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A Medieval gold posy ring, c.1450, with foliate and quatrefoil engraved decoration and French inscription reading 'AVES MON COER' ('You Have My Heart'), size M, 3.2g Accompanied by Treasure Act correspondence from the British Museum confirming that the finder and landowner have joint rights to sell the ring.
An early 19th century carnelian and gold cased pendant on a split ring, the ornately engraved split ring suspending two carnelian heart-shaped pendants and a rotating carved carnelian pendant, together with a watch key, an ornately engraved gold cased pear-shaped pendant with a glazed compartment containing plaited hair, together with a mid 19th century swivel seal set with three rectangular hardstone plaques, a bloodstone and gold-cased 'hourglass' pendant, and an unmounted oval mixed-cut citrine, centrally intaglio engraved with a heraldic crest
Three items of 19th century jewellery, including a French gold oval swivel pendant, the central glazed locket compartment containing a hair wheatsheaf constructed of hair, the surmount formed with serpents, 4cm widest, together with a yellow gold, enamel and seed pearl brooch, a trophy of two flaring torches applied to the guilloche enamel centre, within a border of seed pearls, 4.5cm high, and a gold pendant incorporating a metal key, applied with an ornate surround with lambrequins and split ring, 2.5cm wide
Five early 19th century hardstone and gold-cased fob seals, including a split ring suspending three miniature seals, each set with an intaglio-engraved hardstone plaque, together with a seal containing an oval chalcedony plaque, intaglio-engraved with the profile of a classical maiden, and a seal set with a circular amethyst intaglio-engraved with a floral spray
Three early 19th century hardstone-set watch keys, the first yellow gold wirework watch key with double-sided agate swivel seal, 6cm long, the second designed as a carnelian spherical bead with ornately chased gold mounts with split ring, 5.8cm, the third chased in bi-colour gold, containing an oval white chalcedony plaque within a bi-colour gold cased mount, 7.5cm
An early 20th century gold and enamel mounted flat sided rock crystal scent bottle, in the Islamic manner, the shoulders carved with elongated rings issuing from a stylised lion mask, the gold base with faded pink, blue and white enamel scroll border repeated to the top of the bottle and with a acanthus rim, the plain thumbpiece releases the spring-loaded cover, with rose-cut diamond set foliate and lattice decoration to the white enamel ground and surmounted with a cabochon amethyst, suspension ring to the reverse, 7.5cm high
A late Victorian ruby five-stone ring, set with graduated cushion-shaped rubies, with rose-cut diamond pointers, with scroll pierced and engraved gold mount, stamped '18', size M 1/2 Accompanied by report number 06392 dated 2 October 2012 from The Gem & Pearl Lab stating that the cushion-shaped rubies are natural rubies with no evidence of heat treatment.
A ruby five-stone ring, the graduated oval-shaped rubies set in yellow gold, Birmingham marks for 14ct gold, size T Accompanied by report number 11053 dated 25 March 2015 from The Gem & Pearl Lab stating that the oval-shaped rubies are natural rubies, the centre ruby measuring 6.0 x 5.5 x 2.9mm, with no evidence of heat treatment observed. Origin: Burma. Comment: a random 'sample' of the rubies were tested.
A Victorian ruby and diamond cluster ring, the oval-shaped ruby set within a surround of eight old cushion-shaped diamonds weighing approximately 3.10cts in total, in yellow gold, approximately size K Accompanied by report number 81305-70 dated 11 May 2021 from GCS stating that the cushion-cut ruby is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar).
A ruby five-stone ring, the five oval-shaped rubies set in gold, with rose-cut diamond pointers (one missing), stamped '18', size P Accompanied by report number 79187-88 dated 27 November 2018 from GCS stating that the cushion-cut rubies are natural rubies with no indications of heat treamtment. Origin: Burma (Myanmar)
A George III diamond and blue enamel ring, the navette-shaped closed-back section with blue enamel ground, applied with a row of three graduated cushion-shaped diamond clusters, with cruciform diamond terminals (two diamonds missing), with further outer border of cushion-shaped diamonds in silver on gold, with later inscription to the reverse 'Diamond Jubilee 1837 - 1897 GB to CLB, size N
A George III sapphire and diamond cluster ring, c.1810, set with a cushion-shaped sapphire within open-backed gold cut-down collet setting, within a surround of old cushion-shaped diamonds in silver on gold, with foliate engraved shoulders in gold, fluted shank, size I 1/2 Accompanied by report number 80272-95 dated 19 August 2020 from GCS stating that the cushion-cut sapphire is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon).
Opal Tennis Bracelet, a wonderful display of colours from a continuous, articulated row of oval cabochon cut opals, totalling 9cts, mined in Ethiopia and set in 14ct gold vermeil and silver with an unusual, diamond accented, clasp; an elegant and comfortable to wear bracelet; 7.5 inches (18.75cms) long ( NB: To use the clasp: press the small thumb piece, between the circular clasp and the first cabochon, to lift the 'lid' of the clasp and insert the ring at the other end into the opening; release the top and the ring will now be securely held )
Opal and Emerald Halo Ring, a wonderfully domed cabochon cut opal of 2.25cts, giving displays of the intense internal opal colours from all angles; the opal is accented with four emeralds, at North, South, East and West within a shaped halo of round cut, natural white zircons, the whole in gold vermeil and silver; size R
CROPP AND FARR: RUBY AND DIAMOND-SET CLUSTER RING, 1963The openwork ring set with circular-cut rubies, within a tiered surround of brilliant-cut diamonds, mounted in 18 carat yellow gold, diamonds approx. 1.00ct total, maker's mark C&F, London hallmark, ring size approx. NFor further information on this lot please visit Bonhams.com
ALAN MARTIN GARD: SAPPHIRE AND DIAMOND RING, 1980The front of abstract geometric design, accented with rectangular step-cut sapphires and round brilliant-cut diamonds, on a textured hoop, mounted in 18 carat white and yellow gold, maker's mark AMG, London hallmark, ring size approx. NFor further information on this lot please visit Bonhams.com
ALAN MARTIN GARD: TURQUOISE AND DIAMOND RING AND EARCLIP SUITE, 1980The ring of intertwined design, set with turquoise and brilliant-cut diamonds, mounted in 18 carat gold, the earrings of similar design, diamonds approx. 0.70ct total, maker's marks AMG, London hallmarks, ring size approx. N, earclips length 1.8cmFor further information on this lot please visit Bonhams.com
An 18ct gold, platinum, diamond and sapphire cluster ring, size M/N, 3.2gCondition:Length and width of sapphire: 10mm x 8mm approxThe colour of the sapphire is a medium blue?No apparent inclusions are apparent with the naked eye of a 10x lens.You can see a few inclusions to the diamonds with a 10x lens but not with the naked eye.The diamonds are facing up and are white and bright. they dont appear to be yellow or have hints of yellow.General condition: Few very small chips around the table on the sapphire.
A Venetian perfume/scent phial, the body with multicoloured strands, gilt metal collar, and gilt glass ball stopper 7.5cm together with a Venetian Secessionist blue glass tazza, gilded edge boarder with a continuous band of orange and yellow flower heads and green scrolling leaves on sinuous stalks, between boarders of white bead jewellery, the bowl with everted rims supported on inverted baluster stem and plain foot ornamented by a single gilt edge boarder, 10cm high, a Dickensian brass character nutcrackers featuring Fagin and Bill Sykes from 'Oliver Twist' circa 1900, and a mid century Elizabeth II 9ct gold shell cameo ring, head and shoulders profile facing left, Birmingham 1956, total weight 1.7g Location: Porters
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566905 item(s)/page