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Lot 642
An 18 carat white gold set dress ring, set with emerald, approx 1.25 carats, flanked by two diamonds, approx 0.5 carat each, 4 g, size U CONDITION REPORTS Emerald approx 0.6cm x depth unkown. Emerald not know whether lightly moderaately or heavily included. Colour as bright as bright and vibrant medium green unknown as purely subjective. No inclusions seen by us with x10 lens but this is not a guanrantee that ther are no inclusions. Same with naked eye. As to whether they are white and bright or hint of yello - see images,. Condition appears good to us.
Lot 875
An 18ct gold, diamond chip and garnet MIZPAH ring, approx. 3.6 g (all in)Approx. P½All letters are clear.Tiny nibbles to both stones. Commensurate with the age and wear you would expect.The ring has kept its shape nicely and generally in fairly good condition.No signs of repair or solder marks on the ring.British hallmarked: Sheffield 1911. Maker SB & Co.Diamond approx. 1/16 of a carat.
Lot 101
Assorted jewellery comprising: 18ct gold dress ring set celadon jade-coloured hardstone panel of navette form, together with a white metal dress ring stamped 18k and a yellow metal ring set large pearl stamped 18ct, 9ct gold swivel fob with bloodstone and carnelian matrixes and pair of Art Deco-style 9ct gold ear studs, 24g gross approx, together with sundry marcasite jewellery
Lot 110
the shield shaped bloodstone with intaglio carved armorial of a crowing cockerel, to a cast and carved mount with integral scrolling shoulders, unmarked yellow metal, ringhead tests for 14ct gold, shank for 9ct, ring size Q½, in a period shaped ring box by Mappin & Webb dating from the time they had a shop in Queen Victoria St, London; together with a metal stamp by Parkins & Gotto, engraved with the same armorial cockerel, with motto 'Virtute Vici' (Virtue Conquers), diameter 2.2cm, manufacturer's name, address and a serial number on the side, in a fitted turned boxwood case stamped to the top 'Parkins & Gotto, 24 Oxford St, W', dating it to between circa 1860 and 1899, and with 'Ingram' hand written on the bottom (Qty: 2)
Lot 119
the oval plaque depicting a young woman in classical drapes leaning against a plinth on top of which is a bas relief and gold mounted urn, the front of the plinth raised also and inscribed 'Not Lost But Gone Before', the mount with incised decoration, closed back and bright cut tapered shoulders, the back engraved 'W.C.V. Obt 16.7.38' and '27 March 1781 Æt 63'; length of ring head 2.4cm, cased
Lot 123
the first with a pear-shaped cabochon garnet in a foiled closed back setting with an open surmount of trailing leaves and flowers set with small rose cut diamonds, a lower termination in the same style (one diamond lacking), verso with a vacant glazed compartment, hanging from a later fine curb link chain, marks obscure, length of pendant with suspensory loop 3.2cm, of chain 46cm; also a five stone diamond ring, with central round brilliant cut diamond claw set in a raised square pierced mount with two single cut diamonds on each shoulder, plain shank size Q, unmarked white on yellow metal tests for 14-18ct gold (Qty: 2)
Lot 133
each earring designed as an open ribbon bow, millegrain edged and set with small round brilliant cut diamonds, Birmingham hallmarks for 9ct gold 1999, each with a removable angled slider holding a 6mm cultured pearl, width 1.5cm; also a ring in the form of a diamond set bow with 5.4mm cultured pearl centre, white on yellow metal stamped '750', ring size J, width of ring head 1.6cm (Qty: 2)
Lot 148
the first with an oval concave chalcedony embellished with an arched forget-me-not stem with flower and two leaves, set with round cabochon turquoises within an open geometric frame, unmarked yellow metal tests for 9-10ct gold, length 3.5cm; also an oval chalcedony with carved intaglio of a bust length man with long hair, perhaps Milton or another poet, length 2.3cm; and a three stone diamond ring with graduated old round brilliant cut diamonds, the central one in a square field, the outer ones claw set, thin band size O, stamped '14k'; together with a box link chain with engraved barrel clasp, tests for 9ct gold, length 39cm plus an extra 2.7cm of loose chain, weight 7.0g (Qty: 4)
Lot 167
the first ring with an old round cut diamond star set in a circular plaque with ropetwist border, bifurcated shoulders and plain shank size I½, stamped '18ct', estimated weight of diamond approximately 0.12cts; the second ring with parallel lines of five rose cut diamonds and five round cut rubies, flying claw set to a tapered shank size M½, hallmarked 18ct gold, Birmingham 1878; the bracelet a modern interpretation of a gatelink, with uniform rectangular five bar gates with textured finish joined by narrower, shorter polished links, padlock catch and later safety chain, Birmingham hallmarks, 1980 on the clasp, 1983 on the bracelet; length 19cm, weight 15.19g (Qty: 3)
Lot 171
the oval cut light raspberry pink garnet collet set to a uniform band with punched Greek key pattern decoration, Birmingham partial hallmarks date letter Z, ring size M, gross weight 2.89g; together with a plain wedding band stamped '10k', size Q, 2.36g; the first chain a snake link with bright cut engraved barrel clasp, not marked but tests for 14ct gold, length 44cm, weight 10.16g; and a round link chain with barrel clasp stamped '9ct', length 43cm, 3.45g (Qty: 4)
Lot 185
the ring with graduated oval cabochon turquoises, flying claw set with little fleur-de-lys between unmarked yellow metal tests for 18ct gold, ring size L-M; the earstuds of 'blackberry' boss form set with a cluster of small round cabochon turquoises (one stone lacking, one replaced with simulant), to a pierced frill edge, diameter 1cm (Qty: 2)
Lot 197
the two old round brilliant cut diamonds separated by a round cut sapphire with an oval cut sapphire at either end, claw set, coronet gallery of white gold to a yellow gold shank with carved foliate shoulders, ring size P, Chester hallmarks for 18ct gold but very worn, total estimated weight of diamonds approximately 0.65ct, period maroon leather case
Lot 206
the ring with an oval cabochon coral, 16.5mm long, horizontally set to diagonally reeded shoulders tapering into the shank, size N, yellow metal stamped '750'; also a string of graduated 4.5-10.5mm coral beads, individually knotted, to a barrel clasp length, 70cm; and a row of uniform 7-7.5mm pearls with a 9ct gold oval pierced clasp resembling a mound of textured batons, London hallmarks 1975, length 48cm (Qty: 3)
Lot 212
of white metal stamped '18kt', and tests for 18ct white gold, with an abstract design of broad curved linear figures against a slightly greenish air force blue ground; interior with two applied cartouches, one for the manufacturer 'La Nouvelle Bague', the other with Italian marks for Florence, stamped as above and also '750'; ring size P, width 13mm, gross weight 10.68g
Lot 221
the first an oval banded agate intaglio with the top surface a creamy layer cut down to the cornelian below, depicting a classical naked youth holding a staff and the other arm upraised to a butterfly, by his side a dancing, flambeau-bearing winged putto, beaded edge, in a white metal mount (tests for silver) with a border of closed back flat cut garnets, later oval backing with pin, revealing the back of the banded agate, length 3.6cm; the second a 19th century miniature depicting the head of a six-winged seraph, the child-like face with blond curls and blue eyes, his wings red, against a blue background, glazed and in a pierced foliate mount of yellow metal, tests for 18ct gold, length 5.2cm, presented in the original fitted velvet case by Anton Häusler, Vienna; also an octagonal grey and white shell cameo depicting a circle of dancing winged cherubs, length 3.3cm; and a circular boss brooch like a shield with eight smaller circles around a larger central one, all with concentric ring, ribbon and ropetwist decoration against a textured ground with engraved ivy leaves and bead detail, yellow metal stamped '14 k' and with maker's initials, pin with sliding safety clasp, diameter 4.4cm (Qty: 4)
Lot 256
the rectangular cushion shaped mixed cut tanzanite six claw set in a petal border of fourteen round brilliant cut diamonds, pierced undercut mount, decorative wire line on shoulders, plain shank size Q, white on yellow metal, stamped illegibly, tests for 18ct gold, cased, length of ring head 17mm
Lot 261
the flower with a central cluster of an oval cut sapphire in a border of ten round old cut diamonds and outer ring of calibré cut sapphires, to six pierced diamond set petals with the sapphire set tips of six sepals and similarly set curls, the diamond stem with a pierced diamond leaf and a bud composed of three principal old round brilliants; white metal tests for 18ct white gold; brooch fitting later, with safety catch, two small rose cut diamonds and a shaped sapphire lacking; length 4.2cm, total estimated weight of diamonds approximately 3.0cts; cased
Lot 272
the ring with a 9.3mm pearl peg set above a halo of small round brilliant cut diamonds, tapered shank size N, Birmingham hallmarks 2011; the pendant with a similar 9.8mm pearl, not quite as dark in hue, with a criss-cross surmount set with round brilliant cut diamonds and reeded bale, Birmingham hallmarks for 9ct gold, and a fancy rectangular link chain stamped '925', length 45.2cm (Qty: 2)
Lot 358
the first in the shape of a salmon, with suspension ring to the top and removable friction fitting tail section to reveal the propelling pencil, stamped 'S Mordan & Co' to the pencil side, unmarked yellow metal tests as gold and presented in the original fitted case; the second in the shape of a golf club, with rotating action to reveal the propelling pencil from the top of the handle, maker's mark applied to the club head, and suspension ring to the handle (Qty: 2)
Lot 383
circa 1807, the outer (and inner) case by James Richards with London hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with unsigned white dial, 48mm diameter, black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, the signed front loading mechanical key wind fusée movement ornately engraved, with pierced and engraved balance cock, gross weight 149.1g and presented with the winding key
Lot 384
circa 1829, the outer (and inner) case by James Heales with Birmingham hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with unsigned white annular dial, 48mm diameter, black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, engraved brass centre floral design and the brass edge to the dial engraved, 'Keep me clean and use me well and I to you the truth will tell', the signed front loading mechanical key wind fusée movement ornately engraved and numbered 1159, with pierced and engraved balance cock, gross weight 167.7g and presented with the winding keyFootnote: Other notes: Samuel Maddock was born around 1780 and was one of the famous Maddock family of clock and watchmakers of Winsford.
Lot 385
circa 1814, the outer (and inner) case by Joseph Glenny with London hallmarks for Sterling silver, the lid activated via a push button, the unsigned open faced pocket watch with unsigned white dial, 47mm diameter, black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, the signed front loading mechanical key wind fusée movement ornately engraved and numbered 5797, with pierced and engraved balance cock, gross weight 142.7g and presented with the winding keyFootnote: Other notes: John Paxton (1756-1832) was an English watch and clockmaker born in 1756 in Higham Ferrers in Northamptonshire. Paxton is recorded as working in St Neots in Huntingdonshire from 1784 until his death in 1832.
Lot 386
circa 1833, the outer (and inner) case by Samuel Strahan with London hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with white dial, 48mm diameter, black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, the front loading mechanical key wind fusée movement ornately engraved and numbered 3036, with pierced and engraved balance cock, gross weight 184.5g and presented with the winding key
Lot 387
circa 1822, the outer (and inner) case by Vale & Rotherham with Birmingham hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with unsigned white dial, 46mm diameter, black Arabic numerals, gold coloured spade hands and chemin de fer chapter ring, the centre painted with a pastoral scene of a gentleman fishing, the signed front loading mechanical key wind fusée movement ornately engraved and numbered 4598, with pierced and engraved balance cock, gross weight 139.3g and presented with the winding key
Lot 388
circa 1805, the outer (and inner) case by William Ryley with Birmingham hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with unsigned white dial, 42mm diameter, black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, the signed front loading mechanical key wind fusée movement ornately engraved and numbered '151', with pierced and engraved balance cock, gross weight 127.3g and presented with the winding keys
Lot 390
the silver outer case by William Howard, Birmingham 1813, the lid activated via a push button, the open faced pocket watch with unsigned cream coloured dial, 44mm diameter, black Arabic numerals, gold coloured spade hands and chemin de fer chapter ring, the case, 46mm diameter, the reverse with a scene of an amorous couple in a state of undress, sitting on a stool between draped curtains, the signed front loading mechanical key wind fusée movement ornately engraved and numbered 2022, with pierced and engraved balance cock, gross weight 126.6g and presented with the winding keyProvenance: By repute - Originally owned by Claude de Benales (See the book 'The Magnificent miner'), allegedly the richest man in Australia and thence by descent.Footnote: The earliest erotic pocket watches date back to the 17th century when wealthy clients were offered the option of having a dial or caseback customised with a painting or an engraving. Portraiture was a popular style and it was common to request an image of a spouse or a lover to be painted on the back. Religious authorities in the watchmaking areas of Switzerland formed an alliance to seize and destroy such watches. As a result, watchmakers either decorated the interiors of pair cased watches or found a way to create a separate hinged caseback that concealed the image so that the watch appeared no different from any other. Over time, erotic watches became a social taboo and when timepieces transitioned from the pocket to the wrist watch in the early 20th century, this clandestine tradition was all but forgotten.
Lot 402
the off-white coloured dial, 65mm diameter, with black Arabic numerals, gold coloured Louis style hands, subsidiary seconds register and chemin de fer chapter ring with outer Arabic minute indicators, the centre decorated in full colour with a foliate ring, the mechanical crown wind movement with onion shaped winder and hand setting button at 1 o'clock, the gun metal case, 80mm diameter, numbered 20741, the cuvette similarly numbered
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566841 item(s)/page