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TWO 19TH CENTURY CLUSTER RINGS, each with a cluster of half pearls, green and red/purple stones in beaded pinched-claw settings, (some stones later replaced), the first with a 9ct gold pierced and foliate engraved mount, with later glazed verso, hallmarked for Birmingham 1861, the second with an 18ct gold foliate engraved mount, hallmarked for London 1841, (half pearls untested for origin), ring sizes J½ and I respectively (2)
A RUBY AND DIAMOND THREE STONE RING, the oval mixed-cut ruby claw set between two round brilliant-cut diamonds, two colour precious metal mounted, stamped '18ct & pt', together with a ruby foliate spray brooch by Cropp & Farr, 9ct gold mounted, accompanied by Mappin & Webb Ltd retailer's case and receipt dated 1975, ring size J, brooch length 3.6cm (2)
A COLLECTION OF JEWELLERY, comprising an Art Deco diamond set panel ring, the principal round brilliant-cut diamond in millegrain square setting, to an octagonal panel with carved decoration, between rose-cut diamond set shoulders, a diamond single stone ring, the round brilliant-cut diamond in an openwork square setting, with interior inscription dated 1917, a hardstone cameo brooch, two 9ct gold signet rings, a jade pendant (untested for treatments), a coral corallium rubrum and simulated pearl necklace, a pair of 9ct gold dress studs, and further items, contained in case, first ring size M½
A RUBY AND DIAMOND THREE STONE RING, the cushion-shaped mixed-cut ruby in claw setting, between two similarly set cushion-shaped old-cut diamonds, 18ct white gold mounted, ruby measurements approximately 7.7mm length x 7.1mm width x 3.8mm depth, total diamond weight approximately 1.10ct, ring size K½
AN 18CT GOLD 'OPEN HEART' PENDANT NECKLACE DESIGNED BY ELSA PERETTI FOR TIFFANY & CO, the heart-shaped pendant suspended from a fine trace-link chain, signed and with import marks for London 2006, together with an '1837' band ring by Tiffany & Co, stamped '925', pendant length 2.3cm, ring size M (2)
A 9CT GOLD PENDANT NECKLACE, of abstract design, suspending a line of geometric panels, on a trace-link chain with indistinct maker's mark, possibly 'WR' for Wendy Ramshaw, together with a 9ct gold bangle and ring suite, each of cushion-shaped outline and pierced design, pendant width 5.8cm (3)
A 19TH CENTURY DIAMOND PANEL RING, the circular panel centred with a cushion-shaped old-cut diamond, bordered by two rows of smaller similarly-cut diamonds, pavé set throughout in foiled closed-back settings, the hoop with pierced and engraved foliate shoulders, gold and silver mounted, (shank possibly later replaced), principal diamond weight approximately 1ct, total diamond weight approximately 1.90ct, ring size P½
TWO 19TH CENTURY GEM SET RINGS, the first a diamond and emerald three stone ring, with foiled closed-back pinched-claw settings, to a foliate scroll decorated mount with later shank, stamped '18ct', the second a half pearl, diamond and blue enamel cluster ring, to an 18ct gold pierced and foliate engraved mount, (half pearls untested for origin), ring sizes N and J½ respectively (2)
AN EMERALD AND DIAMOND DRESS RING BY GEORGE WEIL, designed as a tiered abstract flowerhead, centred with a cluster of oval cabochon emeralds framed by round brilliant-cut diamonds in scatter formation, above a tapered panelled hoop, 18ct gold mounted, signed G. Weil and hallmarked for London 1975, with maker's mark WJ LD for Weil Jewellery Ltd, also stamped '18ct' and 'plat', total diamond weight approximately 0.35ct, ring size M½ George Weil was born in Vienna in 1938 to a Jewish family of jewellers, who left Antwerp the following year at the outbreak of the Second World War. Weil trained as a jeweller and studied at St Martins' School of Art in London. A contemporary of Andrew Grima, he was also a painter and sculptor, producing portrait busts of iconic figures such as Winston Churchill and Sammy Davis Junior, and the influence of this background can be found in his bold jewellery designs. Weil's Hatton Garden jewellery studio closed in 1979 and he later emigrated to Israel, where he continued to work as an artist.
A TIGER'S EYE AND DIAMOND DRESS RING BY GEORGE WEIL, circa 1970-75, the oval cabochon tiger's eye claw set to a tapered mount of pierced and textured abstract design, highlighted with a border of round brilliant-cut diamonds, 18ct gold mounted, signed G. Weil and WJ LD for Weil Jewellery Ltd, with London hallmark and indistinct date letter, also stamped '18ct' and 'plat', total diamond weight approximately 0.30ct, ring size approximately K-L George Weil was born in Vienna in 1938 to a Jewish family of jewellers, who left Antwerp the following year at the outbreak of the Second World War. Weil trained as a jeweller and studied at St Martins' School of Art in London. A contemporary of Andrew Grima, he was also a painter and sculptor, producing portrait busts of iconic figures such as Winston Churchill and Sammy Davis Junior, and the influence of this background can be found in his bold jewellery designs. Weil's Hatton Garden jewellery studio closed in 1979 and he later emigrated to Israel, where he continued to work as an artist.
A SAPPHIRE AND DIAMOND CLUSTER RING, of pierced and textured abstract design, centred with a target cluster of circular mixed-cut sapphires and round brilliant-cut diamonds, 18ct gold mounted, hallmarked for London 1972, maker's mark possibly H&M, total diamond weight approximately 0.70ct, ring size M½
A GREEN BERYL AND DIAMOND DRESS RING BY ANDREW GRIMA, the fancy-cut green beryl set between four bar-shaped claws, each highlighted with a trio of single-cut diamonds, raised above a hinged gallery and a pierced, tapered hoop of geometric design, with textured decoration, 18ct two colour gold mounted, signed GRIMA, with maker's mark HJ Co for Haller Jewellery Company, hallmarked for London 1970, accompanied by maker's case, total diamond weight approximately 0.12ct, ring size approximately M-O
A LADY'S 18CT GOLD 'ACCUTRON' BRACELET WATCH BY BULOVA, the circular gilt dial with baton markers, centre seconds hand and date display, the case with Swiss gold marks and London import marks for 1972, numbered 7071, with interior inscription and detachable white metal threaded ring attachment, dial, movement and case signed, movement numbered 2300, on an 18ct gold tapered brick-link bracelet, with signed clasp and later replaced yellow metal foldover fitting, (original fitting included), in maker's box, case width 2.65cm
A 19TH CENTURY MEMORIAL RING, centred with a glazed plaited hairwork panel, between pierced and engraved foliate shoulders, (shank split), together with an Edwardian garnet-topped doublet and diamond half hoop ring, 18ct gold mounted, a 9ct gold signet ring, monogrammed, a white stone half hoop ring, a golf club propelling pencil, and a similar bar brooch, first ring size M (6)
A GEORGIAN DIAMOND AND ENAMEL PANEL RING, circa 1820-30, the navette-shaped panel centred with a marquise-shaped old-cut diamond in pinched claw setting, to a blue enamel ground, bordered by single-cut diamonds in foiled closed-back settings, gold and silver mounted, (one diamond deficient), principal diamond weight approximately 0.30ct, ring size I
A COLLECTION OF JEWELLERY, comprising a Victoria half sovereign, dated 1887, loose mounted in a pierced and engraved pendant mount, suspended from a ropetwist-link chain, 9ct gold mounted, a Victorian oval memorial pendant, with black enamel decoration, suspended from a belcher and bead-link chain, a lady's 9ct gold bracelet watch by Rotary, and a 9ct gold and onyx signet ring, locket pendant length 4.6cm (4)
A COLLECTION OF ANTIQUE AND LATER JEWELLERY, comprising an amethyst, citrine and peridot cluster brooch, a flowerhead cluster brooch, with foiled closed-back settings, a late Victorian diamond and ruby set panel brooch, stamped '15ct', a 9ct three colour gold Russian wedding band, a blue enamel and half pearl dress ring, an enamel fish pendant with bow brooch fitting, and a further pendant, (half pearls untested for origin), first brooch length 1.85cm (7)
A COLLECTION OF ANTIQUE AND LATER GEM SET RINGS, comprising a late Victorian diamond five stone gypsy ring, the 18ct gold mount hallmarked for Birmingham 1887, an Edwardian sapphire and diamond gypsy ring, also 18ct gold mounted, a heart-shaped cluster ring, stamped '15', and four further rings, first ring size P½ (7)
Last quarter of 19th century 18ct gold half hunter lever watch, E Roberts - 28 Portland Rd, London, N, No 8907, the frosted and gilt three-quarter plate movement with blued steel screws, bi-metallic cut compensated balance and blued steel hairspring with lever escapement to a Roman enamel dial with outside minute track, sunk subsidiary seconds and blued steel spade hands in a hinged and polished case with cobalt blue enamelled Roman chapter ring and hand set to the band, London 1886, maker's mark HG, MS and with corresponding case number, weight approx 118gms all in, width 51mm
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566905 item(s)/page