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A COLLECTION OF DRESS RINGS, to include a late 20th Century 9ct gold Cubic Zirconia single stone ring, ring size O, hallmarked 9ct gold London, a mid-20th Century synthetic spinel full eternity ring, ring size Q, together with a mid-20th Century synthetic spinel wedding ring, diamond cut design, ring size O, hallmarked 9ct gold, gross weight approximately 7.0 grams
A VICTORIAN 18CT GOLD DIAMOND AND OPAL THREE STONE RING, one cushion old cut diamond estimated weight 0.90ct, colour assessed as J-K, clarity assessed as VS2-Sl1, two round cabochon cut opals displaying a strong blue/green play of colour each measuring approximately 5.2mm in diameter, ring size N, hallmarked 18ct gold, Birmingham, date letter illegible, approximate gross weight 3.6 grams
A LATE 20TH CENTURY 18CT GOLD DIAMOND SINGLE STONE RING, one modern round brilliant cut diamond, estimated weight approximately 0.55ct, colour assessed as I-J, clarity Sl2-Sl1, ring size J 1/2, import hallmarked 18ct gold, London 1994, gross weight approximately 2.4 grams
TWO LATE VICTORIAN GARNET AND DIAMOND RINGS, a garnet and diamond boat style ring, three orangey red garnets graduating in size interspaced by diamond points, total old mine cut diamond weight approximately 0.04ct, ring size O, partial hallmark visible for 18ct gold, gross weight approximately 3.7 grams, together with a five stone garnet ring with closed back settings, ring size O1/2, gross weight approximately 2.0 grams
TWO GARNET DRESS RINGS, to include a late 20th Century oval single stone in a filigree setting, ring size M 1/2, hallmarked 9ct gold, Birmingham 1982, gross weight approximately 1.7 grams, a mid-late 20th Century garnet gypsy style dress ring, ring size P, hallmarked 9ct gold, Birmingham 1977, gross weight approximately 2.3 grams
A LATE 20TH CENTURY 18CT GOLD SEVEN STONE DIAMOND HALF ETERNITY RING, diamonds channel set, total modern round brilliant weight approximately 0.65ct, colour estimated I-J, clarity estimated Sl1-2, ring size M, hallmarked 18ct gold, London 1991, approximate gross weight 4.4 grams
A COLLECTION OF JEWELLERY, to include an early 20th Century 9ct gold amethyst bar brooch, single amethyst milligrain set within a scroll design, hallmarked 9ct gold, Chester 1916, gross weight approximately 1.2 grams, an early 20th Century single stone paste bar brooch, stamped '9ct', gross weight approximately 2.8 grams, a mid-20th Century gent's bloodstone signet ring, rectangular shaped head with geometric design engraved shoulders, ring size V, gross weight approximately 5.0 grams, a mid-late 20th Century silver charm bracelet, fitted to a padlock and safety chain, hallmarked silver, London 1976 (4)
CINQUE VASETTI LAI NAM THONG CON COPERCHIO A FORMA DI STUPA - FIVE LAI NAM THONG VASES WITH STUPA-SHAPED LIDS Cina, Jingdezhen (Jiangxi) e Guangzhou (Guangdong), tardo XIXinizio XX secolo Porcellana dipinta a smalti policromi sopra coperta. Punta del coperchio in metallo dorato, una in oro. Pittura di due vasetti leggermente consunta, qualche minuscola crepa. L’orlo di un coperchio è stato rinforzato con un cerchio metallico. Lo stupa in oro è stato anche dipinto. Altezza tra 7,5 e 8,8 cm Lai NamThong (thailandese "pittura a oro") è una variante del bencharong e si diffonde a partire dalla fine del XVIII fino alle soglie del XX secolo. L'oro viene integrato nella tavolozza cromatica, usato sia come colore di fondo sia per dipingere i motivi decorativi, che coprono sempre l'intera superficie. Le punte dei coperchi a forma di stupa potrebbero indicare la destinazione dei vasetti ad una clientela cambogiana. - China, Jingdezhen (Jiangxi) and Guangzhou (Guangdong), late 18thearly 19th Century Porcelain painted over the glazed with multicoloured enamels. Tip of the cover in gilded metal, one in gold. Paint on both vases slightly worn, with a few tiny cracks. The rim of a cover has been reinforced with a metal ring. The stupa in gold was also painted. Height between 2.95 and 3.46 in. Lai Nam Thong (Thai for "gold paint") is a variant of bencharong and became popular towards the end of the 18th century until the early 20th century. The gold-colour is integrated in the chromatic palette, used both as a background colour and to paint the decorative patterns, that always cover the entire surface. The tips of the stupa-shaped lids could indicate the destinations of the vases to Cambodian clients. € 600
A GENTLEMAN'S 18ct GOLD AND PLATINUM DRESS SET comprising four BUTTONS with separate wire ring fasteners, a PAIR OF DOUBLE CUFF LINKS and a pair of DRESS STUDS all with mother o'pearl circular tops set with a small pearl within a reed and ribbon border, in the Elkington and Co., Ltd. green morocco fitted case, 26gms
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566841 item(s)/page