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Click here to subscribeTWO RINGS to include a modern diamond cluster ring, estimated total diamond weight 0.35ct, colour assessed as L-M, clarity assessed as I1-I2, ring size L1/2, hallmarked 9ct gold, Birmingham, approximate gross weight 2.7 grams and a late 20th century heart shaped cubic zirconia cluster ring, size N, stamped 9ct, approximate gross weight 1.6 grams (2)
A COLLECTION OF JEWELLERY, to include two early 20th Century reverse intaglio cameo brooches, oval black glass, measuring approximately 24mm x 13mm, a pair of gold plated simulated pearl clip earrings, a gold on silver paste heart shaped dress ring, a/f one stone missing and a mid 20th Century 9ct gold cross, measuring approximately 22.6 x 13.7, together with a fine trace link chain, hallmarked 9ct gold, London 1967, approximate gross weight 1.8 grams
TWO EARLY 20TH CENTURY DRESS RINGS, an 18ct gold three stone diamond and synthetic ruby ring, two old swiss cut diamonds, estimated total weight 0.12ct, ring size R1/2 (please note this ring has a later replacement shank, hallmarked 18ct gold, Birmingham 1985) approximate gross weight 3.5 grams and an 18ct gold sapphire and diamond three stone ring, scroll design shoulders, ring size M, hallmarked 18ct gold, Birmingham 1911, approximate gross weight 3.1 grams (2)
A COLLECTION OF JEWELLERY, to include an early 20th Century horseshoe and riding crop tie pin, measuring approximately 55mm in length, stamped '15ct', together with associated case, an early 20th Century 9ct gold garnet and diamond gypsy style ring, a/f five stones missing, ring size O, hallmarked 9ct gold, Birmingham 1907, together with a yellow metal polished watch bezel, approximate gross weight 3.5 grams
A COLLECTION OF JEWELLERY, to include a late Victorian half sovereign, dated 1892, a late 20th Century single stone garnet ring, ring size approximately M, stamped '9ct', approximate gross weight 21.7 grams and a mid 20th Century ladies Vertex Revue wrist watch, case measuring approximately 16.4mm in diameter. Silver dial, mechanical movement, together on a later rolled gold bracelet
AN EARLY 20TH CENTURY 18CT GOLD TURQUOISE AND DIAMOND HALF HOOP RING, scroll design shoulders, total old swiss cut diamond weight approximately 0.08ct, ring size K1/2, hallmarked 18ct, Birmingham, date letter eligible, approximate gross weight 3.4 grams (please note one of the turquoise gemstones is a later replacement)
TWO RINGS, to include a black enamelled double band, flat cross section design, ring size W, stamped 14k, approximate gross weight 1.8 grams, a mid-late 20th Century 9ct gold single stone garnet ring, oval garnet rub over set, ring size O, hallmarked 9ct gold, Birmingham, approximate gross weight 3.0 grams
17th - 18th century gold posy ring inscribed 'In thee my choice I doe rejoice'. A high carat gold posy ring, of D-shaped cross section with the inscription on the interior. Maker's mark 'B' after the inscription. Posy rings derive their name from the love motto or rhyming poesy inscribed on them. Although examples are known from the medieval period, their popularity rose during Elizabethan times and reference is made to them in Shakespeare's Hamlet. Being inscribed on the interior, the love posy would be known to only the giver and recipient and this style became the popular choice for wedding rings through the mid 17th century, when Puritan culture of Oliver Cromwell's Commonwealth discouraged the wearing of ostentatious jewellery.The inscription on this example 'In thee my choice I do rejoice' is of typical 17th century style and refers to the delight of having chosen a suitable partner for marriage.Circa 1650-1720.19mm x 4mm, 2.34g. Ring size: UK O½, US 7¾ From a private collection, acquired 1992.
17th-18th Century gold posy ring inscribed 'AS GOD WIL SO BE IT'. A high carat gold posy ring, of D-shaped cross section with the inscription on the interior in Roman capitals.Posy rings derive their name from the love motto or poesy inscribed on them. Although examples are known from the medieval period, their popularity rose during Elizabethan times and reference is made to them in Shakespeare's Hamlet. Being inscribed on the interior, the love posy would be known to only the giver and recipient and this style became the popular choice for wedding rings through the mid 17th century, when Puritan culture of Oliver Cromwell's Commonwealth discouraged the wearing of ostentatious jewellery.The inscription on this example 'AS GOD WIL[LS] SO BE IT' refers to the taking of (and adherence to) marriage vows.Circa 1650-1720.21mm x 5mm, 4.4g. Ring size UK O ½, US 7 ½.Provenance: Private collection, acquired 1980
Medieval Gold & Sapphire Finger Ring, 13th Century. A very fine gold finger ring with a bezel in the form of an inverted pyramid and set with a light blue cabochon sapphire. Found in 1984 at Billingsgate, London, in spoil excavated from the river Thames, and recorded by the Museum of London. The stone with great colour and exceptionally well preserved thanks to lying undisturbed in the Thames for 700 years. Sapphires in Medieval times were associated with the Virgin Mary and, according to Bede, signified that those who were inspired by faith could rise to celestial heights.22mm o/d x 26mm, 2.3g. Ring size UK S, US 9
A large 18th century gold posy ring inscribed "Direct our wayes' lord all our dayes'". A high carat gold posy ring, of heavy D-shaped cross section with the inscription on the interior. After the inscription is a punched mark in the form of a 'Q' within a square cartouche, this closely resembles the date letter for Edinburgh 1745, although it is possibly the mark of the rings maker Posy rings derive their name from the love motto or rhyming poesy inscribed on them. Although examples are known from the medieval period, their popularity rose during Elizabethan times and reference is made to them in Shakespeare's Hamlet. Being inscribed on the interior, the love posy would be known to only the giver and recipient and this style became the popular choice for wedding rings through the mid 17th century, when Puritan culture of Oliver Cromwell's Commonwealth discouraged the wearing of ostentatious jewellery.The inscription on this example "Direct our wayes' lord all our dayes' " is of typical early 18th century style and refers to the taking of marriage vows before god and lifelong commitment to each other Circa 1700-1750 23mm x 4mm wide, 6.67g. Ring size: UK Q; US 8¼
Tudor Gold Figural Love Ring With A Dog.A 16th century figural gold ring with a bezel in the form of a dog couchant. The dog is well modelled with head raised and turned to the left. The hoop is of wide D-shaped cross-section with an incised circumferential channel on each edge. The Ashmolean Museum houses a very similar ring in its collections (acc. no. WA1897.CDEF.F450) described as a love ring, the dog being symbolic of fidelity. Traces of white and green enamel.23mm x 18mm diameter x 3mm, 1.6g. Ring size: UK L, US 5¾.From a private collection, acquired 1991.
Viking Gold Twisted Bracelet, 9th-11th Century AD.A Viking gold bracelet or arm ring formed from two gold rods twisted together and terminating in a double-spiral knot. Similar gold arm rings were discovered in a Viking treasure found at Erikstorp, Sweden and a comparable example in silver is known from Gotland.Accompanied by an XRF metal analysis certificate from the Birmingham Assay Office. 50.4g.Provenance: Private collection, acquired 1980's.
Medieval Gold & Sapphire Finger Ring. A high-carat gold ring of the 12th or 13th century, having an oval bezel, hexagonal in profile, set with a dark blue oval cabochon sapphire. Sapphires in Medieval times were associated with the Virgin Mary and, according to Bede, signified that those who were inspired by faith could rise to celestial heights. From a private collection, acquired 1970's. 26mm x 22mm, 5.39g. Ring size UK R; US 9.
17th century gold posy ring inscribed 'Let reason rule affection'. A high carat gold posy ring, of D-shaped cross section with the inscription on the interior. Maker's mark 'DM' after the inscription.Posy rings derive their name from the love motto or poesy inscribed on them. Although examples are known from the medieval period, their popularity rose during Elizabethan times and reference is made to them in Shakespeare's Hamlet. Being inscribed on the interior, the love posy would be known to only the giver and recipient and this style became the popular choice for wedding rings through the mid 17th century, when Puritan culture of Oliver Cromwell's Commonwealth discouraged the wearing of ostentatious jewellery.The inscription on this example 'Let reason rule affection' is of typical 17th century style and refers to the taking of marriage vows, fidelity and not letting your heart rule your head.Circa 1650-1720.Found in 2009, Peak Forest, Derbyshire. Treasure ref: 2009 T672.20mm x 3.6mm, 2.84g. Ring size UK O; US 7¼
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