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Lot 65
A RUBY AND DIAMOND CLUSTER RINGThe oval-shaped ruby, weighing approximately 4.66cts, within a surround of round brilliant-cut diamonds, mounted in 14K gold, diamonds approximately 1.74cts total, ring size OAccompanied by a report from The Beverly Hills Gemmological Laboratory, stating that the ruby weighing 4.66cts, is natural, with some indications of filling treatment. Report ref JQL-R-4206, dated July 25th 2012
Lot 125
A DIAMOND AND RUBY DRESS RINGOf undulating crossover design, one terminal set with graduating square calibré-cut rubies, the other half set with similarly-cut diamonds, both in mystery settings and highlighted by single-cut diamonds, mounted in 18K gold, maker's mark, French assay mark, ring size O
Lot 59
AN AQUAMARINE AND DIAMOND DRESS RING, BY MARIO BUCCELLATIThe broad band set with a rectangular-cut aquamarine, weighing approximately 20.00cts, within a four-claw setting, to a finely pierced and textured lattice shoulders and gallery decorated with round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 1.80cts total, signed M. Buccellati, ring size M½Buccellati The world renowned Italian house of Buccellati is famous for its textural gold jewellery and exquisite silver objects. The pieces are bold and instantly recognisable, with a style that references the great goldsmiths of the Renaissance. The family firm was founded by Mario Buccellati (1891-1965) as the young jeweller was inspired by the forgotten antique techniques of ancient Greece, the Middle Ages and the Renaissance. He sought to revive them using traditional tools and methods. In 1919 he opened his first jewellery store in Milan, practicing these ancient traditions. Buccellati pieces are noted for their rich textural quality achieved through the painstaking techniques. The signature rigato engraving effect completed by the process which uses tiny hand-applied stripes to give gold surfaces the appearance of silk fabric. Other methods used include telato, obtained by fine cross-hatched lines, and modellato, the most delicate engraving technique, which consists of reproducing several designs chiselled in three dimensions, on a minuscule scale, mainly used for the decorations of the borders. These techniques are used to create pieces which look and feel like silk, damask, tulle, lace, or linen. The juxtaposition of precious stones with texturized metals is distinctly unique and synonymous with the Buccellati house. Mario Buccellati’s unique abilities for drawing and creative mind led him to become one of Italy’s most celebrated jeweller’s. The royal families of Europe, great cardinals of Rome and the Pope were amongst his clientele. The expansion of business internationally began in 1951 to New York. After the passing of Mario Buccellati in 1965 he was succeeded by his sons, among them, Gianmaria took over the business. Gianmaria had apprenticed under his father at a young age, embracing the antique techniques treasured by his father, designing every piece produced in the ateliers. In 1970, under Gianmaria and his brother Luca, Buccellati has further expanded the business to Asia, establishing the first Italian Jewellers in Hong Kong. This was swiftly followed by subsequent stores in Tokyo, Osaka and Nagoya in the following years. Buccellati became the first Italian jewellers to launch a boutique in the renowned Place Vendôme of Paris in 1979. In accordance with tradition, Gianmaria after his passing in 2015, was also succeeded by one of his children, his daughter Andrea, the current present and creative director of the Buccellati group today.Over the century the Buccellati group have widened their creations to silver objects, predominately unique, once off pieces, marked with the typical characteristics of the house. Recently the group have expanded further creating a line of luxury watches, both men and women’s pieces, and a line of engagement rings.
Lot 77
A COLOURED SAPPHIRE AND DIAMOND RINGThe cushion mixed-cut yellow sapphire, weighing approximately 9.00cts, within a surround of rose and single-cut diamonds, mounted in 18K blackened gold, diamonds approximately 2.00cts total, ring size M½Please note that the sapphire was verbally tested in July 2017, at GCS laboratory in London, and was found to be natural, with indications of heat treatment
Lot 35
A RUBY AND DIAMOND RINGThe cushion-shaped ruby, weighing 3.20cts, within a four-claw setting, between two baguette-cut diamond shoulders, mounted in platinum and 18K gold, ring size LAccompanied by a report from GCS laboratory in London, stating that the ruby is of Burmese origin, with no indications of heating. Report number 5776-5350, dated 26th April 2016
Lot 44
A DIAMOND AND PEARL CROSS-OVER RING, CIRCA 1910Obliquely-set with a transitional brilliant-cut diamond weighing approximately 1.10cts and a button-shaped pearl measuring approximately 7.83mm, between old brilliant and single-cut diamonds, mounted in 18K gold, remaining diamonds approximately 0.30ct, ring size K½Please note that the pearl has not been tested.
Lot 45
A SAPPHIRE AND DIAMOND CLUSTER RING, CIRCA 1920The cushion-shaped sapphire, weighing approximately 5.50cts, within a transitional brilliant-cut diamond surround, between shoulders highlighted with similarly-cut diamonds, mounted in 18K gold, diamonds approximately 1.00ct total, French assay mark, ring size PPlease note that the sapphire was verbally tested by GCS laboratory in London on August 2017, and it has been confirmed that the sapphire is of Sri Lankan origin, with no indications of heating.
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