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Lot 662
Vintage 14K. white gold dinner ring set with approx. 0.64 ct. diamond. Hallmarks: 585. Set with 3 brilliant cut diamonds of approx. 0.38 ct. in total (SI / H-I) and 20 single cut diamonds of approx. 0.26 ct. in total (VS-SI / H-I). In very good condition. Ring size: 16.5 mm / 52 mm. LxW centerpiece: 2.0 x 1.2 cm. Weight: 4.09 grams.
Lot 672
Vintage 18K. yellow gold entourage ring set with approx. 1.47 ct. natural sapphire and approx. 0.36 ct. diamond. Hallmarks: 750. Set with a faceted natural sapphire of approx. 1.47 ct. (approx. 8.1 x 6.0 x 3.7 mm) and 12 brilliant cut diamonds of approx. 0.36 ct. in total (VS/F). In very good condition. Ring size: 17.25 mm / 54 mm. LxW centerpiece: 1.3 x 1.2 cm. Weight: 4.03 grams.
Lot 683
Vintage 14K. yellow gold ring set with approx. 0.68 ct. precious opal. Hallmarks: 585 in oak leaf. Maker's mark: xxx. Set with 4 cabochon cut precious opals of approx. 0.68 ct. in total (approx. 7.0 x 4.9 mm and Ø approx. 3.0 mm). In good condition with light signs of use on opals. Ring size: 18.5 mm / 58 mm. LxW centerpiece: 2.0 x 1.5 cm. Weight: 3.93 grams.
Lot 706
Vintage 14K. yellow gold snake ring set with approx. 0.32 ct. natural ruby. Hallmarks: 585, possible maker's mark, import hallmarks. Set with an oval faceted natural ruby of approx. 0.32 ct. (approx. 4.45 x 3.47 x 2.55 mm). In very good condition. Ring size: 17.25 mm / 54 mm. Centerpiece width: 1.8 cm. Weight: 9.81 grams.
Lot 711
Antique 14K. yellow gold ring set with approx. 0.48 ct. synthetic sapphire and diamond. Hallmarks: 585. Set with a faceted synthetic sapphire of approx. 0.48 ct. (Ø approx. 4.6 mm) and two rose cut diamonds of Ø approx. 2.8 mm. In reasonable condition with light signs of wear to gemstones. Ring size: 16.25 mm / 51 mm. Weight: 5.37 grams.
Lot 722
Retro 14K. yellow gold ring set with approx. 1.40 ct. iolite and approx. 0.72 ct. diamond. Hallmarks: 585. Set with an oval faceted iolite of approx. 1.40 ct. (approx. 9.0 x 7.0 mm), one old single cut diamond and 11 old mine cut diamonds of approx. 0.72 ct. in total (VS2- SI1 / various color gradations) in a white gold setting. In fair condition, some diamonds have a chip and the iolite has a chip on the underside. Ring size: 17.5 mm / 55 mm. Centerpiece width: 1.5 cm. Weight: 8.16 grams.
Lot 726
Retro 14K. white gold ring set with approx. 0.69 ct. diamond. Hallmarks: 585. Set with 4 brilliant cut diamonds of approx. 0.55 ct. in total (P / J-L) and 14 single cut diamonds of approx. 0.14 ct. in total. In good condition. Ring size: 17.25 mm / 54 mm. LxW centerpiece: 1.9 x 0.9 cm. Weight: 5.28 grams.
Lot 751
10K. Yellow gold and Pt 900 platinum Art Deco ring set with approx. 0.26 ct. diamond and onyx. Set with 5 old cut diamonds of approx. 0.26 ct. in total (SI2-P1/G-I), 2 rose cut diamonds and 4 table cut onyxes, all set in white gold. In good condition. Ring size: 16.25 mm / 51 mm. Weight: 2.53 grams.
Lot 761
14K. Rose gold Art Deco ring set with approx. 0.28 ct. natural sapphire and approx. 0.26 ct. diamond. Hallmarks: 585, unclear marks. Set with a square cut natural sapphire of approx. 0.28 ct. (approx. 3.5 x 3.5 mm) and two old European cut diamonds of approx. 0.26 ct. in total (VS / I-J). In very good condition. Ring size: 15.25 mm / 48mm. Weight: 3.10 grams.
Lot 765
18K. White gold cluster ring set with approx. 1.46 ct. diamond. Hallmarks: 750. Set with 9 brilliant cut diamonds of approx. 1.46 ct. in total, of which one of approx. 0.50 ct. (P1 / G-H) and 8 of approx. 0.96 ct. in total (SI2-P1 / G-H). In good condition, two diamonds have a small chip. Ring size: 16.75 mm / 53 mm. Weight: 3.34 grams.
Lot 766
18K. White gold cluster ring set with approx. 0.32 ct. diamond and approx. 0.96 ct. tanzanite. Hallmarks: 750. Set with 14 brilliant cut diamonds (2x approx. 0.10 ct. and 12x approx. 0.01 ct., VS2-SI1 / G-H) and a round faceted tanzanite of approx. 0.96 ct. (approx. 6.72 x 6.72 x 3, 53mm). Light signs of use on tanzanite. Ring size: 17.25 mm / 54.5 mm. Weight: 5.81 grams.
Lot 770
18K. White gold shoulder ring set with approx. 1.79 ct. diamond. Hallmarks: 750. Set with a brilliant cut diamond of approx. 1.14 ct. (P1 / H-I), 12 princess cut diamonds of approx. 0.36 ct. in total and 58 brilliant cut diamonds of approx. 0.29 ct. in total. In good condition. Ring size: 17 mm / 53.5 mm, ring is enlarged. Weight: 6.64 grams.
Lot 776
18K. White gold ring set with approx. 1.14 ct. diamond. Hallmarks: 750. Set with 5 marquise cut diamonds of approx. 0.30 ct. in total and 13 brilliant cut diamonds of approx. 0.84 ct. in total (VS-SI / F-H). In good condition. Ring size: 17 mm / 53.5 mm. LxW centerpiece: 2.3 x 1.6 cm. Weight: 8.70 grams.
Lot 780
18K. White gold ring set with approx. 1.10 ct. diamond. Hallmarks: 750. Set with 70 brilliant cut white and champagne brown diamonds of approx. 1.10 ct. in total (various clarities/ G-H and champagne). In good condition. Ring size: 18.5 mm / 58 mm. Width centerpiece: 1.6 cm. Weight: 31.42 grams.
Lot 783
18K. White gold entourage ring set with approx. 3.53 ct. sky blue topaz and approx. 0.60 ct. diamond. Hallmarks: 750. Maker's mark: RT in diamond shape. Set with a cushion cut sky blue topaz of approx. 3.53 ct. (approx. 10.13 x 9.09 x 4.91 mm) and 30 brilliant cut diamonds of approx. 0.60 ct. in total (SI / F). In very good condition. Ring size: 17 mm / 53.5 mm. LxW centerpiece: 1.4 x 1.3 cm. Weight: 5.05 grams.
Lot 785
18K. White gold ring set with approx. 2.52 ct. natural sapphire and approx. 0.35 ct. diamond. Hallmarks: 750, 18K, import mark Batavier & Zaidman Trading b.v. Set with 18 faceted natural sapphires of approx. 2.52 ct. in total (Ø approx. 3.2 mm) and 40 brilliant cut diamonds of approx. 0.35 ct. in total (VS2-SI1 / F). In very good condition. Ring size: 17.5 mm / 55 mm. Centerpiece width: 1.4 cm. Weight: 18.78 grams.
Lot 787
14K. White gold entourage ring set with approx. 1.28 ct. diamond. Hallmarks: 585. Set with one brilliant cut diamond of approx. 0.38 ct. (SI / G-H) and 18 brilliant cut diamonds of approx. 0.90 ct. in total (SI-P / G-H). In very good condition. Ring size: 16.5 mm / 52 mm. Weight: 6.24 grams.
Lot 789
18K. White gold shoulder ring set with approx. 0.93 ct. diamond. Hallmarks: 750. Maker's mark: RT in diamond shape. Set with a brilliant cut diamond of approx. 0.69 ct. (VS2 / G) and 4 tapered baguette cut diamonds of approx. 0.24 ct. in total (VVS - F/G). In very good condition. Ring size: 15.25 mm / 48 mm. Weight: 3.66 grams.
Lot 791
14K. White gold ring set with approx. 1.28 ct. diamond. Hallmarks: 585, F.D. (Fascinating Diamonds), HDS (Helzberg Diamond Symphonies). Set with 20 tapered baguette cut diamonds of approx. 0.20 ct. in total and 27 brilliant cut diamonds of approx. 1.08 ct. in total (SI-P / G-H). In very good condition. Ring size: 16.5 mm / 52 mm. Width centerpiece: 1.2 cm. Weight: 7.76 grams.
Lot 793
18K. White gold ring set with approx. 4.19 ct. natural tourmaline and approx. 0.68 ct. diamond. Hallmarks: 750, Italian registration number. Set with an emerald cut natural tourmaline of approx. 4.19 ct. (approx. 11.06 x 9.00 x 5.36 mm) and 14 black and 54 white brilliant cut diamonds of approx. 0.68 ct. in total (VS2-SI1 / E-G). In very good condition. Ring size: 16.75 mm / 53 mm. LxWxH centerpiece: 1.5 x 1.4 x 0.8 cm. Weight: 11.36 grams.
Lot 795
Set of three 18K. white gold Paul Simons stacking rings set with approx. 1.84 ct. diamond. Hallmarks: 750, 44, 85, Paul Simons, PS. Maker's mark: Paul Simons Watches & Design, Amstelveen / Amsterdam, Netherlands, 1976 / 2016. Set with 172 brilliant cut diamonds of approx. 1.84 ct. in total (VS / F-G). In good condition, some diamonds have a chip. Ring size: 16.5 mm / 52 mm. Weight: 11.95 grams.
Lot 802
18K. Yellow gold Franklin Mint ring set with natural ruby and pearls. Hallmarks: © FM, 91. English hallmarks: FM, crown (gold mark), 750, anchor (assay mark Birmingham), S (date mark 2017). In very good condition. Ø Natural rubies: approx. 1.7 mm. Ø Pearls: approx. 2.5mm - 3.5mm. Ring size: 17.25 mm / 54 mm. Weight: 3.80 grams.
Lot 805
14K. Yellow gold Bron 'Stax' aliance ring set with approx. 0.18 ct. diamond. Hallmarks: 585 in oak leaf. Maker's mark: Bron, Schoonhoven, The Netherlands, 1969 / present. Set with 18 brilliant cut diamonds of approx. 0.18 ct. in total (VS / G-H). In very good condition. Ring size: 17.5 mm / 55 mm. Weight: 4.10 grams.
Lot 425
Carlo Grubacs, 1812/40 – 1870 Venedig, zug.Die RückKehr des Bucintoro zur Mole am HimmelfahrtstagÖl auf Leinwand. Doubliert.58 x 72 cm.In vergoldetem Prunkrahmen.Unter klarem blauem Himmel mit nur wenigen weißen Wolkenformationen der prächtige, golden glänzende Bucintoro mit leuchtend roter Flagge und dem Wappen Venedigs mit dem geflügelten Löwen, auch das Staatsschiff des Dogen von Venedig, vor dem Palazzo Ducale vor Anker. Umgeben ist das Schiff von zahlreichen prachtvollen und teils geschmückten, figurenreich besetzten Gondeln und Booten auf dem ruhigen Canal Grande. Im Hintergrund die teils mit kleinen Bauten und Zelten versehene Piazzetta, die beiden Säulen mit dem Markuslöwen und dem Heiligen Theodor sowie Teile des Markusdoms, der Uhrturm sowie der hohe, in den sommerlichen Himmel ragende Campanile. Im Bildvordergrund weitere figurenreiche Boote und Schiffe, davon mittig ein Boot mit elegant gekleideten Herren mit Dreispitz und einer Dame in langem hellblauem Gewand.Die Darstellung dürfte sich auf Christi Himmelfahrt beziehen, auf den Tag, an dem der Doge traditionell die Mole verlässt, um auszufahren, um die symbolische Hochzeit von Venedig und dem Meer zu zelebrieren, indem er einen goldenen Ring in das Wasser wirft. Das Gemälde wahrscheinlich von den Werken des Canaletto (1697-1768) inspiriert, von dem es mehrere Versionen gibt. Dazu gehört auch ein Gemälde mit der Rückkehr des Bucintoro, das sich im Puschkin-Museum befindet. Vereinzelt kleine Retuschen. Der Künstler war zwischen 1851 und 1888 in Venedig tätig, aufgrund seiner beliebten und qualitätvollen Bilder wurde er als der „Canaletto des 19. Jahrhunderts“ bezeichnet. (1340841) (18)Carlo Grubacs,1812/40 – 1870 Venice, attributedTHE BUCINTORO RETURNING TO THE PIER ON ASCENSION DAYOil on canvas. Relined.58 x 72 cm.Depiction of the magnificent Bucintoro, the state ship of the Doge of Venice at anchor in front of the Palazzo Ducale, gleaming in gold with a bright red flag and coat of arms of Venice with the winged lion, under a clear blue sky with only a few white cloud formations. The painting was probably inspired by the works of Canaletto (1697 - 1768), of which several versions are known. This includes a painting depicting The Return of Bucintoro held at the Pushkin Museum in Moscow.
Lot 959
Vintage „Panthère“-Ring von CartierRingweite: 57.Maße: ca. 3,5 x 3 x 3 cm. Gewicht: ca. 44 g.GG 750.Signiert „Cartier“, Seriennummer 68252B, französische Garantiepunzen.Um 1990.Hochdekorativer massiver Ring in Form eines stilisierten Pantherkopfes mit schwarzem Lack, Peridots und Onyx. Deutliche Gebrauchsspuren (oberflächliche Kratzer auf Gold, Lack und Augen, die Onyxnase minimal best.). (1340591) (16))
Lot 24
George Russell AE (1867 - 1935)Children Playing in a Woodland GladeOil on canvas, 53.5 x 81.5cm (21 x 32")SignedProvenance: Collection of the Late President Erskine Childers, thence by descentThe Garden of Eden has haunted the imagination ever since the Book of Genesis gave us those descriptions of an idyllic world. In Eden grew ‘every plant’ and ‘every tree that is pleasant to the sight’. It’s a place imagined by artists through the centuries and behind many paintings of beautiful, natural landscapes shimmers that ideal garden where everything was once perfect and carefree. George Russell [Æ] born Lurgan, County Armagh in 1867, painted many ideal landscapes. The Russell family moved to Dublin when George was eleven years old and during summers spent with an aunt or with maternal grandparents in rural Armagh, Russell began to paint in watercolour. Educated at Edward Power’s school on Harrington St and at Rathmines School, as a talented thirteen-year old he was admitted to evening classes at Dublin Metropolitan School of Art and it was there that he met W.B. Yeats. When Æ died Yeats confided ‘Æ was my oldest friend. We began our work together.’Painter, poet, dramatist, novelist, critic, theosophist, mystic, economist and Irish nationalist, George Russell, a true polymath, worked as a draper’s clerk, later worked for the Irish Agricultural Organisation Society, established co-operative banks and he edited, from 1905 to1923, the Irish Homestead, a progressive journal of the Irish Co-operative movement, a journal, in Diarmaid Ferriter’s words, that was ‘generally optimistic about the potential for rural Ireland to develop, but only if the populace would organise in the manner of its European neighbours’. Russell, or Æ, also declared, in New York, that cities were ‘an actual danger to life itself’. ‘The decay’ he said, ‘of civilisation comes from the neglect of agriculture’. Æ believed that ‘[t]here is a need to create, consciously, a rural civilisation adding that ‘[y]ou simply cannot aid the farmers in an economic way and neglect the cultural and educational part of country life, or else the children will continue to leave for the city.’ During a tour of Canada, Kenneth Leslie, a Nova Scotia poet, thought Æ ‘as ready to talk of fat cattle and creamery butter as of Yeats and Lady Gregory’.Oil portraits by Æ included those of Iseult Gonne and Mary Colum, there are charcoal drawings of W.B. Yeats and he painted oil on plaster murals at the Theosophical Society of Ireland headquarters in Ely Place. But he is best known for his landscapes real and imagined. There are representational, atmospheric works such as Clouds Over The Hill, Evening In The Fields, Boglands, Swans at Coole, Landscape North of Muckish, County Donegal and Æ also painted visionary, mystical scenes inspired by his interest in the Tuatha Dé Danann, sea and tree spirits.Æ’s undated painting Children Playing in a Woodland Glade contains four young female figures in gold, red, white and blue dresses. Other undated idyllic sylvan scenes such as Figures in Woodland or Gathering Firewood include girls and women wearing bright colours - blue, red, orange, purple. This work features a woodland scene with figures in bright clothes. The smooth woodland floor is lit with brilliant, dappled sunlight and the tall tree trunks with their splashes of brightness are dazzlingly lit. Overhead, the delicate, young, green leaves suggest springtime and the eye is drawn beyond the figures in the foreground to wander among the slender and broader tree trunks. Compositionally, there is a lovely contrast between the still figure kneeling on the left and the “ring-a-ring-a-rosying” trio on the right. The blue and red dressed figures are older and taller, the girl in blue is quietly concentrating on the forest floor, the girl in red exudes an energy and her two companions in purple and white are totally absorbed in play. Details are deliberately vague. Faces are rendered impressionistically rather than realistically and none of the figures looks at the viewer. They are too caught up in their own joy. And their clothes are captured with a beautiful painterliness. In The Opal and the Diamond, AE describes how he felt ‘one warm summer evening lying idly on the hillside, not then thinking of anything but the sunlight’. He knew at that moment that ‘the Golden Age was all about me, and it was we who had been blind to it but that it had never passed away from the world’. A painting such as this reminds us of such a sun-bright, golden world. It is a glimpse of Eden.His monogrammed signature, lower right, is the very same as on the autograph tree at Coole Park next to Yeats’s, Æ being an abbreviation of Aeon meaning ‘vital force’, ‘life’, ‘a lifelong quest’. [When Æ appears as a character in Ulysses, smarty-pants Stephen Dedalus borrows some money from him and quips A.E. I. O. U.]Æ married Violet North in 1898. They had three sons one who died soon after being born. After his wife died Æ moved to England. He died in Bournemouth and in an Obituary P.G. Browne wrote ‘his going leaves a blank not easy to fill. He had many friends (he had NO enemies) made during the course of his worldly activities’. Nicknamed The Hairy Fairy and Strayed Angel, Patrick Kavanagh called Æ ‘a great and holy man’. He is buried in Mount Jerome. There’s a commemorative bust by Jerome Connor in Merrion Square and his work is in many collections including the Hugh Lane, the NGI, the Abbey Theatre, Trinity College, University of Texas and Winnipeg Art Gallery, Canada.Niall MacMonagle, October 2022
Lot 19
Two vintage yellow gold dress rings, one with pearl decoration, the other with foliage design, both unmarked, tests for 18ct, 9.76g; a yellow gold dress ring with textured lattice pattern, unmarked, tests for 14ct, 13.85g and two gem-set 9ct gold rings, hallmarked, 3.3g, sizes K, L, A, N, L (5)
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