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A collection of five 9ct gold and yellow metal rings. Comprising a citrine ring in yellow metal, set with an octagonal step cut stone, size Q, approximate weight 2.1 grams; a 9ct gold garnet cluster ring, size P1/2, approximate weight 1.7 grams; a carnelian set 9ct gold ring with a cut shank, 2.2 grams approximately; a 9ct blue paste set ring, size Q, approximately 2.6 grams; plus a 9ct stamped green and white paste set ring, size N, approximate weight 5.1 grams.
Four gem set 9ct gold dress rings. Featuring a sapphire set half hoop ring, size N, approximate weight 2.7 grams; a smoky quartz and tanzanite cluster ring, size N, approximate weight 3.1 grams; aa light blue stone set dress ring, size N, approximate weight 3.0 grams, plus a topaz and tanzanite dress ring, size N, approximate weight 2.3 grams.
Zwei Damenringe. 585 Weißgold und Gelbgold mit Opal- und Diamantbesatz.1x Ring 585 Weißgold mit 1 Opal-Cabochon (circa 9 mm x 6 mm x 3 mm) und 1x Diamant von circa 0.05 ct. Ringgröße: 49. Gestempelt. Circa 2,6 Gramm Gesamtgewicht.1x Ring 585 Gelbgold mit 1x Opal-Cabochon (circa 6,2 mm x 6 mm x 3 mm) und 4 kleinen Diamanten von zusammen circa 0.08 ct. Ringgröße: 58. Gold geprüft. Circa 1,3 Gramm Gesamtgewicht. Kategorie: Schmuck
Solitärring 750 Weißgold. Brillant von circa 1.12 ct.Circa 11,6 Gramm Gesamtgewicht. Brillant in mittlerem Farb- und hohem Reinheitsgrad (VS1). Mittlere Fluoreszenz. Ringgröße: 56. Ringgröße innen durch eine zusätzliche Ringschiene bzw. Ring-Clip angepasst. Ebenfalls 750 Weißgold. Gestempelt. Gold geprüft. Kategorie: Schmuck
Zwei Damenringe 585 Gelbgold mit grünen Farbsteinen.Circa 9,7 Gramm Gesamtgewicht. 1x Ring mit einem (wohl) Topas. Circa 14 mm x 12 mm x 4 mm. Ringgröße: 62. 1x Ring mit einem grünen Farbstein. Circa 9 mm x 7 mm x 4 mm. Stark berieben. Ringgröße: 59. Gestempelt. Gold geprüft. Kategorie: Schmuck
Gold-Ring m. Emaillebildnis "Hl. Maria",Barock-Stil, 19. Jh. 18 kt GG, besetzt m. 1 ovalen polychrom. Emaillebildnis d. Hl. Maria. Ringschultern plastisch ornamental verziert. Ringschiene an d. Unterseite m. unbek. kl. Schwert-Punze. RG 59. Insg. 2,8 g. Emaille m. Riss, Ringschiene leicht verbogen, minim. Gebrauchsspuren.
Gold-Ring m. Emaillebildnis "Hund", 19. Jh.18 kt GG, besetzt m. 1 kl. rechteckigen polychrom. Emaillebildnis auf Kupferplatte eines sitzenden weißen Hundes unter einer Blume. Schmale ornamental reliefierte Ringschiene, nachträgl. vergrößert. RG 57. Insg. 4,5 g. Emaille m. Fehlstellen, Fassung m. Fehlstelle, Kupferplatte teilw. m. Grünspan, Ringschiene leicht verbogen.
Konvolut v. 2 versch. Gold-Ringen m.Citrinen 19. Jh. a) Ring 18 kt RG/Silber, besetzt m. 1 oval facettierten Citrin u. 2 kl. Diamant-Rosen. Ringschultern m. Meistermarke "GK" od. "GR". RG 62. b) Ring 8 kt RG/Silber, besetzt m. 1 oval facettierten Citrin u. 2 kl. Glassteinen. RG 59. Insg. 6 g. 1 Citrin m. Bruchstelle, 1 Citrin bestoßen, Diamanten u. Glassteine berieben, 1 Fassung m. Lötstellen, Ringschienen leicht verbogen.
Konvolut v. 3 versch. Citrin-Gold-Ringen19. Jh. 14 kt GG/RG, teils m. Silber, besetzt m. insg. 5 Citrinen u. teils m. insg. 4 kl. Diamant-Rosen. a) Ring in 14 kt RG mittig besetzt m. 1 gr. gelben oval facettierten Citrin flankiert v. 2 kl. gelben oval facettieten Citrinen. RG 60. 5,2 g. b) Ring in 14 kt GG/Silber mittig besetzt m. 1 gr. orangefarbenen oval facettierten Citrin flankiert v. 2 kl. Diamant-Rosen. RG 55. 4,7 g. c) Ring in 14 kt GG/Silber mittig besetzt m. 1 gr. orangefarbenen achteckig facettierten Citrin flankiert v. 2 kl. Diamant-Rosen. RG 61. 5,5 g. Insg. 15,4 g. Citrine u. Diamanten berieben, Ringschienen teils verbogen, Gold angelaufen, Gebrauchsspuren.
Konvolut v. 3 versch. Gold-Ringen m.Diamant u. Citrinen 19. Jh. 14 kt GG, 1 x schlangenförmig u. besetzt m. 1 kl. Diamant-Rose, 1x breit reliefiert m. 1 oval facettierten Citrin u. 1x schmal m. blattförm. Ringschultern u. 1 oval facettierten Citrin. Ringschienen nachträgl. verändert. Breiter Ring an d. Unterseite d. Ringschiene schwer lesbar punziert, u.a. wohl Meistermarke "RK".RG 51, 56, 63. Insg. 12,7 g. Diamant u. 1 Citrin bestoßen, 1 Citrin berieben, Gebrauchsspuren.
A gentleman's yellow metal ring (tests as approximately 14k) with engraved monogram, size V/W, accompanyed by a certificate from Snyder's Treasures which lists the item as "Adolf Hitler Gold Signet Swastika Ring"PLEASE NOTE: The Militaria dealer Charles E. Snyder Jr. (1931-2015) was known among Militaria collectors as a dealer who sold a large number of forgeries and fakes, a signed copy of his book Treasure Trove The Looting Of The Third Reich accompanys this item.PLEASE SEE TERMS AND CONDITIONS REGARDING GERMAN ITEMS.
A 9ct gold tie pin with crest for the Dorsetshire Regiment, sponsor P.S, London, 1986, 6cm, together with a silver example with crest for the Inkerman Battery Royal Artillery, RHC, Sheffield, 1986, 5.5cm, a gent's silver signet ring, a bullion badge for the R.A.S.C. and Royal Artillery cap badge etc.
An 18ct yellow gold, sapphire and diamond dress ring by Kutchinsky, featuring three 3mm round sapphires and two 2,.7mm round brilliant cut diamond in a branch style mount with textured band, sapphires total weight estimated as 0.45 carats, diamond total weight estimated as 0.14 carats, assessed mounted collectively colour I to J and clarity SI2 to I1, size N, gross weight 10.3g, hallmarked 18ct, London 1967Stones good and complete.In lovely original condition throughout.
A 1970s 18ct gold, ruby and diamond point set abstract dress ring, the pear shaped central ruby flanked by five diamond point set stones, within a pierced stick form gold setting and band, marked '18ct' to underside, size I, gross weight 8.6g, housed in a 'Carrington & Co' fitted boxRuby length 7mm, width 4mm and depth approx. 2mm.Ruby is included to a small area to the centre (only just about visible to the naked eye).Otherwise condition is good.
A SAOTOME SCHOOL RUSSET-IRON SUJI-KABUTO WITH NICHIRIN (SUN) MAEDATEBy Saotome Ienari, signed Joushu-ju Saotome IenariJapan, mid-16th century, Muromachi period (1336-1573)The 62-plate bowl with a three-tiered chrysanthemum-form tehen kanamono, the lobed mabizashi lacquered red to the interior, the gold-lacquered maedate of nichirin (sun) form, the gilt-copper and leather fukigaeshi with gilt mon fittings incised with foliate designs against a ring-punched ground, the four-lame shikoro lacquered black and with blue lacing. The interior of the helmet with the signature Joushu-ju SAOTOME IENARI.HEIGHT 16 cm (the helmet) and 47 cm (total)Condition: Good condition with minor wear and light rust, the lacquer with expected age cracks, light surface scratches.Saotome Ienari was the third master of the Saotome family of armor makers. He worked in the area that is modern Hitachi, active from 1532 to 1569.Suji-kabuto, or “line helmets” are a style of kabuto helmet that were used in Nanbokucho period through to the Muromachi era. The lines were created by layering long thin vertical iron boards individually. These were connected by small rivets, which were then flattened so that only the layered parts of the iron plates could be seen. These helmets were named according to the number of plates used: in this case, sixty-two.Auction comparison: Compare a related russet-iron sixty-two plate suji-kabuto by Saotome Ienari, dated mid-16th century, at Bonhams, The Samurai Sale, 22 October 2009, New York, lot 3007 (sold for 21,960 USD).
A LACQUER MINIATURE KAGO (PALANQUIN)Japan, late 19th century, Meiji period (1868-1912)The miniature palanquin with gilt-metal fittings, some of which are chased and incised with foliate designs on a ring-punched ground, and finely lacquered with imitation-rattan as well as gold hiramaki-e karakusa and scroll on roiro. Three sides with a sliding door, each with barred window, opening to reveal the interior with papered sides decorated with silver flakes, two of the windows with silk and bamboo blinds. The roof with two hinged upward-opening panels and fitted at the top with a similarly lacquered three-section carrying pole.HEIGHT 21.5 cm, LENGTH 71 cmCondition: Very good condition with minor wear, few minor age cracks, one of the hinged doors to the roof slightly warped, few minor losses.Auction comparison: Compare a related lacquer miniature palanquin, dated mid-late 19th century, Edo-Meiji period, at Bonhams, 19 March 2013, New York, lot 2317 (sold for 4,000 USD).
FUNABASHI SHUMIN: AN IMPERIAL PRESENTATION LACQUER SUZURIBAKOBy Funabashi Shumin (1859-after 1914), signed to the wood box Maki-e Funabashi Shumin Japan, Meiji period (1868-1912)Of rectangular form with rounded corners, an overhanging cover, and silver rims. The exterior bearing a kinji ground superbly decorated in shades of gold and silver hiramaki-e, takamaki-e, and togidashi-e with hirame and e-nashiji to depict a wagtail perched on a craggy rock by a meandering stream below cedars and pines in a misty mountain landscape.The interior bearing a rich nashiji ground, the cover with a large 16-petal chrysanthemum mon in gold takamaki-e, the box fitted with a nine-section ita (board) with gold fundame edges, the inkstone (suzuri) similarly lacquered, the silver waterdropper (suiteki) of circular form and finely chased and incised with scrolling foliage against a ring-punched ground, the pair of writing brushes, paper pricker, paper knife, and inkstick holder similarly lacquered and with matching silver fittings. SIZE 5.2 x 22.2 x 26 cmCondition: Excellent condition with minor wear.With a lacquered wood storage box (tomobako) decorated with a 16-petal chrysanthemum in gold hiramaki-e and inscribed on the interior Maki-e FUNABASHI SHUMIN ('lacquer by Funabashi Shumin').Funabashi Shumin (1859-after 1914) was a pupil of Uematsu Homin. He exhibited at domestic and foreign expositions and worked for the Imperial Family. He won many prizes including at the Fifth National Industrial Exhibition in 1903 and the St. Louis Exposition in 1904. He won a silver medal at the Louisiana Purchase Exhibition in 1904. The last recorded data about the artist is a bronze medal he won at an exhibition in Tokyo in 1914.The 16-petal kiku mon indicates the present piece was an Imperial commission.Literature comparison: For a related suzuribako with summer trees by Funabashi Shumin in the Baur Collection, see Dees, Jan (1983) L'art japonais du lacque de 1900 a 1940 dans les collections Baur, Collections Baur 59, MOA Museum of Art, Kindai Nihon no shikkogei (Japanese lacquer of recent times), p. 106, no. 58/1. For an Imperial presentation box (tebako) by Funabashi Shumin see Wrangham, Edward et. al. (1995) Meiji no Takara: Treasures of Imperial Japan - The Nasser D. Khalili Collection, The Kibo Foundation, vol. 2, no. 230, and Dees, Jan (1997) Japanese Imperial Presentation Boxes 1900-1930, Oriental Art, Vol. 43, No. 1, fig. 5, p. 4.Museum comparison: Compare a document box by Funabashi Shumin in the Rijksmuseum, Amsterdam, object number AK-MAK-391.Auction comparison: Compare a closely related lacquer suzuribako by Funabashi Shumin, also dated to the Meiji period, at Bonhams, 6 November 2012, London, lot 401 (sold for 32,450 GBP). This suzuribako is currently in the collection of the Rijksmuseum, Amsterdam, on loan from Jan Dees & René van der Star, object number AK-C-2016-1.
A GILT AND LACQUERED WOOD ZUSHI (PORTABLE SHRINE) CONTAINING A LACQUERED WOOD FIGURE OF TOBATSU BISHAMONTENJapan, 18th century (the figure possibly earlier, c. 15th-16th century)The exterior of the shrine lacquered red, the gilt-metal fittings chased and incised with foliate designs against a ring-punched ground, further with floral handles and a hinged lock in the form of tasseled ribbons. The hinged doors open to reveal a carved and lacquered wood figure of ten-armed Tobatsu Bishamonten riding a lion standing foursquare on a polychrome rockwork base raised on a gold-lacquered tiered pedestal carved with floral and cloud designs, flanked by two gold-lacquered pillars decorated with overlapping shippo designs, supporting a canopy decorated with clouds and rinzu, and backed by a flaming halo. Tobatsu holds various implements in his ten hands, including a sword, stupa, and wish-fulfilling jewel.HEIGHT 27.6 cmCondition: Very good condition with some wear, minor age cracks, minor flaking and small losses to lacquer, some with associated minor touchups, the figure with remnants of gilt.Provenance: Elder's Antiques, January 2005, Nokomis, Florida, USA. Collection of John Hendrickson, Bloomington, Minnesota, USA, acquired from the above. This lot is accompanied by old photographs of the shrine and figure as well as photocopies of related literature with personal notes from the collector used to identify the subject of the figure.Tobatsu Bishamonten is one of the manifestations of Bishamonten, the Guardian King of the North, who is usually included in a group of Four Guardian Kings (Shitenno), protectors of the four directions. However, in the manifestation of Tobatsu Bishamonten, the deity is always shown independently and typically stands on a mount supported by the female earth deity, Jiten, and two dwarf demons, Niranba and Biranba.
A SUPERB GOLD LACQUER INRO-DANSU (STORAGE CABINET FOR INROS)Japan, Meiji period (1868-1912)Of rectangular form with recessed gold fundame edges, supported on a shaped foot lacquered in gold fundame, the exterior bearing a nashiji ground richly decorated in gold and colored takamaki-e and hiramaki-e with inlays of bone to depict various inro and netsuke as well as plain globular ojime.The right door with an inro showing Jurojin reading a scroll beside a deer, with a paddle-shaped netsuke of an actor wearing an Okina mask and holding a fan. The left door with an inro depicting a noble lady seated on a terrace and looking out toward a mountain landscape under thick clouds and a full moon, with a figural netsuke of an actor wearing an Okame mask and holding a fan. The right side with an inro of a lady and boy in a garden by a meandering stream, with a netsuke of a sambaso dancer. The left side with an inro of a cockerel perched on a war drum, with a netsuke of Fukurokuju. The top with an inro of a demoness and a swordsmith, with a netsuke of Ebisu, as well as an inro depicting a large ship, with a netsuke of a duck.The doors open to reveal four drawers with silver handles, each of nashiji with gold fundame edges and finely decorated in gold hiramaki-e with floral sprays including prunus, iris, and bellflower, the interiors of the doors with a roiro-mura-nashiji ground decorated in gold and silver hiramaki-e with autumnal flowers including aster, bellflower, and bush clover.The silver fittings comprise shaped handles to the sides incised with foliate designs, door hinges chased and incised with foliate designs against a ring-punched ground, and similarly crafted door handles with a shaped hinge lock.SIZE 24.3 x 29 x 23.3 cmCondition: Very good condition with minor wear, few scattered minuscule losses to lacquer. Presents beautifully.Provenance: Ex-collection Shep Brozman, New York.Auction comparison: Compare a related lacquer inro-dansu decorated with tsuba, dated second half of the 19th century, at Christie's London, Netsuke & Lacquer from the Japanese Department of Eskenazi, 17 November 1999, London, lot 23 (sold for 25,300 GBP).13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
A LACQUER MINIATURE KODANSU (CABINET) WITH SCENES FROM SHITAKIRI SUZUME (THE TALE OF THE TONGUE-CUT SPARROW)Japan, 19th centuryOf rectangular form with recessed gold fundame edges, bearing a rogin-nuri ground finely decorated in iro-e togidashi-e and e-nashiji to depict scenes from Shitakiri Suzume, with elaborately dressed humanoid sparrows leading the elderly man into the bamboo grove to meet his sparrow friend, and others dancing and playing musical instruments to entertain the man while he enjoys a feast, the top of the box with a fan and a chest filled with treasure including jewels, coral, and shells. The top of the box with a silvered-metal handle and the hinged door with silvered-metal fittings chased and incised with foliate designs against a ring-punched ground. The door opening to three drawers decorated with clouds and mountain peaks designs on nashiji, the interior of the door decorated in gold and silver hiramaki-e and takamaki-e with mura-nashiji and hirame to depict the man's farmhouse.SIZE 10.6 x 8 x 11 cmCondition: Very good condition with minor wear, light surface scratches, minor age cracks.Provenance: Collection of Drs. Edmund and Julie Lewis, no. 98 (label to base). Bonhams, Property from the Collection of Drs. Edmund and Julie Lewis, Part I, 11 September 2019, lot 562. A private collection in New York, USA, acquired from the above. Drs. Edmund Jean and Julia Breyer Lewis are renowned experts in nephrology who met professionally and later married in 1997, and have since continued to collect Japanese art together, actively seeking the best they could find from the finest dealers in the field. Known for their keen scholarship and high aesthetic standards, for the past three decades Ed and Julie have focused on collecting lacquer art, painting, and Buddhist sculpture from Japan. As they traveled widely their desire to collect Buddhist art grew, and they have expanded their collection to include important Pan-religious sculptures from Greater Asia.Shitakiri Suzume, translated literally into 'Tongue-Cut Sparrow', is a traditional Japanese fable telling of a kind old man, his avaricious wife, and an injured sparrow. The story explores the effects of greed, friendship and jealousy on the characters.
A LACQUER MINIATURE KODANSU (CABINET) DEPICTING THE NUNOBIKI FALLSJapan, 19th centuryOf rectangular form with recessed edges, the variously toned mura-nashiji ground finely decorated in gold and silver hiramaki-e and takamaki-e with kirikane and e-nashiji to depict two waterfalls, one descending across the top and door and the other gushing between craggy rocks to the left side of the door. The kodansu with silver fittings chased and incised with foliate designs against a ring-punched ground, the handle with a sliding lock mechanism. The hinged door opening to reveal three drawers, each decorated in gold takamaki-e against a sparse gold and silver nashiji ground, the sides and interiors of dense nashiji with gold fundame edges, the interior of the door similarly decorated with bamboo.SIZE 10.5 x 8.2 x 11 cmCondition: Very good condition with minor wear, particularly to the underside.Provenance: From a German private collection.The scenery embellishing this box is a classic motif of Japanese literature and art. The word nunobiki means "stretched cloth," here realized as a silken cascade descending across the top and door. Nunobiki Falls is a set of waterfalls near downtown Kobe, considered one of the greatest 'divine falls' together with Kegon Falls and Nachi Falls. The Nunobiki Falls comprises four separate falls: Ontaki, Mentaki, Tsutsumigadaki, and Meotodaki.
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566841 item(s)/page