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A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of round brilliant-cut diamonds, with further outer border of round brilliant-cut and baguette-shaped diamonds, and circular-cut diamonds to the shoulders in white gold, size K Accompanied by report number 19203 dated 27 October 2020 from The Gem & Pearl Lab stating that the oval-shaped ruby is a natural ruby with no indications of heat treatment. Origin: East Africa.
A natural pearl and diamond cluster ring, the pearl set within a surround of eighteen round brilliant-cut diamonds in white gold, size N 1/2 Accompanied by report number 78132-74 dated 27 November 2017 from GCS stating that the half-drilled bronze/golden pearl weighs 13.11cts (analysed loose) and measures 13.77 - 14.10 x 10.06mm and is natural saltwater with no indications of treatment.
A 19th century garnet-set gold ring, the central oval garnet cabochon set within an ornate collet with tapering shoulders in 18ct gold, Birmingham hallmarks, size M approximately, together with a half pearl-set gold ring, with a central glazed plaque and trifurcated reeded shank, size T approximately
A sapphire and diamond ring, the oval-shaped sapphire is set within scrolling shoulders with rose-cut diamonds, gold and platinum, size N Accompanied by report number 286202/20053921 dated 15th September 2021 from Anchorcert stating that the oval-shaped sapphire is a natural sapphire with no evidence of treatment. Origin: Sri Lanka (Ceylon)
Four 19th century mourning rings, including a pearl, enamel and jet-set 18ct gold cluster ring, the central oval black enamel with half pearls, jet detail and a rose-cut diamond, trifurcated scroll shoulders with jet detail and ridged shank, the reverse with engraved memorial inscription dated 1838, London hallmarks for 1836, size P 1/2, together with a gold engraved split ring, containing plaited hair and applied with a half pearl ivy leaf with tendrils, size L, and two plaited hair and half pearl edge gold band rings, size P & N
Various items of jewellery, including a George III green paste-set circular brooch, a pair of 19th century turquoise and seed pearl-set bean-form gold cufflinks, a diamond five-stone ring with scroll engraved shoulders, size K, a gold mechanical pencil, a late 19th century turquoise and rose-cut diamond-set gold crescent brooch, etc
An early 20th century diamond-set flowerhead brooch, with two larger diamond terminals, 4.3cm wide; a gold brooch formed with Tiger's eye and textured gold discs, c.1965, marked GAM, 5.2cm wide; an Art Deco lady's dress wrist watch set overall with graduated circular and baguette-shaped diamonds, platinum case and black cord band, and Edwardian graduated seed pearl-set gold open crescent brooch; a carved and pierced jade plaque-mounted gold ring; a seed pearl-set circular gold foliate brooch, a pair of cultured pearl and sapphire-mounted scrolling earrings; a bracelet formed from diamond-set and shell-mounted gold and platinum dress cufflinks and studs, 17.5cm
A three-colour 9ct gold textured cigarette holder with a Cartier box, four further cased cigar holders with gold ring-mounts; a bamboo cigarette holder; a 9ct gold hinged book marker by Asprey and London marks 1928 with Cartier box and a collection of tie clips including a 9ct yellow gold Samorodock clip by Alfred Dunhill and London marks for 1976; an 18ct white gold and an 18ct yellow gold clip by Cartier and three further gold tie clips (six) and a red leather belt with 18ct yellow gold buckle by Cartier signed JC and fitted case
A small collection of gem-set rings and jewellery, including a French-cut tanzanite and diamond-set ring set in white gold, size O 1/2, a pair of oval sapphire ear studs, a pair of black and white diamond half hoop earrings, a seven-stone multi gem-set rainbow ring set in 18ct gold, size P, and a Victorian 9ct gold hinged bangle, the top section set with white and blue sapphires and various other items of jewellery etc.
An early 19th century scent bottle, a white glass bottle with gold mounts, the hinged cover mounted with five Maltese Cross emblems each set with hard stones, centred with a cabochon red stone and with foliate scroll decoration, 8cm high, and an early 19th century circular white glass scent bottle, with gold foliate mounts and screw cover suspending from a gold foliate ring with three fine-link gold chains, 6.5cm high
A early 20th century ruby and diamond cluster ring, set with graduated oval-shaped rubies within a surround of single-cut diamonds in gold, size N Accompanied by report number 81288-05 dated 4 December 2020 from GCS stating that the oval and cushion-shaped rubies are natural rubies with no indications of heat treatment. Origin: Four - Burma (Myanmar), One - Thailand (Siam)
An early 19th century gold necklace mounted with twenty-one classical and neo-classical cameos and intaglios, each carved stone mounted in gold and separated with a circular split ring, 55cm long, fitted case by S. J. Phillips, 139 New Bond Street. 1. Sardonyx cameo, profile portrait of a man in classical dress (possibly Aristotle), 17th century, 1.8cm high 2. Sardonyx cameo, Gryllus with four heads (three of gods and one of a Ram), 17th - 18th century, 1.3cm high 3. Sardonyx cameo, Full-faced youth's head in three colours, late 17th - early 18th century, 1.2cm high4. Carnelian cameo, Talismanic gem with emblems of fertility, 2nd - 3rd century AD, 1.5cm high 5. Onyx cameo, God Cupid making an offering on an alter and observed by Psyche, 17th century, 1.4cm wide 6. Hessonite garnet cameo, Full-head portrait of Pan, possibly late Roman or Renaissance, 1.3cm 7. Dark sard intaglio, Female profile, 17th century or possibly late Classical period, 1.3cm high8. Sardonyx cameo, Young male portrait (possibly Britannicus, late 17th century, 1.3cm high9. Onyx cameo, head of the Virgin Mary, late 18th century, 1.3cm high10. Three-colour onyx cameo, portrait of the goddess Psyche, 17th century, 1.2cm high11. Sardonyx cameo, profile of an athlete wearing a taenia, 17th century, 1.2cm high12. Onyx cameo, profile of a philosopher (possibly Aristotle), late 17th - early 18th century, 1cm high13. Hessonite garnet cameo, profile of a male bust (possibly Francis Bacon), 17th century, 1.3cm high14. Sardonyx cameo, profile of a female Goddess, 18th - 19th century, 1.3cm high15. Onyx cameo, figure with sacrifice to the gods (possibly Hercules with a serpent), 17th century, 1.2cm wide 16. Onyx cameo, Standing lion, late Roman or possibly Renaissance, 1.5cm wide17. Onyx cameo, head of Athena in profile, 16th - 17th century, 1.3cm high18. Sardonyx cameo, profile of a satyr, late 17th - early 18th century, 1cm high19. Sardonyx cameo, double portrait of a beaded man and woman (possibly Antony & Cleopatra, popularised by William Shakespeare), 1.3cm high20. Onyx cameo, profile of Michaelangelo, possibly 17th century, 1.1cm high21. Sardonyx intaglio, full female mask and follower of god Bacchus, a rare female Bacchanalian memorial death mask, 1.2cm highPROVENANCE: The well detailed carved gems were all from the collection of Arthur Richard Wellesley, 2nd Duke of Wellington. The relatively small gems were considered discreet, sophisticated and highly desirable when the collection was formed.The necklace was exhibited as part of 'The Wellington Gems' by S.J. Phillips in 1977 and was listed as item 433.
Three items of early 19th century jewellery, including a gold mourning ring with central oval plaque depicting a young woman standing beside an urn on a pedestal in hair, with black paste-set border, in closed-back settings with engraved inscription dated 1818, size K, together with a diamond and paste-set Latin cross pendant brooch, set with rose-cut diamonds and four baguette-shaped diamonds to the closed-back silver setting, and a paste-set Greek cross pendant, closed-back gilt metal setting, 3.2cm
A Regency gem-set gold acrostic bag-form locket pendant, set with a ruby, emerald, garnet, amethyst, ruby and diamond spelling 'REGARD' with heavy foliate scroll decoration on matted ground and clusters of flat pellets to the reverse, opening to reveal a glazed locket compartment, suspended on three fine link gold chains from a George III hand-form clasp with red stone ring and foliate decorated cuff, locket 2cm wide
Five late 19th - early 20th century gold mourning rings, including a gold mourning ring carved with foliate scroll decoration and slide action revealing five lockets containing plaited hair, rubbed marks, size Q; a Victorian 15ct gold mourning ring with seven lozenge-shaped lockets containing plaited hair, engraved with inscription Alice Davies died on Sunday 12th Feb 1871 aged 50 years, Birmingham marks for 1871, size W; a gold mourning ring mounted with a cushion-shaped brown stone and foliate decoration on matted ground, size X; a 9ct gold mourning ring, centred with a heart design and seven square-shaped lockets containing plaited hair, Chester marks for 1913, size O and an early 19th century gold mourning ring, centred with a glazed locket containing hair within foliate scroll gold border, bifurcated shoulders and set overall with seed pearls and black stones, fluted shank, size Q
An emerald and diamond cluster ring, the emerald-cut emerald weighs approximately 5.00cts and is set within a surround of round brilliant-cut diamonds in white gold, size M approximately Accompanied by report dated October 2021 from Anchorcert stating that the emerald is a natural emerald with indications of minor clarity enhancement. Origin: Colombia.
A small collection of jewellery, including a sapphire and diamond five stone ring in platinum and white gold, size V; an opal half-hoop ring with diamond pointers, set in 18ct gold, Chester hallmarks, size P; an oval ruby and diamond cluster ring, stamped 750, size Y, a ruby and diamond three-stone ring, in 9ct white gold, size N, a ruby and diamond five-stone ring, set in gold, size S, an oval garnet ring set in gold, size W, a 22ct gold wedding band, size N 1/2, an 18ct gold wedding band, size P, a 15ct gold and half pearl swallow and ivy leaf bar brooch, 5.3cm, with a gold swivel seal set with a faceted quartz, 25g total.
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566841 item(s)/page