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Lot 165

Paul Simon - Concert Programme plus song Books with Radio Luxemburg DJ autographs, plus other autographs included, mixed condition A/G (12)

Lot 170A

Wolverhampton Related Ephemera to include a Selection of The Canterbury Collection Plates finished with an 18 carat gold border, limited edition 17/200 Wolverhampton (6), a selection of Wolverhampton Based Booklets of local History, Walks, buildings and more, various Postcards, war time publications, selection of 1950s Coupons from the Ministry of Fuel and Power, Ration Books, a small selection of lone star train toys and track, a Punch Manuel Lopez Cigar Box (empty), plus an early Radio/communications device with headphones, worth inspecting (Quantity) Box

Lot 393

The Burndept Four-Valve Broadcast Receiver 1928 Sales Catalogue - A 14 page sales catalogue illustrating and detailing this early radio receiver made by Burndept in London. Detailing three models the cheapest being £26.10s plus £3 for the speaker, Size 5½" × 8½".

Lot 579

1950s/60s AA Motoring Club Photographs and documents relating to the Publicity Officer - includes a variety of black and white photographs, many with press stamps to the reverse, depicting scenes of a radio show, London/Brighton runs, publicity officer, conversation handbook for Tourists, worth inspecting, various sizes of photographs included, many with notes to reverse, condition overall A/G (#100)

Lot 161

Ferguson DAB radio and a digibox with remote control E/T

Lot 19

Unpublished work: Barber, Peter J & George V Monk: British Merchant Navy Memorial Registers; British and Commonwealth Radio Officers killed at sea 1939-1945; alphabetical and ship Registers. February, 1992. The work is in 4 parts with some 370 pages (some are hand-written and some with added notes) housed in loose-leaf-binder with gilt lettered morocco label to spine and two to upper cover. Formerly belonging to George V Monk (one of the two compilers). The website of “The Radio Officers’ Association” has the following: “The association is particularly proud to have been given the original Register of Radio Officers Lost At Sea 1939-1945. This was complied by ex Radio Officers Peter J Barber, and his colleague George V Monk and lists the 1,406 Radio Officers known to have been lost during the war. This is provided in full under the heading “In Memoriam”

Lot 71

Vintage radio, wall clock, barometer, mantel clock, glass, china, metalwares, etc

Lot 77

Vintage Grundig radio, radio cassette player, Hitachi tape deck and pair of Realistic speakers

Lot 111

A Vintage Cossor Bakelite Cased Radio, 45cm Wide

Lot 345

A Vintage Unitra K101 Radio, 66cm Long

Lot 66

A Bakelite Bush Radio, 31cm Wide

Lot 1131

A retro mid century, circa 1960's teak wood stereogram sideboard credenza being raised on shaped legs, grill front with hinged top revealing record deck and radio

Lot 1345

Various tools, quantity of spot lights, small set of drawers, car horn, old car radio etc.

Lot 273

A Pye model P75T radio contained in walnut case with instruction manual

Lot 415

A BOX OF ELECTRIC GOODS TO INCLUDE; JIG SAW, PHILIPS KETTLE, PRO-LINE IRON, BUSH RADIO ETC......

Lot 334

A quantity of electronics to inc reel-to-reel, radio, vintage and accessories

Lot 1078

33 Various makes. A Schylling Speedway Auto Racer set 'Classic tin cars race around track as it tilts & twists'. H.K. 10" Field Gun. 3x ERTL New Holland - TV140 tractor and ST770 Ecolo-tiger mulch ripper and a John Deere 2700 mulch ripper. Siku 2051 Plough. A glass Volkswagen Beetle. 3x K-28 Matchbox Superkings Bedford Skip Trucks. Dinky 'Convoy' National Carrier Truck. Corgi - Spider-Man Spiderbike, Elf Tyrell Project 34, 3x Ford Escort vans - John Lewis, BEN and Radio Rentals. AEC Regal coach, Oxford and a Routemaster bus. 4x Jadtoys Harry Potter figure sets. Small Speedway Race Car. Plus 10 other items. All boxed, some wear/damage. Contents GC-Mint. £70-90

Lot 1081

30 various makes,. 9 unmade plastic kits - 4x Airfix - 1:180 HMS Victory and Cutty Sark. Plus 2x 1:72 Short Stirling Bomber and P-51D Mustang. Italeri 1:72 Stirling Mk1 bomber. 2x Revell 1:72 Ki-61 Hien and a Focke Wulf Ta 152H. A Hobby Boss Hurricane Mk11. Plus an Academy Focke Wulf FW190A 6/8. Also a Schylling Speedway Auto Racer set 'Classic tin cars race around track as it tilts & twists'. Plus 5 Garages by Playcraft, TV Toy Works, Taylor Toys Leicester, etc. Huskey Playmat -Town Layout. Dinky London Taxi. 9 Nascar Country series racing cars. Chinese tinplate Bugatti T-35 Racer. Corgi BMW 325i, Electronic die-cast Routemaster bus, Sunday Times 2 van set. Plus a Ford Escort van, Radio Rentals. Most items boxed, (2 gargaes loose), some wear. Contents VGC-Mint. £80-120

Lot 1095

19 Matchbox Dinky Vehicles. 1939 Triumph Dolomite, Delahaye 145, Citroen 15CV, 2x Volkswagen Beetle, colour variations. Commer 8cwt van, Sharps Toffee, Tucker Torpedo, Bentley R Continental, MGB GTV8, Ford V8 Pilot, Jaguar E Type. Austin A40 van, DINKY TOYS. Cadillac Coupe De ville, Mercedes Benz 300SL Gull Wing, Ford Mustang Fastback, Ford 10cwt van, Radio Times. Chevrolet BelAir. MGB GT and a series 1 Land Rover. All boxed, minor wear. Vehicles GC-VGC one MG converted to a Police car. £70-90

Lot 1107

2 x Heng Tai battery powered radio controlled model ships. 1/275 scale plastic models, both well detailed, an Aircraft Carrier 'Challenger' together with a Destroyer. Both boxed, minor wear. Contents Mint, look unused. £70-90

Lot 891

A Technika DAB radio

Lot 895

A Roberts radio alarm clock

Lot 520

A vintage McMichael Supervox radio

Lot 70

A boxed Firebird Commander radio control glider by Hobbyzone.

Lot 108

A box of remote controlled air craft to include interceptor helicopter, dynamic falcon and spaceball, along with a collection of radio controllers.

Lot 33

A box of radio controlled helicopters to include large B series 9004 along with a boxed Balsacraft glider kit and boxed aeronautics experiments kit.

Lot 238N

Deans MARINE maker SS TRURO radio controlled baot, kit to build that was started (assured all pieces intact!)

Lot 387

Carton containing a collection of Dr. Who board games to include the "Time Travelling Action Game" and a Radio Controlled Dalek Battle Pack etc., (a lot)

Lot 139

Beau Decca Model BD3378 walnut HiFi cabinet (valve amplifier removed but turntable and radio still present

Lot 140

Alphason Athene Pre Amplifier, Pure Digital Radio Tuner DRX701ES & Aiwa F7770 cassette deck(3)

Lot 384

Two trays containing an interesting Tandberg Transistor Radio, sharp medical instruments, sheep shears, vintage razor in Bakelite case, glass trinket sets etc.

Lot 532

A vintage 1960's Alba 209 record playerTogether with a small group of children's records and a Hacker vintage radio and Prinzsound radio (3)

Lot 532

A quantity of LP records, together with a vintage Sobel radio receiver and a vintage gramophone

Lot 743A

Oak Blanket / Tool Box and a Vintage Radio

Lot 160

A radio controller hovercraft in original window box and an Italian reel carabinieri radio controller boat in original box (2) Estimate £40 - £60

Lot 62

Ian Chamberlain. 'Communication I', etching, image size 27 x 22cm. Framed. I am a printmaker who has been passionate about, and specialising in etching (intaglio) for several years. My work takes reference from an on-going interest in manmade technological forms of industrial structures - such as bridges, the scientific radio telescopes at Goonhilly Satellite Earth Station, or ex military structures such as the Acoustic sound mirrors in the UK. The majority of the subjects and locations I record were considered at the forefront of technology during their lifetime. Some of those technologies are now defunct or have been reconfigured for different uses. The subject matter therefore is echoed in the process used to record it. The etching process enables me to make a sustained enquiry into the subject’s structure, location and the effects of time passing. It becomes my own visual experience and a graphic equivalent to an observed moment in time. I begin each project with an intense enquiry through on site observation and drawing. In visiting these locations I can develop my own subjective emotional response; the artist is not seen but my physical intervention is paramount and my factual research and first hand experience evidence a sense of place. The subject itself is then removed from its surroundings and the familiar. The structures are shown devoid of the human figure so that architectural scale cannot be based on the physical measurements of the human body. This ambiguity adds to the sense of the monumental and projects a feeling of the iconic. I begin by finding my way around the subject, evaluating the form through the use of light and dark in quick charcoal studies. These are then taken into the studio where, if required, more sustained studies incorporating finer lines are made. The continuation of the drawing element is an integral part of my process. You can see evidence of the drawings within the etchings’ continually changing hierarchy and emphasis. Bringing into focus new elements and pushing others back. This evidences the recording and decision-making taking place. For me, the importance and value of the etching process is integral to both the making and the content of the work. Etching offers a unique means of working - inherent in its make up is the intervention upon the surface and the sculptural physicality of the process; layering and building-up information through cyclical reapplications of grounds, drawing, etching, burnishing and drypoint. My prints are not just an architectural study, they are evidence of me seeing and responding to a subject in a meaningful way. This is what etching allows me to do - to investigate place through an organic evolution of recording and insights into location through the interlinking processes of drawing and printmaking. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Lot 66

Ian Chamberlain. 'Sat Study I', etching, image size 22 x 18cm. Signed and numbered 3/30. Framed. I am a printmaker who has been passionate about, and specialising in etching (intaglio) for several years. My work takes reference from an on-going interest in manmade technological forms of industrial structures - such as bridges, the scientific radio telescopes at Goonhilly Satellite Earth Station, or ex military structures such as the Acoustic sound mirrors in the UK. The majority of the subjects and locations I record were considered at the forefront of technology during their lifetime. Some of those technologies are now defunct or have been reconfigured for different uses. The subject matter therefore is echoed in the process used to record it. The etching process enables me to make a sustained enquiry into the subject’s structure, location and the effects of time passing. It becomes my own visual experience and a graphic equivalent to an observed moment in time. I begin each project with an intense enquiry through on site observation and drawing. In visiting these locations I can develop my own subjective emotional response; the artist is not seen but my physical intervention is paramount and my factual research and first hand experience evidence a sense of place. The subject itself is then removed from its surroundings and the familiar. The structures are shown devoid of the human figure so that architectural scale cannot be based on the physical measurements of the human body. This ambiguity adds to the sense of the monumental and projects a feeling of the iconic. I begin by finding my way around the subject, evaluating the form through the use of light and dark in quick charcoal studies. These are then taken into the studio where, if required, more sustained studies incorporating finer lines are made. The continuation of the drawing element is an integral part of my process. You can see evidence of the drawings within the etchings’ continually changing hierarchy and emphasis. Bringing into focus new elements and pushing others back. This evidences the recording and decision-making taking place. For me, the importance and value of the etching process is integral to both the making and the content of the work. Etching offers a unique means of working - inherent in its make up is the intervention upon the surface and the sculptural physicality of the process; layering and building-up information through cyclical reapplications of grounds, drawing, etching, burnishing and drypoint. My prints are not just an architectural study, they are evidence of me seeing and responding to a subject in a meaningful way. This is what etching allows me to do - to investigate place through an organic evolution of recording and insights into location through the interlinking processes of drawing and printmaking. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Lot 67

Ian Chamberlain. 'Sat Study II', etching, signed and numbered 13/30. Image size 22 x 18cm. Framed. I am a printmaker who has been passionate about, and specialising in etching (intaglio) for several years. My work takes reference from an on-going interest in manmade technological forms of industrial structures - such as bridges, the scientific radio telescopes at Goonhilly Satellite Earth Station, or ex military structures such as the Acoustic sound mirrors in the UK. The majority of the subjects and locations I record were considered at the forefront of technology during their lifetime. Some of those technologies are now defunct or have been reconfigured for different uses. The subject matter therefore is echoed in the process used to record it. The etching process enables me to make a sustained enquiry into the subject’s structure, location and the effects of time passing. It becomes my own visual experience and a graphic equivalent to an observed moment in time. I begin each project with an intense enquiry through on site observation and drawing. In visiting these locations I can develop my own subjective emotional response; the artist is not seen but my physical intervention is paramount and my factual research and first hand experience evidence a sense of place. The subject itself is then removed from its surroundings and the familiar. The structures are shown devoid of the human figure so that architectural scale cannot be based on the physical measurements of the human body. This ambiguity adds to the sense of the monumental and projects a feeling of the iconic. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.I begin by finding my way around the subject, evaluating the form through the use of light and dark in quick charcoal studies. These are then taken into the studio where, if required, more sustained studies incorporating finer lines are made. The continuation of the drawing element is an integral part of my process. You can see evidence of the drawings within the etchings’ continually changing hierarchy and emphasis. Bringing into focus new elements and pushing others back. This evidences the recording and decision-making taking place. For me, the importance and value of the etching process is integral to both the making and the content of the work. Etching offers a unique means of working - inherent in its make up is the intervention upon the surface and the sculptural physicality of the process; layering and building-up information through cyclical reapplications of grounds, drawing, etching, burnishing and drypoint. My prints are not just an architectural study, they are evidence of me seeing and responding to a subject in a meaningful way. This is what etching allows me to do - to investigate place through an organic evolution of recording and insights into location through the interlinking processes of drawing and printmaking. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Lot 68

Ian Chamberlain. 'Sat Study IV', etching, signed and numbered 7/30. Image size 41 x 39cm. Framed. I am a printmaker who has been passionate about, and specialising in etching (intaglio) for several years. My work takes reference from an on-going interest in manmade technological forms of industrial structures - such as bridges, the scientific radio telescopes at Goonhilly Satellite Earth Station, or ex military structures such as the Acoustic sound mirrors in the UK. The majority of the subjects and locations I record were considered at the forefront of technology during their lifetime. Some of those technologies are now defunct or have been reconfigured for different uses. The subject matter therefore is echoed in the process used to record it. The etching process enables me to make a sustained enquiry into the subject’s structure, location and the effects of time passing. It becomes my own visual experience and a graphic equivalent to an observed moment in time. I begin each project with an intense enquiry through on site observation and drawing. In visiting these locations I can develop my own subjective emotional response; the artist is not seen but my physical intervention is paramount and my factual research and first hand experience evidence a sense of place. The subject itself is then removed from its surroundings and the familiar. The structures are shown devoid of the human figure so that architectural scale cannot be based on the physical measurements of the human body. This ambiguity adds to the sense of the monumental and projects a feeling of the iconic. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.I begin by finding my way around the subject, evaluating the form through the use of light and dark in quick charcoal studies. These are then taken into the studio where, if required, more sustained studies incorporating finer lines are made. The continuation of the drawing element is an integral part of my process. You can see evidence of the drawings within the etchings’ continually changing hierarchy and emphasis. Bringing into focus new elements and pushing others back. This evidences the recording and decision-making taking place. For me, the importance and value of the etching process is integral to both the making and the content of the work. Etching offers a unique means of working - inherent in its make up is the intervention upon the surface and the sculptural physicality of the process; layering and building-up information through cyclical reapplications of grounds, drawing, etching, burnishing and drypoint. My prints are not just an architectural study, they are evidence of me seeing and responding to a subject in a meaningful way. This is what etching allows me to do - to investigate place through an organic evolution of recording and insights into location through the interlinking processes of drawing and printmaking. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Lot 69

Ian Chamberlain. 'Dome II', etching, signed. Image size 21 x 20cm. Framed. I am a printmaker who has been passionate about, and specialising in etching (intaglio) for several years. My work takes reference from an on-going interest in manmade technological forms of industrial structures - such as bridges, the scientific radio telescopes at Goonhilly Satellite Earth Station, or ex military structures such as the Acoustic sound mirrors in the UK. The majority of the subjects and locations I record were considered at the forefront of technology during their lifetime. Some of those technologies are now defunct or have been reconfigured for different uses. The subject matter therefore is echoed in the process used to record it. The etching process enables me to make a sustained enquiry into the subject’s structure, location and the effects of time passing. It becomes my own visual experience and a graphic equivalent to an observed moment in time. I begin each project with an intense enquiry through on site observation and drawing. In visiting these locations I can develop my own subjective emotional response; the artist is not seen but my physical intervention is paramount and my factual research and first hand experience evidence a sense of place. The subject itself is then removed from its surroundings and the familiar. The structures are shown devoid of the human figure so that architectural scale cannot be based on the physical measurements of the human body. This ambiguity adds to the sense of the monumental and projects a feeling of the iconic. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.I begin by finding my way around the subject, evaluating the form through the use of light and dark in quick charcoal studies. These are then taken into the studio where, if required, more sustained studies incorporating finer lines are made. The continuation of the drawing element is an integral part of my process. You can see evidence of the drawings within the etchings’ continually changing hierarchy and emphasis. Bringing into focus new elements and pushing others back. This evidences the recording and decision-making taking place. For me, the importance and value of the etching process is integral to both the making and the content of the work. Etching offers a unique means of working - inherent in its make up is the intervention upon the surface and the sculptural physicality of the process; layering and building-up information through cyclical reapplications of grounds, drawing, etching, burnishing and drypoint. My prints are not just an architectural study, they are evidence of me seeing and responding to a subject in a meaningful way. This is what etching allows me to do - to investigate place through an organic evolution of recording and insights into location through the interlinking processes of drawing and printmaking. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Lot 70

Ian Chamberlain. 'Dome I', etching, signed and numbered 4/6. Image size 21 x 20cm. Framed. I am a printmaker who has been passionate about, and specialising in etching (intaglio) for several years. My work takes reference from an on-going interest in manmade technological forms of industrial structures - such as bridges, the scientific radio telescopes at Goonhilly Satellite Earth Station, or ex military structures such as the Acoustic sound mirrors in the UK. The majority of the subjects and locations I record were considered at the forefront of technology during their lifetime. Some of those technologies are now defunct or have been reconfigured for different uses. The subject matter therefore is echoed in the process used to record it. The etching process enables me to make a sustained enquiry into the subject’s structure, location and the effects of time passing. It becomes my own visual experience and a graphic equivalent to an observed moment in time. I begin each project with an intense enquiry through on site observation and drawing. In visiting these locations I can develop my own subjective emotional response; the artist is not seen but my physical intervention is paramount and my factual research and first hand experience evidence a sense of place. The subject itself is then removed from its surroundings and the familiar. The structures are shown devoid of the human figure so that architectural scale cannot be based on the physical measurements of the human body. This ambiguity adds to the sense of the monumental and projects a feeling of the iconic. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.I begin by finding my way around the subject, evaluating the form through the use of light and dark in quick charcoal studies. These are then taken into the studio where, if required, more sustained studies incorporating finer lines are made. The continuation of the drawing element is an integral part of my process. You can see evidence of the drawings within the etchings’ continually changing hierarchy and emphasis. Bringing into focus new elements and pushing others back. This evidences the recording and decision-making taking place. For me, the importance and value of the etching process is integral to both the making and the content of the work. Etching offers a unique means of working - inherent in its make up is the intervention upon the surface and the sculptural physicality of the process; layering and building-up information through cyclical reapplications of grounds, drawing, etching, burnishing and drypoint. My prints are not just an architectural study, they are evidence of me seeing and responding to a subject in a meaningful way. This is what etching allows me to do - to investigate place through an organic evolution of recording and insights into location through the interlinking processes of drawing and printmaking. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.

Lot 1496

A 1960s Braun T1000 World Receiver Radio.  

Lot 10

A box of assorted decorative transfer decorated china, a box of sundry lamps, clocks and wall-mounted wooden pockets, telephones, brass preserve pan and a bakelite radio inscribed "Ferranti 146" to back

Lot 331

A Bang & Olufsen Sound Ouverturn CD/radio player model no. 11471793, on a rotating plinth, incorporating a CD rack 36''h SR

Lot 339

A Sony stacking stereo system comprising a turntable, a CD player, a cassette deck, radio and amplifier BSR

Lot 249

A Scania Highline 8 wheel remote control truck with radio controller. 50cm

Lot 68

Fascinating WW2 German Prisoner of War Stalag Luft III IV B photograph album, the thirty nine photos compiled by David. Courtney P.O.W. 270020, who flew on board Halifax DY-Y 102 squadron, listing his crew members including those who perished or were wounded, illustrating the camera used to take the photos disguised within a book, also illustrated is the scratch built radio, the hut in which Courtney lived annotated 'My wireless operator Johnny Eastwood husband of Zena Dare actress', also illustrated are 'French prisoners', 'Russian prisoners', a 'Theatrical Group' 'Camp Swop Shop' also a scene of a 'Burial of a British prisoner, shot by the Germans'. The album ends with a Post Office Telegram 24th may 1945 to Mrs G Courtney 'Arrived safely in England home soon love David'

Lot 296

BUSH RETRO RADIO

Lot 79

BOX OF TOOLS CAMERA BOXED RADIO AND BOX OF CHANTILLY GLASS WARE AND OTHERS

Lot 372

A rare red finished Philco Bakelite 'Peoples Radio', H. 40cm.

Lot 4160

Literary Interest. Collection of three literary/book advertising posters: The Mountebank, by W. J. Locke, The Bodley Head, lithographic poster by Marcia Lane Foster, 1920, published by McLagan & Cumming, Edinburgh. John Bull, The Magazine of Good Reading, Thrilling new mystery serial by Victor Canning, The House of the Seven Flies, published by Odhams, Long Acre. The Christmas Humorist, Now On Sale, lithographic poster, circa 1920. Together with a Radio Times lithographic poster, Memories Number, 1937, and a Post Office Savings Bank poster. Condition varied (5)

Lot 2663

Four unfinished model boats and three radio control units some parts but not complete

Lot 2664

Large part complete radio controlled pond yacht? with switch set and gear case and motor set sails and remote

Lot 513

Collectables : Nice bag of ephemera magazines/papers etc,, 1900's onwards, incl Tatler, Radio Times, etc.

Lot 11

A Bose wave radio/CD with instructions and remote

Lot 242

An Austro-Hungarian monarchy map by Keith Johnston, printed by William Black wood and Sons, Edinburgh and London, 16 1/2" x 12 1/2", together with two landscape prints and a photograph of a radio operative

Lot 262

A medium scale radio controlled model bi-plane, WW1 American, N5180, L79cm wingspan 100cm

Lot 263

A large scale radio controlled model glider, white, D6103, L116cm wingspan 263cm

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