Andy Warhol (American, 1928 - 1987). "Christmas card: Fruit Basket". Original vintage color offset lithograph. 1960. Printed 1960. Signed in black marker, center left. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition; fold as issued; unused; blank interior; lot includes original unused Tiffany envelope (embossed "Tiffany & Co. Makers New York"), also in fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 3, no. 12d; John Loring, “Greetings from Andy (Warhol): Christmas at Tiffany’s.” New York: Harry N. Abrams, Inc., 2004. Overall size: 6 7/16 x 5 1/16 in. (164 x 129 mm). Warhol's lifetime Tiffany Christmas cards are rare, and extremely rare signed. The most recent sale price we found of a card, unsigned and without the envelope, was $3,000 at Christie's New York, December 1st, 2014, lot #62. In 1956, in addition to all the work Warhol was getting drawing shoes and bags, he was commissioned to design Christmas cards for Tiffany & Co. on Fifth Avenue in New York City. Warhol's cards were then published by Tiffany's every Christmas up to 1962, the year he started to exhibit his paintings of soup cans. Our example offered here is from the original first printing in 1960. The cards were subsequently reprinted in a slightly larger size in 1980. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28737-1-800]
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Joel-Peter Witkin (America, b.1939). "The Sins of Joan Miro". Original vintage photogravure. 1981. Printed 1985. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 10 3/4 x 10 15/16 in. (273 x 278 mm). According to “Gordon’s Photography Prices” a silver print of this image realized $4,880 at Bonhams, New York, 5/10/2011, lot #152. Witkin’s controversial and carefully constructed photographs frequently depict macabre, often grotesque scenes, with images including cadavers, hermaphrodites, dwarfs, etc. His works can be found in the collections of The Museum of Modern Art in New York City, the J. Paul Getty Museum in Los Angeles, the National Gallery in Washington, D.C., the Victoria and Albert Museum in London, and the Centre Georges Pompidou in Paris. Image copyright © Joel-Peter Witkin. [29674-2-300]
Robert Mapplethorpe (American, 1946 - 1989). "Brian Ridley and Lyle Heeter". Original vintage photogravure. 1979. Printed 1985. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 10 x 10 in. (254 x 254 mm). Included as one of the images in Time magazine’s “100 Photographs: The Most Influential Images of All Time.” Image copyright © The Robert Mapplethorpe Foundation. [29514-3-600]
Cecil Beaton (English, 1904 - 1980). "Pablo Picasso, rue de la Boetie #1". Original vintage photogravure. 1933. Printed 1968. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition, affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 9 1/2 x 8 7/8 in. (241 x 225 mm). Image copyright © The Estate of Cecil Beaton. [28974-2-300]
Dain L. Tasker (American, 1872-1964). "X-ray of a Lily". Original vintage photoengraving. 1930. Printed 1937. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 11 1/4 x 8 1/4 in. (286 x 210 mm). According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $31,200 realized at Sotheby's, New York, 10/11/2005, lot #48. Please see: http://www.beyondlight.com/what-is-xrayography for a brief mention of Tasker and this picture. Image copyright © The Estate of Dain L. Tasker. [25877-2-800]
Man Ray (American, 1890 - 1976). "Rayograph - 099". Original vintage photogravure. 1927. Printed 1934. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 10 3/4 x 8 5/16 in. (273 x 211 mm). See: www.manraytrust.com, pg.16. Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [3318-2-400]
Man Ray (American, 1890 - 1976). "Jacqueline Goddard [solarization]". Original vintage photogravure. 1930. Printed 1934. Signed "Man Ray" in the negative, lower right; stamped with the photographer's name, verso. Edition unknown, presumed very small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 11 1/4 x 8 11/16 in. (286 x 221 mm). Very scarce. According to “Gordon’s Photography Prices” there have been only four sales of a silver print of this image in the past 35 years. The auction record is $374,500 realized at Sotheby's, New York, 10/14/2008, lot #21. This image was originally created by Man Ray in 1930 as a color solarization portrait. In 1932 he detailed the image and created another color solarization portrait, from which the black and white photogravure is derived. See: wwwmanraytrust.com, pgs.20 & 27. Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [811-2-600]
Marion Post Wolcott (American, 1910 - 1990). "Steelworker Family, Pittsburgh, Pa". Original vintage photoengraving. 1935. Printed 1937. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 9 3/16 x 8 1/4 in. (233 x 210 mm). This image is not copyrighted; it is in the public domain. [25894-2-400]
Helmut Newton (German/Australian, 1920-2004). "Hotel Room, Place de la Republique, Paris". Original vintage photolithograph. 1976. Printed 1979. Signed in black marker, lower right; identified as to title and date, verso. Edition unknown, presumed small. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition. Image size: 14 x 9 in. (356 x 229 mm). Image copyright © Helmut Newton Foundation. [25841-3-400]
Ansel Adams (American, 1902-1984). "Aspens #1, Northern New Mexico". Original vintage photogravure. 1958. Printed 1963. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. The full sheet. Fine, quailty printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 12 7/8 x 9 3/4 in. (327 x 248 mm). Adams took two different images of aspens on the same day in the mountains north of Santa Fe, differentiated here by "#1" and "#2" to avoid confusion between the two. Image copyright © The Ansel Adams Publishing Rights Trust. [29551-2-800]
Jeanloup Sieff (French, 1933-2000). "Femme nue dans un endroit sombre". Vintage photogravure. 1974. Printed 1974. Signed in the plate. Intended edition of 950 (of which all were printed?). High-grade white Bristol archival paper High-grade white Bristol archival paper High-grade white Bristol archival paper. Full margins, as issued. Fine, quality printing. Fine condition. Overall size: 17 1/4 x 13 in. (438 x 330 mm). Image size: 10 3/16 x 10 3/16 in. (259 x 259 mm). Very scarce. Quite possibly printed in a run of far less than the 950 proposed. The printing was derived from a high-resolution negative produced with Polaroid Type 105 Positive/Negative film. In the early 1970s Polaroid launched a project to show that this film process could successfully compete with gelatin silver prints as a fine art medium. The company gave cameras plus a generous stock of film to leading photographers of the day. Their output was then published by the Polaroid Corporation. Image copyright © The Estate of Jeanloup Sieff. [24702-3-600]
Robert Mapplethorpe (American, 1946 - 1989). "Richard Gere". Original vintage photogravure. 1983. Printed 1985. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Image size: 9 7/8 x 9 7/8 in. (251 x 251 mm). Image copyright © The Robert Mapplethorpe Foundation. [29507-3-300]
Brett Weston (American, 1911-1993). "Texture and Line, Dunes, Oceano [1936]". Original vintage photoengraving. 1936. Printed 1937. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 6 7/8 x 8 1/4 in. (175 x 210 mm). Image copyright © The Brett Weston Archive. [29700-2-600]
Robert Mapplethorpe (American, 1946 - 1989). "Baby's Breath". Original vintage photogravure. 1982. Printed 1988. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 1/8 x 8 1/18 in. (206 x 205 mm). According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $34,500 realized at Sotheby's, New York, 10/6/1999, lot #231. Image copyright © The Robert Mapplethorpe Foundation. [29658-2-400]
Helmut Newton (German/Australian, 1920-2004). "Mannequins [Quai d'Orsay I]". Original vintage photolithograph. 1977. Printed 1979. Signed in black marker, lower right recto; signed again and identified as to title and date, verso. Edition unknown, presumed small. High-grade archival paper. Ample margins. Fine, quality printing. Very good to fine condition. Image size: 14 x 9 in. (356 x 229 mm). Image copyright © Helmut Newton Foundation. [25857-3-600]
Man Ray (American, 1890 - 1976). "Rayograph - 093". Original vintage photogravure. c1920-1928. Printed 1934. Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 10 5/8 x 7 3/4 in. (270 x 197 mm). Image copyright © ADAGP/BNF - Artists Rights Society (ARS), New York / ADAGP, Paris. [805-2-400]
A Pair of Vintage Leather Motorcycle Gloves, the Handbook for Bentley 4.5 Litre Motor Car, condensed edition SCH Davies Controlling a Racing-Car Team, hardback, Jimmy Hamilton Out of Leathers, paperback, a 1920/30 North & Sons Watford and London mantel clock with black circular dial, a Jeavons Spring Gaitor grease charger with pump handle compression, a vintage balloon tyre gauge, and a 1905 edition of The New All British Rolls-Royce Motor Car pamphlet
A Vintage Redex Additive Dispenser, with chromed handle, 24cm high; A BP Energol Green and Yellow Oil Canister; A 1930's Pint Size Green Metal Oil Can; A Green Esso Fuel Can, with original brass cap; A Red Valor Fuel Can; A Cream Valor Fuel Can; and A Red Fuel Can, with original screw cap (7)
Five Vintage Metal Fuel Cans, comprising a red painted example SHELL MOTOR SPIRIT, with impressed lettering, a red painted example with white lettering Y-R-A PETROL ONLY, a black painted example stamped SM & BP LTD, an unmarked green example, and a green PRATTS example, all with original brass screw caps
Motor Cycle Interest: A 1940/50's Cromwell Motorcycle Helmet, repainted, with leather liner and adjustable chin strap; A Pair of Vintage Leather Driving Goggles; A Pair of Waddington's Leather Gloves, with adjustable strap and zips; A Ossa Service and Repair Handbook, 125-250cc singles, 1971-1976, paperback; A Yamaha TY250R/350S Owner's Service Manual, paperback; and A Mini BMC Service Publication Workshop Manual Folder (6)
A Vintage Metal Forecourt Oil Bottle Carrier, with wooden handle and two glass Essolube oil bottles, a Castrol oil bottle with screw cap and a clear unmarked oil bottle, 26cm by 16cm by 48cm; and A 1930's Red Painted Fire Extinguisher, with green and gilded writing Wizard Soda and Acid Type Roberts Maclean & Co Ltd Fire Protection Engineers London, 71cm high (2)
A Collection of Vintage Tools, to include a wooden-handled mallet bearing stamp for Morgan Motor Company, 26cm long, four wooden-handled slotted-head screwdrivers, a pair of hand plyers, three adjustable spanner wrenches stamped Girder Joseph Lucas Ltd Birmingham, and an early 20th century benzoline blow torch, the body stamped British monitor made number (10)
An Enamelled Double-Sided Adverting Sign, SILCOCKS FRESH FARM EGGS¸ with two drill holes and some corrosion, 43cm by 31cm; A Vintage Pratts Green Metal Fuel Can, with original screw cap; A Rusted Metal Cylindrical Can, with lockable spout; A Clip-On Eveready Road Lamp; A Lucas Battery Glass Filler Bottle, with plastic spout A Pifco Motorist Lantern, boxed; and A Metal Vessel, with lid and carrying handle (7)
A Redex Chromed Dispenser Gun, with a springe-loaded dispensing nozzle and brass cap stamped Registered Design, 26cm high; A Vintage Smiths Automotive Electrical Instrument Tester, model SR/D380, 18cm wide; and A Tapley of Liverpool Brake Metre, serial number 980303, in original wooden box, 21cm wide (3)
1936 Vauxhall 14hp DX Light Six Tourer, Coachwork by Tickford Registration number: CBY 132 Date of first registration: 01 12 1936 VIN number: 658201 Engine number: 4633 MOT expires: N/A V5C present listing 1 former keepers Current mileage shown 1701 cc Green Introduced for 1933, the Vauxhall Light Six came with either a 1,530cc 12hp or 1,781cc 14hp overhead-valve engine and would prove an enormous success, more than 23,000 being made up to the end of 1934 when the model was redesigned and re-styled along Big Six lines, gaining a new X-braced chassis equipped with Dubonnet coil-sprung independent front suspension, four-speed synchromesh gearbox and mechanical brakes. Models offered were the 12hp DY and 14hp DX, a further 59,000-or-so of which were manufactured up to the end of 1938. This model of car also appears in the BBC film ''I Capture the Castle''. This extremely rare Vauxhall Light Six tourer was purchased new by the manager of Carbodies Limited, Coventry and first licensed in 1937. At some time during the early 1940s the car was acquired by a Christopher Charles Ancil of Weston-on-the-Green, Oxfordshire, who used it regularly until it was laid up in the 1980s. The car remained unused thereafter until Mr Ancil's death when it was left to his nephew who commissioned an extensive body-off restoration. Undertaken by Wychwood Vintage & Classic Cars of Ascott-under-Wychwood, Oxfordshire, the rebuild took approximately four years to complete and was finally finished in June 2000 when the car was MOT'd. Since completion 'CBY 132' has covered very few miles and is in impeccable condition mechanically and cosmetically with excellent paintwork, re-trimmed leather interior and new hood. It's strong six cylinder engine pulls well and gear selection is smooth. A superb four-seat post-Vintage thoroughbred tourer designed by one of the countries most forward thinking and innovative coach builders, the car is offered with old-style logbook and Swansea V5. Also with the car is a large history file including restoration receipts and even a black and white photo of a previous owner. Buyer's premium of 12% inclusive of VAT @ 20%
An Early 20th Century Brass Carbide Lamp, stamped Premier Lamp, 10cm high; An Early 20th Century Lucas Lamp (repainted); A Selection of Assorted Chrome Key Hole Covers; Cutting Tools; A Small Hammer; Vintage Oil Cans; A 1930's Dashboard Clock; and Assorted Spanners (qty)
Ten Assorted Car Badges, to include vintage AA badge, stamped V228889, a later AA badge, numbered 5E26331, an enamelled Royal Scottish Automobile Club, an enamelled British Automobile Racing Club, a chrome and enamelled Austin Healey Sheffield Works Motor Club, National Trust, and three Penistone M.M.C badges
Five Assorted Vintage Fuel Cans, comprising a green Pratt, a green Esso, a grey Shell, and a rusted Shell Motor Spirit, all with brass screw caps, and a red Shell-Mex example, lacking cap, all 27cm high; A Smaller Rusted Fuel Can, 26cm high; A Red Painted Cylindrical Oil Can, with pouring spout, 26cm high; and A Vintage Esso Oil Can, with moulded handle and spout, 21cm (8)
Vintage retro wood laminate chest, four drawers, tapering supports (W80cm, H81cm, D46cm) and matching dressing table, raised mirror back, five drawers and two cupboards (W122cm, H129cm, D46cm) Circular retro coffee table, black top, tapering supports (D71cm, H42cm) and a teak nest of three tables
The Master-Painters of Britain by Gleeson White, 1900 in four vols. vintage tin plate Post Office money bank, costume jewellery incl. quartz bracelet, OXO cube tins, L.M.S Railways Hotels sherry glass, Hornby Dublo buffer stops, album of world stamps and miscellanea in one box

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891962 item(s)/page