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Collection of Boho/Vintage Wooden Jewellery, comprising five necklaces and one bracelet. Short small beads, shades of brown with silver embossed rings and a hook fastener; a large wooden disc with gold and silver line, with small beads and coiled silver pieces; boho necklace, wooden and gold metal beads on long gold tone chain; lightweight hand made long necklace with three strands at bottom; chunky brown wood shaped into egg and bean shapes with attached leather neck piece; bracelet with linked rings with small bunches of wooden beads attached.
Art Deco Jewellery comprising: Brooch foiled cut glass green dual shape, surrounded by marcasite, heavy brooch with roll over clasp, measures 4 cm x 3 cm; a Czech Art Deco brooch, gold tone filigree speckled cabochon oval stone, surrounded by gold flower shapes, each set with amber rhinestone, with rollover clasp; Vintage Art Deco necklace 40 cm long, silver tone setting, geometric baguette crystal fringe and square cut either side; Vintage Art Deco necklace foiled Murano style egg shaped glass beads, interspersed with smaller beads on a gold chain.
λ ROBIN COLEMAN (BRITISH B. 1963)MONEY CAN'T BUY YOU LOVECollage 122 x 122cm (48 x 48 in.)Unframed Mixed media with 20 dollar bills, playing cards and stamps.Coleman is not a formally trained artist, but instead started painting to relieve stress from a debilitating spinal injury. His inimitable style is the result of hours of work involving the painstaking layering of materials such as newsprint, stamps and vintage comic books in order to achieve the final result. His early experimental pieces involved images of Marilyn Monroe, The Krays and Jimi Hendrix. Coleman has exhibited alongside Bansky amongst others at galleries in the UK and abroad in California, Paris, Dubai and Cape Town. Condition Report: There are no visible signs of damage or restoration.Condition Report Disclaimer
λ ROBIN COLEMAN (BRITISH B. 1963)KNASHERCollage on canvas Signed and inscribed numero uno verso 76 x 76cm (29¾ x 29¾ in.)UnframedA mixed media collage delicately made from the Financial Times, together with stamps, acrylic paint and the extracts from the Beano comic.Coleman is not a formally trained artist, but instead started painting to relieve stress from a debilitating spinal injury. His inimitable style is the result of hours of work involving the painstaking layering of materials such as newsprint, stamps and vintage comic books in order to achieve the final result. His early experimental pieces involved images of Marilyn Monroe, The Krays and Jimi Hendrix. Coleman has exhibited alongside Bansky amongst others at galleries in the UK and abroad in California, Paris, Dubai and Cape Town. Condition Report: There are no visible signs of damage or restorationCondition Report Disclaimer

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