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Galerie Bassenge
Lot 4055

[*] Perscheid, Nicola -- The composer Edvard Grieg. Circa 1900. Vintage photogravure. 15,1 x 11,7 cm (21,6 x 17 cm). Photographer's name, negative number and caption printed in lower margin; annotated in pencil on verso. Nicola Perscheid, renowned for his portraiture marked by adept soft focus and the use of natural light, possessed a unique talent for capturing the character and essence of his subjects during the late 19th and early 20th centuries. In this photograph, Perscheid portrays Edvard Grieg, a celebrated Norwegian composer and pianist famous for his Romantic-era music. – Some foxing, especially in margins, otherwise in good condition.

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Galerie Bassenge
Lot 4070

Titzenthaler, Waldemar -- Views of Berlin:"An der Friedrichsgracht 61-56 mit Jungfernbrücke"; Feldmarshall Blücher monument, Berlin. 1909/1903. 2 vintage collodion paper prints. 23 x 29 cm and 28 x 21,8 cm. Each with photographer's logo, negative number and 1 with date in the negative in lower right corner, mounted to board.The German photographer Waldemar Titzenthaler was renowned for his portraiture, interior photography, and architectural work. This image features the Jungfernbrücke, a historic bridge that spans the River Spree, linking Friedrichswerder to Museum Island. Erected in 1798, it remains one of Berlin's oldest bridges, celebrated for its elegant neoclassical design. The name "Jungfernbrücke," meaning "Maiden's Bridge," stems from the tradition of young brides crossing it on their way to the Nikolaikirche for their wedding ceremonies. – Slight surface rubbing, otherwise in good condition.Lit.: Landesbildstelle Berlin (ed.). Berlin. Photographien von Waldemar Titzenthaler, Berlin 200, ill p. 33 (Unter den Linden).Provenance: Robert Lebeck Collection

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Galerie Bassenge
Lot 4076

Villa Hügel -- Photographer unknown. Interior and exterior views of Villa Hügel, Essen. 1900. 38 vintage platinum prints. Each ca 23 x 16 and reverse. Each mounted to original board (soiled in edges), in canvas portfolio (damaged, soiled).The Krupp cast steel factory owed its rise in the 1850s-1860s mainly to the enormous expansion of the railroad network in America and Europe and finally to arms production and its sales to Prussia. Built between 1870-1873, Villa Hügel served as the Krupp family‘s residence for many years and also played a significant role in hosting political and cultural events. As an iconic and typical structure of the Gründerzeit, this building became a significant landmark. The villa boasts 269 rooms with a living space of over 8 thousand square meters, featuring historical as well as more modern furnishings up to circa 1900. – Most in very good condition.

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Galerie Bassenge
Lot 4081

Africa -- Photography agency: Georg and Otto Haeckel (1873-1942, 1872-1945). Inhabitants of East Africa. Circa 1910. 7 vintage gelatin silver prints. Between circa 18 x 12,7 cm and 8,5 x 14 cm. A few with typed text label on verso.The press photographers Georg and Otto Haeckel played a significant role in the development of photography in Germany. As press photographers, the brothers traveled extensively throughout the world, and would often accompany Reichstag officials on their journeys through German East Africa before their expulsion from the former colony at the end of WWI. The tribes depicted in these photographs include the Wavumba, Wanjamwesi, and Wageia of present-day Rwanda and Burundi – A few light handling marks, otherwise in very good condition.

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Galerie Bassenge
Lot 4085

Architecture & Design -- Photographer: Wilhelm Niemann (1891-1981). International World's Fair Barcelona, Pavilion of the German Electrical Industry, designed by Ludwig Mies van der Rohe. 1929. Vintage gelatin silver print. 16,2 x 20,9 cm. Berliner Bild Bericht agency stamp on the verso.Wilhelm Niemann had an influential role in early 20th-century architectural photography. He contributed substantially to the documentation and promotion of modernist and Bauhaus architecture and captured iconic designs by Mies van der Rohe, such as the German Pavilion at the 1929 International World Exposition in Barcelona. – A fine tonal print in very good condition.Lit.: Zentralblatt der Bauverwaltung. Vol. 49, iss. 34, 1929, p. 546 (titled: Pavillon der Deutschen Elektrizität-Lieferungsindustrie).Helmut Reuter and Birgit Schulte (eds.): Mies und das Neue Wohnen. Räume, Möbel. Fotografie. Ostfildern 2008, ill. 258 (variant), p. 269.

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Galerie Bassenge
Lot 4087

[*] Aviation -- Construction of the Hindenburg airship. 1932-1937. 5 vintage gelatin silver prints. Each ca. 17,5 x 23,5 cm. With Luftschiffbau Zeppelin Friedrichshafen copyright stamp on verso. These images provide a glimpse into the Friedrichshafen airship wharf during the construction phase of the infamous Hindenburg Zeppelin. The photographs of the interior offer a profound insight into the vast scale of this ambitious endeavor. – Corners slightly bumped, some scuff marks, otherwise in very good condition.

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Galerie Bassenge
Lot 4089

Bailey, David -- South India. 1960s. Vintage gelatin silver print on Agfa-Brovira paper. 22 x 33 cm (30,5 x 40,5). Photographer's stamp, annotated in pencil and newspaper article taped to the verso.Renowned British fashion photographer David Bailey has made multiple trips to India since the 1960s, creating a rich and varied collection of images that beautifully showcase the country's diverse landscapes, people, and culture. In addition to his portraits of prominent figures like Mother Teresa and Indian actress Aishwarya Rai, Bailey's portfolio also includes a series of black-and-white landscape photographs imbued with a sense of subtle contemplation. – Handling creases throughout, especially in margins.

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Galerie Bassenge
Lot 4090

Balász Studio -- Portrait of the Danish silent screen actor Arne Molander. Late 1920s. Vintage matte sepia-toned gelatin silver print. 22,7 x 17 cm. Mounted to original board (soiled, pinholes in corners), signed by the photographer in pencil below the image on the mount; photographer's studio stamp and annotated in pencil on the verso.Danish actor Arne Molander had a relatively limited presence in German cinema, featuring in just three films. He had a leading part in the war drama Richthofen, der Rote Ritter der Luft (Peter Joseph, Desider Kertesz, 1929) as the son of the famous German Baron and WWI hero. Following this, his subsequent appearances were smaller parts in Der höhere Befehl (Gerhard Lamprecht, 1935) and Schlussakkord (Douglas Sierck [later Douglas Sirk], 1936). – Light silver mirroring in edges, otherwise in near excellent condition.

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Galerie Bassenge
Lot 4091

Balkin, Serge -- Female nude studies. 1920s. 2 vintage gelatin silver prints. Each circa 17 x 22,7 cm. Each with photographer's/copyright stamps and annotated in pencil on the verso. Sergeij Balkin, originally from Russia, started his career in the late 1920s in Berlin-Charlottenburg, primarily working with the agency Photo-Ballé. Photos from this time are quite rare, and only a few have his personal copyright stamp, as the ones presented here. In the early 1930s, he moved to the United States and began a successful photography career with Condé Nast Publications, spanning more than two decades. His highly sought-after fashion spreads, in both black and white and color, appeared in prestigious magazines like Vogue, Glamour, House & Garden, and others. In 1950, Balkin co-founded a commercial photography studio with photographers Fredrich Baker, Constantin Joffé, and Herbert Matter. – Some mirroring in edges, a few small surface spots, some small nicks in edges, otherwise in good condition.

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Galerie Bassenge
Lot 4092

Baur, Max -- Campanula with grass. 1930s. Vintage gelatin silver print on doubleweight ivory paper. 29 x 20,5 cm. Mounted to board, signed by the photographer in pencil below image on mount in lower right.The German photographer Max Baur photographer is known for his significant contributions to the New Objectivity movement in the early 20th century. His photography primarily focused on industrial subjects, architecture, and urban landscapes, characterized by precise composition and sharp lines. Baur also created exquisite flower still life photographs, showcasing his versatility and artistic depth within the New Objectivity style. – Slight mirroring in lower portion, retouched spot in negative, otherwise a fine warm-toned print in very good condition.

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Galerie Bassenge
Lot 4093

Berlin 1960s -- Photographer: Herbert Jacobi (1915-1978). Berlin dance and strip clubs and other buildings around Bülowstr., Schöneberg and Charlottenburg, Berlin. 1966. 33 vintage ferrotyped gelatin silver prints. Various sizes between circa 19 x 17 cm, 17 x 23 cm and 23 x 17 cm. Most mounted to card with hole punches on left side, annotated in pencil in German on mounts.Herbert Jacobi began photographing in his hometown Berlin at the end of the war. From the early 1960s, he was employed by the Berlin Gas Works. The task of documenting the extensive facilities scattered across the western part of the city was an artistic challenge for Jacobi, resulting in panoramic shots and detailed views, some of which featured impressive compositions. This collection includes photographs of dance and strip clubs near Bülowstrasse in Berlin, as well as shots of buildings near Niebuhr Strasse and Pestalozzistrasse. It also contains some personal images, including those of Jacobi with his partner. – A few photos with bumped corners, otherwise in very good condition.

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Galerie Bassenge
Lot 4094

[*] Berlin Wall -- Photographer unknown. Early views of the Berlin Wall. 1961. 25 vintage gelatin silver prints on doubleweight paper. Between 17,7 x 23,7 cm and 20,7 x 25 cm. Annotated in pencil and with Zollfahdungsstelle Berlin copyright stamp on verso. Accompanied by an official document issued by the Berlin Customs Office. These photographs, commissioned by the Berlin Customs Office, serve as a detailed chronicle of the initial stages of the construction of the Berlin Wall spanning from August to November 1961. Within this collection, significant historical moments are vividly captured, such as scenes at the Brandenburg Gate border crossing, families waving to each other across the wall, border officials stationed at Potsdamer Platz and Bernauer Strasse, and the iconic confrontation between Russian and American tanks at Checkpoint Charlie. This remarkable archive holds immense historical significance, offering a poignant glimpse into a pivotal period in Berlin's history. – Some buckling, creases and pressure marks, otherwise in very good condition.

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Galerie Bassenge
Lot 4112

Clergue, Lucien -- "Urban Nude". 1979. Vintage gelatin silver print. 30,2 x 23,7 cm. Photographer's stamp (partially cut off), layout notations and dated in pencil on the verso.Renowned French photographer Lucien Clergue is celebrated for his captivating and artistic nude photography. While he is primarily associated with naturalistic outdoor nude studies, he also delved into the realm of urban nudes, enabling him to juxtapose the human form with architectural and urban landscapes. In this new context, he experimented with angles, reflections, and compositions to produce images that pushed the boundaries of traditional nude photography, achieving a unique fusion of sensuality and urban surroundings. – Some handling creases, especially in right and lower edge, corners bumped, otherwise in good condition.

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Galerie Bassenge
Lot 4113

Cohen, Serge -- Richard Avedon. 1994. Vintage gelatin silver print. 22 x 26 cm (29,4 x 39,5 cm). Signed, titled and dated by the photographer in marker on verso.Serge Cohen's photographic repertoire covers a wide array of subjects, spanning architecture, landscapes, and reportage, with his most recognized work being his skillfully staged portraits. The featured photograph depicts the celebrated American fashion and portrait photographer Richard Avedon, whose groundbreaking contributions reshaped the industry and elegantly captured the essence of his subjects. – Creases in upper corners in margins, a few handling dents, otherwise in good condition.Provenance: Uta and Wilfried Wiegand Collection

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Galerie Bassenge
Lot 4118

Dutton, Allen A. -- Surrealistic collage. 1970s. Vintage gelatin silver print. 19 x 23,2 cm. Mounted to card, with photographer's stamp and annotated in ink on the verso.Born in 1922 in Kingman, Arizona, Allen Dutton studied painting and sculpture at the Art Center School in Los Angeles. He held a variety of teaching posts in public schools in Arizona, before joining the art department at Phoenix College in 1960, where he taught photography and later served as head of the department until 1982. Between 1963-1964, he studied with Minor White and has acknowledged this time to be one of the greatest influences in his photographic development. His work is in the collections of the Museum of Modern Art, Bibliothéque Nationale in Paris and the Corcoran Gallery in Washington DC. – Light crease in upper left corner of photo, crease in upper right corner of mount, otherwise in very good condition.

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Galerie Bassenge
Lot 4120

Madame D'Ora -- Madame Domergue, wife of the painter Gabriel Domergue, in a cloak designed by her husband. Circa 1920. Vintage gelatin silver print. 22,2 x 12,5 cm. Photographer's stamp, annotated in pencil and typed press text label on the verso.Dora Kallmus, known professionally as Madame D'Ora, was an Austrian photographer who became famous for her portrait and fashion photography during the early 20th century. Born in Vienna in 1881, she became known for her striking portraits of famous personalities such as Pablo Picasso, Josephine Baker, and Gustav Klimt. Her innovative and elegant approach to fashion photography made her a leading figure in the Parisian fashion scene during the 1920s and 1930s, leaving a lasting impact on the industry. – A few small nicks in edges, minimal mirroring in lower area and upper edges, corners slightly bumped, otherwise in very good condition.

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Galerie Bassenge
Lot 4121

Madame D'Ora -- Fashion photo. Circa 1925. Vintage matte gelatin silver print. on chamois paper 22,3 x 29,5 cm. Signed by the photographer in pencil in lower right; photographer's RUE Eugène-Flachat, Paris stamp and number in pencil on the verso.Madame D'ora's fashion photographs from Paris showcase her remarkable ability to capture the elegance and style of the city's fashionable society during the early 20th century. – Traces of previous mounting on the verso, otherwise a fine tonal print in excellent condition.

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Galerie Bassenge
Lot 4127

[*] Entartete Kunst -- Proscription postcards showing works in the "Entartete Kunst" (Degenerate Art) exhibition. 1937. 6 vintage gelatin silver photo postcards. Each circa 9 x 14 cm. The "Entartete Kunst" (Degenerate Art) exhibition holds historical significance as a symbol of the Nazi regime's suppression of artistic freedom, censorship of modern art, and the persecution of artists during the era of National Socialism in Germany. Among the displayed works was Otto Dix's haunting portrayal of four wounded veterans, "Die Kriegskrüppel" (1920), considered a masterpiece of the New Objectivity movement. Unfortunately it went missing in the aftermath of the exhibition. – Corners slightly bumped, otherwise in very good condition.

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Galerie Bassenge
Lot 4128

Fashion 1920s -- Photographer: Paul Géniaux (1873-1930). Fashion photos. 1923. 16 vintage gelatin silver prints. Circa 18 x 13 cm. Most with number in the negative in upper/lower corner; most with photographer's stamp and some annotated in pencil on the verso.Paul Géniaux's photography is distinguished by a unique artistic sensibility, covering a diverse array of subjects, from landscapes and portraits to genre scenes and fashion photography. In the early 1920s, he produced several striking series that beautifully encapsulate the elegance and style of French fashion in the early 20th century. – Edges slightly curled, some with silver mirroring, otherwise in very good condition.

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Galerie Bassenge
Lot 4129

Feininger, Andreas -- "Rockefeller Center, New York". 1942. Vintage large-format gelatin silver print. 47 x 40 cm. Titled by the photographer on label, affixed in lower left, flush-mounted to board, annotated Please return to Andreas Feininger c/o LIFE PHOTO LAB, 5th floor 9 Rockefeller Plaza, NYC. and signed by the photographer in ink, Life Picture Service stamp and with 2 exhibition labels on mount verso, framed under museum glass in gilded wooden frame with glass backing.Andreas Feininger's photography in New York is distinguished by his expert handling of light and composition, skillfully capturing the city's urban landscape with a sense of dynamism and allure. His photographs frequently highlight the interaction between architecture, shadows, and human activity, providing a distinct and visually captivating view of the city's lively atmosphere. The two exhibition labels on the verso of the mount confirm that this photograph was featured in two exhibitions during the 1940s, and it stands out as an exceptionally well-crafted print, further enhanced by its rarity in this larger vintage format. – A fine tonal print in very good condition.Provenance: Collection Prof. Hans Kollhoff, Berlin

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Galerie Bassenge
Lot 4131

[*] Film Photography -- Photographer unknown. Portrait of Marlene Dietrich for "Dishonored". 1931. Vintage ferrotyped gelatin silver print. 25,8 x 20 cm. Negative number in lower right; annotated in pencil on the verso.In the 1931 film "Dishonored," Marlene Dietrich delivered a captivating and sophisticated performance as a Viennese prostitute turned Austrian spy during World War I. Her portrayal showcased her alluring and complex character, solidifying her status as an iconic actress of classic Hollywood cinema. – Some handling/crease marks, crease in lower right, a few light surface scratches, slightly soiled, otherwise in good condition.

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Galerie Bassenge
Lot 4135

[*] Fleischmann, Trude -- Wilhelm Furtwängler. Circa 1920. Vintage gelatin silver print mounted to board. 22,9 x 16,7 cm (37,7 x 29,8 cm). Photographer's studio reference in negative in lower left corner. Trude Fleischmann's portraits of celebrities are marked by their candid and intimate quality. During the 1920s and 1930s, her Vienna studio became a gathering place for avant-garde artists and cultural figures, leading to the creation of striking portraits that captured the essence and personality of her subjects. Trude Fleischmann's portrait of Wilhelm Furtwängler, a renowned German conductor and composer, is a prime example of her work capturing prominent cultural figures of her time. – Some finger prints, a few retouched spots, some slight oxidation along edges of print, otherwise in good condition.

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Galerie Bassenge
Lot 4142

Bergemann, Sibylle -- Model. 1990s. Vintage polaroid photo. 9 x 11 cm. Sibylle Bergemann rose to prominence as a significant figure in the field of East German photography, demonstrating a remarkable ability to capture the lives of everyday citizens during the Berlin Wall era. Her unique talent resided in her skill to evoke deep emotions and craft compelling stories within her photographs, effortlessly blending artistic expression with the authenticity of documentary photography. Bergemann's Polaroid snapshots possess a distinctive charm, expertly encapsulating the spontaneity of transient moments. – Some light surface scratches, more visible at an angle, otherwise in very good condition.

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Galerie Bassenge
Lot 4143

Bergemann, Sibylle -- DOME (Dominique Hollenstein). 1990s. Vintage gelatin silver print. 14,7 x 19 cm (17,7 x 24 cm). Signed and titled by the photographer in ink on verso. This photograph shows Dominique Hollenstein, a German artist and model who emerged as an icon within the East German underground scene, making her a recurring subject in the portfolios of photographers like Sibylle Bergemann, Arno Fischer, Sven Marquardt, and Robert Paris. – Some light creases and scuff marks, otherwise in very good condition.

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Galerie Bassenge
Lot 4144

[*] Christel, Detlef -- Kids, Berlin. 1980s. Vintage gelatin silver print. 42,7 x 32,7 cm. Photographer's stamp on versoDetlef Christel pursued a photography education at the Hochschule für Grafik und Buchkunst Leipzig between 1976 and 1981. Subsequently, from 1982 to 1991, he worked as a photojournalist for the magazine Freie Welt, with a significant focus on capturing the lives of children in the GDR and their transition into adulthood. His approach involved portraying them in candid, everyday scenarios, offering insights into their inner worlds and the surrounding social circumstances. – In excellent condition.Provenance: From the estate of the photographer

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Galerie Bassenge
Lot 4146

[*] Christel, Detlef -- Palast der Republik, Berlin. 1980s. Vintage ferrotyped gelatin silver print. 29 x 39 cm. Photographer's stamp on verso.The Palast der Republik in Berlin, built between 1973 and 1976, was a notable structure that functioned as both the headquarters of the East German parliament and a hub for cultural activities. It boasted a unique copper-toned exterior and accommodated theaters, art galleries, dining establishments, and various entertainment amenities. – Some surface pitting, light fold mark upper left, otherwise in very good condition.Provenance: From the estate of the photographer.

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Galerie Bassenge
Lot 4147

Fischer, Arno -- "West-Berlin, Weihnachtsmarkt, Lustgarten". 1952. Vintage gelatin silver print. 18,7 x 28,8 cm. Signed, titled and dated by the photographer in pencil on the verso.Arno Fischer's photographs of 1950s West Berlin provide a valuable window into the city during a time when it existed as an isolated enclave within East Germany. His images document post-war rebuilding, street scenes, and the city's vibrant cultural life, offering a snapshot of daily life in the pre-Berlin Wall era. Fischer's documentary-style photographs offer a timeless glimpse into the challenges and resilience of the city's inhabitants during this period, making them valuable historical records and works of art. – Corners bumped and lower left corner with creases, small fold mark in right edge, otherwise in good condition.

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Galerie Bassenge
Lot 4148

Fischer, Arno -- "West-Berlin, Kurfürstendamm". 1956. Vintage gelatin silver print. 18,7 x 28,8 cm. Signed, titled and dated by the photographer in pencil on the verso.Corners bumped and with small creases, a few light handling marks, otherwise in good condition.Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 36.

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Galerie Bassenge
Lot 4155

Marquardt, Sven -- Fashion. 1986. Vintage gelatin silver print. 20,8 x 30 cm. Signed and dated by the photographer in pencil in lower margin; dedicated, signed and dated by the photographer in green ink on verso.Some light creases, a few indentation spots and paint traces on recto, corners slightly bumped.

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Galerie Bassenge
Lot 4160

Paris, Robert -- Berlin. 1980s. 2 vintage gelatin silver prints. 10,5 x 14,8 cm and 18,3 x 24 cm. Both signed by the photographer on verso, 1 also annotated in pencil and with photographer's copyright stamp on verso.During the 1980s, photographer Robert Paris traversed the deteriorating streets of East Berlin, capturing the decaying facades, forsaken factories, and empty squares. He embarked on a mission to preserve the essence of his city, transforming its buildings, streets, and urban vistas into subjects that he portrayed with a unique blend of nostalgia and stark realism. The transient quality evident in his photographs foreshadowed the imminent decline of the GDR system as the decade drew to a close. – Corners slightly bumped, some creases and pin holes in corners, otherwise in good condition. Lit.: Robert Paris. Entschwundene Stadt: Berlin 1980-1989. Mitteldeutscher Verlag, 2013.

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Galerie Bassenge
Lot 4173

Häusser, Robert -- "Nescafé". 1956. Vintage ferrotyped gelatin silver print. 15,5 x 23 cm. Mounted to board, signed, titled and dated by the photographer in pencil below the image on the mount; photographer's stamp and titled and dated by the photographer in pencil on mount verso.Throughout his career, Robert Häusser consistently exhibited an extraordinary talent for encapsulating the quintessence of his subjects, whether they were people, landscapes, or still life. His photography is marked by a pervasive sense of timelessness, achieved through a meticulous dedication to detail and a keen eye for composition. Häusser's ability to transcend temporal boundaries and convey the enduring beauty of his subjects is a hallmark of his remarkable body of work. – Light surface pitting visible at an angle, upper edge slightly bumped, otherwise a rich dark print in very good condition.Lit.: Robert Häusser. Photographische Bilder. Werkübersicht der Jahre 1941 - 1987 (exhibition catalog). Stuttgart 1988, ill. plate 216.

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Galerie Bassenge
Lot 4178

Hoepffner, Marta -- "Fliehende Konstruktion" (Farbfotogramm in polarisiertem Licht). 1977. Vintage chromogenic print on Kodak paper. 21,3 x 21 cm. Signed and dated by the photographer in pencil in lower right corner; titled, dated and annotated by the photographer in black crayon on the verso.Some surface scuff marks, otherwise in very good condition.Lit.: Eva Scheid (ed.). Lichtbilder - Bilder des Lichts. Marta Hoepffner. Fotokünstlerin und Pädagogin. Hofheim am Taunus 1997, see pp. 50-67.

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Galerie Bassenge
Lot 4180

[*] Himalayas -- Photographer: Vonderthann, Berchtesgaden. Himalaya Mountains. 1930s. 5 vintage gelatin silver prints on Agfa-Brovira paper. Various sizes between 30 x 25 cm and 26 x 34,4 cm (39,5 x 30 cm). Each with printed title/photo data and photographer's logo on verso. A few smudges and minor paper yellowing in margins, otherwise beautiful, atmospheric prints in excellent condition.

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Galerie Bassenge
Lot 4197

Klemm, Barbara -- Leonid Breschnew with Willy Brandt in Bonn. 1973. Vintage ferrotyped gelatin silver print. 29 x 39 cm. Photographer's/copyright 6 Frankfurt/Main Brüder-Grimm-Strasse 39 stamp and annotated by the photographer in pencil on the verso.Barbara Klemm, the highly acclaimed German photojournalist, has made extraordinary contributions to the field of documentary photography. Her work not only captured historical events but also provided a valuable glimpse into the intricacies of Cold War politics and diplomacy, leaving a lasting impact on the field. – Some edge wear, corners bumped, crease marks throughout, small paper loss on the verso, otherwise in good condition. – With: Some newspaper clippings pertaining to the event.

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Galerie Bassenge
Lot 4202

Krolow, Wolfgang -- Ku'damm Eck, Berlin. 1980s. Vintage gelatin silver print. 40 x 27,3 cm. Signed by the photographer in pencil and photographer's/copyright stamp on the verso. Minimally buckled, otherwise in very good condition

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Galerie Bassenge
Lot 4205

Landauer, Lou -- Photogram of oat grass. 1942. Vintage gelatin silver print. 24 x 18 cm. Photographer's estate stamp on the verso.Born in 1897 in Cologne, Lou Levi married Georg Landauer, a prominent Zionist politician, in 1923 after attending the Commercial Academy in Cologne. Her passion for photography led her to the Staatliche Fotoschule in Munich in 1928/29. She continued her photographic studies in Berlin, at the Lette Verein, and in 1934, she immigrated to Palestine with her husband and parents. Lou Landauer worked as a press photographer for the Jüdische Rundschau, still published in Berlin at the time, and later as a photography teacher at the Bezalel Hechadash, the new arts and crafts school in Jerusalem. In 1949, she relocated to the USA, where she pursued a career as an advertising photographer and experimented with the Carbro process before transitioning to an assistant librarian position at the Leo Baeck Institute in New York. – Some light handling marks, corners slightly bumped, light spot in upper right, otherwise in very good condition. Provenance: From a descendant of the photographer

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Galerie Bassenge
Lot 4206

Landauer, Lou -- Stapelia. 1944. Vintage matte gelatin silver print on strong paper. 28 x 23,5 cm. Annotated and dated by the photographer in ink/pencil and photographer's Jerusalem stamp on the verso.A rich tonal print in very good condition. Provenance: From a descendant of the photographer

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Galerie Bassenge
Lot 4214

List, Herbert -- Jean Cocteau, Paris. 1948. Vintage gelatin silver print on Agfa-Brovira paper. 23 x 28,5 cm. Photographer's/copyright stamps and annotated in ink/pencil on the verso.Herbert List's portraits of Jean Cocteau, the acclaimed French writer, artist, and filmmaker, are a testament to List's ability to capture the essence of his subjects, conveying the multifaceted persona of Cocteau through evocative and thought-provoking imagery. – Light buckling, small liquid surface spot in upper left, minimal surface scuffing more visible in raking light, light crease mark in lower right corner, corners slightly bumped, otherwise a rich, dark print in very good condition.Lit.: Max Scheler/Matthias Harder (eds.). Herbert List. The Monograph. Munich 2000, ill. p. 205 (image from the same sitting).Provenance: Uta and Wilfried Wiegand Collection

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Galerie Bassenge
Lot 4215

Larisch-Moennich, Count Franz von -- "Tropische Wolkenpracht". Circa 1910. Vintage platinum print flush-mounted to cardboard. 31,5 x 41,5 cm (40 x 50 cm). Signed, titled and annotated by the photographer in ink on mount verso; annotated by another hand in pencil on verso. Franz Count of Larisch-Moennich's captivating seascapes originated from his extensive journeys across the Atlantic, Indian, and Pacific oceans from 1909 to 1914, during which he meticulously studied the ocean's dynamics. Count Larisch embraced substantial challenges, navigating even the most turbulent waters and engineering a specialized waterproof housing for his camera to shield it from the relentless waves. These resulting photographs, like this tranquil tropical ocean vista, captivated not only the artistic community but also marine experts, intriguing them with his unique perspective on the sea's movement. – Some very light scuff marks and small spots in upper sky area, a few stains and foxing on verso of mount, otherwise a fine tonal print in very good condition.

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Galerie Bassenge
Lot 4224

McBride, Will -- Boys playing in the sand. 1950s. Vintage ferrotyped gelatin silver print on Agfa-Brovira paper. 30 x 24 cm. Annotated in ballpoint pen on the verso.A few minimal handling marks, some pitting/irregularities to ferrotype surface, otherwise in good condition.

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Galerie Bassenge
Lot 4233

Meydenbauer, Albrecht -- Messbild photographs of Eltz Castle, Magdeburger Dome, Limburg Dome, St. Lambert's Church Münster, and Cologne Cathedral. 1910s. 5 vintage gelatin silver prints. Each circa 38 x 38,8 cm. Each annotated in pencil and Cologne image with stamps on the verso and AUSSCHUSS perforated stamp in lower right. Albrecht Meydenbauer, a distinguished German architect and civil engineer, gained recognition for his significant advancements in photogrammetry, a field focused on acquiring accurate information about physical objects and environments by recording, measuring, and interpreting photographic data. Through his work at the image measurement institute he founded in 1885, Meydenbauer established an extensive monument archive, now recognized as one of the world's largest and protected of such archives by UNESCO. – Two with handling creases, otherwise in good condition.Lit.: Rudolf Meyer (Hrsg.). Albrecht Meydenbauer. Baukunst in historischen Photographien. Leipzig 1985.

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Galerie Bassenge
Lot 4234

Munkácsi, Martin -- Horseback riding at Wannsee. 1930s. 2 vintage ferrotyped gelatin silver prints on doubleweight paper. Each circa 24,5 x 30 cm. Each with photographer´s stamp on verso. Martin Munkácsi, born in Hungary in 1896, stands as a pioneering figure in the realms of fashion and sports photography. His groundbreaking work reshaped the world of fashion photography by liberating models from the confines of the studio, capturing their dynamic grace in outdoor settings. – Some creases, scratches and handling marks, one print with retouched lines in upper sky area and slight mirroring visible in dark areas, more visible at an angle, one with light rust stain in upper left, otherwise in good condition.

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Galerie Bassenge
Lot 4242

Neusüss, Floris M. -- Rondanini Medusa, Glyptothek, Munich. 2002. Vintage gelatin silver after a photogram. 36 x 17 cm (40,2 x 30,5). Signed, titled and dedicated by the photographer in pencil and photographer's stamp on the verso.In very good condition.

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Galerie Bassenge
Lot 4250

Perckhammer, Heinz von -- Female nude. 1932. Vintage gelatin silver print on chamois paper. 23,4 x 17,4 cm. Photographer's/copyright stamps and annotated in pencil on the verso. Heinz von Perckhammer, an accomplished photographer originating from Tyrol, gained recognition for his remarkable body of work, prominently featuring Chinese nudes and street scenes from the bustling city of Beijing. His nude portraits stand out due to their exquisite elegance, gracefully bridging the realms of classical aesthetics and contemporary sensibilities. Perckhammer's artistic depictions of the human form carry a profound sense of intimacy and vulnerability, forging a powerful connection that resonates between the viewer and the subject. – Minimal oxidation mirroring in right and upper edge, more visible at an angle, otherwise in very good condition.Lit.: Published in: Das Leben, July 1932, vol. 10, issue 1, titled "Das Kleid aus Nichts" (variant).

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Galerie Bassenge
Lot 4254

[*] Reidt, Hedda -- Hands with ring. Circa 1925. Vintage gelatin silver print mounted to board (lifting off of mount). 12 x 17 cm (29 x 21 cm). Signed by the photographer in pencil below image, lower right on mount; photographer's stamp on print verso. Hedda Reidt trained in photography in Munich from 1917 to 1919, studying alongside future cinematographer Willy Zielke and fellow photographer Lotte Jacobi. During her development as a photographer she transitioned from Pictorialism to embracing the New Objectivity style. By 1928, she had established herself as an independent photographer, and her assignments included product photography for diverse clients, such as designers, educational institutions, and the Deutsche Werkstätten. Her material-focused photographs garnered recognition and were featured in prominent photography exhibitions. – Upper left corner slightly bumped, some light mirroring in edges, only visible in raling light, otherwise in very good condition.

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Galerie Bassenge
Lot 4258

[*] Riefenstahl, Leni -- Self-portrait. Circa 1930. Vintage gelatin silver print (photo postcard). 11 x 8 cm (14 x 9,2 cm). Signed by the photographer in the negative in lower margin. This self-portrait captures Riefenstahl in a somber and dramatic style that mirrors the intense lighting seen in her later cinematic works. While her artistic talents were evident, her association with the Nazi regime and her role in propaganda filmmaking remain subjects of significant debate and criticism. – Corners slightly bumped, minimal mirroring along edges of print, otherwise in very good condition.

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Galerie Bassenge
Lot 4261

Ronkholz, Tata -- "Duisburg-Neudorf, Kammstrasse 131" from the 'Trinkhallen' series. 1978. Vintage ferrotyped gelatin silver print on Agfa paper. 30,5 x 40,4 cm. Number notation 65 by the photographer in pencil on the verso.Some surface scuff marks/rubbing, light surface scratch in upper right near edge, otherwise in very good condition.

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Galerie Bassenge
Lot 4264

[*] Sander, August -- Individual studio portraits. Circa 1902-1909. 3 vintage gelatin silver prints mounted to original studio board. Between 9,7 x 6,5 cm and 20,2 x 9,6 cm. Photographer's studio logo on recto and verso of mount. August Sander is celebrated for his pioneering approach to portrait photography, capturing the diverse faces of German society in the early 20th century through his monumental project "People of the 20th Century." Offered here are three early portraits from the photographer's studio in Linz. – Edges of mounts slightly rubbed, some light foxing and surface scuff marks, otherwise in good condition.

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Galerie Bassenge
Lot 4266

Schwerdtle, Dieter -- Joseph Beuys planting the first tree for his "7000 Eichen" project during the documenta 7 in Kassel. 1982. Vintage gelatin silver print. 34,5 x 2,5 cm (40,4 x 30,4 cm). Signed, titled and dated in pencil on verso.For the Documenta 7 in 1982, Joseph Beuys embarked on a project titled "7,000 Oaks" (7.000 Eichen). As part of this project, Beuys proposed the planting of 7,000 oak trees throughout the city of Kassel, the host city of Documenta. Each oak tree was accompanied by a basalt stone, and the combination of tree and stone was considered a work of art. Beuys conceptualized this project as a manifestation of "social sculpture," where art and ecological advocacy intersected. – Corners slightly bumped, some smudging in lower right corner, small spot in upper margin, otherwise in very good condition.

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Galerie Bassenge
Lot 4267

Siam -- Photographer: Emil Eduard Groote (1870-1948). Views of the Ceremonial Reception of His Majesty King Chulalongkorn of Siam (9) on the occasion of his return from his second (1907) trip to Europe and some landscape views. 1907. 15 vintage platinum prints. Most circa 10 x 12,5 cm and 12 x 16 cm.Apart from depicting a range of bustling canal and river scenes, this rare collection of photographs also features the religious and military reception ceremony held in Bangkok on November 17, 1907, to welcome King Chulalongkorn back from his European journey. The grand procession moved through Rajdamnern Avenue, passing under elaborately constructed arches of honor, with enthusiastic participation from the public, turning the occasion into a joyous and festive celebration. – Some corners bumped, otherwise in good to very good condition with strong contrasts.Lit.: Joachim K. Bautze. Unseen Siam: Early Photography 1860 - 1910. Bangkok 2016, compare p. 345, plate 9 and 10. Provenance: Estate of Georg Friedrich Wilhelm Rexhausen, Bangkok

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Galerie Bassenge
Lot 4273

Slevogt, Max -- Photographer unknown and Hugo Erfurth (1 photo postcard). Portraits of the painter Max Slevogt. 1918-1930. 15 vintage gelatin silver prints. Between circa 13,5 x 9 cm, 16 x 12 cm and 19 x 16 cm. Most mounted to card/matted.Max Slevogt was a highly influential German painter and printmaker renowned for his contributions to Impressionism and German Expressionism. Slevogt's work is characterized by its vibrant and atmospheric landscapes, often depicting gardens, sunlight, and leisure activities. He was also associated with the Berlin Secession and ventured into Expressionism during his career. The images comprise Max Slevogt painting in his studio circa 1930, Slevogt painting in 1918 outdoors as well a group portrait of the Berliner Secessionists and Slevogt's funeral. – Some with silver mirroring in edges, otherwise in very good condition.

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Galerie Bassenge
Lot 4274

Slevogt, Max -- Photographer unknown. Portraits of the painter Max Slevogt. Mid-1920s. 7 vintage gelatin silver and 2 pigment prints. Between circa 12 x 8 cm, 14 x 9 cm and 21 x 16 cm. Most mounted to card/matted.The images comprise three close-up portraits of Max Slevogt as well as several images of the artist being modelled for a bust sculpture. – Some with silver mirroring in edges, otherwise in very good condition.

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Galerie Bassenge
Lot 4276

Stöcker, Alex -- Rhön Glider Competition. Early 1930s. Vintage gelatin silver print on strong chamois paper. 12 x 16,5 cm. Photographer's stamp, copyright/reproduction limitation stamps and typed press text label on the verso.Alexander Stöcker, a versatile German photographer, is celebrated for his diverse portfolio encompassing aviation, sports, and early 20th-century history, particularly his meticulous documentation of the groundbreaking 1930 Rhön Glider Competition, a pivotal event that spurred significant advancements in aviation and gliding. – Corners minimally bumped, otherwise in excellent condition. Provenance: The estate of the photographer

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Galerie Bassenge
Lot 4279

Thiemann, Elsa -- Design for wallpaper.1930-31. Unique vintage ferrotyped gelatin silver print collage. 49,7 x 42,3 cm. Mounted to board, photographer's estate stamp on mount verso.Lifting off of mount in edges, some retouched spots/lines, some handling dents, some mirroring in edges. Lit.: Annemarie Jaeggi/Margot Schmidt (eds.). Elsa Thiemann: Fotografin. Bauhaus und Berlin. Berlin 2004, see pp. 18-27.Provenance: From the estate of the photographer

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Galerie Bassenge
Lot 4280

Thiemann, Elsa -- Design for wallpaper.1930-31. 4 unique vintage gelatin silver prints, finely hand-colored, mounted as a collage. 48 x 31,8 cm. Mounted to board; photographer's estate stamp and number 863 in red crayon and annoated in pencil on mount verso.This unique photo collage is the only known color work by Elsa Thiemann. – Some photos lifting off mount, some light soiling, a few creases, otherwise in good condition.Lit.: Annemarie Jaeggi/Margot Schmidt (eds.). Elsa Thiemann: Fotografin. Bauhaus und Berlin. Berlin 2004, see pp. 18-27.Provenance: From the estate of the photographerErrata/Addenda:The four gelatin silver prints are finely hand-colored and not on color photo paper as stated in printed catalogue.

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Galerie Bassenge
Lot 4285

Umbo -- Dance images. 1936. 8 vintage ferrotyped gelatin silver prints. Each circa 12 x 8,7 cm. Each with PHOTO UMBO Berlin-Grunewald Niersteiner Str. 6 stamp and annotated in pencil on the verso.Otto Umbehr, known as UMBO, played a significant role in avant-garde and modernist photography during the early 20th century. His exceptional photographs of dancers exemplify his innovative approach to this art form, portraying the grace, energy, and fluidity of dance in a manner that surpasses conventional representations. UMBO's images of dancers are characterized by dynamic compositions and a compelling use of light and shadow, imparting a palpable sense of motion and vitality to each frame. One of these photos features the dancer Gret Palucca. – Traces of previous mounting on the verso, several light handling marks, some silver mirroring in dark areas, otherwise in good condition.

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Galerie Bassenge
Lot 4288

Wendlandt, Kurt -- "Aus dem 'Ossian'-Zyklus: Siehe der Mond erscheint, die Felsen stehen grau" (Lichtgraphik - Fotogramm, Solarisation). 1975. Unique large-format vintage gelatin silver print on photo canvas. 35,5 x 48 cm. Mounted to grey board (56,5 x 70 cm), signed, titled and dated by the photographer in pencil below the image on the mount; titled and dated by the photographer in pencil on mount verso.Kurt Wendlandt, a versatile artist in painting, printmaking, photography, writing, and illustration, emerged as a highly creative figure in postwar West Germany. After studying at the State Academy of the Arts from 1937 to 1943 and briefly pausing his artistic work due to a war injury, he resumed his creative journey after World War II. In 1958, he began experimenting with transparent materials, leading to his first Lichtgraphiken, and his close friendship with Heinz Hajek-Halke positioned them at the forefront of Berlin's avant-garde "Lichtgraphik" movement during the 1960s. Despite limited commercial recognition, Wendlandt's light graphics and other works are now housed in numerous museums and collections. – In excellent condition.Provenance: The estate of Kurt Wendlandt.

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Galerie Bassenge
Lot 4293

Windstosser, Ludwig -- Ball bearing. 1950s. Vintage ferrotyped gelatin silver print on Agfa paper. 19,5 x 29,5 cm. Photographer's and SAAR stamp and number in pencil on the verso.Ludwig Windstosser's work is a testament to his passion for capturing the beauty and essence of architectural forms and the built environment. He meticulously documented architectural details, landscapes, and everyday scenes, with a profound appreciation for the aesthetic qualities of structures and their relationship to their surroundings. His photographs are characterized by a keen sense of composition and attention to detail, offering viewers a visually compelling journey through the architectural wonders of Germany and beyond. – Corners bumped, some creases in upper right corner, a few light handling marks/creases, a few retouched spots, otherwise in very good condition.

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Galerie Bassenge
Lot 4295

Wolf, Reinhart -- Guilin, China. 1984. Vintage chromogenic print. 24 x 30 cm. Titled and signed by the photographer in gold ink in lower margin.The German photographer Reinhart Wolf is celebrated for his remarkable contributions to fashion and portrait photography. His portfolio radiated elegance, meticulous attention to detail, and a unique sense of style, establishing him as a highly sought-after photographer within the fashion and entertainment realms. He not only crafted iconic portraits of celebrities, models, and artists but also ventured into the realm of landscape and architectural photography, leaving an enduring mark on the world of photography with his versatile and influential body of work, including his notable creations in China. – A few light handling marks, small pinhole in upper margin, otherwise in good condition.

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Galerie Bassenge
Lot 4296

World War I -- Photographer: Carl Drausfeld, Benninghoven and Bufa. Images of World War I. 1914-1918. 7 vintage gelatin silver prints. Each 22,5 x 27,5 cm. Most with photographer's name, number and Paul Hoffmann & Co. censorship logo in the negative in lower edge; most with printed text label on the verso.This lot comprises a range of World War I scenes, depicting soldiers setting up their equipment, engaging in combat, generals strategizing maneuvers, and views from a field post office distributing mail to the troops. – Slight traces of use, oxidation mirroring in edges, otherwise in good condition.

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