Vintage Roamer 17 jewel Super- Shock wristwatch, Rotary watch, Precimax 17 jewels watch with a black dial, Craftsman 17 Jewels ladies watch and Timex watch with a red dial (5) Roamer, Precimax, Craftsman watches are all working at time of inspection. Not tested for time keeping.Rotary is not working Timex is not working and back of case is loosePrecimax glass is scratchedSigns of wear commensurate with ageEwbank's do not guarantee the working order or accuracy of any lots sold.
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Slava 21 jewel wristwatch, with a green dial, with a vintage Timex watch, Sekonda 23 jewels watch, Trafalgar 17 jewels watch and Roamer Stingray Roto 44 date watch (5) All working at time of inspection. Not tested for time keeping.Slava watch, glass and case is scratched Signs of wear commensurate with ageEwbank's do not guarantee the working order or accuracy of any lots sold.
George Weil vintage diamond spray brooch, set with round brilliant and baguette cut diamonds, estimated total diamond weight 2.00 carats, marked G.Weil, with a double pin fitting and roll catch, 7 x 3.5cm and a pair of matching diamond earrings, with clip on fittings for non pierced ears, all mounts stamped 18 ct and platinum Gross weight 49.7 gramsestimated total weight of the earrings 0.44 caratspin clasp opening and closing securelyclip on fittings opening and closing securelyone earring measures approximately 3.3 x 1.3 cm
Antique diamond ring, set with seven old cut diamond estimated total diamond weight 0.87 carats, mount testing as 18 ct and shank testing as 9 ct , ring size N, with an early 20th C Swiss cut diamond ring, in 18 ct hallmarked Birmingham 1915, ring size H and a vintage diamond cluster ring, set in 9 ct, ring size O 9 ct gross weight 1.9 gramsAntique and early 20th rings gross weight 4.6 gramsAntique diamond ring, largest diamond estimated weight 0.18 carats, the rub over settings are worn and fine shank is later addition
Vintage sapphire and diamond cluster domed dress ring, central oval faceted sapphire, weight estimated 10.19 carats, surrounded by a halo of diamonds, with diamond set panels to shoulders, claw-set in textured bark effect domed mount, marked for 18 ct, ring size J Gross weight 20.0 gramsSapphire measures 15.23 x 12.01 x 6.63mm which calculates an estimated 10.19 caratssmall chips to the girdle of sapphireSome diamonds have small chips
Vintage 1960's Smiths square faced dress watch with silvered dial and 21 jewel movement, on a brown leather strap, Arlington 30 jewel incabloc Super automatic watch with a silvered dial, on chunky white leather strap, Saxon stainless steel cased watch with black dial, Nobeaa dress watch with roman numeral chapter ring, and a Regency wristwatch with 15 jewel movement. (5) Arlington and Saxon working at time of inspection. Not tested for time keeping.Smiths does not workNobeaa bezel metal damagedRegency dial stained at 3 o'clock markArlington glass hazySigns of wear commensurate with age, all bezels show signs of wearEwbank's do not guarantee the working order or accuracy of any lots sold.
Vintage three stone ring, set with round brilliant cut diamonds, estimated total diamond weight 0.90 carats, ring size S and a similar 1970's single stone diamond ring, size O, both mounted in 18 ct and a Victorian seed pearl stick pin, stamped 15 ct 18 ct gross weight 15.4 gramsstick pin weight 1.4 gramsThree stone estimated clarity Iscratches to surface of gold on both rings single stone diamond ring hallmarked London 1975
Mixed group of vintage and antique costume jewellery, Victorian fancy link bracelet with swivel clasp, Scottish agate and quartz brooch, another similar agate brooch, oval signet ring, size X, graduated pearl necklace, mother of pearl ring, charm bracelet, engraved bangle, oval locket, pair of hoop earrings, identity bracelet and fine chain, all marked as or testing as silver, together with a pocket watch in an Elgin Illinois case numbered 1813536, a Chinese mother of pearl bracelet, with gilt metal brooches, cameos, a novelty tape measure with a flat iron with agate handle and other items Silver gross weight 136.2 gramsMother of pearl ring is miss-shapenQuatrefoil Scottish brooch is missing two agate pieces, and another has extensive surface damage
Mixed group of gold jewellery, including a vintage single stone diamond ring, with leaf detail on the shoulders, mounted in 18 ct yellow gold, ring size N 1/2, a modern synthetic spinel dress ring, size P, early 20th C amethyst bar brooch, and yellow paste set filigree brooch, all testing as 9 ct 18 ct gross weight 3.8 grams9 ct gross weight 4.1 gramsDiamond ring estimated clarity I, illusion setEarly 20th C amethyst brooch, measures approximately 5.7 x 0.9cm, metal pin with gold catch opening and closing securely Yellow paste brooch has chip to top surface, pin is loose and appears to be later edition
Vintage Smiths Empire wrist watch, 5 jewel movement with a stainless steel case and adjustable bracelet, with another Smiths gold plated wristwatch, a Ventur 17 rubis watch, Accurist and a Rotary watch (5) All watches are currently working but none have been tested for time keepingSigns of wear commensurate with ageEwbank's do not guarantee the working order or accuracy of any lots sold
Six watches; including a Hislon 17 Rubis, a Zelma De Luxe, a vintage Timex, Citizen, Smiths Empire watch and Sekonda wristwatch (6) Hislon, Zelma, Timex, Smiths Empire, Citizen are all currently working but have not been tested for time keepingSekonda watches are not workingSigns of wear commensurate with ageEwbank's do not guarantee the working order or accuracy of any lots sold
Poljot International chronograph 23 jewels watch with blue dial and skeleton back, with a similar Poljot 23 jewels watch, bezel engraved Moscow 1992 Rome, Seiko 5 automatic, with champagne dial watch, Hermes 17 jewel watch and a vintage Lucerne Sport (5) All working at time of inspection. Not tested for time keeping.Signs of wear commensurate with ageAll glasses have scratchesEwbank's do not guarantee the working order or accuracy of any lots sold.
A vintage 9ct yellow gold and garnet flanked solitaire ring. Set to centre with a round mixed cut garnet in a four claw setting flanked either side by five round brilliant cut garnets in channel settings. Engraved detailing to the sides and pierced heart motif to the gallery flowing into a tapering shank. Fully hallmarked for 9ct gold. Ring size N
Bernd und Hilla BecherHilla BecherBernd BecherIndustriebauten Portfolio mit 10 Vintages, Gelatinesilberabzügen hochglänzend Jeweils 19,5 x 15,5 cm, Hoch- und Querformate. Einzeln freiliegend unter Passepartout und unter Glas gerahmt. Jeweils rückseitig mit Copyrightstempel der Photographen. Aus einer Auflage von 55 Exemplaren. Edition des Städtischen Museums, Mönchengladbach. - Die originale Portfoliobox und das Textblatt mit Nummerierung sind nicht erhalten.ProvenienzEhemals Sammlung Sal. Openheim, KölnLiteraturBernd und Hilla Becher, Anonyme Skulpturen. Eine Typologie technischer Bauten, Düsseldorf 1970, mit Abbn.Motive:1. Kalköfen, ca. 1920, bei Manbenge, Nordfrankreich, 19632. Fördertum, ca. 1910, "Blaenserchan" Colliery, Pontypool, Südwales, 19663. Wasserturm, Liège, 19684. Kühlturm, ca. 1950, Zeche "Victoria Mathias", Essen, Ruhrgebiet, 19635. Silo und Mischanlage einer Baustelle, Essen, Ruhrgebiet 19656. Raffinerie, Lothringen, 19677. Gasbehälter, ca. 1880, London-Finchley, 19668. Gasbehälter, 1959, Wuppertal, 19639. Silo für Kokskohle, ca. 1920, Kokerei "Eschweiler Reserve", bei Aachen, 196510. Förderturm, 1920, Fosse "Dutemple", Valenciennes, Nordfrankreich, 1967Bei den zehn Aufnahmen von Industriebauten handelt es sich um jene Edition, die das Städtische Museum Mönchengladbach 1968 anlässlich der Ausstellung "industriebauten, eine fotografische dokumentation von b. u. h. becher" herausgegeben hat. Damals konnte das Museum noch nicht ahnen, welche Bedeutung das Künstlerpaar für die Entwicklung der Photographie und deren Etablierung als feste Größe im internationalen Kunstbetrieb nehmen würden. Mit ihrem typologischen Ansatz waren die Bechers nicht nur Begründer der ‚Düsseldorfer Photoschule' sondern auch Vorbild für eine ganze Generationen internationaler, konzeptionell arbeitender Künstler und Photographen. Die mit einer Plattenkamera im Format 13 x 18 cm aufgenommen Photographien weisen den für die Bechers charakteristischen, sachlich-dokumentarischen Blick auf das Objekt auf. Mit der Wahl eines erhöhten, distanzierten Standortes, der das photographische Erfassen der Gesamtheit des Bauwerks und dessen Zentrierung im Bild erlaubt, liegt den Aufnahmen eine einheitliche formale Struktur zugrunde. Dennoch kommen, bei aller Entsubjektivierung der Objekte, aufgrund der Präzision der Bilderfassung immer auch kleine Besonderheiten und Details zum Vorschein, die jede Photographie zu einem individuellen Portrait des gezeigten Bauwerkes werden lassen. Beim Blick auf die Gesamtheit der hier vorliegenden Photographien entsteht der Eindruck einer Art Familienzusammengehörigkeit, der nicht nur dadurch zustande kommt, dass die Gebäude ihre Zugehörigkeit zu einer im Niedergang begriffenen Industriekultur eint, er ist auch Ergebnis der handwerklichen Meisterschaft Bernd und Hilla Bechers als Photographen vor Ort und in der Dunkelkammer. Nach Auskunft von Hilla Becher wurde die damals geplante Auflage von 55 Exemplaren nicht vollständig realisiert.Wie danken Gabriele Conrath-Scholl (Die Photographische Sammlung/SK-Stiftung Kultur, Köln) für hilfreiche Informationen. Bernd and Hilla BecherHilla BecherBernd BecherIndustriebauten Portfolio containing 10 vintage ferrotyped gelatin silver prints Each 19.5 x 15.5 cm, portrait and landscape formats. Each matted and framed under glass. Each with photographer's copyright stamp on the verso. From an edition of 55. Städtisches Museum edition, Mönchengladbach. - The original portfolio box and the text sheet with edition number is not extant.ProvenanceFormerly Sal. Oppenheim collection, CologneLiteratureBernd und Hilla Becher, Anonyme Skulpturen. Eine Typologie technischer Bauten, Dusseldorf 1970, with ill.Subjects:1. Lime kiln, c. 1920, near Manbenge, Northern France, 19632. Winding tower, c. 1910, "Blaenserchan" Colliery, Pontypool, South Wales, 19663. Water tower, Liège, 19684. Cooling tower, c. 1950, "Victoria Mathias" colliery, Essen, Ruhr area, 19635. Silo and mixing plant of a construction site, Essen, Ruhr area 19656. Refinery, Lorraine, 19677. Gas container, c. 1880, London-Finchley, 19668. Gas container, 1959, Wuppertal, 19639. Container for charcoal, c. 1920, coking plant "Eschweiler Reserve", near Aachen, 196510. Winding tower, 1920, Fosse "Dutemple", Valenciennes, Northern France, 1967The ten photographs showing industrial buildings are from the edition published by the Städtische Museum Mönchengladbach on the occasion of the exhibition 'industriebauten, eine fotografische dokumentation von b. u. h. becher' [industrial buildings, a photographic documentary by b. u. h. becher] in 1968. At that time, the museum had no idea of the significance the artist couple would have for the development of photography and its establishment as a constant in the international art world. With their typological approach, the Bechers were not only founders of the 'Düsseldorfer Photoschule' [Düsseldorf School of Photography), but also role models for an entire generation of international artists and photographers working conceptionally.The photographs, taken with a 13 x 18 cm plate-back camera, show the Bechers' characteristic, objective, documentary view of the object. By choosing a raised, distanced location, allowing the entire building to be captured photographically and centred in the image, the photographs are based on a uniform formal structure. Nevertheless, despite any de-subjectification of the objects, the precision of the image capture always brings to light small peculiarities and details that make each photograph an individual portrait of the building shown. When considering the entirety of the photographs presented here, the impression of a certain shared family identity is created, which is not only due to the fact that the buildings share the fate of industrial culture in decline, but is also the result of Bernd and Hilla Becher's craftsmanship as photographers on location and in the darkroom.According to Hilla Becher the originally planned edition of 55 was not entirely realised at the time.We would like to thank Gabriele Conrath-Scholl (Die Photographische Sammlung/SK-Stiftung Kultur, Cologne) for helpful information.

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891962 item(s)/page